Monster 11 by Naoki Urasawa: A-

From the back cover:
More pieces of the puzzle to Johan’s past are uncovered in Prague! Everyone is after an old tape recording of an interview with Johan as a child, and Tenma learns more about Johan’s mother—a beautiful woman taken away by the secret police. And then Johan makes his presence known when a brilliant young detective of the Prague Police Department is accused of poisoning three of his superiors… with whiskey bonbons.

Review:
A timeline! Well, sort of. At least, there’s a chart with character descriptions and relationships, though it seems to indicate that the action in Prague is happening in 1996, which contradicts the letter Dr. Reichwein wrote a few volumes ago that was dated 1997. Maybe everyone is confused about the passage of time in this series! Anyway, on to the list.

Awesome Things:
1. The reveal about Grimmer’s background. I probably should’ve expected that, but I didn’t.

2. The truth behind the “Is Nina killing people?” subplot. I had considered this possibility, but the grand reveal was still nifty.

Super Awesome Things:
The tape! Any scene involving the tape is simply fabulous, the last chapter particularly.

Confusing Things:
1. Nina’s identity crisis. Nina returns to her childhood home and reawakens some memories, one of which involves welcoming herself home. Several times during this volume I had to remind myself that it’s confirmed that Nina and Johan are not the same person, because it kind of seemed that’s where the story was trying to go.

2. Johan’s agenda. It’s been stated previously that he enjoys playing with humans as if they were ants, just to mess things up. So, is he simply having fun making bad situations worse, or what? I still have no idea whether he has a grand goal or what it could possibly be. I also wonder how he always knows what’s going on, when shady organizations are making their move, etc.

I also have to wonder how exactly learning about Johan’s past is going to lead to some kind of resolution to the story. Granted, there are still seven volumes left, but as of right now, I have absolutely no clue how this will all end.

Monster 10 by Naoki Urasawa: A-

From the back cover:
“Cedok Bridge, the three frogs… the mother of the twins is in Prague.” A cryptic message from wealthy financier Schuwald sends Tenma to the city of a hundred spires. There, he meets Grimmer, an investigative reporter tracking down the former director of the infamous 511 Kinderheim orphanage. Could it be that the horrific experiments of the past are being recreated in Prague?

Review:
The intense events of Munich are left behind in this volume as Tenma travels to Prague to follow a tip from Schuwald. Most of the events are actually told from the perspective of freelance journalist Grimmer, who’s a very likable guy looking into abuse allegations at 511 Kinderheim.

The change of venue offered by this shift in the story is actually quite welcome, as it offers a slightly lighter read, even though there was a torture scene that was painful to watch. Two cool new characters are introduced, too. Grimmer helps Tenma out on a couple of occasions and discovers the location of a tape that will reveal more information about Johan’s past. Detective Suk is a newcomer to his job, very clean and earnest, but as he investigates the murder of his superior, he begins to realize that some people on the police force are not as respectable as they seem. Both are excellent examples of how Urasawa can introduce a new character and have him feel well-developed pretty much instantly.

Nina has also made her way to Prague and might possibly be killing people. It’s not certain yet, but it would be interesting if true. The picture book that freaked Johan out did make me think there might be a dark side to Nina, and it was she, not Tenma, who was capable of shooting at Johan during the book donation ceremony.

I like the direction the story has taken, and hope these new characters stick around.

Monster 9 by Naoki Urasawa: A

From the back cover:
When an unusual children’s book causes a disturbing reaction in Johan, it may provide an ideal opportunity for Tenma to fire a well-aimed sniper shot. Could this curious book created by an obscure Czech writer also be the key to unlocking more secrets of Johan’s enigmatic past?

Review:
I doubt any book donation ceremony has ever been as exciting as the one in this volume! I seem, however, to be lapsing back into plot summary with my reviews (Connie had a similar problem with this series), so will try very hard to fight that tendency. Maybe if I limit myself to lists it’ll help.

Awesome Things:
1. Interesting older characters. There’s a whole scene occurring between two older guys—Schuwald and Dr. Reichwein. The latter is kind of badass, too, even if he does look like Wilford Brimley.

2. Tenma’s confrontation with Roberto (!) and later with Johan. I also like how he muses upon past events while waiting for his opportunity to shoot Johan. It’s a neat way to remind the audience how things got to that point.

3. The growing group of people who are trying to unravel the Johan mystery. This includes Dieter, who is absolutely adorable and keeps foisting kaiser rolls on distressed people who need to eat.

Super Awesome Things:
The picture book! I was totally blown away by the inclusion of these sepia-toned pages telling the story that so freaked out Johan. Not only are they beautiful, but the tale is nice and creepy, too.

Slightly Confusing Things:
1. The mystery of Johan’s already muddled past thickens, as there is evidently a connection between his mother and Karl’s (the university student who is Schuwald’s son) back in Prague.

2. I can’t tell yet whether Lunge believes in Johan’s existence or not. He seems to, but he is kind of crazy himself and prefers his version of reality where Tenma is the killer, despite any evidence presented to the contrary.

There. That did work out better.

Monster 8 by Naoki Urasawa: A-

From the back cover:
Tenma is hot on Johan’s trail and he’s more determined than ever. Now in top physical condition and armed with a high-performance sniper rifle, has Tenma acquired the keen hunter’s edge necessary to bag his prey? Or will his physician’s instincts prevent him from carrying out his dreaded task?

Review:
The first and last chapters were the best in this volume, though, as ever, the whole thing was consistently good.

In the first chapter, Inspector Lunge pays a visit to Dr. Gillen, having seen the classified ad for Tenma that the latter placed (in volume seven) in the paper. Gillen analyzes Lunge some, which is great, and also shares with him the data on the various killings surrounding the elderly billionaire, Schuwald. Lunge proves once again how awesome he is by pretending to be swayed, saying he might’ve made a mistake in disbelieving Tenma’s story about Johan, and getting Gillen to tell him where Tenma is likely to be now.

Throughout the volume, Tenma has been observing Johan and plotting when and where would be the best place to shoot him. He finally decides on a ceremony for the donation of Schuwald’s book collection to the university library, and the very end of the volume is him hiding atop a stack with his sniper rifle while the library gets locked up for the night. It’s a terrific cliffhanger, and a pretty clever plot, too.

And in between, there are some entertaining chapters about the students at Munich University, an old guy in a forest, a game Johan instigated wherein children fall to their deaths from rooftops, a teen underground doctor, a prostitute’s attempt to blackmail Johan, Lunge’s efforts to understand Japanese people, and a very peculiar Czech picture book that makes Johan break out screaming and collapse. Like always, the side stories are never dull, but the picture book was obviously the most interesting development.

The passage of time issue continues to bother me. For example, Lunge refers to the events of volume five, wherein Tenma was almost nabbed by police while meeting with Dr. Gillen, as having happened in “May of last year.” Later, Lunge says that the classified ad was scheduled to run “from the 1st to the 22nd of May.” Does that mean that several weeks passed between volumes five and seven, or a year? I’m inclined to think the latter, since in volume seven, Dr. Reichwein was seen writing Dr. Gillen on 1.3.97 (March, by the European date format), but in volume six, Eva was talking about the events of volume one as having been a year ago, which seemed about right, so… I’m all confused.

The Walking Man by Jiro Taniguchi: A

From the inner flap:
Who takes the time these days to climb a tree in bare feet to rescue a child’s toy? To stop and observe the birds? To play in the puddles after a storm? To go down to the sea to put back a shell? The Walking Man does as he strolls at random through urban Japan—often silent, often alone—with his vivid dreams that let time stand still.

Review:
There are eighteen walks in this collection and some similarities among them. Many feature encounters with the elements and with neighborhood animals, for example, a few are entirely wordless, and some involve running into the same people multiple times in the course of a stroll.

The art is the real star of The Walking Man, though by his actions, the nameless protagonist proves himself to be gentle, thoughtful, and kind. One of my favorite panels occurs in “Around Town,” when the walking man is looking at a fairly busy part of town. The page, and his view, is suddenly interrupted by a narrow panel of a train whizzing past. Sometimes, as in “A Nice Hot Bath,” you’ll get chapters with pouring rain in practically every panel. I also love “A Shattered Landscape,” in which the walking man’s glasses get broken, and Taniguchi draws fractured images (if he has them on) or blurry ones (if he takes them off). The best part about that chapter is when his wife also tries them on at the end.

Taniguchi also excels at visual storytelling. The Walking Man is probably the best example you could find on showing the readers something rather than simply telling them. Early on, the family dog, Snowy, who is the only creature whose name is revealed, unearths a seashell in the garden. Later, in the story called “Down to the Sea Again,” the walking man and his wife take a trip out to the coast to return the shell. By the way the wife walks and explores, and how she hops up on a concrete barrier to walk along, one can see how well-suited she and her husband are. In the chapter “Lost and Found,” Taniguchi uses clues like a panting dog and the removal of the walking man’s coat to indicate how hot it is outside.

The stories cited above are among my favorites, but I also quite like “The Long Trail,” in which the walking man and an older fellow keep passing each other on a trail, but end up walking together by the end. Really, there are no bad parts, though I didn’t like the final chapter, entitled “Ten Years Later,” as much as the others. It’s the only one to feature narration of the walking man’s thoughts as he walks, and I found I liked it better without.

The Walking Man is sure to appeal to anyone who has ever enjoyed taking life slowly and simply admiring their surroundings.

Monster 7 by Naoki Urasawa: A-

From the back cover:
When Johan works his way into the inner circle of powerful financier Hans Schuwald, things get dicey for Richard Brown, a private detective hired to find Schuwald’s long-lost son. As Richard edges closer to a horrifying truth, his path clashes with Johan’s hidden agenda—and his unfortunate fate is all but sealed.

Review:
I’d say the back cover blurb was spoilery, but really, that’s pretty much what happens when you interfere with Johan.

Tenma appears very little this volume, which mostly focuses on the efforts of Richard Brown, an ex-cop turned private detective, to work out what his unsolved cases have in common. I love how Urasawa is able to flesh out this character so well and so quickly. Plus, his investigation is interesting, since it seems to indicate that Johan systematically murdered people close to the rich old dude (from the last volume) over a period of years to ensure he’d be good and lonely when Johan’s plan came to fruition.

I also like how everything Johan does is suspicious and how it’s not been confirmed yet whether the multiple personality thing is true. There’s a scene where I was sure he was going to betray a friend in a very straightforward way, and was dreading that even more than further killing, but then it didn’t play out as I was expecting. While on the one hand I really like being puzzled about Johan’s mental state and motives, sometimes the confusion gets to be a bit much. He has so many plots and schemes going that it’s difficult to keep them straight, and I really have no idea what’s up with these people pretending to be his parents.

Another thing I like about this volume is that Richard’s former therapist gets into the act of trying to prove Johan’s guilt, and brings the clinical psychologist from volume five back to help. Even though Tenma isn’t trying to prove his innocence, it’s still heartening to see that he isn’t alone anymore. Volume seven ends on a cliffhanger (I love Deiter) but I think I may need a mental palate cleanser before tackling volume eight.

Monster 6 by Naoki Urasawa: B+

From the back cover:
Tenma’s former fiancée Eva Heinneman’s life has gone downhill since the death of her father and her breakup with Tenma. Now she’s involved with a menacing man with a shady past and a mysterious connection to Johan. Meanwhile, Johan has worked his way into the graces of a powerful but lonely old financier. Could Johan be targeting this man for more than just his money?

Review:
Volume six picks up directly where the previous one left off, with Tenma fleeing the copycat crime scene where he had encountered Inspector Lunge. Lunge, for his part, is delayed in pursuit by the copycat killer, but this results in an AWESOME scene where Tenma is in a car, trying to get it to start, when Lunge suddenly appears and taps on the window. My reaction can only be described as, “Eeeee!” The rest of this first chapter is also great, as Lunge is wounded and Tenma would like to treat him, but Lunge is fixated on getting Tenma to confess.

Unfortunately, the rest of the volume is not as riveting, though it’s at least interesting. The story checks back in with Eva, who has hooked up with an assassin in Johan’s employ. He uses her to try to get into an ultra-secure villa where Tenma is treating a patient, but she betrays him, he shoots her, and, of course, Tenma patches her up. There’s a terrific panel at the end of these chapters where Eva is sharing a meal with the other guy (a criminal) that Tenma had been treating. It’s the perfect place for her to be at the moment, I think.

The last few chapters involve a likable pair of college students who work part-time for a very rich old man. One of them is writing a paper on him while the other is actually his son. Someone else is also claiming to be his son, so they team up to figure out who. Johan is involved for some as yet undisclosed reason, but what’s interesting about this story is that Johan either truly suffers from multiple personality disorder and is seen in his nice persona here, or he’s a manipulative actor extraordinaire. I lean toward the latter interpretation at present.

One thing that frustrates me about the series is it’s hard to tell exactly how much time has passed. As near as I can figure, it’s a little less than a year since Tenma was forced to go on the run, but it would be nice to be thrown an exact date every once in a while. Also, while these side trips are good, they’re not want I want to be reading about. Probably this is on purpose, though, to stoke the anticipation for a Tenma and Lunge reunion so that it’ll be extra exciting when it happens. If that’s the case, it’s certainly working.

Life As We Knew It by Susan Beth Pfeffer: B-

From the back cover:
When Miranda first hears the warnings that a meteor is headed on a collision path with the moon, they just sound like an excuse for extra homework assignments. But her disbelief turns to fear in a split second as the entire world witnesses a lunar impact that knocks the moon closer in orbit, catastrophically altering the earth’s climate.

Everything else in Miranda’s life fades away as supermarkets run out of food, gas goes up to more than ten dollars a gallon, and school is closed indefinitely. But what Miranda and her family don’t realize is that the worst is yet to come.

Told in Miranda’s diary entries, this is a heart-pounding account of her struggle to hold on to the most important resource of all—hope—in an increasingly desperate and unfamiliar time.

Review:
This book is like a cross between The Princess Diaries and Parable of the Sower, only the average likability factor of Mia and Lauren (the protagonists of those books) far exceeds that of Life As We Knew It‘s Miranda. Mix in a generous dollop of a whiny and grating teen (I must admit that Dawn from Buffy the Vampire Slayer would fit the bill) and it’ll be about right.

The plot involves an asteroid that is due to impact the moon. Astronomers encourage folks to go outside and watch this rare phenomenon, but nobody realizes there was an error in the calculations. The moon ends up knocked scarily close to earth, and causes all kinds of environmental repercussions, like tsunamis and volcanic explosions. Millions die. Conditions for the survivors worsen and, like Parable of the Sower, folks figure off “anywhere is better than here,” and so head off to supposedly better places, never to be heard from again.

Miranda’s world gradually shrinks throughout this ordeal until she and her family are living huddled up in the one room of their house with a wood stove. She begins the book (told in a series of journal entries) by complaining about tests and drama with her friends, passes through a period where she inanely prattles on about kissing, and finally, with agonizing slowness, (mostly) stops being so self-pitying and resolves to be more appreciative of what she has, since her family is better off than most. I figured such character growth would be occurring, but was annoyed that at several points she appeared to be on the verge of improvement, only to lapse and instigate petty and annoying arguments with her mother. I suppose this cycle of progress and regression is normal, but that doesn’t make it fun to read about.

While I might not have liked Miranda for the majority of the book, I still really liked hearing about the creepy and disturbing deterioration of civilization that the lunar disaster caused. Part of me is a little unnerved that I seem to enjoy details like that, but when I hear a newscaster announce that the Statue of Liberty has been washed out to sea, I think, “Cool!” Pfeffer also does a good job at conveying the family’s sense of isolation as well as the monotony of having canned tuna and string beans day after day. I like the ending, too.

There’s a not-quite sequel to this book, The Dead and the Gone, which recounts the same events from a different character’s perspective. I plan to check it out.

Monster 5 by Naoki Urasawa: A

From the back cover:
Suspecting that Johan suffers from a multiple personality disorder, Dr. Tenma calls upon expert criminal psychologist Rudy Gillen to help him in his campaign to stop Johan. But will Dr. Gillen come to the same conclusion as the authorities—that Tenma is the killer with the split personality?

Review:
Wow, this volume is really good! I’m sure I could spend several hundred words just detailing everything that happened, but I’m going to try to avoid doing that.

The highlights for me are the first few and last few chapters. In the former, Tenma consults with a former classmate who is an expert in criminal psychology. Once he hears Tenma’s story, the classmate is dubious about Johan’s existence. It’s really neat seeing this dude interviewing an inmate, and then how that fellow’s story actually proves Johan is real. Also cool is that Tenma says he’s not out to prove his innocence, yet he manages to convince a traveling British couple of that fact when he refuses to abandon them when they have car trouble.

The middle is devoted to Anna and one of the detectives responsible for killing her parents. It’s useful, both to tie up loose ends and show what she’s up to, but it doesn’t really hold a candle to the smattering of scenes Tenma and Inpsector Lunge share. The last couple of chapters are absolutely phenomenal, as Inspector Lunge uses a copycat killing similar to Johan’s M.O. to lure Tenma out. This is such a clever plot twist; I am really impressed.

I certainly hope this cat and mouse game between Tenma and Lunge continues to the end of the series; it’s my favorite aspect of a great manga. I am literally going to be starting volume six in about five minutes.

Venus in Love 5 by Yuki Nakaji: B

Venus in Love is a cozy shojo romance that seems to firmly belong in the era of titles like Marmalade Boy, except without as much angst.

College students Suzuna Ashihara and Eichi Uozumi have been friends and neighbors for couple of years now. They both started off liking the same guy, but have gradually begun to realize that they might actually fancy each other instead. And when I say gradually, I mean it. A year ago, they shared a kiss at Christmas, and the holidays have just about rolled around again before they have their second smooch at an amusement park. And yet they still aren’t dating. They’ve both acknowledged their feelings to themselves at this point (and I do like that we also get Eichi’s perspective of this process, as well), but have not yet managed to confess and solidify their status as a couple.

The chapters in this volume are all self-contained and manage to make some progress toward official couplehood for Suzuna and Eichi. Mostly, though, they’re just cute. There’s the one where they go to the zoo and are happy, the one where they go to the aquarium and are happy, et cetera. My favorite is the chapter where Suzuna takes a job working nights at a convenience store in order to buy cavity-ridden Eichi a swanky toothbrush for Valentine’s Day. He gets wind of her job and secretly watches over her every night to ensure nothing bad happens to her.

The one complaint I really have about this series is its over-reliance on silly shojo clichés. I swear Suzuna must trip or stumble at least three times in this volume and accidentally falls asleep on a boy twice. It got so that I’d heave a great sigh whenever such an act was repeated, which detracts from the overall pleasant reading experience Venus in Love provides.

Review originally published at Manga Recon.