Sexy Voice and Robo by Iou Kuroda: A-

From the back cover:
Working part-time as a telephone-dating operator, Nico Hayashi has plenty of clients eager to engage her in titillating conversation. But what her customers don’t know is this: the person they’re flirting with is really a fourteen-year-old junior high school girl with a secret agenda.

On the phone she’s known as Sexy Voice. But, really, she’s more than a professional flirt. Secretly, she wants to change the world and maybe become a spy and fortuneteller, too.

Along for the ride is her friend Iichiro Sudo. He’s an underemployed twentysomething hipster with an obsession for collecting toy robots. Together they are Sexy Voice and Robo… two people doing their best to bring some hope into this crazy world.

Review:
Fourteen-year-old Nico Hayashi is an observer of human nature. She loves talking to strangers and has a part-time job working for a tele-club, through which she lures lonely men out for meetings and observes their behavior from a distance as they wait for her to arrive. One day, as she’s doing this, she meets an old man who, noting her expertise at matching character traits to voices, enlists her help in analyzing a recording of a kidnapper. Nico, who harbors dreams of being either a spy or a fortune-teller, goes one step further and tries to find the culprit. Once she does, she pursues him, thinking, “If I lose him, that’s it…. I have no idea where this kid is, but right now I’m the only one in the universe who can save him.”

Nico’s success leads to further assignments from the old man, including checking on the welfare of a runaway, investigating flaws in a company’s new product, and locating a kid who stole a bunch of money from a gambling parlor. She uses one of her tele-club contacts, Iichiro Sudo (whom she nicknames Robo since he collects robotic toys), to do her bidding throughout, and generally has a pretty good time of things until she meets Mr. Forgetful.

Mr. Forgetful seems kind and benevolent, but forgets everything after three days. Nico evidently knows him, though, and suggests that perhaps she’s his daughter. They spend a few days together, shopping and eating unagi, but Mr. Forgetful eventually receives a mysterious assignment. It’s unclear at first just how much Nico knows, but eventually we learn that Mr. Forgetful is an assassin sent to target the old man and that she’s been trying to prevent it. Nico wants to save them both, and convinces Mr. Forgetful not to carry out his assignment, a failure for which he is later killed.

Nico plays with people. She enjoys leading them around and having them under her control, but it’s a devastating blow when she learns that her actions ultimately led to Mr. Forgetful’s death. For a while, she tries to shift the blame onto the old man, but can’t escape the implications of what she’s done. While a career as a spy or a fortune-teller sounded ideal only a short time ago, Nico now reflects that controlling someone’s secrets or fate is not what she wants to do. Instead, she wants to bring hope. This impression is reinforced when she meets an elderly retired spy who did the job because she was the best one for it (just like Nico, thinking “I’m the only one in the universe who can!”) and who has no regrets about the “unhappy endings” where others ended up getting hurt. Nico isn’t sure what she wants to be, but she knows she wants a happy ending.

Unfortunately, we don’t get to see much of what happens after Nico processes this information, as there are only two more chapters to the series. In these, though, she’s far less controlling, allowing herself to be led along by a string of mysterious notes left in love hotels and even attempting to set Robo up with a lady friend. Perhaps that’s her way of following through with the goal to bring hope, even though her plan backfires when said lady friend ends up being mentally disturbed. I’d love to see this series continued someday and see Nico using her observational skills and cleverness in a more selfless way.

I really admire how Kuroda-sensei tells the story, because he doesn’t feed one the conclusions about Nico’s revelation on a spoon; all the clues are there, but one must make one’s own connections. Visual elements also help show Nico’s state of mind, as we often see her observing the city from a lofty perch, looking down on everyone from a distance while ruminating on how it’s easier to talk to strangers. When she’s on assignment, though, we get more of a street view as she’s down amongst the world and its people, trying to accomplish her objective. I began to wonder whether Nico had any friends, but by the end we’ve seen a classmate of hers a couple of times and she also begins treating Robo more as a person than a minion. Perhaps there’s hope for her yet to make the meaningful human connections that the elderly spy suggested she would never have since she’s “too busy fishing to get hooked.”

Ultimately, Sexy Voice and Robo is a multi-layered work that gives readers a lot to consider. I reviewed it as part of the Manga Moveable Feast, and can definitely see why it was chosen, since there are so many aspects one could talk about. Please visit David Welsh’s blog, Manga Curmudgeon, and check out the contributions of the other participants!

Castle Waiting by Linda Medley: A

castlewaitingBook description:
A fable for modern times, Castle Waiting is a fairy tale that’s not about rescuing the princess, saving the kingdom, or fighting the ultimate war between Good and Evil—but about being a hero in your own home. The opening story, “The Brambly Hedge,” tells the origin of the castle itself, which is abandoned by its princess in a comic twist on “Sleeping Beauty” when she rides off into the sunset with her Prince Charming. The castle becomes a refuge for misfits, outcasts, and others seeking sanctuary, playing host to a lively and colorful cast of characters that inhabits the subsequent stories, including a talking anthropomorphic horse, a mysteriously pregnant Lady on the run, and a bearded nun.

Blending elements from a variety of sources—fairy tales, folklore, nursery rhymes—Medley tells the story of the everyday lives of fantastic characters with humor, intelligence, and insight into human nature. Castle Waiting can be read on multiple levels and can be enjoyed by readers of all ages.

Review:
I check out a lot of stuff from my local library. Most of the time, even if I like something a good deal, I’m content to return it to them with the knowledge that I can check it out again if the desire for a reread hits me. On rare occasions, though, I encounter a book that I love so very much that I can’t abide the thought of not owning my own copy. Castle Waiting is one such case.

Originally self-published by creator Linda Medley, the series was collected into a very nice hardcover edition by Fantagraphics in 2006. The design is rather old-fashioned, calling to mind the story books of my youth, and something as simple as the inclusion of a bookmark ribbon contributed quite a lot to my overall reading experience. Each time I cracked open the book to my marked place I felt like Bastian from The Neverending Story!

Castle Waiting begins with a prologue called “The Curse of the Brambly Hedge,” which is a variation on “Sleeping Beauty.” Everyone is happy in the land of Putney. They’ve got a kind and wise king and the people and commerce of the town are thriving. The one problem is that the king and queen desperately want a child, so they seek the advice of a group of witches in the forest. An evil witch is angry at not being consulted and places a curse upon the babe, which ultimately results in the princess slumbering for a century, the castle being obscured by brambles, and the town being destroyed. A hundred years later, the princess is awoken by a kiss and promptly takes off with her prince, leaving the castle waiting for royalty to inhabit its walls once again.

In the meantime, the castle becomes known as a safe haven for outcasts and the real story begins when Jain, who is pregnant, flees her abusive husband and travels a long way to make it to the castle. Once there, she meets the eccentric residents who are immediately kind to her and extremely excited about the prospect of having a child around the place. There’s Rackham, the beak-faced steward; Dinah, the cook; Simon, Dinah’s oversized son; Sister Peace, a surprisingly fun-loving nun; Henry, the taciturn blacksmith; three old ladies who were formerly the handmaidens of the princess; and Dr. Fell, a reclusive physician. Missing from the gathering is Chess, a traveling knight, though he does show up later.

Life at the castle is peaceful, with only minor irritations arising in the form of a poltersprite infestation and a lecherous river spirit. Jain settles in and is eager to contribute, eventually taking charge of the castle library. When she gives birth—to a green, snout-nosed boy with a tail—everyone fusses over the baby. Adorably, this includes the poltersprites, who watch over him and keep him warm, and gruff Henry, who makes an elaborate ironwork cradle for the child but does not visit him, since he has not yet gotten over the death of his own son.

Everyday life ensues. Rackham and Chess make a supply run into town. Dinah and Jain decide to dye their hair. Henry finally holds the baby. Simon and Peace go fishing. Each of these anecdotes is far more interesting than one would guess. While no one appears to be hiding their past from any other, not much is said beyond hints until a spate of rainy days leave Jain pining for a story and Sister Peace ready to tell one. The final third of the book is comprised of Peace’s backstory, from her days with a circus to her life in a convent. It does drag on a little bit, but it fleshes her out incredibly well. One gets the feeling that a tale as involved could be told about every single resident, and I’m looking forward to learning more about them all.

Perhaps the best adjective I could employ to describe Castle Waiting would be “homey.” It’s all about the pleasures of home and the relief of being amongst family who accept you, even if they don’t happen to be related to you or even entirely human. As the book description quoted above attests, it can also be read on many levels. Taken on the surface, it’s a perfectly cozy and enjoyable story. If one decides to delve more deeply, themes of tolerance and equality can be found gently at work, though by no means do they take precedence over the characters.

Lest all of this sound a bit too quaintly domestic, let me assure you that the story is also quite funny. I giggled many times and even my husband laughed when I showed him a panel that contains a reference to The Ren & Stimpy Show. Alas, there are several other references that I did not get—the most confusing of which has to do with disappearing people leaving piles of oats behind—but that didn’t hamper my enjoyment of the story any.

With such a wealth of genuinely likable and intriguing characters, each with a story to tell, Castle Waiting seems to have the potential to go on indefinitely. I know I would love to read lots, lots more of it. In fact, even before I’d finished the first book I’d placed an order at the Fantagraphics site for the single issues that will, I hope, eventually be collected into a second hardcover for my collection.

Welcome to Wakaba-soh 2 by Chaco Abeno: D

wakabasoh2Just in case you were uncertain about what kind of manga this is, the volume opens with five color pages containing about a dozen bra and panty shots and one profile view of bountiful, nude bosoms.

The main storyline involves a not-too-bright boy called Kentarou Sawai who lives in a building with a bunch of girls of varying character types. He’s in love with Karen, the pretty caretaker, and doesn’t realize that the bespectacled Arai is really his childhood love. Chapters are brief and focus on uninspired scenarios like “Kentarou is ill and must eat the foul concoction prepared by the girl he likes” or “Kentarou’s sister visits and to avoid being recognized, Arai dons a mushroom costume.”

The characters are all incredibly shallow and none of the comedy is in the least bit amusing. The tone does get a little more somber right near the end, but the angst is so sudden and over-the-top that it comes across as more ridiculous than compelling. Plus, it’s hard to take it seriously when, two pages later, a girl wearing a maid’s outfit and thigh highs trips and sprawls across half a page, exposing her undies in the process.

It’s probably to be expected that female fans of this title will be few, since women are obviously not the target audience. I certainly don’t begrudge the fellas their right to eye candy, but must it be so vapid? I really looked for something to compliment, but aside from the cover, which I think is pretty, I couldn’t find a thing.

Review copy provided by the publisher. Review originally published at Manga Recon.

Physical Attraction by Tatsumi Kaiya: B

physicalattractionPhysical Attraction is a collection of BL stories about adult men—either college students or professionals—and is bookended by two tales about the same couple. In “Physical Attraction,” Kurata and Narusawa have been having a sexual relationship for some time, but when Kurata belatedly realizes that he loves Narusawa, he wonders whether it’s too late to try to steer things in that direction. It’s actually quite a cute story, and though it wraps up a little too easily, it’s nice to glimpse the guys again in “Loving Attraction” and see how being together in a loving way has positively influenced them.

Other good stories include “Anti-Dramatic,” in which one member of a cohabiting couple feels neglected when his significant other gets a job, and “Let Me Knock on the Same Door,” in which a talented graphic designer rejects a golden opportunity in order to work on a project with the down-on-his-luck game software developer he loves. The latter also ends too quickly and easily, but the premise is intriguing enough that that’s forgivable.

The other two stories, “February Rain” and “Cooled Passion,” are not going to be to everyone’s taste since in both, the point-of-view character abruptly forces himself on his companion. In “Cooled Passion” this is especially unfortunate, as the act is quite malicious and the tale had been so promising up to that point.

In the end, though there are elements in some stories that I’m not keen on, the overall collection is enjoyable and unique enough that I can still recommend it.

Review copy provided by the publisher. Review originally published at Manga Recon.

Slam Dunk 8 by Takehiko Inoue: B+

slamdunk8After an admirable performance in an exhibition game against a tough rival, the Shohoku High basketball team is ready to get back to practice, but a gang of thugs with a grudge against team member Ryota Miyagi makes that impossible. They invade the court with the intent of starting a brawl that’ll get the Shohoku team disqualified from competition. Just when the thugs have been beaten back, with help from Hanamichi’s pals, assistant captain Kogure reveals that the lead punk, Mitsui, was once a promising member of the team.

What follows is a multi-chapter tale of hubris, wounded knees, and wasted potential, and it might perhaps seem rather pointless if not for all the heartfelt emotion on display and the certainty that Mitsui will once again rejoin the team. Kogure, typically very mild in manner, shows he’s tougher than he looks while Mitsui does the opposite when confronted by Coach Anzai, whom he dearly loves and respects.

All in all, there’s very little actual basketball in this volume but there is a lot of team building, which makes for a very enjoyable reading experience.

Review copy provided by the publisher. Review originally published at Manga Recon.

Slam Dunk 3-7 by Takehiko Inoue: B

slamdunk3How did I let myself get a whole year behind on Slam Dunk?! Of course, the upside to such a monumental lapse is having half a dozen volumes to gobble up back-to-back!

At the end of the second volume, hot-headed protagonist Hanamichi Sakuragi impressed team captain Akagi by declaring himself “a basketball man” in answer to pressure to join the judo team. As a reward, Akagi decides that Hanamichi (who has been learning the fundamentals of dribbling, passing, et cetera) is now ready to learn to shoot. To Hanamichi, of course, this means the slam dunk, but what Akagi has in mind is a more common shot, the layup. Even though Hanamichi practices a good deal on his own, he’s just not getting it until Haruko, the object of Hanamichi’s affections, gives him some pointers. Meanwhile, the Shohoku High team prepares for an exhibition game against Ryonan, a school with an incredible team.

slamdunk5The game against Ryonan—which spans all of volumes four and five and the first third of volume six—is nothing short of riveting, even though Hanamichi is incredibly, incredibly obnoxious throughout. His cockiness wouldn’t grate so much if, like Ryoma in Prince of Tennis, he actually had the skill to back up his claims. Still, his overwhelming confidence does help the team in a few crucial moments and they hold their own extremely well. One of the things I love about sports manga is how the mangaka can quickly create interesting opponents for our team, and Inoue does so here with Ryonan’s ace, Sendoh, who must work much harder against Shohoku than he ever anticipated and enjoys himself much more as a result.

After the exhibition game, Shohoku sets their sights on the district preliminaries and the road to nationals. At the same time, Ryota Miyagi, a second-year student who’d been hospitalized after being injured in a fight, returns to the team. He and Hanamichi butt heads at first until they discover a shared lack of success with the ladies and quickly become buddies. Alas, some thugs have a grudge against Ryota and the basketball team, and a brawl on the court ensues that could disqualify them from competition.

slamdunk7I’m hopeful that the introduction of Ryota marks the start of a Hanamichi I’ll be able to like. Somehow, Hanamichi doesn’t feel the need to exert his prowess over Ryota and is able to receive instruction from him without being a moron about it. It’s extremely gratifying! And even if I find Hanamichi annoying, there are plenty of other characters for me to like. My favorite is Kogure, the mild-mannered assistant captain, but I’m also fond of Yohei Mito, Hanamichi’s right-hand henchman, who is sweetly protective of his friend’s newfound passion and unforgiving of those who would spoil it for him.

Inoue’s art may not be very pretty in Slam Dunk, but it’s extremely easy to follow where games are concerned. I never once had a question about who had passed to whom, or even whether the ball bounced before someone caught it; it must be hard to depict movement so gracefully, but Inoue really excels at it. The “bonus NBA content,” which I assume is provided by VIZ, has also proven to be more interesting than I thought it would be. I admit that I skip the player profile in each volume, but the second page includes all kinds of tips about strategy, and I find it both educational and entertaining. I never actually knew, for example, that the point guard was the fastest member of the team.

If you’re looking for a completely fun and addictive sports manga, Slam Dunk will definitely fit that bill. I’d like it more if Hanamichi weren’t so irritating, but I have hopes that he’ll gradually mature and, in the meantime, there are a lot of other positives to keep me reading!

Review copies for volumes 5-7 provided by the publisher.

Alice in the Country of Hearts 1 by QuinRose and Soumei Hoshino: B-

alicecountryhearts1From the back cover:
Wonderland is officially at war! And Alice is trapped in the middle of it all. Will she make it out alive? A little arrogant, stubborn, and determined to get back home, Alice isn’t fazed by these challenges… until she discovers that every man is gun crazy and weirdly in love with her. What’s going on in Wonderland?!

Review:
Based on a “female-oriented romance adventure game” developed in Japan by QuinRose, Alice in the Country of Hearts is a reimagining of Alice’s Adventures in Wonderland and features a girl named Alice (shokku!) who is forcibly whisked away down a hole by a white rabbit. He doesn’t stay a bunny for long, though, as he quickly transforms into a bishounen, declares that he loves Alice, introduces himself as Peter White, and forces her to drink a vial of medicine that commits her to playing “the game.” Justifiably, Alice thinks he’s a huge creep and runs off.

In quick succession, Alice meets a bevy of handsome fellows, the most important of which are Blood Dupre (a.k.a. the hatter), a mafia boss who looks just like her ex-boyfriend; somber Julius Monrey, a clock maker who offers some heavily edited explanations of what’s going on; and Nightmare, a dream demon who visits Alice in her sleep and provides the most useful information. All of the guys are inclined to love Alice and, indeed, seem to be prohibited from feeling love for anybody else. The world is divided into four areas and, aside from Julius’ neutral Clock Tower Plaza, everyone else is at war with each other and fond of engaging in shootouts without regard for public safety.

Alice is convinced that the whole world is a dream, but Nightmare tells her it’s not a world she created, but is instead a world she wished for. She’s quite dismayed to find she apparently wished for a world full of fairy tale castles and frilly clothes, but subtle references to her past suggest her ex-boyfriend fell for her more ladylike sister and that she is feeling lonely and unloved. Amorous declarations utterly fail to move her—she’s much more interested in the mysterious goings-on involving disappearing corpses and shadowy beings—but she can’t help being drawn to Blood, even though she knows he’s dangerous.

Because of Alice’s cleverness and strong personality—I love many of her lines, like “I didn’t realize I was so lame” and “I’m sick of your condescending crap! This place is freaking me out!”—Alice in the Country of Hearts is a lot better than it really has any right to be. The focus is much more on the mysteries of the world than romance, and a nicely ominous atmosphere is created, with several of the guys—and not necessarily the ones you’d suspect—concealing secrets from Alice.

On the downside, the narrative framework is clearly transplanted from a videogame. If Alice wants to return home, she must refill the medicine vial. And to refill the medicine vial, she must interact with the world’s inhabitants. This results in Alice walking back and forth between the four main areas in the world, encountering different hotties, witnessing bizarre happenings, and having to walk elsewhere to discuss what she just saw with someone. It feels exactly like playing an adventure game. Ask Julius about the creepy shadows? Yes/No

In the end, Alice exceeded my expectations but didn’t exactly knock my socks off. That said, I’m genuinely interested in reading the next volume, and I wasn’t expecting that outcome at all.

Alice in the Country of Hearts is published in English by TOKYOPOP. The series is ongoing in Japan, where four collected volumes have been released.

Review copy provided by the publisher.

Stolen Hearts 1 by Miku Sakamoto: B+

stolenhearts1The basic plot of Stolen Hearts is summed up succinctly on its back cover: “a mismatched pair finds romance through a kimono shop.” Though the premise has some things in common with other shojo series—a significant difference in height between the two protagonists (Love*Com), a girl who attempts to familiarize her classmates with the finer qualities of her scary-looking love interest (Beast Master), and said unintentionally scary person experiencing the warmth of camaraderie for the first time (Kimi ni Todoke)—the particular quirks of the characters endow this series with a charm all its own.

When petite Shinobu Okuma (whose surname, we are reminded several times, means “big bear”) accidentally spills milk into a bag owned by her intimidating and brawny classmate Miharu Koguma (his surname means “bear cub”), Koguma tells her she can take responsibility for damaging the valuable kimono within by working off her debt at his grandmother’s kimono shop. Each day after school, they head to the shop and spend their afternoons together, dressed in kimonos and passing out flyers. Over time, Shinobu loses her fear of Koguma and realizes that he’s actually very sweet and kind, and even after he admits to tricking her (the kimono was actually worthless) and she falls victim to a lame kidnapping attempt from some thugs, she tells him in a forthright and angst-free fashion that she loves him, and the two become a couple.

Even though Shinobu doesn’t care that others might see them as an unbalanced couple, she’s still driven to clear up the misunderstanding that keeps her classmates tiptoeing around Koguma. “I want to show them his charms so badly, I can’t stand it,” she thinks at one point, and a perfect opportunity soon presents itself in the form of planning for the fall festival. Shinobu plays both sides here, giving Koguma pointers on how to be less frightening, and refusing to act as a go-between for classmates afraid to talk to him directly. Koguma also turns out to be surprisingly handy and, in the end, his popularity improves by leaps and bounds.

Things like kidnapping plots and school festivals seldom interest me, and I had originally anticipated awarding this volume a slightly lower grade because of it, but the charm of the characters combined with some terrific-looking kimonos (I especially loved the demonstration on donning a yukata!) moved me to be a little more generous. Koguma is bashful and easily flustered, lacking confidence but able to show his gentle charm with a little encouragement from Shinobu. I like him, but I like Shinobu even more; characteristics like determination and resourcefulness aren’t rare in shojo manga, but frequently manifest in an over-the-top fashion. Shinobu possesses these qualities, but in a more low-key way that feels a lot more real.

Miku Sakamoto’s art is attractive and looks much nicer inside than the cover would suggest. The high point, as mentioned, is the plethora of lovely kimonos, but I also find interesting the various ways the mangaka handles depicting Koguma and Okuma in the same panel, given their height difference. Sometimes Koguma kneels to be on eye-level with her, at one point the top of Okuma’s head is all that we see of her, and, in my favorite example, the bottom edge of the panel slopes diagonally across the page to reveal Okuma standing next to Koguma, whose dialogue bubble occupies the space above her head. Instead of resulting in awkwardness, the challenge has evidently encouraged innovation.

My one reservation going forward is whether the charm of the characters and the clothes will cease to be a reason to excuse some uninspired plotting. I’d rather see the leads explore their relationship than cycle through shojo’s greatest hits; if the next volume is all about Christmas and New Year’s, I’m going to be quite disappointed.

Stolen Hearts is published in English by CMX. The series is still ongoing in Japan. where four volumes are available so far.

Review copy provided by the publisher. Review originally published at Manga Recon.

Sunshine Sketch 4 by Ume Aoki: C

sunshinesketch4I’m not a particular fan of moe, but Sunshine Sketch, a 4-koma series about a group of girls living in an apartment building across from the art high school they all attend, is actually better than I thought it would be.

It wasn’t a good sign when the character introduction page summed up each girl in three sentences, including facts like “She is always on a budget and hungry,” but the strips within seldom rely on these traits for punchlines, so it turned out not to be so bad. Instead, most of the chapters are about everyday things like failing an exam, greeting some new first years, or looking forward to trying a new dish at the cafeteria only to find it sold out. Nothing objectionable occurs and there aren’t any obviously pervy elements (aside from an exhibitionist teacher, the one character I actively disliked) to remind one that this series runs in a seinen magazine.

The main problem is that Sunshine Sketch is boring. Here’s the plot of one chapter for an example: Yuno fails her grammar exam and must take a make-up test. She studies. She passes. The end.

The best chapter in the volume is one in which the gang takes a trip to a home improvement store because one of the new first years wants some curtains. Mangaka Ume Aoki perfectly captures the feeling of vague creative inspiration that such places can induce. If only the whole volume had been the girls checking out doorknobs and dish towels, I probably would’ve liked it more.

Review copy provided by the publisher. Review originally published at Manga Recon.

La Satanica by Momoko Tenzen: B+

lasatanicaWhen Shoji Mashita spots his classmate Motoki Matsushima lovingly caressing his (Mashita’s) desk, he abruptly realizes that Matsuhima has feelings for him. He narrates that he’s okay with this, since he respects Matsushima as a friend, but he can’t resist tormenting him since his reactions are so violent. Eventually, Mashita realizes that he has feelings for Matsushima, too, and they share a pretty intense encounter in the boys’ bathroom until Matsushima suggests they adjourn to his home and Mashita suddenly gets cold feet.

Matsushima tries to figure out what he’s done wrong, and Mashita finally confesses that he’s afraid of the next step. From this point on, the boys become fairly obsessed with doing it. I prefer stories more about love than lust, myself, but the depiction of their awkwardness is well done and one really must appreciate that they take a whole chapter to really, really make sure that it’s what both of them want. “Are you only doing this for my sake? Are you positive about this?” “If I didn’t want to be here, I wouldn’t be.” That alone earns La Satanica major points in my book.

I’ve been impressed by Tenzen’s powers of characterization in her short stories, so it’s no surprise that they’re on even better display in this full-length story. Both characters are very endearing, to the point where it’s almost embarrassing to see them in bed together, and Tenzen’s expressive art makes the heartfelt confessions of their feelings and insecurities that much more sympathetic. The result is a BL manga that manages to be sweet and sexy simultaneously, which is no small feat.

Review copy provided by the publisher. Review originally published at Manga Recon.