Basara 23 by Yumi Tamura: A+

From the back cover:
War will determine who wins control of Japan—but the bonds of love and loyalty will decide the nation’s future. As the battle reaches its climax, will Shuri pursue his destiny as king or trust Sarasa’s dream of democracy? When placed on the throne of Kyoto, will Asagi turn on Sarasa? And when Sarasa is forced to choose between her love for Shuri and her loyalty to her comrades, can she make the right decision?

Review:
While the last volume left me stunned at its conclusion, this one made me a bit sniffly in its opening chapter. So much was conveyed in Shuri’s eyes as he realized that Tatara was defending him against Hagiwara’s forces.

A great deal of import happened in this volume. I really liked the flashbacks to earlier volumes when the characters are facing something momentous; it reinforced the epic scope of the work. I also loved that some of Tatara’s oldest allies had serious issues with the outcome of the battle, and were still wanting to exact revenge upon the Red King. And I loved that Asagi emerged as an unconsidered complication—no neat and tidy ending, even though our two protagonists were no longer fighting each other.

In addition to the story goodness, there were also more fun bits. As if just for me, there were a couple of side panels starring Motomichi! There was also a great panel where Nakijin and Nachi both thought of pineapples as they espied the other’s hair. It’s possible that gag has been used before, but it still amused me.

Basara 22 by Yumi Tamura: A+

From the back cover:
As war breaks out in Kyoto, Taro races to warn Sarasa about Project Pomegranate, a secret plan launched by Hagiwara. But a traitor has betrayed Taro to the Yaro-Gumi, Kyoto’s feared elite police force. With the truth of Project Pomegranate still a mystery, the forces of Sarasa and the Red King ride into battle against one another, not realizing that in doing so, they play into Hagiwara’s hands!

Review:
*Stunned silence.*

Wow. I have not been so surprised by anything I’ve read in a long time. I think my heart literally went “thud” in the last chapter of this volume.

Aside from delivering a truly extraordinary shock, the story also manages to touch upon each of the subplots launched a couple of volumes ago. Taro’s comes to a close, and there’s more of Asagi and his angst. The biggest deal, though, is that it’s finally revealed what Shuri’s been up to in taking over the royal army forces. This last isn’t completely unexpected, but is still cool. There’s much more than this, as well, including characters taking risks for their friends, moments of personal sacrifice, and scenes of affectionate camaraderie.

I also really enjoyed the art in this volume. There was a real sense of the breadth of the battlefield and the various skirmishes. Tamura also draws some of the cutest babies. I don’t even like babies, but manga babies always manage to amuse me, especially drooling Motomichi.

Basara 21 by Yumi Tamura: A

From the back cover:
Allies from all over are gathering at Tatara’s base camp in preparation for a massive assault. meanwhile, Shuri has a plan to establish his authority in Kyoto and deplete his rivals’ funds. On a reconnaissance mission, Taro finds information crucial to the war effort. All the while, a battle between Tatara and Shuri is imminent!

Review:
Political maneuvering abounds! It’s all done well, though, and I like that, in addition to their conflict against each other, Shuri and Tatara are both being targeted by a scheming nobleman. The battle starts here, but doesn’t truly get underway just yet. The real story is the nobleman’s trap going into action. I really like how Taro’s mistress and his treatment of her fit into the story, too.

Shuri’s intentions are still a mystery, and he also assigns a task to one of his underlings to do if he should die in battle, though its nature isn’t revealed. Sarasa has truly taken on the Tatara persona and seems much more at ease in command than at any time I can recall. She has grown confident in the leadership role and put her personal turmoil aside for the cause. What an awesome shoujo heroine.

One thing I didn’t mention last time is that Viz is now including a character list at the beginning of each volume that’s very helpful. Also good are the little maps included along the way showing you where the main characters are in relation to each other (even though there was a mistake on one of these).

Basara 20 by Yumi Tamura: A

From the back cover:
A curfew law has been passed by Kyoto to suppress the rebellion. Sarasa’s ally Ageha seeks to destroy King Ukon’s senior officials, while Asagi, the real Blue King, gains Sarasa’s trust and leads a daring assault. But while Sarasa and her forces are gaining ground, their enemies’ secret plan could turn the tide against them!

Review:
What an exciting volume! Tamura launches about five different subplots and manages all effectively. No story gets slighted, and I like that Tatara is kept abreast of happenings in the storylines for other characters. It also seems to be the beginning of the final arc, so all of the allies accumulated along the way reappear (albeit a little cheesily) and Sarasa resolves to maintain her Tatara guise to the fullest so that any indecision she feels about facing the Red King won’t imperil those whose lives she is responsible for.

I particularly enjoy the subplot for Asagi, who is caught between the sister who raised him (wanting him to lure Sarasa into a trap) and the boisterous camaraderie of Sarasa’s forces, which gives him something he has sorely lacked all his life. Interesting too is Shuri’s decision to become King Ukon’s successor and take command of the Royal Army. I’m sure he’s not gone evil, but it seems that he and Sarasa are each determined to pursue change in their own way and, to remain true to those following them, might end up trying to kill each other before this is over. Awesome stuff.

The Sandman 2: The Doll’s House by Neil Gaiman: B

From the back cover:
Rose Walker finds more than she bargained for in the doll’s house—long lost relatives, a serial killers convention, and, ultimately, her true identity. The master of dreams attempts to unravel the mystery, unaware that the hand of another, far closer to home, is pulling the strings.

Review:
There were several things I quite liked in this volume. Two more of Morpheus’s siblings are introduced, and Desire (who can’t be satisfied with just one gender) is a really neat character. I also liked avuncular Gilbert, not a sibling but with mysterious origins of his own, who comes to Rose’s aid and reminded me of Sylvester McCoy as the Seventh Doctor.

The best part, though, was the chapter called “Men of Good Fortune,” which takes place in the middle of the Doll’s House arc but really doesn’t turn out to have much to do with it. In it, Morpheus and his sister, Death, encounter a man in 1389 who claims that he won’t ever want to succumb to death. And so Death decides not to claim him until he desires it, and Morpheus makes an appointment to visit with him every hundred years, accidentally befriending the fellow along the way. The story is neat, but I also really liked how their surroundings and wardrobes changed each time they met.

On the whole, though, I found this arc pretty damned depressing. Maybe I just wasn’t in the mood for so much darkness and surrealism. I also feel like there are probably some big, deep themes here that I’m just not getting.

Stardust by Neil Gaiman: A

From the back cover:
In the tranquil fields and meadows of long-ago England, there is a small hamlet that has stood on a jut of granite for 600 years. Just to the east stands a high stone wall, for which the village is named. Here, in the hamlet of Wall, young Tristran Thorn has lost his heart to the hauntingly beautiful Victoria Forester. And here, one crisp October eve, Tristran makes his love a promise—an impetuous vow that will send him through the only breach in the wall, across the pasture… and into the most exhilarating adventure of his life.

Review:
It was about time I read this! It had only been recommended to me a dozen times.

Stardust is a fairy tale that doesn’t always do what one expects, though sometimes it does. Indeed, there are fantastic lands and a large cast of characters, including a garrulous air ship captain, a scheming poisoner, a wicked witch, a captive bird, a purveyor of miracles in a silk top hat, and little hairy man with a bag of useful objects. The story is more adult than the typical fairy tale, though, as Gaiman manages to incorporate sexuality and violence without either being gratuitous. It is obvious that certain things will happen, but not how they will happen. All of the plot threads intertwine and wrap up neatly.

I absolutely love the ending. The final images of the epilogue are wonderful, the type of conclusion that makes one love the whole that much more. Definitely recommended, especially the unabridged audio read by the author himself.

The Sandman 1: Preludes & Nocturnes by Neil Gaiman: B+

From the inside flap:
Enter a dark and enchanting world of dreams and nightmares and meet the Sandman, master of dreams, and his kin—the Endless.

This first collection of Neil Gaiman’s unique and multi-award-winning Sandman saga introduces key themes and characters, combining myth, magic, and black humor.

Review:
This volume collects issues #1-8 of the Sandman comics. Morpheus, the Lord of Dreams, was inadvertently captured by some occultists who were attempting to trap and contain his sister, Death. They imprisoned him for 70 years and stole his stuff, and when he finally escaped, he wanted it back. He took the next few chapters to complete the quest.

I was occasionally lost when the story veered too far into mythological territory, and one story called “24 Hours” was incredibly disturbing, but on the whole I liked it. The best, however, was the last story, called “The Sound of Her Wings.” In it, Morpheus was a bit mopey because he’d completed his quest and his spunky sister came to drag him out of his doldrums. And throw bread at him.

As seems to be the case with comic books, the physical appearance of Morpheus was pretty inconsistent. I decided to think of him as Stephen Rea with blue hair, and that worked pretty well.

Harry Potter and the Deathly Hallows by J. K. Rowling: A

From the inside flap:
We now present the seventh and final intstallment in the epic tale of Harry Potter.

Review:
Spoilers beyond the cut.

“I’m going to keep going until I succeed—or I die. Don’t think I don’t know how this might end. I’ve known it for years.”

Overall, I liked Deathly Hallows a lot, though there was one thing that seriously threatened my enjoyment of the book. Why, oh why, is Voldemort allowing Harry access to his thoughts and deeds?! He was smart enough to block this connection in the last book! Now he’s musing openly about his horcruxes and their locations. This seems purely like a plot convenience and is very annoying.

That and a couple of other things (like no mention of the fact that Mundungus had been sent to Azkaban in the spring of the previous year and is apparently out by July and the Ministry’s apparent inability to track unlicensed Apparition) had this book slated for a lower grade until the amazing sequence where Snape’s memories are revealed, which was my favorite part in the entire book.

Now on to the many things I liked!

* Harry, surprisingly! He’s so grown up now. I particularly liked the quote above as well as a line where he was remembering his childhood self as “a younger brother whom he had lost.” And he’s sweet—I would’ve been ticked if he hadn’t mourned for Hedwig.
* The villains don’t come off as incompetent, for the most part. The threat level is immediate and constant. It’s probably the most flat-out exciting book I’ve ever read.
* Even though some were spoilery, the chapter illustrations were really cute, especially for chapter 10.
* Lots of Lupin. Though I am very meh about the marriage stuff, it was nice to see him exuberantly happy. I totally knew that Harry would be godfather to his kid, though I reckoned on it being named Sirius.
* Seeing a bunch of patronuses and the specifics of how that communication spell works.
* That the RAB/locket stuff was tackled first. Lots of fans had figured that one out, so it would’ve been lame if that was supposed to be the big end-of-the-book reveal.
* Ron actually leaving the group for a bit. I liked the dynamic when it was just Harry and Hermione (who’s also a bit livelier this time, if still occasionally in broken record mode). And, of course, his timely return and the fact that I totally thought there was going to be a smooch and there was just pummelling instead. I love the bit where he’s standing there all hopefully, dripping on the carpet.
* Aberforth, the truth about Dumbledore’s background, and his criticisms of his brother’s methods and fondness for secrecy.
* When Harry shows up at Hogwarts, everyone assumes he’s there to liberate them.
* McGonagall being awesome, including the too-short duel with Snape.
* As mentioned, Snape’s memories and all of their revelations. Also, Harry’s reaction to what he learns and the whole bit in the forest. Side note: Snape and Lily are totally like Heathcliff and Cathy.
* An explanation for Dumbledore’s gleam of ‘something like triumph’ from Goblet of Fire! I’d forgotten about that.
* Molly versus Bellatrix! This actually made me cackle with glee.
* Harry wanting a sandwich.
* The very cute Epilogue, especially James. I hope his middle name is Sirius.

Some bits were predictable, and the final confrontation was rather anticlimactic. I didn’t cry once, because many of the deaths just happened too quickly to process. But still… all in all, I’m satisfied.

Harry Potter and the Half-Blood Prince (CDN ed.) by J. K. Rowling: A+

From the back cover:
It is the middle of the summer, but there is an unseasonal mist pressing against the windowpanes. Harry Potter is waiting nervously in his bedroom at the Dursleys’ house in Privet Drive for a visit from Professor Dumbledore himself. One of the last times he saw the Headmaster was in a fierce one-to-one duel with Lord Voldemort, and Harry can’t quite believe that Professor Dumbledore will actually appear at the Dursleys’ of all places. Why is the Professor coming to visit him now? What is it that cannot wait until Harry returns to Hogwarts in a few weeks’ time? Harry’s sixth year at Hogwarts has already got off to an unusual start, as the worlds of Muggle and magic start to intertwine…

Review:
Oh, Half-Blood Prince, how I absolutely love you. You come very close to tying with Prisoner of Azkaban for my affections.

    Things I Love:

* The “Spinner’s End” chapter. It’s one of the best chapters I’ve ever read anywhere, and Snape has great dialogue throughout. I really, really hope this bit gets filmed.
* It’s funny again!
* The pre-school bit doesn’t drag too much.
* Harry tells adults stuff this time! This is a big one for me. They don’t always completely agree with him, but at least the withholding of information is not being used as a plot device.
* Ron and Lavender. I can’t believe I actually forgot about this. Also, Ron’s just endearingly bumbling in general.
* The “good side” is behaving far less dysfunctionally this time around. The plot doesn’t hinge on great acts of stupidity on their parts.
* Snape.
* Fleur’s reaction to Molly’s assumption that her wedding with Bill will not transpire on account of his injuries.

    Things I Don’t Love:

* Hermione seems a little flat. I dunno, she’s just not one of my favorite characters. Not even top 10.
* The whole Sectumsempra thing. Suddenly you can make incantations work on your first try without knowing first what you’re trying to achieve? Grr.

Oh the whole, Half-Blood Prince is fab. I’m really glad I decided to reread it before Deathly Hallows, because I’d forgotten much more than I realized. Now it’s onward ho into the final installment!

Lost Boys by Kaname Itsuki: B

From the back cover:
Sent by the Lost Boys to find them a father, the impish Air settles upon the first open window he could find. The window happens to be Mizuki’s, who is forcibly whisked away to Neverland. Finding out that he is now supposed to play “father” to the Lost Boys, Mizuki is incensed. However, forced to stay put, he gets to know the Lost Boys—and Air—a little better. Perhaps a little too well, as Mizuki finds that he is helplessly falling in love with the boy.

Staying true to the boys’ love genre, readers will find Lost Boys‘ soft and sensitive storyline to be quite a delightful surprise.

Review:
Things I liked: Reux, the bishounen fairy in his off-the-shoulder gown. Pirates! Pretty art. The ending.

The rest is lots of cute, smidge of substance. This is not necessarily a criticism; sometimes one just wants a bit of fluff! It’s definitely entertaining, though I never felt that I understood where Mizuki’s feelings suddenly sprang from. Some of the transitions near the end were choppy and made me wonder if I’d missed a page somehow.

Though the age difference between the leads might be disturbing to some, their interactions really are quite innocent. The pirates on the other hand…