Book description:
Miaka Yuuki is an ordinary junior-high student who is suddenly whisked away into the world of a book, The Universe of the Four Gods. In a land reminiscent of ancient China, she becomes the priestess of the god Suzaku, and is charged with finding all seven of her Celestial-Warrior protectors, including dashing mercenary Tamahome and wannabe empress Nuriko. Only then can Miaka summon the power of the god Suzaku, find her true love, and get home safely.
Review:
Fushigi Yûgi was the first shoujo anime I ever saw, and the first with rampant bishounen and gender fun, etc. So, even though it has its flaws, I’m still fond of it. It’s been a while since I saw the series, so I decided to revisit it in manga form.
The art style surprised me. I’ve read a couple of Watase’s later things, and this earlier style is actually reminiscent of Rumiko Takahashi in spots. I prefer it to her later, more stylized approach. It’s more comical and the characters don’t look as similar.
Miaka is certainly just as stupid as I remembered, and has already done quite a few dumb things and fainted a few times for incredibly goofy reasons. Tamahome… doesn’t… love me?! *swoon* Three of her Celestial Warriors are introduced here, found essentially under her nose: Tamahome, Hotohori, and Nuriko. I’m definitely reading more for these side characters, the latter two more so than Tamahome. He doesn’t really do much for me. I do like the story, and the manga seems to be a little clearer on certain elements of the logistics involved.
Fushigi Yûgi is a shoujo classic, but is also recommended if one simply wants a bit of fun fantasy.
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