Tsubasa RESERVoir CHRoNiCLE 14 by CLAMP: B+

From the back cover:
The odd group of dimension travelers arrives in a country full of magic seeking a book that may hold the key to finding one of Princess Sakura’s powerful memory feathers. But the volume they need turns out to be a national treasure, off limits to the public. Now Syaoran, Kurogane, and the others must brave traps, ravenous beasts, and some of the universe’s strongest magicians in order to steal the book. When it comes down to enchantments versus martial arts skills, can the team pull off the biggest caper of their career so far?

Review:
A lot of important stuff went down in this volume and, though the individual chapters often seemed short and occasionally uneventful, the whole was definitely greater than the sum of its parts.

In addition to learning a little bit more about the motivations of the villain, readers also learned more about the main characters, as two of them displayed previously unseen sides of themselves. While battling for access to the book containing Sakura’s feather, Syaoran seemed briefly to be taken over by a more ruthless fighter. Kurogane noticed something afoot immediately. Later, when the group’s escape attempts were thwarted, Fai relented and performed some magic so they could transport to another world. “First one and now the next!” Kurogane noted.

By the end of the volume, the tone of the story had become quite serious. I thoroughly approve! It really seems that things are going somewhere at last.

Tsubasa RESERVoir CHRoNiCLE 13 by CLAMP: B+

From the back cover:
Five friends must journey through time and space to lift a curse from beautiful Princess Sakura. Their quest now leads them to a world of magic and mysterious learning. Syaoran, the princess’s young but fierce defender, is awestruck by this new world’s enormous library. But when he opens one of the books, he is suddenly whisked away to a different dimension—a rough, barbaric place that resembles medieval Japan.

There he witnesses the hardships faced by the family of a feudal lord who looks surprisingly like Syaoran’s gruff companion Kurogane. Now Syaoran must figure out how he was transported… if he ever hopes to see Sakura again!

Review:
This volume started kind of slowly, but finished strong. Turns out, a magic book with the power to reveal one person’s memories to another had been handled by Kurogane before it was passed to Syaoran, and so Syaoran took an accidental tour through some of Kurogane’s past. The first few chapters were okay, but Syaoran kept intruding on Kurogane’s memories as he took ages to figure out what was going on, causing the reader to go “Duh! Of course you’re in the world of the book! Didn’t you read Fushigi Yûgi?”

Once he figured it out, Kurogane’s tale continued and progressively got both more interesting and more sad. The significance of Ginryu (the sword that was Kurogane’s prized possession and his payment to Yuuko at the beginning of the story) was revealed as well as the circumstances of Kurogane and Tomoyo’s first meeting. In one of the chapters there was an image that made me go “Eww!” and “Cool!” simultaneously, which I appreciated.

I really liked the last chapter. In it, Syaoran woke from the book trance and immediately asked for Kurogane to talk about what he’d seen. A nice conversation ensued. Also, I was happy to see movement on the plot regarding the mysterious evil figure who’s been lurking in the background all this time. On the whole, this was a really good volume.

Basara 26 by Yumi Tamura: B

From the back cover:
Sarasa’s quest for freedom has ended, but the story isn’t over yet! In this volume of special side stories, Yumi Tamura goes deeper than ever before to explore the characters and world of Basara. Hijiri and Nachi recount childhood memories of ships, sea monsters, and mermaids. A band of star-crossed rebels arises in another time—and changes the course of Sarasa’s battle. And Tatara finds his true calling… as a pop star?

Review:
These stories weren’t bad, but they really weren’t anything awesome, either.

The first story, “Nakama” (fellowship), featured Hijiri and Nachi and showed how they originally became friends and also tied in with both of them moving on with their lives and thinking of starting families. It was cute. That’s about as much as can be said about it.

In “Dakara” (because), Asagi attempted to explain his dislike of Shuri to his manservant by describing an incident wherein a beloved peach got smooshed. Really, that was all it was. It was very short, though it at least provided the info that Asagi was indeed on his way to visit Hijiri and Nachi.

The bulk of the volume was occupied by “Katana” (sword), a tale about an ultimately unsuccessful band of rebels who fought against the royal family a few generations before the heroes of the main story. I liked parts of this a good deal, especially all the unrequited love going on, but it was just too short (even with 100 pages) to really get to know the characters. I did like how Tara, the sole female warrior in the group, tied in with the main cast. Some of the other connections were obvious (we already knew Hayato was descended from one of these guys), but hers was a surprise.

I haven’t much to say about the pop star thing, other than that it was pure silliness. And it had a cameo by Motomichi! That alone was worth something, at least.

Fruits Basket 16 by Natsuki Takaya: A-

From the back cover:
A new chapter is opened in the Sohma family’s story—and the rumors are true! Kyou has indeed met Kyoko in the past… and when he did, she told him the story of how she met Tohru’s father, which he then tells to us: Tohru’s birth… the truth about her mother and father… Yuki’s declaration of independence…

Review:
Well, that was a crappily written blurb, wasn’t it? It read as if Kyou was going to tell us about Yuki’s declaration of independence. In actuality, Kyoko and Katsuya’s story occupied the first several chapters, then Yuki’s so-called declaration occured near the end of the volume when the Jyuunishi (and Akito) gathered at the main house for New Year’s.

I really enjoyed Kyoko and Katsuya’s story, especially the latter’s personality. He had good manners and seemed polite, but there was a bit of the mischievous deviant about him. I knew Katsuya would die (this isn’t a spoiler), but Kyoko’s cries of “He’s not anywhere anymore!” were rather upsetting. More hints were dropped that Kyou had something to do with Kyoko’s accident, and in guilt, he pledged to stay away from Tohru and not think of impossible things regarding her.

The focus in the last two chapters shifted back to Yuki and, through him, Machi, the withdrawn and occasionally destructive treasurer of the student council. I don’t dislike Machi, but it was around here that the story started to irritate me a little, because it seemed like nearly everyone had the same problem: their parents were cold and distant and they questioned whether they were really needed in this world. It popped up in Rin’s story in volume 14, Yuki’s in volume 15, and now both Kyoko’s and Machi’s in this volume. I guess Takaya is aiming for some kind of consistent theme, but jeez.

The last chapter was the New Year’s banquet and included another important step in Yuki’s development, though I wouldn’t really call it a “declaration of independence.” More like… an avowal to take personal responsibility for his problems and faults. As an added bonus, there was Mabudachi Trio goodness. Akito’s reaction to Yuki’s statement was interesting, and there was movement on a few other subplots, too. Now I just have to decide whether to take a little Furubreak or continue on to the revelations that I know volume 17 contains.

Fruits Basket 15 by Natsuki Takaya: A

From the back cover:
Yuki’s past finally is revealed! But is it all too much to bear? His sickness takes a turn for the worse, and after Akito reminds Yuki how loathed he is, his will to live might finally be drained…

Meanwhile, as Tohru is getting ready to perform in Cinderella, the class decides that they have to rewrite the play. But no amount of revision will prevent Tohru from improvising her loving feelings for a certain someone. Just who is the mystery man?

Review:
This volume is evenly matched between the sad and the comic. The first half is about Yuki’s past, including the truth behind “the red hat boy” incident (this chapter is incredibly cute, especially chibi Tohru) as well as Yuki’s true feelings regarding Tohru.

The second half of the volume is the class play. While that’s going on, we also get some important exchanges between Yuki and Kyou as well as a squee-inducing scene between Kyou and Tohru at the end of chapter 87. The play itself is amusing, with Hanajima as a meat-obsessed Cinderella, but it’s sometimes tough to tell whether the things they’re saying are scripted or being ad-libbed.

While some progress is made on the romance front right at the end the spotlight here is still on Yuki’s progress, which is fine with me. I also love Kakeru. He’s a relatively new character, only appearing after Yuki joined the student council, but he’s managed to get him to open up and just relax like nobody else has.

After confessing some of his secrets to Kakeru, Yuki feels relief and throughout the rest of the volume, makes some effort at encouraging Kyou to face up to his past, too. It seems he realizes Kyou needs someone to hate, and he’s fine with standing in that role, but will also try to nudge him forward. Have I mentioned lately how much I love Yuki?

Tsubasa RESERVoir CHRoNiCLE 12 by CLAMP: B+

From the back cover:
All is not well on Piffle World. The magical land’s most popular sporting event—a race of lightweight aircraft called dragonflies—seems to have been rigged by one of the contestants. But winning the competition is the only way Princess Sakura and her friends can recover one of the princess’s precious and powerful memory feathers.

The five friends are determined to cross the finish line first, but the cheating is taking its toll—even Fai is out of the running! Can the travelers still win the race and discover who’s behind the booby traps before it’s too late?

Review:
This volume was a little disappointing, since the identity of the culprit was fairly easy to guess. I was hoping that a certain person wasn’t responsible, since it was so obvious, but alas.

Still, there were an awful lot of good character moments that made up for it. Sakura does particularly well in the race, and it was nice to see her looking determined and not helpless. Fai commented to Kurogane about it, and was surprised when Kurogane told him that he (Fai) had changed, too. I really love the dynamic between those two. The best moments, though, were between Kurogane and Tomoyo, especially a conversation they had outside while a celebratory party went on inside.

CCD watch update: The boys didn’t really have much to do in this volume, but the observant will spot Nokoru sleeping in Suoh’s lap the morning after the festivities. Also note that while Akira and Nokoru both appear to be somewhat hungover, Suoh looks perfectly fine. In character to the end!

Tsubasa RESERVoir CHRoNiCLE 11 by CLAMP: B+

From the back cover:
The Dragonfly Race is set to begin in Piffle World, and the prize for one lucky lightweight aircraft pilot is an amazingly powerful battery in the shape of a feather. But for the four dimension-travelers and one odd creature named Mokona, who have joined the competition, the feather represents more than energy—it’s one of Princess Sakura’s lost memories!

And Sakura’s feather isn’t the only thing at stake. Despite President Tomoyo’s best efforts to protect the race using her wealth and resources, unexpected hazards keep popping up, and the perilous contest could lead to death for unskilled pilots… like the princess!

Review:
This volume was a lot of fun. The race itself was entertaining (and could Kurogane’s contraption fit him any better?) but there was also the pressing reminder of Fei Wong Reed’s plan, which was to send a minion with a familiar face to do his bidding—a person they’d assume was not the same one they’d met before on a different world. Fai also remarked at one point about feeling the eyes of someone watching them, and it was nice that this aspect of the plot got a little more attention.

The best part, however, was Nokoru. I swear he completely stole the show. When I first saw the CCD boys rendered in this art style, I thought it was weird. I really liked it in this volume, though, especially that they looked a bit older than their 4th-6th grade selves. Nokoru was particularly pretty, and it was good to see his personality quite intact. I wish Suoh could’ve done a little bit more, though.

I’ve really enjoyed these past couple of volumes, and even liked volume 10 better on a reread than I did the first time. I’m glad I decided to get back into this series.

Tsubasa RESERVoir CHRoNiCLE CHARACTer GuiDE by CLAMP: B-

From the back cover:
Here is a revealing look at the acclaimed bestselling manga series Tsubasa: RESERVoir CHRoNiCLE. Spanning the first seven volumes, this thrilling guide includes intriguing details about the characters, worlds, and mysteries of Tsubasa, including info on the popular crossover CLAMP characters who always seem to appear in the Tsubasa universe!

It also features a brand-new Tsubasa short story, an interview with CLAMP writer Ageha Ohkawa, games and quizzes, a fan section, pre-production artwork, and more. This is an essential book for any fan of the Tsubasa manga series and anime!

Review:
After I read the tenth volume of xxxHOLiC my interest in Tsubasa rekindled. As I hadn’t touched the series since November 2006, however, I decided to refresh my memory with the aid of this handy character guide before resuming with the regular volumes.

I’d forgotten so much! The wishes Fai and Kurogane made that got them traveling in the first place, Syaoran’s mysterious origins, the fact that Seishirou still has one of Sakura’s feathers and will undoubtedly be seen again as a result… Though the guide was rather dry reading and sometimes hard on the eyes, with lots of tiny white print on grey or black backgrounds, it was definitely successful in reminding me of many important plot bits.

That said, I’m not sure how much this book would offer to someone completely up-to-date with the series. There were some things that weren’t a story rehash, like quizzes and popularity polls and an interminable fan section, but the only one I particularly enjoyed was the interview with Ageha Ohkawa.

Basara 25 by Yumi Tamura: A+

From the back cover:
Sarasa has led her army to victory, faced down King Ukon, and won the hearts and minds of her people. Now, in the final hours of battle, her actions—and Shuri’s—will decide Japan’s ultimate fate. Sarasa began her quest in Tatara’s shadow. The time has come for her to step into the light, speak her real name, and accept her true destiny as the woman who will lead Japan into a new age of peace and freedom!

Plus two bonus stories!

Review:
I admit it: I cried. At things happy, sad, and both at once. I’ve invested three years in this series and can happily say that it was worth it. I’m not going to give any details on how things go down, so suffice it to say that the ending is very satisfying. I must’ve reread the last few pages three times to savor all that Sarasa had accomplished.

Neither of the bonus stories was silly this time around, which was a good thing, as it would’ve been a jarring juxtaposition with the main story. The first one was pretty good and was all about the White King’s miserable life. It also answered some questions about Asagi as well as revealing King Ukon’s eventual fate. The second one was about Ageha’s adolescence and was very sad. I was teary again by the end of it.

Basara is probably the best manga I have ever read. Thanks, Viz, for taking a chance on it.

Basara 24 by Yumi Tamura: A+

From the back cover:
As the war for Japan rages on, the battle reaches the Royal Castle itself. Sarasa penetrates the castle’s defenses to confront the traitorous Asagi. Shuri, wounded and crippled, pursues Sarasa even though the chase may kill him. Ageha descends into a labyrinth beneath the castle to stop a deadly mechanism designed to destroy them all. And King Ukon, now a pathetic, desperate shell of a ruler, grimly awaits Tatara’s arrival!

Review:
This was another action-packed volume, as the four most important characters found themselves in jeopardy of some kind or another. There were a few things I didn’t quite get in this volume, like what exactly Sarasa meant when she said she’d choose Asagi over Shuri, and the White King’s motives were a little unclear, but there was enough really good stuff to make up for those small problems.

I liked that I genuinely felt anxiety over the safety of Asagi and Ageha, because either of their deaths would be a poignant one, though it doesn’t seem likely that either of the two romantic leads will die. There was also a surprise revelation about Asagi’s past that was pretty cool. I look forward to seeing if it changes his outlook on life at all.

Some fun bonus material rounded out the volume, including some four-panel strips and a chapter that reimagined this series as something akin to Hana-Kimi, with Sarasa sneaking into a boys’ dorm disguised as her brother to find out who was responsible for defenestrating him. I also loved the sidebar section (in the middle of a serious chapter) where an off-camera rock comes and beans the villain who’s currently being profiled.