Black Butler 1 by Yana Toboso: B-

Twelve-year-old Ciel Phantomhive is, through as-yet-unexplained circumstances, the head of his aristocratic family. He lives in a beautiful manor house near London with his servants, led by the impressively capable Sebastian, and runs a company that manufactures confections and toys. In the first chapter, we witness Sebastian’s skill as he whips up dinner for a guest (hindered by the ineptitude of the other servants), and in the second, Ciel’s shrill and petulant fiancée arrives to dress everyone in cute outfits and break Ciel’s signet ring. Then she cries when he’s mad at her for it. Charming. This inauspicious beginning is tempered somewhat by the likable and enigmatic Sebastian and his relationship with Ciel, who is by turns acerbic and vulernable.

The story picks up the pace in the third chapter, when Ciel is revealed to have been given some sort of policing responsibility by Queen Victoria that makes him a target for an Italian fellow looking to sell drugs in England. When he learns his master has been kidnapped, Sebastian springs into action, easily defeating all of the thugs standing in his way (earning extra badass points for doing so with silverware!) and ultimately revealing more details on the nature of his service agreement with Ciel. This results in a second half that is much better than the first.

Black Butler has a lot of fans, and I can certainly see why. Although I gave this first volume a B-, I did enjoy it overall and feel that the series has a lot of promise.

The first, and most important, step the series can take towards achieving greatness is to jettison the completely unfunny household staff. I’m not even sure why they’re there. Am I actually supposed to find their painfully stupid antics amusing? At one point, I thought one of them might get killed by a sniper and I thought, “Oh, so that’s why they’re there!”, but alas, it was not to be. You know you’ve created some annoying characters when three chapters in I’m rooting for them to die.

I’d also like to see the series develop a plot worthy of its central character. Sebastian is both urbane and lethal, a fellow whose appearance and manner—“You’re nothing more than a romeo swanning around in a swallowtail coat”—bely his true intentions, and he deserves better than whiny fiancées and two-bit drug dealers.

I found Toboso’s art to be kind of generic, but attractive. The action scenes are easy to follow, even when Sebastian’s doing impossible things like throwing bullets into his opponent’s foreheads and slicing their guns in half with a serving tray. Yen’s packaging is also nice, with a couple of color pages and some substantial translation notes.

On the whole, while Black Butler falters some in this first volume, there are enough appealing elements to ensure I’ll be back for the second. I’ll be especially glad if the “comic relief” meets an untimely end in the interim.

Black Butler is published in English by Yen Press. They’ve released one volume so far. The series is up to eight volumes in Japan, where it is still ongoing.

Review copy provided by the publisher. Review originally published at Manga Recon.

Yotsuba&! 1 by Kiyohiko Azuma: A

From the back cover:
Hello! This is Koiwai Yotsuba, Yotsuba Koiwai… um, YOTSUBA! Yotsuba moved with Daddy to a new house from our old house waaaaaaay over there! And moving’s fun ‘cos people wave! (Ohhhh!!) And Yotsuba met these nice people next door and made friends to play with. I hope we get to play a lot. And eat ice cream! And-and-and… oh yeah! You should come play with Yotsuba too!

Review:
I’ve learned through experience to be dubious when someone tells me that something is funny—oafs being oafish seem to be the standard of humor these days, but that sort of thing has never appealed to me—so imagine my delight when Yotsuba&! actually lived up to the hype.

I probably don’t need to describe the setup, since I’m the last kid on the block to get around to reading this title, but it’s essentially a slice-of-life story about the daily adventures of a permanently happy and curious five-year-old girl named Yotsuba. Yotsuba encounters something new in each chapter—prompting titles like “Yotsuba & Moving,” “Yotsuba & Global Warming,” et cetera—and never fails to greet these things with enthusiasm.

There really isn’t much plot aside from this. We do learn that Yotsuba is an orphan who was taken in by the fellow she now regards as her father, but her sad origins are not really the point. Instead, the story focuses on the wonder she finds in everyday things. The second chapter, for example, is a gentle farce in which Yotsuba accidentally gets locked in the bathroom, escapes through the window, wanders the neighborhood in her pajamas, and discovers the magic of doorbells. “A person came ouuut!”

While Yotsuba is the source of much of the humor, other characters do elicit some laughs, too. Most of the jokes arise out of either the situation at hand or some kind of universal observation, which I really like. I’m particularly fond of the silly song Yotsuba sings after a charmed ramen proprietor gives her an egg on the house: “Free! Free! This egg came out—and we were like, WHOA!”

Sometimes Yotsuba’s curiosity does cause her to misbehave, like when she and her father take a trip to the department store and end up disturbing other customers. On one hand, I sympathize with the parent who might find her antics headache-inducing, but at the same time, it feels like such a shame to have to scold her for her unrestrained behavior. Most of us were probably at least a little similar to Yotsuba at this age, but we learned to obey the rules of polite society and can now claim to be civilized. Are we happier for it, though? Knowing that Yotsuba will one day change offers a bittersweet counterpoint to the hilarity.

In the end, I add my voice to the chorus of those singing the praises of Yotsuba&!. While I own the other volumes currently available in English, I’m going to take this series one at a time to better savor its charms.

Yotsuba&! was originally published in English by ADV, but fell into licensing limbo after five volumes. The license was rescued by Yen Press, who, in addition to picking up where ADV left off, also reissued the first five volumes with a new translation. The series is still ongoing in Japan and is up to nine volumes there.

Review copy provided by the publisher.

Pandora Hearts 1 by Jun Mochizuki: B

From the back cover:
The air of celebration surrounding fifteen-year-old Oz Vessalius’s coming-of-age ceremony quickly turns to horror when he is condemned for a sin about which he knows nothing. Thrown into the Abyss—an eternal prison from which there is no escape—Oz meets a young girl named Alice, who is not what she seems. Now that the relentless cogs of fate have begun to turn, will they lead only to crushing despair for Oz, or will Alice provide him with some shred of hope?

Review:
When Oz Vessalius’ coming-of-age ceremony is interrupted by hooded figures—later, we are told, from a race of people known as Baskervilles—he ends up accidentally wounding his friend/servant, Gil, and is sent to a mysterious dimension known as the Abyss. There, he meets Alice, a “chain” (a creature born in the Abyss) known as the B-Rabbit, who is anxious to use him as a means to escape. Meanwhile, a mysterious trio, including a young man with an incredible resemblance to Gilbert, plots to use Oz for their own purposes.

There’s a lot going on in Pandora Hearts. About half a dozen mysteries are introduced in this volume, with many hidden identities and agendas among them. A lot of things don’t make any sense at this point. Normally, this is the kind of thing that would bother me, but somehow in this series, it works. By the end of the volume, Oz and Alice are back in the real world and have reached a kind of Tsubasa RESERVoir CHRoNiCLE arrangement in which Oz pledges to help Alice recover her missing memories and the two of them have agreed to work for Pandora, an organization that monitors the Abyss.

Oz is a likable character, though I found the attempts at comedy sort of out of place. In the beginning, there’s somewhat of a gender reversal, in which he’s the one being rescued by Alice and ending up on the receiving end of an unsolicited kiss, but instinct tells him she isn’t evil, despite what others say, and by the end of the volume he’s done his share of protecting her, as well. He’ll probably exhibit more characteristics of the shounen hero as the story progresses.

There’s somewhat of a shoujo feel to Mochizuki’s artwork, which features delicate lines, at least one angsty bishounen, and fashions that cause Oz to resemble, especially when chibi-fied, Momiji from Fruits Basket. Some character designs are less interesting than others—Lady Sharon, with whom Oz is instantly smitten, being a prime example—but there are some fun eccentric ones, too.

Because this first volume is so very expository, I have no idea what to expect from the second volume, but as long as things start to clarify a little in the near future, I suspect that the story will end up being quite entertaining indeed.

Pandora Hearts is published in English by Yen Press. Only the first volume is currently available, with the second slated for release in May. The series is up to ten volumes in Japan and is still ongoing.

Review copy provided by the publisher.

Welcome to Wakaba-soh 2 by Chaco Abeno: D

wakabasoh2Just in case you were uncertain about what kind of manga this is, the volume opens with five color pages containing about a dozen bra and panty shots and one profile view of bountiful, nude bosoms.

The main storyline involves a not-too-bright boy called Kentarou Sawai who lives in a building with a bunch of girls of varying character types. He’s in love with Karen, the pretty caretaker, and doesn’t realize that the bespectacled Arai is really his childhood love. Chapters are brief and focus on uninspired scenarios like “Kentarou is ill and must eat the foul concoction prepared by the girl he likes” or “Kentarou’s sister visits and to avoid being recognized, Arai dons a mushroom costume.”

The characters are all incredibly shallow and none of the comedy is in the least bit amusing. The tone does get a little more somber right near the end, but the angst is so sudden and over-the-top that it comes across as more ridiculous than compelling. Plus, it’s hard to take it seriously when, two pages later, a girl wearing a maid’s outfit and thigh highs trips and sprawls across half a page, exposing her undies in the process.

It’s probably to be expected that female fans of this title will be few, since women are obviously not the target audience. I certainly don’t begrudge the fellas their right to eye candy, but must it be so vapid? I really looked for something to compliment, but aside from the cover, which I think is pretty, I couldn’t find a thing.

Review copy provided by the publisher. Review originally published at Manga Recon.

Sunshine Sketch 4 by Ume Aoki: C

sunshinesketch4I’m not a particular fan of moe, but Sunshine Sketch, a 4-koma series about a group of girls living in an apartment building across from the art high school they all attend, is actually better than I thought it would be.

It wasn’t a good sign when the character introduction page summed up each girl in three sentences, including facts like “She is always on a budget and hungry,” but the strips within seldom rely on these traits for punchlines, so it turned out not to be so bad. Instead, most of the chapters are about everyday things like failing an exam, greeting some new first years, or looking forward to trying a new dish at the cafeteria only to find it sold out. Nothing objectionable occurs and there aren’t any obviously pervy elements (aside from an exhibitionist teacher, the one character I actively disliked) to remind one that this series runs in a seinen magazine.

The main problem is that Sunshine Sketch is boring. Here’s the plot of one chapter for an example: Yuno fails her grammar exam and must take a make-up test. She studies. She passes. The end.

The best chapter in the volume is one in which the gang takes a trip to a home improvement store because one of the new first years wants some curtains. Mangaka Ume Aoki perfectly captures the feeling of vague creative inspiration that such places can induce. If only the whole volume had been the girls checking out doorknobs and dish towels, I probably would’ve liked it more.

Review copy provided by the publisher. Review originally published at Manga Recon.

Favorite Manhwa of 2009

adventures-young-det-1Over at Manga Bookshelf, MJ has asked a few manhwa fans, including yours truly, to name their favorite titles of 2009. You can find that post here.

It was pretty tough narrowing my picks down to five, but in the end I went with:
The Adventures of Young Det (Gyojeong Kwon, NETCOMICS)
Goong: The Royal Palace (Park SoHee, Yen Press)
Small-Minded Schoolgirls (toma, NETCOMICS)
10, 20, and 30 (Morim Kang, NETCOMICS)
Very! Very! Sweet (JiSang Shin and Geo, Yen Press)

And, for a BL pick:
U Don’t Know Me (Rakun, NETCOMICS)

I’ve read some great manhwa in 2009 and am looking forward to discovering awesome new series in 2010 as well as reading some greats that’ve already been out a while. This will be the year I finally read Let Dai!

Moon Boy 7 by Lee YoungYou: C+

moonboy7Myung-Ee and her childhood friend, Yu-Da, are “earth rabbits,” and must be on guard against the members of the fox tribe who want to eat them. Yu-Da is particularly special—as the rare “black rabbit,” his liver has the potential to restore the foxes’ queen. For that purpose, he was kidnapped by the foxes as a child and magically kept docile while they wait for his liver to mature.

Volume seven picks up just after Yu-Da reveals that he broke the spell placed on him some time ago and has just been playing along. Sa-Eun, the fox assigned to guard Yu-Da, feels betrayed since he genuinely felt friendship for his charge. They have an angsty fight until Myung-Ee intervenes with a powerful blast of energy that sends Yu-Da reeling. The rest of the volume is devoted to Sa-Eun confessing his feelings to Myung-Ee, introducing the sleepy leader of the foxes, and Myung-Ee’s attempts to get Yu-Da to come back to the rabbits’ side.

My problem with Moon Boy has always been that it’s inconsistent. Moments of head-scratching “Huh?!” are present in this seventh volume, like when Yu-Da, who’s been a pretty snarky badass for most of the volume, suddenly breaks into tears at the idea that Myung-Ee might really like him. (Causing Myung-Ee to realize that perhaps someone who’s been kidnapped and mind-wiped and held prisoner for many years might have trouble trusting people.) Later, Ha-Eun, a powerful figure with a mysterious agenda, bursts into tears after randomly taking Yu-Da to see a skeletal guy in a dungeon. I get that the creator wants the characters to be multi-layered, but these moments just come out of nowhere.

Despite my complaints, Moon Boy is a quick read and it has certainly improved over earlier volumes now that the story’s gotten more serious. Plus, there are only two volumes left, so I can’t really stop now!

Review copy provided by the publisher. Review originally published at Manga Recon.

Raiders 1 by JinJun Park: B-

raiders1From the back cover:
Irel Clark is a professor’s assistant whose latest find is the “Holy Grail” for members of his profession—literally! But when it turns out that some decidedly unholy individuals are also after the blood of Christ, Irel must drink from the chrism bottle he’s recovered to save his own life. Immortality leaves something to be desired, though, when undead cannibals walk the earth in constant need of human flesh, and Irel’s newly immortal body is nothing short of an all-you-can-eat buffet!

Review:
It hadn’t occurred to me, before reading Raiders, that all or nearly all of the manhwa I have read has been geared for a female audience. Anyone have recommendations for good manly manhwa?

I wasn’t sure what to expect from Raiders, but an appealing cover and a positive review from Eva Volin compelled me to check it out. Essentially, it’s all about the blood of Jesus. Irel Clark, a young man working for a professor who’s an expert in biblical relics, infiltrates a church in Glastonbury where the Holy Grail is rumored to be located. Instead of the grail, Irel finds a chrism bottle, one of five legendary vessels containing the blood of Christ and, after a shootout with some soldiers, he and the professor proceed towards London by train with the bottle in tow.

Others want the chrism bottles for themselves. The most violent of these is Lamia, a surprisingly sympathetic zombie who hates having to kill to survive and was going to use the blood in order to restore her humanity. Unfortunately, she goes about this by killing the professor in a gruesome manner and threatening Irel to the extent that he drinks the blood himself, which grants him the power of perpetual regeneration. Since he prevented her from obtaining a cure, Lamia keeps him chained up and gnaws on him instead of eating other people.

What we get in this first volume is really just a scrap of story; it’s fast-paced and intriguing, but events do not progress much beyond the initial setup. Instead, lots of new characters are introduced. Irel and Lamia get the most attention, which is good since they’re the most interesting, but there’s also some unnamed fellow who sends his teen servant (possibly a former zombie) and her giant partner/minion after the chrism bottle, yet another unnamed fellow in cahoots with the first one (this one can morph into a bat!), a cop who is excited by the cannibalistic shenanigans aboard the train to London, and the professor’s daughter. Quite a few of these characters converge on the final page of the volume, promising chaos for volume two.

The art is in a style I typically think of as “high contrast,” meaning it’s primarily white and black without much screentone. I found the action sequences to be confusing sometimes—Lamia loses an arm at one point by some unseen means—but overall the art is pretty good, dark and gritty as befits a gory story about zombies.

Ultimately, Raiders is a lot better than I thought it would be. Perhaps my expectations for a zombie action title are lower than they would be for something else, but I enjoyed it and plan to read volume two when it comes out in February 2010.

Review copy provided by the publisher.

Angel Diary 10 by Lee YunHee and Kara: C+

angeldiary10It’s been two years since the Princess of Heaven fled an arranged marriage with the King of Hell to live in disguise as a human schoolboy called Dong-Young. In the meantime, four Guardians have assembled themselves around her and Dong-Young has fallen in love with her classmate, Bi-Wal, who, you guessed it, just so happens to be the King of Hell.

Volume ten begins with one of the guardians killing a demon who threatens Dong-Young, which, in turn, prompts the demon’s extraordinarily powerful friend, Ryung, to seek vengeance. Ryung is Bi-Wal’s older brother, and the majority of the volume focuses on the two siblings as they attempt to work out their childhood issues of mistrust and misunderstanding while exchanging magical attacks and sword blows.

The end result of airing all of this angst is a confrontation that’s somewhat silly and yet somehow kind of appealing. The idea of a villain whose actions are inspired by pain is nothing new, and the story skates along so swiftly that an opportunity to make this conversation truly poignant is missed. Kara’s lovely art, which tends to focus on the characters’ expressive eyes, helps greatly in this regard, however.

In the end, although I’ve got no desire to catch up on this series from the beginning, I find that I’m actually rather interested in what will happen next.

Review copy provided by the publisher. Review originally published at Manga Recon.

Very! Very! Sweet 5 by JiSang Shin and Geo: B+

veryverysweet5Be-Ri thought she’d been doing a good job hiding the fact that she is in love with her sister’s boyfriend, San-Ne. After he humiliates her by revealing he’s known all along, she seeks out a relationship where she won’t get hurt and agrees to date her ardent admirer, Mi-Hyuk, for whom she feels nothing. Japanese transplant Tsuyoshi, who has formed a friendship with Be-Ri, is unexpectedly bothered to see her with another guy and tries various ways to convince her to break it off, short of actually confessing his own feelings.

Very! Very! Sweet is a really interesting series. There are always parts of each volume that I’m not too fond of—usually these involve the clingy Mi-Hyuk or Erica, Tsuyoshi’s ex-girlfriend who will not accept that things are over between them—but there are many great scenes and surprisingly complex conversations throughout, as well. I once described the romantic entanglements in this series as a “love polygon,” and that still holds true, but lately an emphasis on the fleeting nature of human feelings has introduced a melancholy element to the series that I like very much.

I’m also impressed by how much character development the leads have received. Tsuyoshi was initially a spoiled brat, but has embraced the move to Korea as an opportunity for change and has almost entirely left his old persona behind. Be-Ri, meanwhile, has begun to question whether she liked San-Ne for the right reasons and, though her earnest attempt to develop feelings for Mi-Hyuk is bound to end in failure, she is at least attempting to move on from unrequited infatuation.

All in all, Very! Very! Sweet is a series that has improved as it has progressed. I definitely recommend it.

Review copy provided by the publisher. Review originally published at Manga Recon.