Love*Com 8 by Aya Nakahara: B+

Risa and Ôtani are finally going out, but she’s uncertain about how she’s supposed to act around him now. She’s got this preconceived notion of what a girlfriend should be, and internally beats herself up each time she fails to live up to that ideal. It helps some when Ôtani sets aside his natural reticence and introduces her to people as his girlfriend, but he still hasn’t articulated exactly why he loves her, and she’s having a hard time imagining what he could see in her.

Later, Ôtani’s neighbor, Mimi, finds out he’s got a new girlfriend and is furious. The beautiful and tall middle schooler has harbored a crush on him for years, but abandoned hope because she thought he only liked tiny girls. A lot of Mimi angst follows, and while it’s creditable that Risa sympathizes with her plight, the way this new character suddenly dominates the story is rather irksome.

Eventually, though, I realized that her purpose is to solidify the main couple’s relationship. We see that she really poses no threat to them at all, that Ôtani’s feelings never waver, and that he and Risa really are made for each other, rough edges and all. Having fulfilled this destiny, may she now go quietly away.

While this particular volume didn’t focus on the leads quite as much as I would’ve liked, it still excels at depicting the insecurities and awkwardness of this period in a relationship. That’s no surprise, since Love*Com has nailed many other aspects of first love. I’m sure it will continue to do so in the volumes to come.

Review copy provided by the publisher. Review originally published at Manga Recon.

7SEEDS 5 (Japanese) by Yumi Tamura: B+

Book description:
With the rest of Team Summer B settled nearby the shelter at Mt. Yufudake in Kyushu, Arashi and Natsu decide to journey to Kanto to see what has become of their homes and families. Joined by Semimaru, they soon encounter Team Autumn, who were released three years ago and who have built a secure village. The only problem is that a tyrannical couple treats the others like slave labor, and the team’s guide is too weak to put a stop to it. Is this the kind of desperation Team Summer B will eventually experience?

Review:
It becomes apparent in this volume that we’re not only bouncing around in time a little, but that the various teams were released at different times, as well. The story of Team Winter recounted in the last volume actually took place fifteen years ago, while Team Autumn has been working to survive for three years. Also, in the last volume Hana found a note in a stockpile that was actually left by Natsu in this volume, if that makes sense.

Anyway, there’s a lot of traveling going on in this volume. Although I was looking forward to the teams meeting up, it kind of amuses me that Arashi, Natsu, and Semimaru suddenly seem to run into every team but Hana’s on this outing. Like, in the whole of an empty and desolate Japan, they just happen to walk in the direction where Team Autumn has built their village. I suppose having common clues for where to look for the stockpiles helps a little, but still.

Team Autumn is pretty horrible, and the Summer B folk are scarred by the experience, so when they meet gentle and kind Taka from Team Winter, they end up suspecting him and slipping away in the night. Just a few days later, he runs into Hana from Team Spring, and she (who has met no one else yet) accepts him. It’s very sweet. It also shows just how close Arashi and Hana are to each other without knowing it.

Alas, not much more than this really happens in the volume. Walking, angsting, big dangerous animals, reckless puppies. That about sums it up.

7SEEDS 4 (Japanese) by Yumi Tamura: A-

Book description:
It’s been confirmed that the desolate land is indeed Japan, though the teams still don’t know what happened or what year it is. Team Spring—having lost their guide, Yanagi—travels to Mt. Fuji to look for another of the stockpiles, only to find that the volcano has erupted and is no longer there. Just as their hope is flagging, Hana notices some manmade signs directing them to another mountain to the east. The members of Team Winter face their own hardships from the start—between equipment failures, man-eating tigers, and Hokkaido’s bitter cold, some of them will not survive.

Review:
The majority of the chapters in this volume featured Team Winter. I’m a little torn about the introduction of other teams into the story. On the one hand I want to see them and what they’re doing, and on the other, there are already tons of characters as it is. Right from the start, Team Winter’s story is a bit more grim than the others, however, as a few of their number do not survive the thawing process, and I got into it more than I thought I would.

More shocks and twists in the story follow, and since I’m not the kind to go around suspecting such things, I really enjoyed the various surprises. The main protagonist of this group is Taka, who believed himself to be weak until inspired by the example of boisterous Fubuki, another member of the group. It was good to see how Taka had progressed by the end of the story, though the appearance of a couple of precious puppies at a crucial point was a bit silly (but sniff-inducing nonetheless).

So, as it stands, each of the teams has now located a stockpile of goods and is camped out nearby. Arashi and Natsu have passed through where Hana’s team is and left a note, though Hana, of course, still has no idea that Arashi is alive. I’m eager for the teams to meet up, especially since I have no idea what to expect from the story after that happens. I have faith that it’ll be something really cool.

Love*Com 7 by Aya Nakahara: A

From the back cover:
Risa is sick of having her emotions yanked back and forth by her feelings for Ôtani, so she decides once and for all to just be friends. But when she tells Ôtani that she’s getting over him, he freaks out and tells her not to! Has the comedy duo turned into a couple?

Review:
It’s a special book that can make me grin like a great big doofus at least twice and get all teary-eyed by the final scene. That’s just how good this series is, and in particular this volume, where things finally, finally go where everyone has been wanting them to go.

It’s a slow build up throughout the volume, with some fantastic scenes along the way. Each chapter brings the two leads closer and closer together, and though I thought the terrific moment between them at her birthday party (see above re: doofus) was the apex of awesomeness, the final chapter surpasses it. Nakahara is excellent at body language in these scenes; I particularly love how Ôtani shyly ducks his head and turns away after giving Risa a little kiss.

Also, I’ve never been a fan of the insults these two have hurled at each other in the past, so I was happy that in this volume, I could really see them trying not to do that anymore. It helped that Ôtani actually said something encouraging to Risa, so she had that to rely on when his subsequent actions might’ve previously sent her into a tizzy.

I love that, now that they’re finally a couple, it doesn’t feel like the series ought to be over. It feels like “where will it go from here?”

Me and the Devil Blues 1 by Akira Hiramoto: A-

RJ isn’t cut out for a farmer’s life. Despite the urgings of his sister and pregnant wife to give up his dreams of becoming a bluesman, he still finds himself drawn to the local juke joint, where folks of ill repute gather to listen to the blues. His own efforts to master the guitar aren’t going well, though, and after a particularly poor reception to his playing, one of the denizens jokingly suggests that he sell his soul to the devil to obtain the skill he lacks.

The desperate RJ goes through with the deal, and returns to wow the crowd with his incredible newfound ability. All this is not without a price, though, as he learns he’s actually been gone for six months and that his wife and baby have died in the interim, part of the devil’s deal to enable him to know the blues. He sets out on the road and before too long encounters Clyde Barrow, a white man and a criminal, who involves RJ in his schemes, one of which threatens to cost RJ his life.

I can honestly say that Me and the Devil Blues is unlike any manga I’ve ever read before. In fact, I think the closest thing to it in terms of tone and feel would be The Sandman series by Neil Gaiman. There are parts that I really love and parts that I still don’t quite get, and through it all there is an unstinting depiction of the brutality and ignorance of which the human race is capable. Uplifting it is not.

The art—truly excellent throughout—also reminds me of American comics to some degree, but with more consistent quality than that medium usually manages. The resemblance is particularly striking in the first few chapters, where much of the action takes place at the juke joint in RJ’s rural town. Panels have no free space, and instead reflect a darkened interior crowded with people dancing, drinking, and socializing. It’s not hard to imagine it in gritty color.

Hiramoto also does great things with the character of Clyde Barrow, managing to visually convey the man’s potential to be charming, confident, scheming, rattled, and dangerous. I particularly like the mannerisms he’s been given; I’m not sure I’ve seen a mangaka bother to give someone a recognizable tic like Clyde’s habitual hair smoothing before. The time period of the story (early 1930s) is also well-rendered, with hairstyles, clothing, cars, and attitudes all doing their part to contribute to a feel of historical accuracy.

While certainly not the sunniest option one might have for reading material, Me and the Devil Blues is not one to miss. It may also be just the thing for that comics-loving pal of yours who is absolutely convinced there’s no manga that would appeal to them.

Review copy provided by the publisher. Review originally published at Manga Recon.

Boys Over Flowers 16 by Yoko Kamio: A

From the back cover:
Tsukasa’s 18th birthday doesn’t go smoothly at all! Tsukushi is introduced to Kaede, Tsukasa’s mother, by way of falling over a table and causing a scene. Kaede tells her to get out, but Tsukasa defends her by declaring that she is precious to him. Thus begins a three-sided war between the three most headstrong people you’ve ever seen! Tsukushi and Tsukasa get away for a while and spend some time on Tsukasa’s boat, but they can’t hide from Kaede forever…

Review:
A lot of awesome stuff happens in this volume!

Firstly, Kaede is such a great antagonist. Not only does she create strife for the two leads, she also sets off the sorrow in the lives of the other rich characters around. In the previous volume, Soujirou talked about how he cannot choose his own spouse, and now it seems that Tsubaki might have a lost love of her own. I hope that gets explored in future volumes.

Secondly, so many of the supporting cast get awesome things to do. Tsubaki has now completely redeemed herself for her bizarre actions of the past and is acting as Tsukasa’s champion of sorts, helping him get away from the party and then expressing concern at what their mother has planned for him. Tsukushi’s mom is also (very briefly) cool, showing for an instant a strong resemblance to her daughter.

Lastly, I loved the scenes with Tsukushi and Tsukasa on the boat, especially the part where they’re fishing and discussing their families. She also finally gives him the homemade cookies she made as a birthday gift; the awesome thing is that he’s still proudly showing them off two chapters later.

Kaede’s plot involves accelerating plans for Tsukasa’s arranged marriage with Shigeru, a tomboyish girl who is the first serious rival for Tsukasa’s affections that Tsukushi has faced. She’s likable and also seems to be amenable to the arrangement, not letting Tsukasa off the hook so easily.

All in all, a very solid volume through and through. Alas, I’m now caught up with my original reading plan (two per month, finishing just as the final volume comes out next June) so here’s where I’ll be pausing until next month. It’s soooo tempting to just keep plowing on, as this series is seriously addictive, but I expect I’ll regret it afterwards during the long wait between volumes.

Boys Over Flowers 15 by Yoko Kamio: B+

From the back cover:
Junpei has promised to protect Tsukushi and always be there for her. His promise comes just in time, since Tsukushi has been given another of the infamous “red slips,” the mark of someone targeted for abuse. Meanwhile, Akira and Soujirou are desperately looking for Tsukasa, who has been gone for days. It turns out that Junpei harbors a terrible grudge against Tsukasa and is using Tsukushi as bait to get him! This has shockingly violent results. Later, Tsukushi gets dressed up and attends Tsukasa’s birthday party. Little does she realize the implications that attendance has!

Review:
Um, thanks for ruining any surprise anyone might’ve had regarding Junpei’s intentions, back cover blurb!

Anyways, the most important thing to come out of Junpei and his grudge is that Tsukasa submits to a beating from several guys he could’ve handily defeated because to fight back would’ve put Tsukushi in jeopardy. I love that when he arrives, she tearfully cries, “Why did you come?!” and he advises her to keep her eyes shut so she won’t have to witness the beating.

There follows a chapter that must’ve been a lot of fun to read in its serialized form. Tsukushi has a dream that Tsukasa has died from his injuries, and the next few pages seem to support this notion, with the F4 pretending to grieve, et cetera. She’s furious at the jest, of course, but it leads into another sweet scene between the two leads. Then the other members of the F4 try to convince Tsukushi again to give him a chance as a boyfriend, but she blurts out something derogatory and flees.

The effort to flesh out Akira and Soujirou continues, as well. When Tsukushi is invited to Tsukasa’s birthday party and is freaking out about possibly being introduced to his scary mother as his fiancée, Soujirou points out that sons of rich families are never allowed to marry a girl of their own choosing, so she should just relax because there’s no chance she’d ever be able to marry Tsukasa anyway. I thought that was a neat, kind of subtle way to place a new obstacle in the path of their relationship. And then, of course, Tsukasa’s mom becomes the physical embodiment of said obstacle.

These middle volumes are showing quite a consistent level of quality. Gone are the things like basketball showdowns and I hope they never return. We’re also heading into what was the final arc of the anime, so soon I’ll be into material that I’m completely unspoiled on.

My final thought comes in the form of a favorite quote. Tsukasa has, once again, gotten himself fired up over something at the drop of a hat, and one of the other F4 (possibly Akira) quips, “I wish my water heater worked like him.” Hee. So do I.

Boys Over Flowers 14 by Yoko Kamio: B+

From the back cover:
Tsukasa’s raucous behavior at Tsukushi’s middle school class reunion has her fed up with him once again. Tsukasa is crushed by this but is too stubborn to apologize. Later, Tsukushi is assaulted by two schoolgirls and then rescued by a “young nerdy boy” who turns out to be Junpei, a famous male model who has been dying to meet Tsukushi! Her dumb luck then gets her involved in a photo shoot with him, and she ends up on the cover of a famous magazine. This causes quite a scene at school, but not nearly as big a scene as when Tsukasa finds the two of them together!

Review:
Setting aside my dislike of Tsukasa’s overreaction concerning Tsukushi’s middle school admirer, it actually sets up some pretty good stuff in this volume. Junpei (the younger brother of the admirer) is introduced, and though he seems yet another potential love interest for Tsukushi, he also provokes Tsukasa into admitting that he loves Tsukushi so much it makes him insane.

That confession is certainly wonderful, but even better is how Tsukushi can’t get his words and expression out of her mind. She had said she wanted him to leave her alone, but when a red slip appears in her locker, she sees it as a farewell from Tsukasa and it makes her sad.

Also good are Akira and Soujirou’s continued efforts to get Tsukushi and Tsukasa on the right track, this time by coaching Tsukasa on how to apologize for ruining her middle school gathering. My favorite panel in the whole volume features Akira and Soujirou eyeing Tsukasa warningly as Tsukushi approaches, Tsukasa glowering, and Kazuya waving doofily in the background. There are lots of other lovely panels, too; I particularly love how Tsukushi is drawn for her magazine photo shoot.

I’m uncertain how I feel about Junpei. So far, he’s okay, but I have some vague memory from the anime that I didn’t end up liking him very much. Sakurako is suspicious of him, too, which makes me think he’s up to something. Speaking of Sakurako, she seems to becoming more of a friend to Tsukushi, or at least helps her out when, spurred on by the red slip, the other students are chasing her.

It’s a little bit full circle now, with Tsukushi the victim of persecution again, but at least she finally knows how Tsukasa feels about her.

Boys Over Flowers 13 by Yoko Kamio: B+

From the back cover:
It’s Tsukushi’s first time abroad, and she and her friend Yuki plan to tear up the slopes on a Canadian snowboarding adventure. But how much fun can Tsukushi really have with Tsukasa and those nasty Eitoku Academy girls always hanging around? Not much, it seems, because Tsukushi is sent out on a wild-goose chase to rescue Yuki in below freezing temperatures. But who will rescue Tsukushi?!

Review:
One guess who rescues Tsukushi. I was kind of annoyed that she blunders off into the snow so stupidly, but it does lead to one of the golden tickets of this series: a wet-haired Doumyouji scene! It’s been a while since the last one; Kamio must know how popular these are, and so spreads them out judiciously.

Anyway, Tsukasa warms Tsukushi up and she tells him he’s a good person. The rest of the F4 are proving themselves to be good guys, as well. Rui gets very peeved at the bitchy girls who tricked Tsukushi, and Akira and Soujirou—always kind of relegated to the background—show some unexpected sweetness. Not only do they intervene to keep Tsukasa and Tsukushi from bickering, they’re also the only ones to notice how upset Yuki is about the whole thing and offer her reassurance. They’re starting to emerge as better-defined characters now, and I like that a lot.

I wasn’t so keen on the last few chapters, though. After the group returns to Japan, Tsukushi and Yuki meet up with some old friends from middle school at a restaurant Doumyouji happens to be patronizing as well. He overhears them discussing a guy that once had a crush on Tsukushi, and promptly dislocates said guy’s neck. Um. Y’know, I like most of the silly twists and turns this series takes, but when it goes so far into the realm of wtf to manufacture a conflict between its leads, it’s hard to enjoy.

To conclude the review on a positive note, there was a bit of dialogue here that actually made me laugh out loud (a rarity, I assure you). It’s the morning after Tsukasa and Tsukushi have spent the night at a ranger’s cabin. They were discovered in a shirtless snuggle (sharing body heat) by some dudes, so Tsukushi’s kind of freaking out about that as they return to the Doumyouji villa. As I type this out, I guess it doesn’t look so funny, but I really did crack up when he said, “Oh, don’t get all grumpy just because somebody saw your little booboos.”

Juvenile, perhaps, but amusing all the same.

Boys Over Flowers 12 by Yoko Kamio: B+

From the back cover:
Tsukushi shocks everyone by making it all the way to the final competition in the Miss Teen Japan Contest. Her striking individuality and dumb luck have gotten her a long way indeed! Now the field is narrowed down to Tsukushi and Ayano, the competition favorite. The final event will determine the girl most likely to become a “good wife and wise mother.” Who is fit to judge such a contest? Why, twenty-one kindergarteners, of course! Unfortunately for Tsukushi, the innocent little darlings remind her of the F4…!

Review:
The contest wrapped up in this volume and I was pleased with how it turned out; to end otherwise would’ve required extra suspension of disbelief. Tsukushi’s final challenge (wrangling rich kids), and how she approached it innovatively and ended up befriending a rival in the process, reminded me a lot of Kyoko from Skip Beat!.

I was also happy that she spoke with Kinsan as promised. Their scene was good, as was the one she had later with Tsukasa when she revealed she’d hurt Kinsan. She also dared to ask Tsukasa why he does so much for her, but he didn’t answer seriously, and their outing (they were at the zoo on Christmas with a cute kid) ended in a suddenly-escalating fight that didn’t make a whole lot of sense. Sigh.

I love it when Tsukasa’s serious and Tsukushi is forced to consider her feelings for him, so it frustrates me when that gets derailed. And now everyone’s on a jaunt to Canada with some bitchy rich girls, etc., so there’ll be some feuding and snobbery and stuff to get to before (finally) Tsukasa and Tsukushi are in a position where he can be sweet to her again. Oh well.

One-third of the way through now!