Takehiko Inoue MMF Roundup: Part Three

What started as a trickle has become a steady stream as the Takehiko Inoue MMF begins drawing to a close!

At Experiments in Manga, Ash brown checks out the second Vagabond VIZBIG omnibus, particularly praising the way battles in the series have lasting repercussions for the characters.

At Manga Report, Anna digs into the past for highlights from the Inoue archive page.

Animemiz posts about Inoue’s artwork at the New York City Kinokuniya location.

At Manga Village, the gang collects a bunch of quotes in praise of Inoue’s Slam Dunk and Lori Henderson gives Vagabond a try but ultimately concludes it’s just not her thing.

Lastly, be sure to check out this really interesting article at Manga Therapy that ponders the notion of strength, as depicted in Vagabond.

My thanks to all the contributors!

Takehiko Inoue MMF Roundup: Part Two

I’ve got a few more Inoue-riffic links to share with you today!

First up, Lori Henderson at Manga Village looks at volume 22 of Slam Dunk, the most recent volume to become available in English, and points out that this is one sports manga where the sport itself is perhaps more important than the typical shounen theme of striving for improvement.

Next, MJ and I devoted last night’s Off the Shelf column to a discussion of Inoue’s seinen wheelchair basketball series, Real, which we pretty much rave about unreservedly.

Lastly, my lovely cohost Anna contributes another review (love the Peter Sellers reference in the title!), wherein she shares her thoughts on the first six volumes of Slam Dunk. You might recall from our introductory post that she had yet to try the series, but I am happy to report that she likes it! She also writes really good concluding paragraphs, like this one:

One of the reasons why I liked it so much is that there’s a general feeling of warmth that you get when reading this manga. Sakuragi is often made fun of, but he’s portrayed with affection. He even inspires a bit of grudging respect from his teammates as his basketball skills keep getting better. As a bonus, the reader also gets treated to a variety of ’90s fashions and hairstyles. Inoue’s enthusiasm and love for the game informs the manga, making it seem more personal and interesting than a shonen manga that is developed by committee with the aid of magazine polls. After reading Slam Dunk, I can understand why it was one of the top-selling manga in Japan. If you haven’t tried reading Slam Dunk yet, don’t be an idiot like me and wait for several years—just pick up a few volumes as soon as possible.

What she said!

Takehiko Inoue MMF Roundup: Part One

The Takehiko Inoue MMF is underway and submissions are beginning to come in! I’ve got three of them to share this morning.

First up is a post from Matt at Matt Talks About Manga , where he talks about the first VIZBIG collection of Vagabond, comprising the first three volumes of the series. I have to admit that my favorite quote is, “The art. Oh, God, the art. It’s beyond fantastic.”

Next up is Ash at Experiments in Manga, who looks at the first two volumes of Inoue’s Slam Dunk for the My Week in Manga column.

Lastly, my cohost Anna checks out the first five volumes of Real at her site, Manga Report. She’s written the post as a volume-by-volume synopsis, pointing out the particular highlights of each, but my favorite observations are right at the end:

While Real centers around the wheelchair basketball world, it uses that setting as a way of exploring the underlying psychological issues of the protagonists. Nomiya desperately searches for a form of redemption. Hisanobu’s toxic habits of personality and thought patterns threaten to derail his rehabilitation. While there is no question that Togawa has the drive and personality to be an elite athlete, his lack of people skills while playing a team sport might threaten his bright future. Real is just an absolutely gripping manga, and I know I’m going to be seeking out the remaining translated volumes of the series as soon as possible.

Thanks to all contributors! And remember, if you want to participate… the MMF is running through June 30th and you can email me (swanjun at gmail dot com) with links to your submission!

Announcing the Takehiko Inoue Manga Moveable Feast!

What: A multi-blogger event focused on the works of Takehiko Inoue. (Those published in English include Slam Dunk, Vagabond, and Real.)

When: The week of June 24-30, 2012.

Who: Co-hosted by Michelle Smith and Anna Neatrour, participation open to all!

Why: Because we are both major Inoue fans and want to spread the love!

Where: Soliloquy in Blue (that’s here!) and Manga Report (that’s here!).

How: Anna will be maintaining the archive at Manga Report, so if you’ve written anything Inoue-related in the past that you’d like to be included, just send her an e-mail. Michelle will be posting daily MMF wrap-up reports at Soliloquy in Blue, so if you’re contributing new stuff, drop her a line. You can also post your link on Twitter using the hashtag #inouemmf. If you don’t have a blog of your own but would like to contribute, just let us know and we can make that happen!

Tidbits: Now We Are Six

Originally, this post was supposed to go up several months ago, when the sixth volumes of these series were newly released, but time conspired against me. And so, belatedly, I present reviews of volumes five and six of Kamisama Kiss and Oresama Teacher. Also included is perennial favorite Skip Beat!, which is on a similar trajectory, just twenty volumes ahead.

Kamisama Kiss, Vols. 5-6
It’s hard to believe now that I ever had my doubts about Kamisama Kiss, because I’m enjoying it more and more with each volume.

Volume five finds Nanami determined to correct public opinion that her shrine is a creepy, dangerous ruin, especially since her shinshi, Tomoe, works so hard to maintain it. And so, she decides to hold a festival, spending two weeks preparing for a special performance while soliciting amusingly misguided advice from her supernatural acquaintances. It’s a success in the end. In volume six, Nanami is called upon to compete against another human girl for a spot at a prestigious kami conference.

In these two volumes, mangaka Julietta Suzuki nicely balances the expansion of the supernatural world (including the introduction of several new characters) and Nanami’s abilities with further development in her relationship with Tomoe. It seems to me that Tomoe is finding himself somewhat in awe of his kami these days—particularly when purification powers on par with his first master’s manifest themselves—and also more prone to emotions like fondness and jealousy. One of the best things about their relationship is how he is able to encourage and reassure her before the festival without being condescending about it. “I acknowledged you as my master,” he says. “Don’t be afraid. Prove yourself to everyone… like you did to me.”

I think the main appeal for me is that Kamisama Kiss is shaping up to be the story of Nanami’s growth. She may be in love with Tomoe, but winning his affections is not her sole ambition, or even her focus. Instead, she wants to develop as a kami and become someone that her parishioners can depend upon and respect. Because progress has come slowly, watching her actually achieve some truly remarkable things in these volumes actually leaves me a little verklempt. This has become less a story about a human girl thrust into the wacky world of yokai and more about someone embracing their destiny and striving to reach their full potential. I eagerly look forward to the next volume.

Oresama Teacher, Vols. 5-6
I was worried there for a minute. It seemed to me that volume five was showing signs of Tsubaki-sensei running out of ideas, what with a chapter about Takaomi and Mafuyu helping a wealthy girl find love with her self-denying servant, a chapter about the school’s bancho being stalked by a flower fairy, and a chapter about the Student Council’s resident ninja gathering intel on the Public Morals Club.

Although it’s not the neatest bow—I still don’t fully grasp why the Student Council is so opposed to Takaomi’s plans to attract more non-delinquent students to Midorigaoka, but at least I have an inkling now—Tsubaki does manage to tie things together by the end of volume six. Okay, not the flower fairy bit, but the significance of Takaomi going out of his way to help Marika (the rich girl) ties in with the backstory of why he’s become a teacher and why he’s made a bet with the school’s director. It brings new depth to his character and even relates to some things he said back in volume one.

I also really enjoyed the chapter in which the members of the Public Morals Club—now including Shinobu the ninja, who has decided to obtain information on his enemies from within their midst—explore the school, finding oodles of empty classrooms and realizing that it was once a thriving place with high-caliber students. Also significant is that, when Mafuyu is frustrated by Takaomi refusal to reveal his true motivations, she complains that all she’d wanted was to be a regular high school girl, but then got forcibly recruited to his agenda. Hayasaka overhears and, thinking he has kept Mafuyu from the life she’d wished for, avoids her. Mafuyu attempts to hang out with some girls, but in the end realizes she prefers being with Hayasaka. It’s really sweet.

This description might make it sound as if the series has suddenly gone in a plot-heavy direction, but that’s not really the case. There’s definitely something happening, but there are still plenty of amusing moments. My favorite is when Hayasaka and Super Bun are reunited and we get a panel of her carrying him in her arms while he thinks, “You’re so dreamy!”

Skip Beat!, Vols. 25-26
It’s a rare series that still genuinely delights me this far into its run, but Skip Beat! consistently manages to do so. I think the key here is that Nakamura has developed a cast of characters whose personality quirks enable her to take the plot in unexpected directions.

For example, volume 25 is all about the aftermath of Valentine’s Day. Sho has learned that Kyoko gave chocolates to Reino, and so shows up on the set of Dark Moon with an ostentatious bouquet in hand. He’s not out to win Kyoko’s love—so her explanation of the true nature of the chocolates (hatred) makes no difference—he just wants all her thoughts to be focused on him once more, and he temporarily ensures this by stealing her first kiss. Kyoko freaks out, according to plan, and is briefly talked down by Ren, but when she gives Ren his own special valentine, he can’t resist driving thoughts of Sho out of her head by administering a smooch of his own. This one’s on the cheek and he plays it off as a foreigner’s expression of gratitude, but it definitely leaves a trace in her heart.

Backing away from all of this progress, Nakamura eases us into the next arc by having Kyoko and Kanae return to the Love-Me Section, where they are joined by new member Chiori Amamiya, a former child actress whom Kyoko recently inspired to regain her love for acting. Each girl receives a personalized assignment from Lory, and Kyoko’s involves picking up Cain Heel, a dangerous-looking guy who is the president’s guest. Turns out, this is Ren going undercover and Kyoko’s new assignment is to stay by his side as his doting and scantily clad goth sister, Setsuka. And they have to live together in a hotel room. Ordinarily, a twist like this would be completely out of left field, but because this is Lory and because this is Skip Beat! I can just roll with it and eagerly anticipate the complications that will ensue.

If you’ve never read Skip Beat! before, now is a great time to start, as an omnibus edition of the first three volumes has recently been released!

Review copies provided by the publisher.

The Lying Game, Books 2-3 by Sara Shepard

In which I catch up on The Lying Game and circumvent the fact that I don’t have much to say about these frothy books by offering two short reviews in one post.

Never Have I Ever
Former foster child Emma Paxton has assumed the life of her privileged (and murdered) twin sister, Sutton Mercer. The only person who knows her true identity is hunky loner, Ethan Landry.

In this, the second book of the series, Emma fairly promptly crosses her sister’s friends off the suspect list (after being convinced of their guilt in the first book) and sets her suspicions upon the so-called Twitter Twins, two girls who want retribution for a particularly cruel prank Sutton played on them. While Emma sleuths and gets into peril, Sutton’s ghost hangs around and occasionally informs the reader about the small flashes of memory she conveniently experiences.

It’s hard to know what to say about a book like this. It’s teen suspense by the author of Pretty Little Liars, which means that there will be a fair amount of bad decision-making and ridiculous drama that somehow ends up being addictive anyway. I mean, it’s inconceivable that the twins are really Sutton’s killers—this is book two out of four, after all—and none of these girls is particularly likeable, but have I acquired the third book from Audible* and loaded it onto my .mp3 player with the intention of starting it as soon as I finish this review? You bet I have!

* Dear audiobook narrator,
Please learn to pronounce the letter T. Shirts don’t have buh-ins, windows don’t have cur-ins, and Facebook posts aren’t wrih-in.

Two Truths and a Lie
Usually, these books are pretty fun to read, even if they are silly, but Two Truths and a Lie sucked the enjoyment out of the experience by relying on one of my most disliked YA plots: there is angst, and the heroine could do something simple and obvious to fix it, but she is convinced for some inexplicable reason that she cannot do this thing to fix it, so things just get worse and worse until she finally does the simple and obvious thing, at which point the angst is dispelled.

In this particular instance, Sutton’s sister Laurel has discovered that Emma (in the guise of Sutton) has a secret relationship with Ethan. So, Laurel proposes that Sutton’s friends play a nasty prank on him, ‘cos that is apparently what they do. It takes Emma ages to realize that she could easily a) warn Ethan or b) tell her friends that she likes him. I also get the feeling Sara Shepard was under some Meg Cabot-like time constraint with regards to getting this book ready for publication, so she resorted to Meg Cabot-like tactics for fleshing out one’s word count, like reiterating obvious things like, “Wait, so he was at the hospital the night Sutton died? Then he couldn’t have killed her!” Uh, yes, I got that.

Like the other books in the series, this one focuses on one main suspect for Sutton’s murder who is ultimately cleared in the end. Again, there was no chance of the killer being identified before the series conclusion, and therefore no real suspense. I also do not believe that the suspect suggested at the very end of the book will wind up to be the actual perpetrator, ‘cos that leaves no room for surprise twists.

I gripe, and yet I am first in the library queue for Hide and Seek, the fourth and ostensibly final volume, which is due in July.

Conspiracy 365: January – March by Gabrielle Lord

For 2012, the three of us at Triple Take have decided to focus on YA fiction from Australia and New Zealand. First up is the first volume (January) of Gabrielle Lord’s Conspiracy 365 series, in which a teenage boy named Cal must survive attacks on his life for the next 365 days whilst investigating his father’s mysterious death. The publishing schedule was pretty nifty for this series, with the first twelve books (named after the months of the year) coming out throughout 2010 during the month reflected in their title. The thirteenth book in the series, Revenge, was published in Australia in October 2011, but hasn’t made it to the US yet.

Because I couldn’t read just one, please enjoy the first three books in the series, with more to follow!

Conspiracy 365: January
Fifteen-year-old Callum Ormond thought his father’s death six months ago was due to illness, but when a crazy-seeming figure (in requisite billowing black cloak) accosts him on New Year’s Eve and tells him his father was killed over something called “the Ormond Singularity,” he begins to wonder. Initially downplaying the warning that he himself should hide out for the next year, he is soon plagued by perils including: nearly drowning in a storm at sea, sharks, a sneaky uncle, foreclosure, fire bombs, kidnappers, criminals, and life as a fugitive. Aided by his friend Boges (no clue how to pronounce that), he tracks down some drawings his father made in his final days (which are reproduced in the book) and attempts to decipher their meaning, all while hiding out from the bad guys, the authorities, and his family.

It’s hard to really know what to say about January, since it’s almost entirely action. “Fast-paced but really kind of… empty” is a phrase from my notes that seems to sum it up best. That’s not to say I disliked it, because it was pretty entertaining. Okay, yes, already the repeated kidnappings are wearing thin, but it really does feel a bit like a 24 for teens, with Boges filling the role of Chloe to Cal’s Jack Bauer. This is aided by the way the story is written, noting the date and time for each first-person entry (though sometimes these occur during moments when one generally wouldn’t pause to describe what’s happening, like when trapped in the trunk of a car) and counting down the days until safety. The pages are numbered backwards, as well, which is a neat touch.

In addition, Cal seems like a pretty good kid. (You know you’re old when, instead of being fully swept away by the adventure, you’re thinking, “Aw, he’s thinking about how worried his mom must be. What a nice boy.”) I genuinely have no idea how he’s going to get out of the situation he finds himself in at the conclusion of this installment, but that’s okay because I have February right here!

Conspiracy 365: February
The basic plot of the February installment of Conspiracy 365 can be summed up as: Cal hides a lot, and also runs a lot. Perils faced by the teen fugitive include nearly drowning in a storm drain, nefarious people circulating recent pictures of him, and a freakin’ lion, which I thought was going to be the most eyeroll-inducing part of the book until the final pages saw him trapped on the tracks while the driver of an oncoming subway train frantically applies the brakes.

A teensy bit of progress is made toward solving the Ormond Riddle, as it appears that one of the drawings Cal’s dad made references the statue of an ancestor who died in the first World War. But that’s it. There’s no real change in Cal’s situation or his goals, unless you count the introduction of Winter Frey, ward of one of the guys out to get Cal. She proves useful, but may not be trustworthy.

Like January, this is a fast-paced and decently enjoyable read, eyerolling aside, but it’s difficult to find much of anything to say about it beyond that. I predict this will be the case for the next handful of volumes until some answers are actually forthcoming. I further predict that the answers will be rather lame, but I still intend to persevere.

Conspiracy 365: March
At first, I thought I was going to need the next batch of three installments immediately after finishing these, but now I’m ready for a break. It’s not that this series is bad, because it isn’t. But it is very repetitive, and the format enforces some implausible behavior on to the characters.

In support of the “repetitive” claim:
• In volume one, Callum has a wildlife encounter with a shark. He ends the volume in mortal peril.

• In volume two, Callum is rescued by a stranger, who becomes somewhat of an ally. Callum has a wildlife encounter with a lion. He ends the volume in mortal peril.

• In volume three, Callum is rescued by a stranger, who becomes somewhat of an ally. Callum has a wildlife encounter with a venomous snake. He ends the volume in mortal peril.

It’s probably not a good thing when your readers burst out laughing when the protagonist is bitten by a death adder! This makes me wonder what creatures will appear in later volumes. I am thinking there will be a bear. Are there bears in Australia? And there’s gotta be a dingo!

Regarding the implausible behavior… back in volume one, Callum discovered a slip of paper with two words on it, possibly the names of places in Ireland, where his dad discovered the details of this big family secret. Since that time, he’s been in internet cafés a number of times but only now, two months later, does it occur to him that he ought to look them up online. He also tries a couple of times to contact a former coworker of his father’s by calling the office, only to find the guy is out on sick leave. Why doesn’t he, say, find a phone book and try looking up the guy’s home number? Maybe we’ll have to wait until May for him to think of that.

More reviews of this series will follow eventually. In the meantime, feel free to make predictions for future wildlife encounters in the comments.

Additional reviews of Conspiracy 365: January can be found at Triple Take.

Psyren, Vols. 1-2

By Toshiaki Iwashiro | Published by VIZ Media

Ageha Yoshina is a first-year highschool student who channels his passion for fighting into helping people (for a fee). When classmate Sakurako Amamiya goes missing, he can’t just ignore it, particularly since she seems to know something about Psyren, a mysterious organization that recently issued Ageha a phone card when he answered a ringing public phone. The quest to find Sakurako leads Ageha to Psyren itself, which is not so much an organization as a place—a dangerous dimension where a chosen few (known as Psyren Drifters) brave the harsh landscape and murderous denizens to reach a particular gate, at which point they return home to be called again in the future, using the interval to learn more about Psyren and hone the psionic skills that Psyren’s atmosphere has infected them with.

I wasn’t sure what to think of Psyren at first. It starts slowly, and neither Ageha nor Sakurako are particularly distinct characters (Ageha because he’s so like every other shounen hero and Sakurako because Iwashiro-sensei is admittedly not aiming for any kind of consistency in her characterization). Once Hiryu—a formerly wimpy elementary school classmate who is now simultaneously hulking and thoughtful—arrives, however, things begin to improve. He provides a foil against which Ageha can be compared, which makes their psionic training sessions (in which Hiryu excels with concentrated effort and Ageha fails time and time again until he unleashes a powerful, uncontrolled burst) pretty fun.

It also helps that the concept of Psyren has elements that remind me of other series: the giant insectoid creatures and dire depiction of Japan’s future remind me of 7SEEDS, the cyborgish enemies remind me of BLAME!, and the contract by which unwitting participants are forced to risk their lives for some vaguely explained purpose reminds me of Bokurano: Ours. It remains to be seen whether Psyren will truly turn out to be as great as these other series, but it does have a dark edge—hinting that one’s performance in the game can somehow impact Earth’s future—that I appreciate.

To be sure, Psyren is not perfect. As mentioned, the main problem is Sakurako. She, quite literally, seems to change personality from panel to panel. At first, I thought that maybe this was happening because she’d used her psionic abilities so much that it had affected her mind, but after Iwashiro’s confession—“I was very careful when portraying [heroine of previous series]’s personality, but I’ve tempered that tendency, allowing for more of a kaleidoscopic view of Sakurako”—that doesn’t seem to be the case. Too, I feel like we’re supposed to find Matsuri-sensei, the concert pianist/biker chick who has beaten the Psyren game, cool and awesome, but she just makes me yawn.

Ultimately, Psyren is better than I thought it would be. It’s also, at sixteen volumes, not a sprawling epic that would require a huge commitment. At the moment, at least, I plan to continue for the long haul.

Psyren is published in English by VIZ Media. The third volume came out this week. The series is complete in Japan with sixteen volumes.

Review copies provided by the publisher.

Death Comes to Pemberley by P. D. James

From the back cover:
P. D. James draws the characters of Jane Austen’s beloved novel Pride and Prejudice into a tale of murder and emotional mayhem.

It is 1803, six years since Elizabeth and Darcy embarked on their life together at Pemberley, Darcy’s magnificent estate. Elizabeth has found her footing as the chatelaine of the great house. Elizabeth’s sister Jane and her husband, Bingley, live nearby; her father visits often; there is optimistic talk about the prospects of marriage for Darcy’s sister Georgiana. And preparations are under way for their much-anticipated annual autumn ball.

Then, on the eve of the ball, the patrician idyll is shattered. A coach careens up to the drive carrying Lydia, Elizabeth’s disgraced sister, who with her husband, the very dubious Wickham, has been banned from Pemberley. She stumbles out of the carriage, hysterical, shrieking that Wickham has been murdered. With shocking suddenness, Pemberley is plunged into a frightening mystery.

Review:
When I learned about this book on NPR, I was torn between trepidation and mad curiosity. The latter, as you can see, won out, mostly because I am a huge fan of P. D. James and if figured that if anyone could treat Austen’s material with respect, she could. And, indeed, her treatment of these beloved characters did not give any offense, but neither did it give anything near the delight inspired by Austen’s original work.

First, a brief summary of the plot. It is Autumn 1803. Elizabeth and Darcy have been happily married for six years and have two sons. On the eve of the annual ball at Pemberley, Elizabeth’s willful sister Lydia shows up unannounced (and uninvited), freaking out because she and the coachman heard gunshots soon after her no-good husband Wickham went into the woods after his friend, Captain Denny. A search party finds a drunken Wickham with Denny’s body, at which point he utters words to the effect of, “It’s my fault. He was my only friend, and I have killed him.” The local magistrate conducts his inquiries, there is a formal inquest, there is a trial, and then the full story is revealed.

As a Pride and Prejudice continuation, the book is not odious. It is, however, lacking any of Austen’s sparkle. Events leave Elizabeth and Darcy little time to be alone together, except at the very end, where James tacks on an epilogue in which Darcy, after six years, suddenly apologizes for some of his conduct in the original novel. It makes me wonder whether James believes readers could not surmise that Darcy would feel regret over his more snooty actions without spelling it out. Gone too are Austen’s sly and thoughtful observations upon society, except for one brief instance wherein chronic invalids are suddenly recovered sufficiently to attend church in the hopes of catching a glimpse of the Pemberley residents.

The result, therefore, is a book that is dreadfully dull. I was relieved to see that Elizabeth and Darcy do not suddenly become sleuths, but found the revelation of what really happened in the woodland to be rather vague and unsatisfying. While I cannot condemn the book for any particular sin, about the only praise I can muster is that James does provide some interesting fates for various characters and proposes an intriguing complication regarding Wickham’s attempted elopement with Georgiana Darcy.

Is it worth reading? No, not really. But I doubt anyone will feel the urge to hurl the book across the room in disgust, either.

Hallowed Murder by Ellen Hart

From the back cover:
The police call Allison’s drowning a suicide, but her housemates at her University of Minnesota sorority insist it was murder. That’s when alumnae advisor Jane Lawless steps in to find out the truth.

Abetted by her irrepressible sidekick Cordelia, Jane searches for clues, and what she finds is as chilling as the Minnesota winter—for in those icy drifts, at a lonely vacation house, she risks everything to ensnare a cunning killer…

Review:
Minneapolis restaurateur Jane Lawless has volunteered to serve as an alumnae advisor for her former sorrority, Kappa Alpha Sigma. One morning, while out exercising with her reluctant friend, Cordelia Thorn, Jane discovers the body of one of the girls, Allison Lord. When the local police are quick to dismiss Allison’s death as suicide (which they attribute to confusion over her sexuality), Jane decides to do a little investigating of her own, eventually concluding that she’ll need to set herself up as bait to catch the killer.

I didn’t outright dislike Hallowed Murder, but it does have some major problems. Most significant is the fact that the culprit is not a surprise, thanks to a brief opening chapter that reveals their motive. Other aspects of the mystery are less transparent, though, and Hart at least managed to make me briefly suspect other characters. And speaking of the characters…. Jane is okay, and I like the aura of sadness that clings to her after the death of her long-time partner, Christine, but her friend Cordelia seems to have just one mode—obnoxious. Jane’s brother makes a couple brief appearances, but he is utterly insubstantial. Then there are the victim’s three closest friends, one of whom we scarcely meet before she apparently drops out of the sorority off-camera. Again, it’s not exactly bad, but it’s all quite superficial.

The same can be said of Hart’s writing style. As I look now at the quotes I jotted down, they don’t look so objectionable, but while I was reading they were jarringly simplistic. Too much tell, not enough show. Here are a couple of examples:

The early morning mist had settled around the base of the old bridge, making it appear to float above the water. It looked like a stage set. A perfect setting for a murder. Cordelia shuddered at her own morbidity.

Jane looked around at the young man taking notes. She had never been interrogated by the police before and did not like her words being cast in stone on some stenographer’s pad.

That second one could’ve been “Jane looked uneasily at the young man taking notes,” and it would’ve communicated all of that without seeming so… prim. This was a common problem, with dialogue and character thoughts frequently coming across as stiff and unnatural. Characters were also exceedingly forthcoming with their prejudices. Now, true, this was published in 1989, so perhaps open homophobia was more common, but characters with these opinions don’t even try to disguise them, and generally have no other positive attributes that would make them more three-dimensional—they’re just being used as ignorant mouthpieces. Here’s a quote from Susan Julian, another sorority advisor, after she learns about Allison’s sexual preference:

Having allowed a—I even hate to say the word—lesbian in our midst would destroy our reputation. We can only hope it doesn’t make the papers. I mean, no one would feel safe joining.

I haven’t yet decided whether to read Vital Lies, the second Jane Lawless mystery. The excerpt included in the back of my paperback was not very promising, but some mystery writers do improve over time. And, of course, Hart earns bonus points for managing to mention both Richard III and Doctor Who.

Additional reviews of Hallowed Murder can be found at Triple Take.