Pandora Hearts 1 by Jun Mochizuki: B

From the back cover:
The air of celebration surrounding fifteen-year-old Oz Vessalius’s coming-of-age ceremony quickly turns to horror when he is condemned for a sin about which he knows nothing. Thrown into the Abyss—an eternal prison from which there is no escape—Oz meets a young girl named Alice, who is not what she seems. Now that the relentless cogs of fate have begun to turn, will they lead only to crushing despair for Oz, or will Alice provide him with some shred of hope?

Review:
When Oz Vessalius’ coming-of-age ceremony is interrupted by hooded figures—later, we are told, from a race of people known as Baskervilles—he ends up accidentally wounding his friend/servant, Gil, and is sent to a mysterious dimension known as the Abyss. There, he meets Alice, a “chain” (a creature born in the Abyss) known as the B-Rabbit, who is anxious to use him as a means to escape. Meanwhile, a mysterious trio, including a young man with an incredible resemblance to Gilbert, plots to use Oz for their own purposes.

There’s a lot going on in Pandora Hearts. About half a dozen mysteries are introduced in this volume, with many hidden identities and agendas among them. A lot of things don’t make any sense at this point. Normally, this is the kind of thing that would bother me, but somehow in this series, it works. By the end of the volume, Oz and Alice are back in the real world and have reached a kind of Tsubasa RESERVoir CHRoNiCLE arrangement in which Oz pledges to help Alice recover her missing memories and the two of them have agreed to work for Pandora, an organization that monitors the Abyss.

Oz is a likable character, though I found the attempts at comedy sort of out of place. In the beginning, there’s somewhat of a gender reversal, in which he’s the one being rescued by Alice and ending up on the receiving end of an unsolicited kiss, but instinct tells him she isn’t evil, despite what others say, and by the end of the volume he’s done his share of protecting her, as well. He’ll probably exhibit more characteristics of the shounen hero as the story progresses.

There’s somewhat of a shoujo feel to Mochizuki’s artwork, which features delicate lines, at least one angsty bishounen, and fashions that cause Oz to resemble, especially when chibi-fied, Momiji from Fruits Basket. Some character designs are less interesting than others—Lady Sharon, with whom Oz is instantly smitten, being a prime example—but there are some fun eccentric ones, too.

Because this first volume is so very expository, I have no idea what to expect from the second volume, but as long as things start to clarify a little in the near future, I suspect that the story will end up being quite entertaining indeed.

Pandora Hearts is published in English by Yen Press. Only the first volume is currently available, with the second slated for release in May. The series is up to ten volumes in Japan and is still ongoing.

Review copy provided by the publisher.

Alice in the Country of Hearts 2 by QuinRose and Soumei Hoshino: B

From the back cover:
As Alice grows accustomed to life in Wonderland, she begins to understand the inner workings of this mysterious world. Everyone desires to get close to her, and Alice’s life lights up with little moments of happiness. But she soon discovers the truth behind all the bliss… and wasted lives. And how will Alice react when the greatest secret is revealed by Julius, the one and only clock repairer?!

Review:
In this second volume, Alice spends more time with the bishounen inhabitants of Wonderland and learns more about them, like the fact that Elliot, who came across so unkindly on their first meeting, is actually friendly and a big fan of carrot dishes (he protests that he cannot be a rabbit, despite his long ears, because rabbits only enjoy plain carrots), and that Ace, who originally seemed more normal than most, is actually downright creepy. Despite the fact that there are all these guys around, romance is definitely not in the air, as Alice learns some disturbing things about how the world works and the reader glimpses even more.

This series continues to be much better than one would expect. I chalk this up entirely to Alice, who is an extremely likable protagonist. She’s sensible without being boring, curious without abandoning all caution, and kindhearted without being cloying. The male residents of Wonderland are still pretty much types—owing to their game origins, one supposes—but they do help provide Alice with valuable clues as to what’s really going on in Wonderland and why she is so special. Ace and Julius, the clock fixer, are the most interesting so far, I think. Even Peter White—the one who forced her to play “the game”—comes off a little more sympathetically, though he’s the instigator for the two gunfights that account for the most tiresome moments in the volume.

I never expected to get hooked on Alice in the Country of Hearts, but I really do want to keep following it. While I’m happy that TOKYOPOP opted to release volumes one and two only a month apart, with volume three scheduled for June, I am concerned about what’s going to happen when we catch up to Japan. There are only four volumes available there so far, so it looks like we’re all going to be in for some protracted waiting at some point down the line.

Review copy provided by the publisher.

Vampire Knight 9 by Matsuri Hino: C+

After the revelations in volume eight, the world of Vampire Knight goes—please pardon my indelicacy, but this is really the only way to put it—batshit crazy.

Pureblood vampire Rido Kuran (our villain) completes his resurrection and summons his followers to him. Said followers feel no compunction about snacking on the day class students of Cross Academy, so the noble vampires of the night class must protect them. Kaname challenges the vampire senate, Zero gains thorny super powers along with some self-control, Yuki squares off against Rido, and the Hunters Association arrives to exterminate the night class, but is held off by Headmaster Cross and his hunter pal, Toga.

This synopsis might make it seem as if the volume is action-packed, but “incoherent” is actually closer to the truth. I honestly have no idea why half of this stuff is going on. Perhaps it’s because it’s been three months since I read volume eight, but that just goes to show how little of this series is actually memorable beyond its main characters and its prettiness. Zero’s evolution is genuinely interesting, though, and makes for some cool moments near the end of the volume.

The art of this series is usually its best asset, but Hino’s style is far more suited for depicting pretty, angsty vampires than scenes of battle. Many times, I was left puzzled by what was happening—“‘Shunk?!’ What just went ‘Shunk?!’”—and kept confusing Rido and Toga, since they both have wavy shoulder-length black hair and an unruly forelock.

I am left to conclude that Vampire Knight is like a morsel of dark chocolate: its bittersweet taste lingers on your tongue while you’re consuming it, but its impact doesn’t last much beyond that moment.

Review copy provided by the publisher. Review originally published at Manga Recon.

Kaze Hikaru 9-11 by Taeko Watanabe: A-

Beware: spoilers ahead.

I have come to the conclusion that Kaze Hikaru is not only worth owning—as opposed to borrowing it from the library, which is what I’ve been doing up until now—but is also pure evil (in the very best way, of course).

Volume nine begins with a reorganization of the Shinsengumi that sees Sei reassigned from active patrolling to a position taking care of the headquarters. This is arranged by Yamanami, who is the second member of the troop to learn her secret and who wants to keep her out of harm’s way. Okita fully approves of this arrangement, though Sei does not. The first half of the volume is fairly lighthearted, featuring a bunch of guys who see Sei and Okita’s separation as an opportunity to vie for Sei’s affections. Saito and Okita intervene, which gives Sei ample opportunity to thoroughly misunderstand the intentions of each.

Problems begin to percolate near the end of volume nine, as Sei learns one of the troops is planning to lodge a complaint against the captain. Inter-troop tensions continue into volumes ten and eleven, when Todo returns with a bevy of new recruits, including a bigshot named Ito Kashitaro who promptly ruffles a bunch of feathers. Ito’s arrival is played for comedy for several chapters—because he’s a lover of beautiful things, he outrageously pines for both Hijitaka and Sei—but abruptly gets more serious when he invites Yamanami into his confidence and puts him in a position where he’s caught between the complicated and conflicting ideologies of Ito (for whom he feels loyalty because they’re from the same sword school) and Captain Kondo.

Throughout these volumes, Sei and Okita’s relationship continues to subtly evolve in minute yet important ways. We also learn more about the supporting cast, most notably the incredibly sympathetic Yamanami. He’s a really sweet guy who tries to nudge Sei and Okita together and gives her some really good advice. Here’s a particularly lovely exchange:

Sei: Okita-sensei’s like the wind… there’s nothing to hold on to. I’m merely a blade of grass who is always swayed by doubt and unable to catch up with the free-spirited wind.

Yamanami: Without grass even the wind would lose sight of itself. So you have to sway more and show the wind that ‘this is your home.’

These words really stick with her and are shown to be true later on when she is restored to patrol duty and Okita muses that he doesn’t feel as free to sacrifice his life with her around.

I should’ve known, therefore, that just when we’re made to love Yamanami very much, something awful would happen. He is still haunted by atrocities he witnessed at the prison, and when further news of bakufu brutality reaches him, he can no longer continue to serve them and deserts the troop. He knows full well what the penalty will be, but accepts it without complaint, refusing too to state his reasons, knowing that it might throw his comrades into chaos. It’s all the more terrible because he didn’t fail the cause—the cause failed him!

I can’t remember the last time a manga made me cry like this. And so, that is why Kaze Hikaru is simultaneously marvelous and evil. It lulls you into a false sense of homey security and then suddenly reminds you that you’re dealing with a lot of passionately idealistic men with a strict (and bloody) code of honor. You can love them as individuals, but be warned—their story will break your heart.

Our Kingdom: Arabian Nights by Naduki Koujima: B-

This one-volume spin-off of Our Kingdom stars Raoul, a former supporting character of that series, as he attempts to recover from heartbreak by taking a trip to a swanky Middle Eastern resort. His plans go astray when he is captured by a good-hearted yet foolish prince named Ashif, who plans to use Raoul as a pawn to ensure his sister’s marital happiness.

Raoul is naturally upset at this turn of events and when his temper flares, he takes it out on Ashif in the form of some forcible groping. Unlike some other BL characters who engage in such behavior, however, Raoul wallows in self-loathing because of it. As they spend more time together, Raoul begins to develop feelings for Ashif, who is able to show him good qualities about himself and motivate him to become a better person.

Even without knowledge of Raoul’s time in the main storyline, his desire to move forward from those events is still appealing. So, too, are his uncertainties about Ashif. Being with the prince has helped ease much of Raoul’s bitterness, but their friendship is also a source of anxiety, since Raoul must overcome the compulsion to hang on too tightly to something he fears might slip away.

It’s too bad that the actual plot of the manga cannot support Raoul’s turmoil in any meaningful way, for it is the personification of flimsy and occasionally borders on ridiculous. Secondary characters offer little to the story, and I have absolutely no idea why Raoul’s little sisters are present, unless they are intended to be the comic relief. These flaws ultimately mean that the story isn’t as good as it might have been.

Review copy provided by the publisher. Review originally published at Manga Recon.

Sexy Voice and Robo by Iou Kuroda: A-

From the back cover:
Working part-time as a telephone-dating operator, Nico Hayashi has plenty of clients eager to engage her in titillating conversation. But what her customers don’t know is this: the person they’re flirting with is really a fourteen-year-old junior high school girl with a secret agenda.

On the phone she’s known as Sexy Voice. But, really, she’s more than a professional flirt. Secretly, she wants to change the world and maybe become a spy and fortuneteller, too.

Along for the ride is her friend Iichiro Sudo. He’s an underemployed twentysomething hipster with an obsession for collecting toy robots. Together they are Sexy Voice and Robo… two people doing their best to bring some hope into this crazy world.

Review:
Fourteen-year-old Nico Hayashi is an observer of human nature. She loves talking to strangers and has a part-time job working for a tele-club, through which she lures lonely men out for meetings and observes their behavior from a distance as they wait for her to arrive. One day, as she’s doing this, she meets an old man who, noting her expertise at matching character traits to voices, enlists her help in analyzing a recording of a kidnapper. Nico, who harbors dreams of being either a spy or a fortune-teller, goes one step further and tries to find the culprit. Once she does, she pursues him, thinking, “If I lose him, that’s it…. I have no idea where this kid is, but right now I’m the only one in the universe who can save him.”

Nico’s success leads to further assignments from the old man, including checking on the welfare of a runaway, investigating flaws in a company’s new product, and locating a kid who stole a bunch of money from a gambling parlor. She uses one of her tele-club contacts, Iichiro Sudo (whom she nicknames Robo since he collects robotic toys), to do her bidding throughout, and generally has a pretty good time of things until she meets Mr. Forgetful.

Mr. Forgetful seems kind and benevolent, but forgets everything after three days. Nico evidently knows him, though, and suggests that perhaps she’s his daughter. They spend a few days together, shopping and eating unagi, but Mr. Forgetful eventually receives a mysterious assignment. It’s unclear at first just how much Nico knows, but eventually we learn that Mr. Forgetful is an assassin sent to target the old man and that she’s been trying to prevent it. Nico wants to save them both, and convinces Mr. Forgetful not to carry out his assignment, a failure for which he is later killed.

Nico plays with people. She enjoys leading them around and having them under her control, but it’s a devastating blow when she learns that her actions ultimately led to Mr. Forgetful’s death. For a while, she tries to shift the blame onto the old man, but can’t escape the implications of what she’s done. While a career as a spy or a fortune-teller sounded ideal only a short time ago, Nico now reflects that controlling someone’s secrets or fate is not what she wants to do. Instead, she wants to bring hope. This impression is reinforced when she meets an elderly retired spy who did the job because she was the best one for it (just like Nico, thinking “I’m the only one in the universe who can!”) and who has no regrets about the “unhappy endings” where others ended up getting hurt. Nico isn’t sure what she wants to be, but she knows she wants a happy ending.

Unfortunately, we don’t get to see much of what happens after Nico processes this information, as there are only two more chapters to the series. In these, though, she’s far less controlling, allowing herself to be led along by a string of mysterious notes left in love hotels and even attempting to set Robo up with a lady friend. Perhaps that’s her way of following through with the goal to bring hope, even though her plan backfires when said lady friend ends up being mentally disturbed. I’d love to see this series continued someday and see Nico using her observational skills and cleverness in a more selfless way.

I really admire how Kuroda-sensei tells the story, because he doesn’t feed one the conclusions about Nico’s revelation on a spoon; all the clues are there, but one must make one’s own connections. Visual elements also help show Nico’s state of mind, as we often see her observing the city from a lofty perch, looking down on everyone from a distance while ruminating on how it’s easier to talk to strangers. When she’s on assignment, though, we get more of a street view as she’s down amongst the world and its people, trying to accomplish her objective. I began to wonder whether Nico had any friends, but by the end we’ve seen a classmate of hers a couple of times and she also begins treating Robo more as a person than a minion. Perhaps there’s hope for her yet to make the meaningful human connections that the elderly spy suggested she would never have since she’s “too busy fishing to get hooked.”

Ultimately, Sexy Voice and Robo is a multi-layered work that gives readers a lot to consider. I reviewed it as part of the Manga Moveable Feast, and can definitely see why it was chosen, since there are so many aspects one could talk about. Please visit David Welsh’s blog, Manga Curmudgeon, and check out the contributions of the other participants!

Welcome to Wakaba-soh 2 by Chaco Abeno: D

wakabasoh2Just in case you were uncertain about what kind of manga this is, the volume opens with five color pages containing about a dozen bra and panty shots and one profile view of bountiful, nude bosoms.

The main storyline involves a not-too-bright boy called Kentarou Sawai who lives in a building with a bunch of girls of varying character types. He’s in love with Karen, the pretty caretaker, and doesn’t realize that the bespectacled Arai is really his childhood love. Chapters are brief and focus on uninspired scenarios like “Kentarou is ill and must eat the foul concoction prepared by the girl he likes” or “Kentarou’s sister visits and to avoid being recognized, Arai dons a mushroom costume.”

The characters are all incredibly shallow and none of the comedy is in the least bit amusing. The tone does get a little more somber right near the end, but the angst is so sudden and over-the-top that it comes across as more ridiculous than compelling. Plus, it’s hard to take it seriously when, two pages later, a girl wearing a maid’s outfit and thigh highs trips and sprawls across half a page, exposing her undies in the process.

It’s probably to be expected that female fans of this title will be few, since women are obviously not the target audience. I certainly don’t begrudge the fellas their right to eye candy, but must it be so vapid? I really looked for something to compliment, but aside from the cover, which I think is pretty, I couldn’t find a thing.

Review copy provided by the publisher. Review originally published at Manga Recon.

Physical Attraction by Tatsumi Kaiya: B

physicalattractionPhysical Attraction is a collection of BL stories about adult men—either college students or professionals—and is bookended by two tales about the same couple. In “Physical Attraction,” Kurata and Narusawa have been having a sexual relationship for some time, but when Kurata belatedly realizes that he loves Narusawa, he wonders whether it’s too late to try to steer things in that direction. It’s actually quite a cute story, and though it wraps up a little too easily, it’s nice to glimpse the guys again in “Loving Attraction” and see how being together in a loving way has positively influenced them.

Other good stories include “Anti-Dramatic,” in which one member of a cohabiting couple feels neglected when his significant other gets a job, and “Let Me Knock on the Same Door,” in which a talented graphic designer rejects a golden opportunity in order to work on a project with the down-on-his-luck game software developer he loves. The latter also ends too quickly and easily, but the premise is intriguing enough that that’s forgivable.

The other two stories, “February Rain” and “Cooled Passion,” are not going to be to everyone’s taste since in both, the point-of-view character abruptly forces himself on his companion. In “Cooled Passion” this is especially unfortunate, as the act is quite malicious and the tale had been so promising up to that point.

In the end, though there are elements in some stories that I’m not keen on, the overall collection is enjoyable and unique enough that I can still recommend it.

Review copy provided by the publisher. Review originally published at Manga Recon.

Slam Dunk 8 by Takehiko Inoue: B+

slamdunk8After an admirable performance in an exhibition game against a tough rival, the Shohoku High basketball team is ready to get back to practice, but a gang of thugs with a grudge against team member Ryota Miyagi makes that impossible. They invade the court with the intent of starting a brawl that’ll get the Shohoku team disqualified from competition. Just when the thugs have been beaten back, with help from Hanamichi’s pals, assistant captain Kogure reveals that the lead punk, Mitsui, was once a promising member of the team.

What follows is a multi-chapter tale of hubris, wounded knees, and wasted potential, and it might perhaps seem rather pointless if not for all the heartfelt emotion on display and the certainty that Mitsui will once again rejoin the team. Kogure, typically very mild in manner, shows he’s tougher than he looks while Mitsui does the opposite when confronted by Coach Anzai, whom he dearly loves and respects.

All in all, there’s very little actual basketball in this volume but there is a lot of team building, which makes for a very enjoyable reading experience.

Review copy provided by the publisher. Review originally published at Manga Recon.

Slam Dunk 3-7 by Takehiko Inoue: B

slamdunk3How did I let myself get a whole year behind on Slam Dunk?! Of course, the upside to such a monumental lapse is having half a dozen volumes to gobble up back-to-back!

At the end of the second volume, hot-headed protagonist Hanamichi Sakuragi impressed team captain Akagi by declaring himself “a basketball man” in answer to pressure to join the judo team. As a reward, Akagi decides that Hanamichi (who has been learning the fundamentals of dribbling, passing, et cetera) is now ready to learn to shoot. To Hanamichi, of course, this means the slam dunk, but what Akagi has in mind is a more common shot, the layup. Even though Hanamichi practices a good deal on his own, he’s just not getting it until Haruko, the object of Hanamichi’s affections, gives him some pointers. Meanwhile, the Shohoku High team prepares for an exhibition game against Ryonan, a school with an incredible team.

slamdunk5The game against Ryonan—which spans all of volumes four and five and the first third of volume six—is nothing short of riveting, even though Hanamichi is incredibly, incredibly obnoxious throughout. His cockiness wouldn’t grate so much if, like Ryoma in Prince of Tennis, he actually had the skill to back up his claims. Still, his overwhelming confidence does help the team in a few crucial moments and they hold their own extremely well. One of the things I love about sports manga is how the mangaka can quickly create interesting opponents for our team, and Inoue does so here with Ryonan’s ace, Sendoh, who must work much harder against Shohoku than he ever anticipated and enjoys himself much more as a result.

After the exhibition game, Shohoku sets their sights on the district preliminaries and the road to nationals. At the same time, Ryota Miyagi, a second-year student who’d been hospitalized after being injured in a fight, returns to the team. He and Hanamichi butt heads at first until they discover a shared lack of success with the ladies and quickly become buddies. Alas, some thugs have a grudge against Ryota and the basketball team, and a brawl on the court ensues that could disqualify them from competition.

slamdunk7I’m hopeful that the introduction of Ryota marks the start of a Hanamichi I’ll be able to like. Somehow, Hanamichi doesn’t feel the need to exert his prowess over Ryota and is able to receive instruction from him without being a moron about it. It’s extremely gratifying! And even if I find Hanamichi annoying, there are plenty of other characters for me to like. My favorite is Kogure, the mild-mannered assistant captain, but I’m also fond of Yohei Mito, Hanamichi’s right-hand henchman, who is sweetly protective of his friend’s newfound passion and unforgiving of those who would spoil it for him.

Inoue’s art may not be very pretty in Slam Dunk, but it’s extremely easy to follow where games are concerned. I never once had a question about who had passed to whom, or even whether the ball bounced before someone caught it; it must be hard to depict movement so gracefully, but Inoue really excels at it. The “bonus NBA content,” which I assume is provided by VIZ, has also proven to be more interesting than I thought it would be. I admit that I skip the player profile in each volume, but the second page includes all kinds of tips about strategy, and I find it both educational and entertaining. I never actually knew, for example, that the point guard was the fastest member of the team.

If you’re looking for a completely fun and addictive sports manga, Slam Dunk will definitely fit that bill. I’d like it more if Hanamichi weren’t so irritating, but I have hopes that he’ll gradually mature and, in the meantime, there are a lot of other positives to keep me reading!

Review copies for volumes 5-7 provided by the publisher.