Cross Game Color Commentary

As part of this month’s Manga Moveable Feast on Mitsuru Adachi’s Cross Game, Kate Butler and I engaged in a bit of conversation about our love of sports manga in general and this series in particular. As we reference the plot and characters, this page from VIZ’s Shonen Sunday website might come in handy.

MICHELLE: I’m fighting the compulsion to start this thing off by going, “So. Cross Game, huh?” But perhaps I had better begin by introducing my fellow interlocutor, Kate Butler. Kate and I have been friends for about a decade now, and share a markedly similar taste in books, which extends to a love (somehow this word doesn’t seem quite strong enough) for sports manga. In fact, I am pretty sure that it was from Kate that I first heard about The Prince of Tennis and Hikaru no Go, both of which have been long-time favorites of mine.

What was your first exposure to sports manga, Kate?

KATE: The very first sports manga I read was the first couple of volumes of Harlem Beat. Was TOKYOPOP still calling itself Mixx back then? In any case, it was a long time ago, and I remember being surprised that this story about basketball, something which I find incredibly boring in real life, was holding my attention. But the real truth is that my love of sports manga comes about because of my strange attraction to shounen battle manga (and their insanely lengthy anime counterparts)—you really can’t describe The Prince of Tennis as anything else, even though they battle using tennis and not swords or super saiyan techniques.

But even though Cross Game shares a number of elements with that particular genre, I doubt anyone would peg it as a pure battle-sport manga.

MICHELLE: The closest I’ve come to a shounen battle manga that actually involves literal battles is probably Rurouni Kenshin, which I adore. I have yet to read any of the Dragonball series, but I suspect that I’d probably like it, too, since I enjoyed the pair of Toriyama one-shots I read.

You’ve touched upon one of the central mysteries of sports manga for me: how come I never want to watch live sports, but I gobble up the manga like candy? If forced to name a favorite sport, I would probably say basketball or tennis, which some might take as evidence for why I love Slam Dunk and The Prince of Tennis, but I can honestly say that I have never, at any point in my life, ever found baseball interesting. And yet I love Cross Game.

KATE: I wonder at my interest in sports-related manga as well. My adoration for The Prince of Tennis knows no bounds, and sometimes it even makes me think I must have been wrong—of course I must enjoy watching actual tennis! But then I try and am disappointed to discover once again that it’s as boring to me as it ever was.

Baseball is probably my most favorite of all the major league/professional sports popular in the U.S. But that’s not saying a whole lot—I always enjoyed my outings to Fenway Park with my dad, but much of my attention was focused on when I got to buy my next hot dog or ice cream.

I guess my next question would be, is Cross Game really about baseball? At least in the earliest volumes, while there’s plenty of baseball-related content, it’s not -about- baseball, at least not in the way The Prince of Tennis is about tennis.

MICHELLE: I think that’s an excellent question, and the key to its appeal. I’ve spoken on this theme several times in recent months, but I adore stories about lazy or disinterested characters who find something to be truly passionate about and/or a place where they belong. That’s why, of all the sports manga I’ve read, Cross Game reminds me the most of Slam Dunk. But even that is not really any comparison, since we learn much more about Ko and his motivations than we do about Sakuragi, and he certainly seems to be coming from a much deeper place than “get the girl” or “be the best.” The story becomes more about Ko and his personal journey rather than the actual specifics of his goal.

That isn’t to say, though, that the baseball games aren’t riveting and masterfully drawn, especially those between “the portables,” the lower-tier members of the baseball team, and the hand-picked varsity squad. Here again, I think Adachi’s stressing the importance of really loving something, no matter what it is, because simply doing that can bring one joy.

KATE: Yes, if I were going to try to identify Ko’s motivations, “be the best” and “get the girl” wouldn’t be among the first to spring to mind. Though it’s interesting that they wouldn’t, because we’re told early on in the manga that he’s actually far more competitive than he appears.

Your description of his journey from indifference to passion sounds a lot like Godai from Maison Ikkoku, though I personally am finding Ko much more difficult to get a handle on than Godai, whose faults and temptations and misunderstandings were all very much on display. Ko, on the other hand, feels slippery to me. Not to say he doesn’t have motivations and desires, but he’s very hard to read. It may have something to do with the way he’s drawn—I find his expression to be inscrutable most of the time, giving me little information about what’s passing in his mind.

Here are some examples of Ko’s expressions, captioned with the emotion he is experiencing at that moment:

MICHELLE: That’s a good point, and especially true during the portions of the story where others are observing Ko and how much he’s grown. With the lack of facial cues, I pretty much just rely on his commitment to baseball as indication that he’s still doggedly on the path of making Wakaba’s dream come true.

Adachi’s art in general sends me mixed messages. In matters of pacing and paneling he excels, but his depiction of anatomy is more inconsistent. He seems to draw some bodies quite well. Ko’s when pitching, for example, and Aoba’s, especially on the chapter title pages on which she’s wearing revealing attire. I love how her body looks positively normal for a healthy, athletic teen, and don’t even mind that her clothes are a bit skimpy because they’re still practical and plausible. But then I look at her face, and it just seems incongruously cartoony compared to the rest of her. And then you’ve got the supporting characters like Nakanishi who—and I really appreciate that there are several awesome yet stocky characters in the cast—frequently looks too dumpy to even be able to run.

KATE: Well, maybe he can’t run very fast. Or more accurately, he’s not a distance runner. Baseball isn’t really a distance game, though: similar to American football, it’s mostly short bursts of high exertion followed by a bunch of standing around. Which is why your top soccer, basketball and marathoners tend to have a different body shape from football players and baseball sluggers. So I don’t particularly find the body shapes completely incongruous with high school baseball players.

The faces and the rest of the art—well, I’ll admit it, it took me quite a while before I was able to tell Aoba and Ko apart with any consistency. At first I found it annoying, but then I started to think it was probably on purpose that their character designs were so similar. They are meant to be two peas.

MICHELLE: I’m sure that’s intentional. She definitely looks different from Adachi’s other lead heroines, who tend to resemble the Wakaba type. And really, everything else—from the inscrutable hero, to the mild fanservice, to the dumpy bodies—is simply part of Adachi’s style. He’s remained quite consistent, as Joe McCulloch notes in his excellent post at the Panelists. It’s definitely an effective style for conveying this type of story.

KATE: Is that a Seishu uniform I see depicted on one of the panels from Nine? Interesting. I suppose given that so little of Adachi’s work has been translated into English, it’s not exactly unsurprising that I’m not intimately familiar with most of his series, but I do feel it’s a lack. The other series of his to which I’ve had the most exposure is Touch, and that just the anime. So while I can agree that the art is remarkably consistent, I can’t speak toward greater thematic consistency through his work.

On the other hand, Cross Game itself employs many plot elements to which I’m very partial. You said earlier that you enjoy stories where a less-than-inspired protagonist evolves into a passionate pursuer of something. I happen to adore stories where the arrogant and insufferable are brought up short by a plucky underdog. (That is, after all, one of the prime plot components of Pride and Prejudice, my favorite book of all time.) And in this first half of Cross Game we’ve already had a payoff on that particular plot thread.

MICHELLE: It is a Seishu uniform! I didn’t even notice that. And yes, I was only referring to artistic consistency because, sadly, like you, I haven’t enough experience with his long-form stories to know how the they compare. I’m hopeful that Cross Game will do well enough that VIZ will license more by Adachi. Alex Hoffman of Manga Widget recently speculated that Katsu! might be a contender, and I concur.

I’m with you regarding the payoff! Perhaps I should have expected that something like that would happen, but I still thought it was handled rather elegantly. In fact, one could probably predict several things about where the Cross Game story is going to go, but that doesn’t mean it won’t be enjoyable.

KATE: Well, after that random Seishu uniform, I must say my interest in seeing Nine has shot up about tenfold. I do hope Cross Game is selling well enough to spur more Adachi licenses.

The way the payoff of that particular plot was handled was excellent—but the buildup to it was also interesting, especially since neither of our protaganists was actually the original instigator of the portable team’s secret plan. I do love it when characters presented initially as thuggish turn out instead to be quite clever and nice. (At least to those who deserve it.)

MICHELLE: Me, too. And I think I’d read an entire manga about Okubo, the cheerful yet underestimated manager of the portables. I think that in it, she should solve crime. Also, I think I now ship her with Nakanishi.

KATE: I would so read Okubo: Girl Detective. Someone needs to write this manga!

Ahem. Getting back to the actual discussion again: Cross Game is very enjoyable thus far, we both agree. But there are few stories I find so perfect there’s not at least one or two things I might change. Is there anything in particular you haven’t liked so far?

MICHELLE: Hmm. Well, I’m not crazy about all the fourth-wall breaking that’s going on. I expected it more in volumes two and three, and so it bothered me less, but Adachi complaining about his schedule or depicting the characters reading his earlier series is just never going to amuse me. There was a bit in volume three that I laughed at, though, where someone threw something at a box of omniscient narration.

I also think Aoba’s dad is really creepy. For Ko, a teenage boy, to be curious about girls and to go into a daze while looking up the skirt of the girl ahead of him on the escalator doesn’t bother me, but for a grown man to hang around a batting cage so that he might catch a glimpse of a young woman’s underpants is, like, a criminal offense or something. And that his daughters know about and freely discuss his proclivities is also pretty gross.

How about you?

KATE: I’m completely with you on both points. It may be possible to break the fourth-wall in a way that blends almost seamlessly into the story, and there are a couple of instances even within Cross Game where it works out all right, but most of the time it just serves to jar you right out of the story.

And I don’t even know where to begin with Mr. Tsukishima. The existence of numerous other lecherous father figures (Shigure from Fruits Basket springs to mind, along with Nanjiro Echizen from The Prince of Tennis) suggests he’s part of some grand tradition I just do not understand. We may have to wait for someone to make this a topic of their dissertation before all the cultural dots are connected.

MICHELLE: Maybe so. I mean, it must be funny to someone, right? Probably Japan is just more relaxed about that sort of thing than Americans—it is the land of used-undies vending machines, after all—but I’d think actually ogling a customer would cross some sort of line even there.

Now that I think about, there are loads of fellows in Cross Game who are unabashed about their girlie mags. Azuma’s brother, Junpei, has a pile in his delivery van when we first meet him. Ko’s got his own stash. His dad left one lying about at one point, too.

KATE: I can’t claim to be an expert, but anecdotally, that kind of soft-core porn seems much more out in the open. Salarymen reading it on trains, etc. So is it really meant to be funny? I guess the idea that it’s a joke is less depressing than the idea that it’s meant to be serious and no one cares.

MICHELLE: I don’t think the act of reading the magazines is really supposed to be funny, just a casual thing, but I bet that Mr. Tsukishima’s antics were intended to be. For the most part, I bet Adachi uses those magazines to show that these are just regular guys and, though they may be talented, or be able to summon great dedication for something that they love, in the end they all still get goofy for teh boobies.

KATE: That’s probably true. And in that sense, the T and A quotient of this series is really not any more than you’d find on your average American sitcom. Or maybe even in Archie comics, considering how that’s been going lately.

I think as long as these things remain in the background as the series progresses they’ll continue to be ignorable offenses for the most part. My larger concern going forward is, of course, the bane of authors everywhere: the conclusion. So many authors are so incredibly talented at the beginning parts of a story. Quite a few authors can sustain a story admirably through the middle portion. But then the endings! Oh, the weak, underwritten, cop-out finales. I’m both eager and afraid to see which side Cross Game falls out on.

MICHELLE: Oh, indeed. Like I mentioned before, certain aspects of the tale can be predicted, and that’s simply because of the kind of story it is. I mean, I suppose Adachi might never allow the Seishu team to make it to Koshien, but I’d consider it highly unlikely for a sports manga to go that route. I must admit, though, that I have heard that some of his endings are rather open-ended.

KATE: I think the baseball-related developments are probably set in stone—it would be unthinkable not to see them get to Koshien eventually, though whether or not he’ll take us through the entire tournament is less determined. But the character side of the equation is where the possibility of letdown really exists. So far things there have been developing at a nice pace, so hopefully the ending won’t disappoint.

MICHELLE: I guess we will just have to wait and see!

Thanks for joining me to talk about Cross Game!

KATE: Thanks! This was a lot of fun!