Fruits Basket 20 by Natsuki Takaya: A

From the back cover:
Kagura and Kazuma hotly discuss Tohru liking Kyou. With Kagura’s forceful encouragement, will Tohru be able to muster up the courage to tell Kyou how she feels? Meanwhile, Ren is determined to get her hands on Akito’s mystery box—even if it means killing for it!

Review:
I got a pleasant surprise on Wednesday when I discovered this had been released on the 1st! For some reason, I still had it on my Excel spreadsheet o’ releases (yes, I totally have one) for the 15th.

This volume started and ended with chapters about Tohru and Kyou—in the first she realized she loved him and in the last he began to tell her why he thinks she really shouldn’t. It was powerful stuff, and it was a little weird seeing Kyou look so very upset. I think I’d read the summaries for these chapters as they were originally released, but hadn’t seen the corresponding images until now.

The bulk of the volume, however, was devoted to Akito. Akito’s childhood was revealed, along with a lifelong fear of being left out, left behind. There are many subplots to Fruits Basket, and I guess the one about Akito’s family isn’t one I’m terribly interested in, because while these chapters were good, the best parts about them were when two members of the Zodiac were suddenly released from their curses! Their sudden loneliness at no longer being connected to the others was very affecting and I loved Momiji’s chapter. It felt like we’re starting to get closure for some of the secondary characters’ stories.

Akito kind of lost it near the end of the volume, leading to a fairly giant cliffhanger. I can’t tell if it doesn’t feel as menacing as past acts of violence (despite Akito being more unhinged than ever before) because I actually have sympathy for Akito or because I know how things are going to play out. Probably a little of both.

Anyway, I’m sure I’ve no need to tell anyone to read this series. It just so happens that in addition to being popular it’s also incredibly well-crafted.

Kare Kano 5 by Masami Tsuda: B+

From the back cover:
School’s out! But since Soichiro is going to be away competing in a kendo tournament all summer, he and Yukino are forced to spend their vacation apart. Will their romance be able to survive the separation? Yukino decides to spend her free time hanging out with her gal pals, but soon her friend Tsubasa announces she’s leaving home. Tsubasa’s upset about her father’s plans to get remarried, and freaks out even more when she meets her new brother-to-be. Yukino tries to be there for her friend while still nurturing her relationship with Soichiro from across the miles.

Review:
I liked this volume a bit more than the last one, even though Arima was hardly in it.

The first couple of chapters dealt primarily with Yukino’s new friends and really felt like an entirely different series as a result. Most aren’t completely likeable, but I suppose that makes them good matches for Yukino. Tsubasa’s story about her dad bored me at first, but I was surprised to find that I actually really liked Kazuma, her stepbrother, and enjoyed the chapter where they get to know one another a good deal.

There was also a lot of focus on Yukino’s family, which was cool. We really see her family a lot more than families are seen in the other manga I read. From learning about Tsubasa and Hideaki’s situations at home, she also began to realize that perhaps she hadn’t really understood what kind of a strain Arima’s family situation has put on him. At least the tribulations of the supporting characters actually had some kind of impact on the main couple.

Kare Kano 4 by Masami Tsuda: B+

From the back cover:
A pretty little girl named Tsubasa, an old friend of Soichiro’s from junior high, comes back to school. When she sees her beloved Soichiro with Yukino, Tsubasa gets extremely jealous and goes on the warpath to try to get Soichiro for herself. Meanwhile Maho, another girl who’s jealous of Yukino, gets all the girls in class to gang up against Yukino and give her the silent treatment. Yukino decides she has to face these problems on her own, without relying on Soichiro…

Review:
I had mixed feelings about this volume. Tsubasa’s jealousy-inspired antics were pretty annoying, and I got rather tired of the time devoted to the anonymous female students as they worked out (through somewhat incomprehensible logic) that one girl had manipulated them into snubbing Yukino due to her own personal vendetta.

That said, there were more nice, quiet moments between the main couple and I was also happy to see Yukino straightforwardly face the consequences of her deception and also start to make some friends. Tsuda totally used Meg Cabot’s trick of giving each prospective friend some kind of hobby or interest, though. It was pretty silly when three girls in turn introduced themselves and their hobby in the same sentence.

This volume also included a short story written early in Tsuda’s career, about a planet of rabbit people and the human political prisoner who crash lands on their planet and then saves their village from a forest fire. No, really. It wasn’t awful, but neither was it particularly good.

Kare Kano 3 by Masami Tsuda: B+

From the back cover:
Things are going well for Yukino and Soichiro. They have accepted each other for who they are, and have truly become boyfriend and girlfriend. But they’ve been concentrating more on each other than on their schoolwork, and it shows. When the two best students in school suddenly let their grades drop, it draws the attention and concern of one of the teachers. He wants Yukino and Soichiro to break up so they can concentrate on their grades again. And he even calls a dreaded parent-teacher conference to tell their parents his concerns. Will Yukino and Soichiro split up for good?

Review:
This is as far as I got through the manga my first try, but I can’t remember whether that was due to an ebb in the story’s awesomeness or if the rest of the volumes weren’t out yet and I just got so far behind I figured I’d just wait ’til the whole series had been released.

In any case, there’s a real slice-of-life vibe to this volume that is both good and bad. Yukino and Arima share some quiet moments that are quite nice and while I like that they had to face the academic repercussions of spending so much time together, three long chapters on the topic is a bit much. Yukino is also starting to feel the consequences of the other girls in her class realizing she’d been duping them with her perfection act.

Kare Kano is still a very good read, but like any relationship, it’s moving past the opening dramatics and settling into something more comfortable. I’m a little concerned because in the anime, it was soon after this point that the focus drifted from the main couple to the supporting cast (who I found far less interesting). I hope the same isn’t true of the manga.

Kare Kano 2 by Masami Tsuda: A

From the back cover:
You know that couple who was obviously meant for each other, and everybody knew it, except them? That’s Yukino and Soichiro, the two top students in school, who are capable of anything other than a normal relationship. Still, despite all they’ve been through, it seems they could finally be getting together. But now, the school’s token pretty boy, Hideaki, is intent on wedging himself between them, for reasons they can’t begin to imagine.

Review:
One of the things I am enjoying most about Kare Kano is Tsuda’s innovative use of panels to dramatic effect. Take, for instance, the climax of chapter four. In what I would call one of the classic moments of shoujo manga, Yukino (after several failed attempts) finally reveals her feelings to Arima by silently taking his hand in the middle of a student council meeting. No words are spoken, and what follows are two pages of their facial reactions and then one final page, showing the both of them from behind. I can’t really explain why I love the perspective shift at the end so much, but I really do.

Another thing I like is that if a character is alone somewhere, like in a classroom or waiting outside a movie theatre, there will be a large panel of their environment and superimposed upon it will be tiny panels showing what’s going on in the immediate vicinity—some students laughing down the hall, a quiet patio, a couple meeting up for a date. There’s a lot of sky and clouds in her imagery, too, and though I won’t try to decipher its metaphorical meaning, it makes me realize the opening sequence of the anime was very appropriate. I must also mention the fabulous panel of Yukino’s silhouette against a darkening sky as she pined for Arima.

And, of course, I also like the story. I think I didn’t like the character of Hideaki much when I read this the first time, and now I wonder why that was. My second favorite chapter, after chapter 4, is chapter 7, where we see both Arima and Yukino’s differing perceptions of the same or similar events. Yukino worries she’s not good enough for Arima, and Arima worries he’s too boring in comparison with her, but by the end, they’ve each leant the other some optimism, so they end up reacting identically in a separate conversations with Hideaki. It’s neat.

Kare Kano 1 by Masami Tsuda: A+

From the back cover:
Yukino Miyazawa has it all—perfect grades, looks, the admiration of her peers. She’s the #1 student at her school… at least she was until he showed up. The new boy, Souchirou Arima, one-ups her in every department. And the worst thing about it is that he’s sincere! With her ego in jeopardy, Yukino will do whatever it takes to regain the spotlight, but falling in love was never part of the plan.

Review:
What with watching the first disc of the anime twice, reading this volume way back in 2003, and rereading it now, I have consumed this portion of the Kare Kano storyline four times. I’ve read many other things in the interim, and I have to say this is still one of the best first volumes I’ve ever come across.

It’s so good it could function as a stand-alone. I didn’t like the anime much by its conclusion, though, and I’ve heard some unflattering comments about the manga, too, so I’m interested to see how I’ll like the bits I’ve not yet read. At the very least, I’ll always have volume one!

There are only three chapters collected in this volume, followed by an unrelated (but cute) short story. My favorite was the second. Arima, who had previously confessed romantic feelings to the “perfect” Yukino but who has since discovered that Yukino is a fraud, uses this knowledge to seemingly blackmail her into completing his student council work for him, which keeps her at school until late every evening.

When she finally tires of it and tells him he can go ahead and tell everyone her secret, a fabulous chase scene through the darkened halls and grounds of the school ensues until Arima finally prevails and reveals that he actually just did it to have an excuse to hang around her. Yukino finds that she’s relieved to learn that he actually does still care about her, and her gradual recognition of her feelings for Arima is very well done.

The other two chapters provide additional background on each of the main leads, though Arima is still kind of hard to figure out at this point. That’s probably because Yukino’s goal is shallow and simple—she wants to feel worshipped—while Arima is actually dealing with some darker family issues.

I really hope I don’t end up as displeased with this series as it seems others have done. For now, it’s hard to imagine that being the case.

Fruits Basket 19 by Natsuki Takaya: A

From the back cover:
As the Fruits Basket saga continues, the relationship between Tohru and Kyou becomes increasingly complicated, especially since most of the members of the Zodiac seem to look down on him. Tohru comes to the realization that if she wants to save Kyou, she’ll have to create some sort of trigger to break his curse. But what, if anything, can cure Kyou?

Review:
There was a lot going on in this volume, with quite a lot of the cast making an appearance. Many plot points were advanced nicely, including some I’d forgotten about.

The most important things, though, centered primarily on Shigure. I swear, he’s probably the single most fascinating character I’ve ever encountered in manga. I especially loved his conversation with Hatori where the latter was chiding him for saying cruel things to Akito and urging him to be kind instead. Shigure essentially said he wasn’t going to coddle Akito in a paternal way, and it seemed his intentions are to force Akito to cease wallowing in despair and step forward to meet him.

He also had a gripping scene with Tohru where he essentially said that all of the Jyuunishi look down on Kyou in their heart of hearts, and that they accept his imprisonment as his duty. The notion definitely stuck with and disturbed her later when some of the younger Sohma were gathered at the house. It seemed that he wasn’t quite right about their opinions, though, so I have to wonder what his intent was there.

Toss in a nice long chapter featuring Ayame and some genuine progress with Kyou and Tohru, and I am a happy reader indeed. Not so happy, however, when I contemplate waiting until July for the next installment.

Fruits Basket 18 by Natsuki Takaya: A

From the back cover:
As rumors swirl about Machi trying to kill her little brother, Kakeru figures that the only person who can get the truth out of her is Yuki. But when the two of them visit her, they learn a shocking secret. Later, Motoko wants to tell Yuki her feelings before she graduates and leaves the school—and him—forever. But will their parting be such sweet sorrow?

Review:
If Shigure was the stand-out character in volume 17, this time it was Hatsuharu.

The first few chapters were good—we got more background on Machi and the chapter featuring Motoko was actually far better than I’d anticipated. It dealt with the bittersweet feelings of graduation in a general sort of way, and I really liked it. I also discovered, courtesy of a flashback to the previous occasion when Motoko spoke of her feelings to Yuki, that while I used to think I preferred Takaya’s old drawing style to the current designs, that’s no longer the case. The old style looked really weird to me.

Things got even better in the second half of the volume. After learning from Hiro some of the things Rin had suffered due to her relationship with him, and hearing from Yuki that no one had seen Rin in a while, Haru went to confront Akito about what had happened to her. A riveting and thoroughly awesome confrontation ensued. If there were any character who would dare to get physical with Akito in their rage, it would be Haru.

It turned out that Rin, having seen Tohru upset by Kureno’s words, had followed him to the main house, been manipulated by Akito’s nutty mom into attempting to steal one of Akito’s possessions, and been caught in the act. She’d been kept in the isolated room designated for the one possessed by the spirit of the cat and only discovered when Kureno spotted food being delivered there.

This, of course, brought to everyone’s mind what’s due to happen to Kyo once he graduates (see, the chapter with Motoko really did have some thematic bearing on the series). Tohru is worried he seems to have accepted his fate and the volume ended with her silently pleading with him not to go.

So, lots of plot progress, lots of sadness, lots of greatness. I’ve enjoyed reading these volumes close together. Volume 19 is due in several weeks, but after that, it will be a torturously long wait.

Fruits Basket 17 by Natsuki Takaya: A+

From the back cover:
Akito has more than skeletons hiding in the closet—the curse, dear reader, is not the only reason Kureno won’t leave Akito. And who can make Arisa understand Kureno’s devotion to Akito? Graduation is approaching, so everyone needs answers!

Review:
This volume was awesome from start to finish. I followed this series as it was being released in Japanese, so I knew what was coming, but I still got goosebumps during the scene where Kureno told Tohru the real reason he won’t leave Akito’s side. It wasn’t only the big reveal itself that was so great, but also the skillful manipulation of tension and atmosphere leading up to it.

Speaking of manipulation, most of my favorite scenes involved Shigure—a conversation with Hatori, a phone call with Kureno, and an encounter with Akito. The phone call was especially good, with snippets of it being doled out across several chapters. In his appearances, Shigure was manipulative, honest, teasing, hateful, and, in one particular panel, downright creepy. What an amazing character.

I also liked that most of the other subplots were touched on in this volume. There were some very cute Kyou/Tohru and Yuki/Machi scenes, and things like Momiji and his sister and Shigure’s editor’s relationship with Ritsu even got a mention. There wasn’t a single chapter that merited anything less than a perfect score, in my opinion.

Fruits Basket 16 by Natsuki Takaya: A-

From the back cover:
A new chapter is opened in the Sohma family’s story—and the rumors are true! Kyou has indeed met Kyoko in the past… and when he did, she told him the story of how she met Tohru’s father, which he then tells to us: Tohru’s birth… the truth about her mother and father… Yuki’s declaration of independence…

Review:
Well, that was a crappily written blurb, wasn’t it? It read as if Kyou was going to tell us about Yuki’s declaration of independence. In actuality, Kyoko and Katsuya’s story occupied the first several chapters, then Yuki’s so-called declaration occured near the end of the volume when the Jyuunishi (and Akito) gathered at the main house for New Year’s.

I really enjoyed Kyoko and Katsuya’s story, especially the latter’s personality. He had good manners and seemed polite, but there was a bit of the mischievous deviant about him. I knew Katsuya would die (this isn’t a spoiler), but Kyoko’s cries of “He’s not anywhere anymore!” were rather upsetting. More hints were dropped that Kyou had something to do with Kyoko’s accident, and in guilt, he pledged to stay away from Tohru and not think of impossible things regarding her.

The focus in the last two chapters shifted back to Yuki and, through him, Machi, the withdrawn and occasionally destructive treasurer of the student council. I don’t dislike Machi, but it was around here that the story started to irritate me a little, because it seemed like nearly everyone had the same problem: their parents were cold and distant and they questioned whether they were really needed in this world. It popped up in Rin’s story in volume 14, Yuki’s in volume 15, and now both Kyoko’s and Machi’s in this volume. I guess Takaya is aiming for some kind of consistent theme, but jeez.

The last chapter was the New Year’s banquet and included another important step in Yuki’s development, though I wouldn’t really call it a “declaration of independence.” More like… an avowal to take personal responsibility for his problems and faults. As an added bonus, there was Mabudachi Trio goodness. Akito’s reaction to Yuki’s statement was interesting, and there was movement on a few other subplots, too. Now I just have to decide whether to take a little Furubreak or continue on to the revelations that I know volume 17 contains.