Amane has returned to the Kamori family island to take up her position as clan leader and dutifully accept the marriage arranged by her family. After several volumes of build-up, the identity of the traitor who has been hiring a renegade koma-oni (guardian demon) to perform violent acts is finally revealed. Guess when a surprise is not a surprise. When there’s a great big spoiler on the front cover, that’s when!

The traitor interrupts Amane’s succession and takes control of the clan and Hyoue. Muddled plotting, in which character motivations and revelations concerning Amane’s family are rather confusing, follows. Amane briefly returns to Tokyo in defeat, but after encouragement from her friends and some special training to perfect her skills, returns to the island to get Hyoue back.

I’ve found the biggest flaw of this series is its tendency to undercut serious scenes with “comedy.” This has happened so many times in the preceding volumes that one starts to think, “Here’s a pretty cool scene. I wonder how it will be ruined.” Anytime something pivotal occurs, I’m half afraid to turn the page to see what gag awaits me. Thankfully, these incidents are few in the final volumes, and eventually some satisfying stuff between Amane and Hyoue is allowed to happen without interference.

The best part of these final volumes is finally getting to see Amane grow as a person and as a character. She has been attempting to squelch her emotions for a long time, which has hindered her ability to use her powers fully. Finally, she faces up to the ugly side of herself and confidently makes a decision* about what it is she really wants.

On the whole, Her Majesty’s Dog isn’t a bad series, but if, like me, you get annoyed when dramatic moments are sabotaged by cheap gags, then it may not be for you.

* Includes a speech about precious memories.

Review copies provided by the publisher. Review originally published at Manga Recon.

From the back cover:
New mysteries and conflicts awaken when Amane, Hyoue and Ateko encounter a childlike demon and an old acquaintance of Hayato’s. Friendships are reforged and feelings born anew as the trio enjoys their last days together before Amane’s forced wedding. Amane is torn between her duty and her heart—but just as she and Hyoue seem to be getting closer, Amane makes a shocking decision!

Review:
Amane does indeed make a decision, but since she spends the volume mulling it over, it’s not at all shocking.

After the drama with the koma-oni last time, this volume is mostly filler. Presumably, Amane and friends are hanging around in Kyoko (where Takako’s grandma lives) to enjoy a last bit of time together before Amane must return to the village to get married and take over leadership of the clan. Most of the chapters concern a demon kid who turns out to be a tree spirit, though some pages are spent on the onmyoji who’s also investigating the demon’s acts, as he’s conducting a side experiment of his own to see whether the Kamori clan’s koma-oni can be made to serve other families as shikigami.

It’s mostly quite boring, and I’ve pretty much given up trying to understand all the muddled attempts at intrigue concerning threats to the Kamori clan. Also, I continue to be annoyed when “comedy” interrupts tense scenes. It feels like nothing genuine ever gets to happen; any moment, however pivotal it could be, can be sabotaged for a cheap gag at any time. You can certainly mingle drama and funny in the same story successfully (Yes, it always comes back to Buffy), but not when one is always the punching bag of the other.

From the back cover:
At least one Kamori family enemy has been revealed, but Amane’s and Hyoue’s troubles are far from over. Forces from all sides are closing in on our heroes, determined to drive a wedge of doubt and distrust between them. Is their bond strong enough to keep them together?

Review:
It seems we’ve arrived at the promised over-arching story at last, though I’m having trouble making sense of it. Basically, it seems someone from within the Kamori family is trying to make them look bad by arranging with an escaped koma-oni to commit murders and other dastardly deeds. Hyoue is suspected, and while he sticks close to the koma-oni in order to get clues as to who his master might be, Amane begins to have doubts about his trustworthiness.

This volume is actually pretty serious throughout, which I prefer, even though the plot is kind of confusing at times. I don’t understand why this person has it in for the Kamori clan, for example, nor do I get why Hyoue wants to help the murderous koma-oni despite multiple betrayals.

Quality wise, things are looking up until the final pages, which peeve me tremendously. Amane is on the verge of telling Hyoue she wants more than the typical master-servant relationship, but is interrupted by an attack from the renegade koma-oni. After he runs off, Hyoue asks Amane what it was that she was going to say. She says, “I forgot.” Hyoue crouches dejectedly under the words, “Oh, that’s right. That’s the kind of manga this is.”

Indeed.

From the back cover:
Someone from Amane’s village is out to ruin the young shamaness’s life! Framed for a crime they didn’t commit, Amane and Hyoue return to the island in disgrace… and this time, they won’t be allowed to leave. Forced into fulfilling her duty as head of the Kamori family, Amane discovers that she is prisoner to a destiny that could keep her and Hyoue apart forever!

Review:
Once again, the back cover blurb is inaccurate. Yes, Hyoue was suspected as the perpetrator of a crime, but that accusation was dropped. Amane’s actually instructed to return to the village because a photo of her and Aoi hugging was printed in a tabloid.

The pattern of goofy plots mingled with some decent character moments continues. My favorite chapter is the first one, in which Takako takes center stage and frets about her tendency to butt into other people’s problems. The worst is the chapter in which Hyoue wants to buy Amane a birthday present (that’s not the bad part) and ends up working in drag at a bar to make money. It’s played like “tee hee, isn’t this the most hilarious thing?” but really, it is inane.

Amane’s kimono-wearing uncle shows up in later chapters and reminds me a lot of the president of the talent agency in Skip Beat! After a big reveal about Amane’s “destiny,” there’s a scene where he councils a hot-headed Hyoue that bears similarities to scenes between Shigure and Kyou from Fruits Basket. Except not nearly as good.

There’s still no word on the assassin/defectors subplots, and I seriously doubt that they’re ever going to get mentioned again. There is something about “outside influence” causing some trouble amongst the Kamori clan, but it seems like something entirely different connected to the yawner of a reveal on the final page.

Wasn’t this series supposed to be getting good about now? I’m still waiting.

From the back cover:
Fearing that his feelings will only lead to misery, Hyoue keeps his distance from Amane, leaving her confused… and open to a more aggressive classmate’s affections! Threatened with expulsion from school and besieged by restless ghosts, Amane’s life is in danger of collapsing—and her precious demon dog may be the cause!

Review:
Um, Amane is never threatened with expulsion from school in this volume. I have no idea where that came from. The boys have to take some supplementary lessons, but the penalty for not succeeding at those is repeating the school year, not expulsion.

My question from the last volume regarding Hyoue’s human form gets answered in this volume. There is a convenient seal on the island that keeps the koma-oni from leaving, so that’s what’s controlling Hyoue’s powers. He and Amane undergo quite a simple ritual and then, poof, suddenly she has no more issues controlling him.

Back in Tokyo, the chapter with the supplementary lessons is pretty lame, though it does feature Hyoue’s attempts at drawing, which are amusingly wretched. This is followed by a couple more lame chapters about some ghosts haunting Aoi’s film shoot. These would’ve been tedium personified but for some stuff personal stuff happening with the characters. After the binding ritual with Amane, Hyoue secretly requested the village elder to erase his feelings for Amane. Now, believing they’re gone, he’s been keeping his distance, no longer smooching Amane in order to feed on her life force, et cetera. So she worries, until cheered by Aoi, who curses himself for helping his rival out if only to see Amane smile.

So, yes, not great personal drama by any means, but at least it made the goofy plots (Takeuchi admits in the Author’s Note that she is “groping along in the dark”) tolerable.

From the back cover:
The kingon curse is broken—and Hyoue’s powers are out of control! Heartbroken, he returns to the village where it all began—unleashing a flood of memories about the origin of his relationship with Amane. Meanwhile, Amane herself must take part in the village’s annual ceremony before a contemptuous crowd. With no allies at her side and a malicious koma-oni on her heels, can she muster enough strength to track down her loyal demon-dog and bring him home?

Review:
This volume is an improvement over the last, at least. Unbound Hyoue is too much for Amane to handle, so he gets sent back to the village to live in the sacred tree in which koma-oni dwell until the yearly festival when they get to go outside, be challenged by manatsukai (word magic users), and strike up pacts with them. The whole time he’s in Tokyo, he’s stuck in monster form, but when he gets to the village, he’s shown in human form again. I can’t tell if this is because the power of the tree allows him to shift again or if it’s because of a blurb of Takeuchi’s that says “for your convenience, the koma-oni are being shown in their human forms.”

When he returns to the tree he reminisces about how he and Amane originally met. I like this part best, probably because eight-year-old Amane is very cute and serious (and because when, given the chance to give Hyoue a new name, wants to pick “Baron Manifesto Pegasus”). However, I think this conflicts with something we were shown earlier about how they made their pact. I remember Hyoue being in a tree and young Amane approaching him, but things don’t happen like that in this volume. Takeuchi, thy name is inconsistency!

Another thing that bugs me is that so far, there are two unresolved subplots floating around. One’s about an assassin sent to force Amane to return to the village and another’s about some defectors. Not a peep about either is heard in this volume and, now that Amane’s actually in the village for the festival, no one tries to get her to stay or do her any harm at all. I fear that, like the way in which it was crucially important to keep her abilities a secret until it wasn’t, the danger about returning to the village will suddenly just become no big deal.

From the back cover:
Hyoue Inugami is a powerful Koma-Oni—so powerful, in fact, that a spell of binding has been put on him to restrain his supernatural strength! Hyoue can only remain Amane’s guardian providing he never says the forbidden words that break the spell. The problem is, he doesn’t know what they are! When Amane agrees to take the role of Beauty in the school’s production of Beauty and the beast, Hyoue seems perfect to play the Beast—but what if the forbidden words are in the script?

Review:
School festivals, athletic and arts, serve as the backdrop for the action in this volume. Aoi torments Hyoue throughout, needling him about confessing his feelings to Amane on the theory that it’ll be too much for Amane and she’ll turn to Aoi instead. I find their antipathy tedious. Also tedious are the antics of a pair of girls who are peeved that Amane gets cast as the heroine in the school play. They set out to play various cruel pranks upon her. Most unfortunately, this includes a “slipping on a banana peel” gag.

The main drama concerns a binding spell that was apparently cast on Hyoue when he became Amane’s koma-oni. She was a child at the time, and by binding his power it would make it easier for her to control him. At least this explanation makes sense, even though it’s kind of retconny. And despite how the back cover blurb makes it sound, Hyoue doesn’t suddenly worry about the words in the script for no reason—for most of the volume he gets warning twinges that some of the dialogue he’s helping Amane practice may be close to the forbidden phrase.

There’s a little bit of good stuff in this volume, but it almost always gets derailed by some unfunny attempt at comedy. I like that Hyoue acknowledges the problems of love between a mortal and immortal—when Amane tells him she wants him by her side forever, he thinks, “You’re the one who won’t be with me forever.” I’ve been known to get sparkly-eyed over this kind of angst, but really, Buffy the Vampire Slayer and Doctor Who did it so much better. It just doesn’t have the same impact when two pages later, someone’s super deformed, flailing, and breaking the fourth wall.

From the back cover:
By necessity Amane Kamori lives a life of secrecy. The only ones who know the truth about her powers and Hyoue’s true form are her best friend Takako and her cousin Hayato. But when Amane’s desire to help others exposes her powers to a stranger, the high school shaman finds herself at the mercy of a manipulative and egotistical classmate. If Amane is the “slave” of this new “master,” does that make Hyoue his “super-slave”?!

Review:
To miquote Willow, “I think this book’s mostly filler.”

To be sure, it’s all pleasant enough filler, and I continue to like Amane, with her cool exterior and earnest faith in others, even when it leads her into trouble. I like her friend, Takako, too, but Hyoue still doesn’t do much for me. Each volume so far has had a spot near the end where Hyoue and Amane bicker and he vows not to help her, but always ends up doing so anyway. I suppose we’re supposed to be all, “Hyoue! Squee!” in those moments but I just find the squabbling odd, as it arises from the most inconsequential comments.

Anyway, this volume starts off with Hyoue acting strangely on account of gambling debts that he has amassed on behalf of some random old guys. Amane has amazing luck with dice, as it turns out, and saves the day. That’s… pretty much the extent of that chapter.

Next, they meet a jerky kid at school who is, of course, a teen celebrity. Usually they’re models, but this one’s an actor. This guy, named Aoi, lies all the time, is possessed by a female spirit, and has a great deal of angst. Amane, of course, gets through to him by believing in him and now there’s another person who knows her secret. Last volume, a big deal was made about Takako promising not to reveal it, et cetera, but now this other guy knows and it’s like it’s no big deal.

Lastly, a girl who’s been cast out of the Kamori clan sells her shamanic skills online until Amane puts a stop to her endeavors. Amane is capable of sympathizing with her, too, since the girl just needed a way to support herself away from the suffocating atmosphere of the village (which she left so she could indulge in her hobby of ogling pop stars), and somehow seems to convince her to give up cursing people with her powers of sincere speechifying.

And that’s pretty much it. Oh, except for a couple of panels in which it seems the Kamori clan sends someone after Amane to either return her to the village or kill her. Her cousin Hayato, who is utterly devoid of any kind of characterization, was briefly gone and came back, so I guess we’re meant to wonder whether it’s him or not, but he’s so dull I sincerely doubt it.