Planetes 1-3 by Makoto Yukimura: B+

Planetes is the story of Hachirota Hoshino, dubbed “Hachimaki” by his crewmates for his propensity to wear a headband (hachimaki), who dreams of earning enough fame and fortune to buy his own spaceship and achieve complete freedom. As the series begins, however, he’s part of a crew of “extraplanetary sanitation workers” who clean up space debris.

The first volume introduces readers to the crew of The Toy Box. In addition to Hachimaki, there’s Yuri, a Russian of indeterminate age whose perpetual staring into space (literally!) is explained when the story of his wife’s demise in a space liner crash is revealed. Yuri achieves some closure in the first chapter, when he finally finds a compass that was precious to his wife, and becomes a livelier character (and occasional font of wisdom) from then on. Tomboyish pilot Fee is a Floridian with a family back home and an ardent passion for cigarettes, which prompts her to go after some environmental terrorists who’re going around bombing smoking lounges.

The environmental terrorists become a more important factor in volume two. Hachimaki, who has been somewhat of a slacker up until now, learns that a rich inventor is mounting an expedition to Jupiter. Hachimaki develops a single-minded determination to be on the Jupiter mission, which leads to him working out endlessly and being sort of an ass to Tanabe, the (female) newcomer to the crew set to be his replacement. The environmental group—the Space Defense League—attempts several times to sabotage the protect, since the purpose of the mission to Jupiter is not exploration but to mine its resources. Hachimaki isn’t particular about the reasons—he just wants to go—and when his former friend, Hakim is revealed to be the terrorist mastermind, Hachimaki nearly kills him, saved at the last minute by Tanabe.

Hachimaki makes the crew for the Jupiter mission and by volume three is participating in mission training simulations. He’s haggard, though, losing weight, having visions of some sort of mystical cat, and feeling disconnected from everything around him. His crewmate, Sally, attempts to get through to him, and eventually succeeds (via boob therapy). Hachimaki has spent a great deal of time pursuing solitude, but Sally makes him see that in the end that Tanabe was right all along—“space is too dangerous and wonderful a thing to face alone.” Like his father before him, Hachimaki marries before heading out into space in order to anchor himself with a home.

Planetes is definitely an interesting tale, offering a mixture of science fiction and philosophizing about what it means for humans to go into space. One might notice, though, that in each of the paragraphs above dedicated to a particular volume of the series, Hachimaki seems like a different person. And, indeed, an inability to identify with the lead is what prevented me from awarding these volumes an “A.”

These volumes take place between 2074 and 2077, and it makes sense that a person could change a great deal in that time, especially given what Hachimaki has experienced, but sometimes I couldn’t trace the path between one incarnation of Hachimaki and the next or fully buy into his feelings for Tanabe. Also, even though it would have been unfortunate if Hachimaki had remained on the debris-collecting crew forever, I really missed Yuri and Fee as the story moved away from them. The first volume may be the most episodic of the first three, but it’s also a little less heavy than the others.

Ultimately, I liked Planetes a lot, though it wasn’t a quick read for me. I’m looking forward to the fourth and final volume.

Planetes is published in English by TOKYOPOP. There are technically five books in this series, but the last two comprise volume four, which was split due to length.

Additional reviews of Planetes can be found at Triple Take.

After School Nightmare 1 by Setona Mizushiro: A-

From the back cover:
You have just awakened to find your darkest secret revealed to a group of people who would do anything to destroy you: your classmates! That’s what happens to Ichijo Mashiro, whose elite school education turns into the most horrifying experience of his life when he’s enlisted to participate in an after-hours class. The only way for Mashiro to graduate is to enter into a nightmare world where his body and soul will be at the mercy of his worst enemies. Can Mashiro keep the lifelong secret that he is not truly a “he” nor entirely a “she”—or will he finally be “outted” in the most humiliating way possible?

Review:
Mashiro Ichijo (also confusingly referred to on the back cover as Ichijo Mashiro) is first-year high school student with a big secret—although the top half of his body is male, his lower half is female. For some reason, despite concrete evidence that Mashiro possesses ovaries, he was raised as a boy and is trying hard to maintain that identity. Mashiro has never discussed his body with anyone, but one day he’s approached by a school nurse he’s never seen before. She not only knows all about his secret, but assigns him to a special after-school class that involves entering a dream with five other classmates. If he succeeds in completing an unknown task, he’ll graduate from the school. It’s all very strange and immediately made me think of Revolutionary Girl Utena.

The identities of the other students in the dream are not immediately known to Mashiro, but he’s able to figure some of them out in the course of this volume. The other students’ appearances change while in the dream, as they take on forms that symbolize their real heart. His cute classmate Kureha, for example, takes the form of her five-year-old self on the day she was sexually assaulted by a strange man. Others are more bizarre—one girl has neither face nor heart, another student is a bundle of arms and hands—but Mashiro himself doesn’t change much, beyond wearing a girl’s uniform, because he thinks that his own body is already the most distorted thing of all.

The students are tasked with finding a key, and often inflict injury upon each other while in search of same. Mashiro decides that he will protect man-hating Kureha and help her graduate, since the dream experience is so traumatic for her that she doesn’t even attempt to play the game. While he’s trying hard to fulfill this manly role, his insecurities still run deep, and he’s convinced that the reason he couldn’t stop the black knight (later revealed to be antagonistic classmate, Sou, who is inexplicably obsessed with Mashiro) from slicing up his uniform and revealing his body is that he’s really a girl. Mashiro equates being a girl with weakness, which makes me wonder if that’s what he’s been placed in this class to overcome.

Although the dream sequences are fascinating, the truly compelling part of this story so far is Mashiro’s desperation to be something he’s not sure he is. He begins a relationship with Kureha, but right before their first kiss, panicked thoughts of “I’m about to kiss another girl!” flit through his mind. Kissing her is something he should do, he convinces himself, but when Sou later inflicts a kiss upon him, Mashiro is torn once more. Mashiro clearly feels something for both of the others—a need to protect Kureha and a grudging interest in cruelly enigmatic Sou—but each option symbolizes a particular gender identity, and Mashiro is presently as incapable of choosing between them as he is of definitively seizing an identity for himself.

This dramatic and captivating first volume serves as an excellent introduction into the series, and I’m eager to read more.

Although I am tardy, this review is part of September’s Manga Moveable Feast. To read what others have to say about After School Nightmare, check out this post at A Case Suitable For Treatment.

Café Latte Rhapsody by Toko Kawai: A-

I reviewed this cute yet complicated love story for this month’s BL Bookrack column at Manga Bookshelf. I really, really enjoyed the romance between a somewhat relationship-scarred bookstore employee and his huge younger lover, and it made me realize I haven’t read anything by Toko Kawai that I didn’t like!

You can find that review here.

Review copy provided by the publisher.

Garden Sky by Yuko Kuwabara: C+

I reviewed this quasi-BL collection for this week’s BL Bookrack column at Manga Bookshelf. The book is divided into two sets of stories that are boring while underway, feature extremely similar characters, and go nowhere in the end. This makes for quite a dull read.

You can find that review here.

Review copy provided by the publisher.

Eyeshield 21 1-3 by Riichiro Inagaki and Yusuke Murata: B

Though I’ve long professed an ardent love for sports manga, I did secretly wonder if my enthusiasm would wane when the featured sport is one in which I have zero interest, like, say, football. Would the inherent charms of sports manga be able to compensate for my real-world disinterest? Eyeshield 21 has proven to me that the answer to this question is “yes.”

Sena Kobayakawa has justed started his first year at Deimon High School, where he’s looking forward to reinventing himself after years of serving as gopher for bullies (when not fleeing from them). Picked as an easy recruitment target by the demonic Himura, captain of football team, Sena finds himself volunteering to be the team’s manager. Once Himura witnesses Sena’s speed and natural running back moves, though, he is suited up and disguised (so that other teams won’t try to steal him) and given the moniker Eyeshield 21.

Although he’s initially not too thrilled about this, the passion and skill of Himura and the completely adorable (and completely enormous) lineman, Kurita, kindles his interest in the game. His running abilities lead the Deimon Devil Bats to their first victory ever. Their next opponents, the Ojo White Knights, prove much tougher, and it’s then Sena meets his rival—Shin, a player who’s nearly as fast as he is, but much, much stronger. Although there’s really no chance for the Devil Bats to prevail, they still manage to score two touchdowns against the superior team and Sena achieves a sense of personal victory when he’s finally able to evade one of Shin’s tackles.

As volume three comes to a close, the Devil Bats have been eliminated from the spring tournament but have turned their eyes and hopes towards fall, with the eventual goal of playing in the Christmas Bowl. Things are looking up a little—they’ve finally found their fourth member, a monkey-like boy named Raimon with some mad catching skills and the presence of Sena’s childhood friend, Mamori, as team manager seems destined to attract even more recruits. Aside from Himura and Kurita, no one knows that Sena is Eyeshield 21 (since his green eyeshield is magically sufficient to obscure his identity), and he can only watch in some consternation as the mysterious player’s legend begins to grow. When he happens to encounter Shin on the street, he realizes he can admit his real identity to him, but there’s no time to bond because the two of them have to unite to take down some thieves on a motorcycle. It’s actually kind of awesome.

So yes, Eyeshield 21 manages to entertain me even though it’s about football, a sport I find excruciatingly dull. There are loads of visual aids to help explain the game, the tone is optimistic and silly, and the characters are all memorable, too. Himura’s brand of crazy is responsible for most of the gags in the series: he looks like a demon, seems to have sufficient dirt to blackmail everyone into doing his bidding, keeps a ferocious dog chained up at school, and casually totes around all manner of weaponry. There’s a lot of attention devoted to Haruto, a teen idol whose fans persist in calling him the ace of the White Knights, even though he knows he isn’t. Shin’s a cool character, and Sena is okay, too, but really, my heart belongs to Ryokan Kurita.

Kurita is very big and round, very strong, very sweet, and prone to get weepy when he’s emotional. I think a visual aid is necessary here to truly convey his cuteness.

Aww!

Ultimately, Eyeshield 21 is lots of fun. I’m chuffed my library has recently acquired the full run of the series; expect to see more here in months to come!

Tidbits: Three from DMP

Welcome to the first installment of Tidbits, a periodic column featuring short reviews of multiple titles. In this post, I check out the latest volumes of three continuing series in the Digital Manga Publishing catalog. First up is volume two of Alice the 101st, followed by the third volume of the shoujo classic Itazura Na Kiss, and the second volume of Maiden Rose.

Alice the 101st 2 by Chigusa Kawai: B-
It’s contest time at Mondonveille Music Academy, and while the upperclassmen are getting ready to compete, the first years are working on their pieces for a special concert of their own. Aristide “Alice” Lang has the ability to play well when motivated, but his inability to read music prompts his professor to assign the rudimentary “Twinkle Twinkle Little Star” as his concert piece. Alice requires a lot of help from his friends and would-be rival, Max, but manages to execute a… unique performance on the big day.

While I continue to like the music school setting as well as some of the supporting characters—including Georges, the pianist introduced in this volume, who was actually the protagonist of Kawai’s La Esperança!—the main issue preventing me from really enjoying this series is Alice himself. He slacks off in both class and practice, mouths off and issues challenges to his classmates (evaded at the last minute courtesy of a development right out of the Wuthering Heights School of Plot Writing, which mandates that anyone who gets wet while outside instantly comes down with a fever), then gets panicky and petulant when his friends are too busy with their own lives to help him.

I have zero sympathy for this spazzy, self-absorbed kid and yet… He is showing a slight tendency to take things more seriously, and when he is able to display his strengths, which include perfect pitch and an incredible memory, I am genuinely happy for him, especially as he seems to be gradually earning the respect of some of his classmates. I can only assume there will be more of this to come and that the personality traits to which I currently object will eventually be replaced by discipline and maturity.

Itazura Na Kiss 3 by Kaoru Tada: A-
Because each English volume of Itazura Na Kiss is equal to two Japanese volumes, and because I am a slow reader, it took me a couple of hours to finish the latest installment in this shoujo classic. It’s so good, though, a comfort food soap opera of the best kind, that I probably could’ve happily gone on reading it for another ten!

Those who have read the first two volumes will find more of the same here: Kotoko pursues Naoki vigilantly, most of the time revealing how hopelessly inept she is (seriously, the chapter in which she manages to get a waitress job at the restaurant where Naoki works is positively painful) but occasionally demonstrating a quality that spurs Naoki to notice her in a new light.

Indeed, though it be subtle, there’s some definite progress in their relationship. Naoki’s words may still wound, but his attitude toward Kotoko has noticeably softened. Early on, he admits that he doesn’t mind living with her and later implies that if it wouldn’t fit in with his meddling mother’s plans so well, he might actually have been interested in taking advantage of a cozy moment between them. More importantly, having realized that he enjoys the struggle and challenge that Kotoko has introduced into his life, Naoki decides to give up his complacent existence in his parents’ house and have a go at supporting himself. It’s unlikely that he ever would’ve taken this step without her. The last few pages of the volume are also fabulous.

Though the comedy is sometimes cringe-inducing—I appreciated ardent Kotoko fan Kin-san at first, but his one-note nature is starting to annoy me—as are some of Kotoko’s attempts to get closer to Naoki, I can’t help sympathizing with her and being pulled into this story. I hope someone licenses the anime someday, because that might be one I would have to watch.

Maiden Rose 2 by Fusanosuke Inariya: B
Taki Reizen is a flower-scented military commander and Claus von Wolfstadt is his foreign lover, a huge man who has a tendency to be rough with Taki but nonetheless will endure major personal sacrifice to do his bidding, a trait that prompts Taki to dub him his knight. In this volume, a train originating from Eurote, ostensible allies of Taki’s country, is about to cross the border without permission. In defiance of headquarters, Taki rallies his troops to prevent the crossing and sends Claus and another soldier into a “no man’s land” that is rumored to contaminate all who enter.

For a boys’ love series, Maiden Rose has a terrific amount of plot. In fact, the sole explicit scene in the volume is markedly brief and the focus instead is on Claus’s willingness to undertake a dangerous mission because it’s important to Taki, Taki’s concern for Claus, and in showing how strong each of these men are. I particularly like that Taki, although he is often on the receiving end of Claus’s unrestrained advances, is still a very competent leader and capable of merciless action when need be. The relationship between the two leads is complicated and conflicting—Claus seems to regard Taki with a certain degree of reverance, but this doesn’t quell his violent sexual desires. Taki, for his part, seems to wish that Claus would be more tender, but always ends up yielding to him anyway.

Unfortunately, although I certainly praise the series for its ambitions and individuality, there are still many holes in the plot. For example, I’m still not sure what Taki’s country is even called. This volume also contains a lot of cryptic hinting about Taki’s floral aroma and how it relates to some unfulfilled promise, which is terribly vague. With no new volumes printed in Japan since 2007, and with the “End” graphic appearing at the conclusion of this volume, one would be forgiven for assuming the series ends here without ever explaining these references, but it appears that half a dozen or so chapters beyond those included here have appeared in (the Japanese BL magazine) Comic Aqua but not been collected into a third volume. Hopefully one day we’ll see them in English; Maiden Rose might not be perfect, but I definitely would like to read more of it!

Review copies provided by the publisher.

Silver Diamond 5-7 by Shiho Sugiura: B+

My darling Silver Diamond! How I have missed you! There was almost a year between the releases of volumes four and five, but TOKYOPOP is on the road to recovery (yay!) and the series is now on a quicker release schedule.

In volume four, Rakan traveled to the other world in the company of Chigusa, Narushige (and Koh!), and Tohji. Pretty quickly they encountered a group of cast-off “numbered children,” banished from the capital and assigned the unnecessary task of guarding the frontier. As volume five begins, Rakan demonstrates his sanome ability and pretty quickly wins over all the men with his warmth, acceptance, humility, and absolute sincerity in his desire to make their lives better. In fact, he appoints them his personal guards, and they’re all happy to have something purposeful to do.

Before things can get too cozy—but not before Tohji and Kazuhi, leader of the guards, realize they’re brothers—an illusion of the evil prince appears and predicts many calamities will befall the land, including an earthquake, which promptly occurs. Kazuhi and his men are trapped below ground, though alive, and as they work on finding their way out, a furious Rakan—more determined than ever now to defeat the prince and bring life back to the world—and his companions begin to make their way to the capital. In volume seven, an assassin briefly delays their journey, but Chigusa—and an entirely unexpected, entirely shaggy ally—prove to be more than a match for him.

At first, when Rakan began making his journey to confront the prince I initially thought, “What? They’re doing this now? How is this series up to volume 21 in Japan already, then?” But then I remembered… Silver Diamond is a very, very slow-paced series, and I suppose it may be frustrating to some for that reason. Honestly, though, I would not have it any other way.

I love the small episodes of world-building scattered throughout, like when the scarcity of wood necessitates different methods of cooking and printing. I love the moments when characters grow closer, and I appreciate that Sugiura takes time to show these relationships evolving. Particularly moving is how Rakan unconsciously brings so much hope to those around him, from the formerly dispirited numbered children to Chigusa, who has never had anyone cry for his sake or wish to protect him before in his life. There’s a lovely passage in volume seven, for example, in which Chigusa—who can heal his wounds when he’s near Rakan—thinks, “The holes in me are filling up,” a sentiment that is both literally and figuratively true at that moment.

There’s also a lot of comedy in the series, though most of it hinges on Narushige and Tohji attempting to put a stop to Chigusa’s tendency to touch Rakan whenever possible. I continue to adore Koh, the talking snake, and was unabashedly delighted when a new animal companion joins the group at the end of volume seven. I swear that I am not normally so easily swayed by talking critters; it’s just that Sugiura does them so well!

The pace may be slow and the plot a little skimpy, but if you’re looking for a story with loads of loveable characters building warm, strong friendships and a generous helping of non-human cuteness, then this just might be the series for you!

Banana Fish 7-8 by Akimi Yoshida: A

In these two volumes, Ash largely leaves the follow-up concerning Banana Fish to reporter Max Lobo and his colleague, Steve, and instead sets his sights on exacting bloody vengeance against Arthur, a former member of Ash’s gang who betrayed him. At first, it seems like two major events are going to complicate things for Ash—namely, that he’s the prime suspect in the arson at Dino Golzine’s mansion and that Dino has traded a sizable contribution to a politician’s campaign in exchange for legal custody of Ash.

Ash, however, neatly sidesteps both threats, executing a two-pronged financial attack against Dino and fooling the cops into thinking he’s the privileged son of a banker. This leaves Ash free to order a massacre, culminating in a riveting one-on-one (at least, it was supposed to be) fight between Ash and Arthur in a deserted subway station. Meanwhile, Ash attempts once again to get Eiji to return to Japan, though not before revealing some of his pain and vulnerability to him.

We see so many different sides of Ash in these volumes. When he’s alone with Eiji he allows himself to cry over what he’s become, sharing memories both painful and amusing (the pumpkin story!), and reveals that he never once wanted to be “exceptional.” Ash is too pragmatic to indulge in wishes, but one gets the sense that if he would let himself dream, he would want a quiet life where he’s free to be a kid, which is exactly what he gets by being with Eiji. There’s an extraordinarily touching scene where he simply needs Eiji’s presence so much that he asks him to stay with him a while, and Eiji, with a look of profound peace upon his face, replies, “Forever.”

Things can’t stay so calm, however. Eiji, confused by how Ash can sob into Eiji’s lap one moment and kill someone the next, takes issue with Ash’s cold-blooded vengeance. “Which is the real one? Or do they both exist side by side in you, without contradiction?” he thinks at one point, and he’s not even privy to the third side of Ash—the absolutely brilliant one who not only orchestrates the attack on Dino but is able to analyze the political situation prompting some high-ranking officials in the US government to employ Banana Fish for their own ends.

Simply describing some of these scenes is not doing them justice. What emerges is a fascinating portrait of an intelligent and wounded young man who is absolutely determined to survive the hand he’s been dealt, and conceals his hurt and insecurities under a veneer of coldness. Ash is prepared to send Eiji away because his friendship is dangerous to him, but if he succeeds he would also be sending away his one outlet, the one person in front of whom he doesn’t need to pretend to be okay. Ash is a broken badass and man, who would have thought I could love him more now than I did after volume six? And yet I do.

I only wish the art were better. It might just be me, but I do think that Ash is drawn much more handsomely now than in early volumes, and looks especially snazzy in his glasses and designer duds while posing as the rich kid. Unfortunately, black characters still look pretty awful, though one new black character—Cain, the leader of a neutral gang—is a great new addition to the cast. I hope he sticks around. Too, a lot of times characters shown in profile look like they have pillows shoved up under their shirts. What is up with that?

It’s always hard not to continue to the next volume when I get to the end of an installment of Banana Fish, but this was harder than most. Still, I don’t want to get too far ahead of the roundable discussion, which you should keep an eye out for at Manga Bookshelf.

When the Heavens Smile by Aki Senoo: B+

Book description:
Takagi, a rather cute and innocent guy, is best friends and classmates with Kumoi, a tall, intellectual guy. One day, Takagi is stunned to find a pencil sketch of a man between Kumoi’s notebook pages that resembles his older brother… who passed away six years ago! Could Kumoi have possibly known his brother?

Review:
I’ll admit that what initially appealed to me the most about When the Heavens Smile was its pretty, muted cover. It was quite a pleasant surprise to find that all eight of the stories within are quite good.

A common theme for the collection seems to be “friends in love,” though this isn’t true for all stories. “Fragment,” for example, is the tale of two students who meet, feel a connection, and give in to their impulses before they even learn each other’s names. “Absolute Condition” is about gentle-seeming Kusaka who turns out to be a closet mole fetishist and “Sirens” is about a high-school student and his relationship with an older man (though it’s clear that it was the student who made the first move). The first two are particularly good and both feature a take-charge uke.

The first of the “friends in love” stories is “I Love Strawberries the Most, Followed By My Dad,” which is a very sweet story with another take-charge uke. I love how the boys compare their affection for each other to how much they love various fruits. “Fever Mark” features another pair of friends becoming more, and “That Which Falls From Heaven” and “That Which is Still Here” are about Takagi and Kumoi who share a chaste love while being watched over by the ghost of Takagi’s elder brother.

My very favorite story in the collection concerns men rather than boys and is called “I Can’t Remember Now.” Midori works in a bar, and his friend Katsuhiro comes in constantly and gets plastered. Every time, Katsuhiro professes his love to Midori and tries to grope him, and all the other employees just assume they are a couple. Alas, Katsuhiro remembers nothing the next morning, which is painful for Midori since he does have feelings for his friend. Eventually, Midori can’t take it anymore and puts some distance between them. When a tipsy Katsuhiro tracks him down, Midori forces him to sober up before they can talk and, of course, they end up happily in bed with Katsuhiro comically uncertain if that was their first time or not.

Senoo’s art suits the stories well and there were several panels I had to pause and admire, even though the style is simple and backgrounds largely nonexistent. I like the character designs, and too I liked that none of the sex scenes (all of which are consensual, incidentally) are explicit. They’re plenty sexy as they are, without the need for details and slurpy sound effects, because the characters are interesting and their connections meaningful.

On the whole, this was exactly the sort of BL I like most; I hope more of Aki Senoo’s work is licensed in the future.

Review copy provided by the publisher.

Bakuman。1 by Tsugumi Ohba and Takeshi Obata: B+

Moritaka Mashiro is bored. For his fourteen years of life he’s merely gone along with the flow, a path which is destined to end with him becoming a normal white-collar worker. He doesn’t want this, but sees no alternative until Akito Takagi, the top student in class, notices Moritaka’s artistic skills and proposes that the two team up to create a manga. Moritaka is resistant at first—he’d much rather loaf around and play video games—but when the object of his affections (and aspiring voice actress), Miho Azuki, agrees to marry him when his manga becomes an anime, he is suddenly unstoppable.

Moritaka expects resistance from his family—after all, his uncle essentially killed himself by trying to become a successful manga artist—but they’re surprisingly supportive and it turns out that his uncle’s studio has been preserved, untouched, since his death. I absolutely adore the chapter where Moritaka and Akito rush to the studio for the first time—it is seriously a manga-lover’s dream. Not only are there plenty of artistic supplies, but there are shelves upon shelves of manga (“for reference”) as well as neatly organized boxes of storyboards and final drafts. All of the scenes with the boys working on their story—they decide to submit a final draft for consideration by the end of summer break—are absolutely fascinating and bring home just how grueling creating comics can be.

There are a couple of problematic things about Bakuman, however. Moritaka and Azuki’s pledge to get married when they achieve their dreams—without dating in the meantime—is pretty silly, but not out-of-character for a couple of fourteen-year-olds. The fact that they’ll be encouraging each other via e-mail, just like Moritaka’s uncle was encouraged by letters from his classmate, who just so happens to be Azuki’s mother, is a coincidence I could’ve done without. In general, this whole subplot failed to interest me; I was much more interested in the boys’ efforts to get their manga off the ground, but I suppose listless Moritaka needed to find motivation somewhere.

More significantly, many reviewers have taken issue with the displays of sexism in Bakuman. Having now read it for myself, I get the impression that certain characters are sexist but I’d stop short of applying that label to the series as a whole. This makes me wonder, though… why, when characters in Bakuman say things like “She knows by instinct that the best thing for a girl is to get married and become somebody’s wife” or “Men have dreams that women will never be able to understand” does it not piss me off as righteously as when characters make very similar comments in The Color Trilogy by Kim Dong Hwa?

I think it depends, for me, on who’s saying it. If, as in the case of The Color Trilogy, a male author puts such words into the mouths of female characters, I can’t seem to help getting peeved about it. In Bakuman, the speaker of the first line above is Akito—in other words, just an overconfident teen who thinks he knows everything. He goes on to say he doesn’t like a particular girl in class because she’s proud of how well she does in school, but when Azuki’s mother later tells him she doesn’t like smart guys, he flails about and says, “But that’s just your taste.” Perhaps what he earlier presented as deep insight about Azuki was really his own taste coming through. The second line above, about men’s dreams, though technically spoken by Moritaka’s mother, is actually a quote from his off-camera father and was easy for me to dismiss as, “Oh, he’s just an older man with outdated opinions.”

I’m not trying to argue that these characters aren’t sexist, but they don’t succeed in getting my dander up and certainly will not deter me from reading more of the series.

Bakuman is published in English by VIZ. One volume’s been released here so far, while the ninth volume of this still-running series came out in Japan last month.

This review was originally published at Comics Should Be Good.

Review copy provided by the publisher.