By Mengo Yokoyari | Published by Yen Press
I admit that I initially judged this book by its cover, assuming that it was on the smutty side and aimed at a decidedly male audience. While it is true that Scum’s Wish is seinen, the mangaka (Mengo Yokoyari) is female, and the end result (for me, at least) feels more like dark shoujo.
Hanabi Yasuraoka has been in love with Narumi Kanai, a family friend, since she was little. He was around when her mother couldn’t be (Hanabi’s dad is out of the picture), and promised to always be there for her when she’s lonely. Now, Hanabi is in her second year of high school and Kanai has just started his first teaching job… as her homeroom teacher. Pretty quickly, he becomes smitten with another young teacher, pretty Akane Minagawa, and Yokoyari-sensei masterfully conveys through facial expressions just what Hanabi thinks about that. Soon, she meets Mugi Awaya, a boy who is in love with Minagawa (she used to be his tutor) and they strike up an odd sort of friendship as they hang out together, pining for their unrequited loves.
Eventually, through boredom, loneliness, and hormones, Hanabi and Mugi end up making out, each envisioning that the other is actually the one that they love. While there are a couple of bosom closeups during this part of the story, there are such complex emotions being felt in the scene that it doesn’t feel at all salacious. Ultimately, they decide to publicly become a couple so that they can fulfill each other’s physical desires as needed, though one of the rules they establish is that they won’t be having sex, so I’m assuming this arrangement leads to a great deal of frustration.
The concept of a young couple in a purely physical relationship reminded me of A Girl on the Shore, but happily there’s no disturbing power imbalance between Hanabi and Mugi. No one is merely accepting what they can get from someone who belittles them. They have a lot in common and there’s an inkling, too, that something more might develop (even though they made a rule forbidding that, too), with Hanabi thinking that Mugi has never let her down, unlike Kanai, and feeling possessive of him.
As the scope of the story widens, we meet other characters who are in love with the leads. In addition to a boy who hasn’t received a name yet, Hanabi’s admirers include a girl named Sanae Ebato, who appears for the duration of one chapter and has yet to be mentioned again. Mugi’s overly enthusiastic admirer is Noriko Kamomebata, who has worked very hard to become a princess worthy of him, and gives the impression of a newly hatched chick who imprinted on him.
The introduction of Noriko—who prefers the name Moka, for “most kawaii”—does lead to my one complaint about this volume. Although I’ve presented the story of Hanabi and Mugi in a linear fashion, it’s actually largely told through flashbacks. I followed all of these fine until Noriko is introduced, at which point she refers to herself and Mugi as both being first years. In the first chapter, though, Mugi and Hanabi are both confirmed to be seventeen years old, they discuss their scores on a test, and Hanabi clearly mentions being in the second year of high school. So, is Mugi a second year like her or is he a first year? The timing of when Noriko arrives and objects to their relationship, therefore, is fuzzy and confusing.
All in all, though, Scum’s Wish was far better than I had originally assumed. I have no idea where the story will go from here, so I am very curious to see how it develops.
Scum’s Wish is ongoing in Japan and seven volumes are available so far. Yen Press will release volume two in English later this month.
Review copy provided by the publisher.