On Bended Knee by Ruri Fujikawa: B-

onbended-125On Bended Knee is a collection of short stories featuring professional adults (pediatricians, chefs, professors, et cetera) linked together by, as the back cover points out, the common theme of learning to accept one’s true feelings for another. Although too brief to achieve greatness, each story is a pleasant enough read and all are free from the nonconsensual scenes that plague other boys’ love titles.

The drawback of having a common theme is that the stories can get repetitive after a while. There are five tales in On Bended Knee and three of them follow pretty much the same pattern:

1.One member of a couple is a bit too demonstrative.
2.The more reserved member sets some boundaries like “don’t touch me at work” or “don’t try to ravish me in my sleep.”
3.The other party respects said boundaries and keeps his distance.
4.The reserved fellow begins to miss the other guy.
5.Reconciliation and a tacked-on sex scene (featuring many amusing sound effects) ensue.

Despite its flaws, On Bended Knee is pretty good. It’s not the most amazing thing around, to be sure, but you could definitely do worse.

Review copy provided by the publisher. Review originally published at Manga Recon.

Boys Over Flowers 24 by Yoko Kamio: B

boysoverflowers24From the back cover:
Tsukushi has been unconscious for two days and wakes up in Tsukasa’s cousin’s home! This terrifying man saved her life and now he’s courting her! What is the secret behind this mysterious cousin who so closely resembles Tsukasa, and what could be the reason for his intense hatred of Tsukasa? Why does Tsukasa not know anything about him?

Review:
I find I’m kind of running out of things to say about this series. Each volume is usually a combination of good scenes between Tsukushi and Tsukasa and silly plot happenings that often border on ludicrous. Volume 24 manages to be pretty decent without much direct interaction between the two leads, at least.

Tsukushi is pursued by a guy who claims to be Tsukasa’s cousin, though he pretty quickly reveals himself (to the reader) to be more than he’s letting on. Tsukushi’s rich friends are suspicious and take it upon themselves to investigate, and though this involves a bunch of mistaken notions about detecting, it’s all still kind of sweet.

The best part of the story at this point is kind of underplayed. Tsukasa has already asked Tsukushi if she’s never once regarded him as just a guy, and seeing a rival version of himself without all the rich boy baggage is bothering him. In an attempt to prove how normal he is, for example, he decides that he is going to travel by train. The experience is almost entirely played for comedy, but there is one moment with Akira where Tsukasa asks, “Akira, I’m not very different from these other guys on the train, am I?” Alas, he doesn’t get the answer he wants.

Once the truth about the cousin is revealed, Tsukushi gets good and fired up and demands to see Kaede. While she’s feeling rebellious, I’d like to see her finally confess her love to Tsukasa, but I have a feeling that’s still several volumes away, at least. Sigh.

Papillon 3 by Miwa Ueda: B-

papillon125Ageha grew up in the shadow of her beautiful twin sister, Hana, but lately, with the help of her school counselor, Ichijiku-sensei, she’s been gaining confidence. As volume three begins, Ichijiku and Ageha have begun dating, but it doesn’t last long, as devious Hana dupes Ichijiku into believing she’s Ageha and behaves obnoxiously on a date, causing him to call off the relationship. He eventually figures things out, but getting dumped (even mistakenly) is fuel for Ageha’s insecurities, and more drama ensues. Hana, meanwhile, continues to impersonate her sister, using that guise to test her boyfriend’s fidelity.

Papillon has some pretty significant problems. In this volume, for example, it’s completely ridiculous that Ichijiku does not recognize Hana for who she is. She dresses differently, addresses him informally, doesn’t respond to the nickname he’s given Ageha, and behaves like a selfish wench. Ageha and Hana’s boyfriend also fall victim to her tricks without hesitation. With everyone being so incredibly easy to manipulate, I find myself actually rooting for Hana!

The main problem, though, is that I just can’t cheer on the budding relationship between Ageha and Ichijiku because he is a school counselor and she is a student. When Hana’s ruse prompts him to suddenly become a stickler for the rules and declare that a relationship between them is impossible, I think he’s actually making the right call.

Despite these complaints, though, Papillon still somehow manages to be an entertaining read. Part of it is the art, which is quite attractive, and part of it is Hana. I simply must see what deceitful plan she’ll come up with next.

Review copy provided by the publisher. Review originally published at Manga Recon.

The Lapis Lazuli Crown 1 by Natsuna Kawase: B

lapislazuli1In the country of Savarin, about 20% of the population can perform magic. Seventeen-year-old Miel comes from a long line of sorcerers, and though the family has fallen a bit since the days when their services were sought after at the palace, they’re still very respectable. Miel doesn’t have much interest in improving her own skills, though, until she meets Prince Radian (also known as Radi), whose positive encouragement inspires her to develop her magic so that she might be hired by the palace and be of use to him.

Though part of me takes umbrage with the idea that Miel doesn’t get serious about magic until a boy comes along, I can’t deny that The Lapis Lazuli Crown is a cute story, particularly for a younger audience. The episodic adventures, the art, and Miel’s plight—she’s good at written exams but not so hot at practical magic—all remind me of another CMX series, The Palette of 12 Secret Colors, which is a compliment.

The one genuine complaint I have is in regards to the bonus story, “Daisy Romance.” The lead character, Hanagiku, looks exactly like Miel, and the two male characters bear more than a passing resemblance to Radi and his retainer, Sieg. This makes for some disconcerting reading at first.

The Lapis Lazuli Crown is two volumes long and is published in English by CMX. Volume two is due out in September.

Review copy provided by the publisher. Review originally published at Manga Recon.

Bleach 27 by Tite Kubo: B+

bleach27From the back cover:
Orihime’s return from the Soul Society is interrupted by the Arrancar Ulquiorra, who has a different, terrifying path for her. Using duplicitous tactics, Ulquiorra convinces Orihime to accompany him to Hueco Mundo, which brands her as a traitor in the Soul Society’s eyes and therefore unworthy of rescue. Ichigo refuses to abandon his friend, and sets out to storm Hueco Mundo to set her free! But can he win when the entire world is against him?!

Review:
I can’t deny that on basic facts alone, the abduction of Orihime and the battle to get her back is very similar to the arc where Rukia was imprisoned in the Soul Society. That doesn’t stop it from being entertaining, though.

There are many, many cool things in this volume. Ulquiorra seems genuinely menacing for the first time as he orders Orihime to come with him: “Don’t say a word except yes. If you say anything else, I’ll kill. But not you.” Orihime comes off as terrifically valiant when she protects her Soul Reaper “guards.” Hitsugaya, Rukia, Chad, and Uryuu are also given the opportunity to show off their improved skills.

The real heart of the volume, though, is Orihime’s goodbye to Ichigo. Ulquiorra has given Orihime twelve hours before she must join him at a specified rendez-vous point. She can say goodbye to one person, but must wear a bracelet that renders her invisible to everyone but Arrancars, and chooses Ichigo, who is recovering from his injuries. In typical Orihime fashion, she tries to put an upbeat spin on things, which only serves to make it more touching.

Final, incredibly random note: the subtitle to this volume is “goodbye, halcyon days,” a phrase my brain has set to the tune of Elton John’s “Goodbye, Yellow Brick Road.”

NANA 11 by Ai Yazawa: A

Cut for spoilers.

nana11From the back cover:
With the tabloids still out for blood, Nana and her Blast bandmates move into a weird dorm building run by their agency. But they’ve barely got enough time to settle into their new digs beacuse their crammed schedule has them running from music studio to TV interview. The stress of band life and dealing with a disintegrating Ren have started to take their toll on Nana. If she collapses now, will she ever get back up?

Review:
Although this volume isn’t light-hearted by any means, it is still far less painful to read than some recent ones have been. Time heals all wounds, as they say, and keeping busy helps, too. Nana and the other members of Blast are working hard on their album as well as doing interviews and live shows, and she’s feeling so good that at one point she thinks she could handle talking with Hachi about Takumi and the baby. In a similar “moving forward” vein, Nobu meets a girl he might like and is forgiven by his parents for not wanting to inherit their inn, and Hachi introduces Takumi to her family.

One of the things I really like about NANA is the way that it shifts focus between the leads. For a while there, we were all worried about Hachi, but it really seems that she’s at peace with her situation. Yes, she has regrets, but, as Jun says, she has her feet on the ground more than before. Hachi has palpably matured and she actually has a career goal in mind now. I’m left wondering if perhaps this pregnancy wasn’t ultimately a really good thing to happen to her, despite that it meant the end of her relationship with Nobu.

Now it’s Nana that I’m really worried about. She’d had this idea in her head that Blast becoming successful would somehow bring Hachi back and that Nobu would fight to get back together with her. When she learns that he has no intention of doing that, she begins to hyperventilate and ends up at the hospital. It’s like she has no faith in her own ability to keep Hachi near her—going back to motherly abandonment issues, perhaps—and so is depending on Nobu to do it for her.

She also feels like she’s “drowning helplessly in Ren,” and several times seems to be expecting Yasu to declare his feelings for her and rescue her from Ren’s pull. When she realizes at last that Yasu will never do that because of how close he and Ren are, she gives in to some extent and reconnects with Ren, who proposes. Trouble is waiting, though, because Ren has been using drugs, and a paparazzi guy also seems to’ve located her mother. Poor Nana.

This volume’s full of the drama, but I’m relieved that it wasn’t quite the kind to make me cry.

NANA 10 by Ai Yazawa: A

NANA is a series I vow never to spoil.

nana10From the back cover:
Being engaged isn’t as wonderful as Hachi thought it would be. She has a trendy new apartment, but she’s isolated from all her friends and Takumi is hardly ever home. When scandal hits hard, Trapnest (and her fiancé) flee to Europe, and Hachi is left to watch Blast suffer in the scandal rags and tabloid shows.

Review:
So much happens in a volume of NANA that I feel like I should keep a scorecard or something! There are important revelations (Nobu still seems to have feelings for Hachi, Yasu’s feelings for Nana become known both to her and Ren), realizations (Blast must sacrifice some of their ideals about how they want to become successful in order to seize the chance they’ve been given), and reconciliations (even though Nana and Hachi have not met face to face due to the paparazzi frenzy surrounding Blast and Trapnest, Nana takes advantage of a microphone thrust in her face to declare that she’s still working to make Hachi’s dreams come true).

The most fascinating part of the story for me right now is the Nana-Yasu-Ren triangle. Although Nana and Ren both have moments where they think that their love for the other hasn’t diminished, things still aren’t the same as they used to be. Nana feels that her bond with Yasu may be even stronger than hers with Ren, and Ren’s commitment to Trapnest leads him to decide not to defend Nana from reporters. Instead, that role falls to Yasu who does it without a second thought. It also becomes clear that Yasu has completely abandoned his ambitions to practice law in order to pursue a musical career, something he had told Reira long ago that he wasn’t willing to do. I personally am really rooting for Nana and Yasu to get together.

Less successful to me is the Hachi plotline: I’m confused, though I think that may be because Hachi is confused. She tells Jun that she “really, really” loves Takumi, and laments that she can’t seem to fall in love with nice guys like Shoji or Nobu. Later on, though, it seems like she’s talking about Nobu when she says, “I’ll never be fulfilled by happiness like that again, the kind with no shadows.” Were her earlier comments just an attempt to make the best of an imperfect situation? She likes him enough to derive some happiness from their life together, even while mourning what might’ve been?

On the whole, I love how complex all of these characters and their circumstances are. I still profess a desire for some big, unambiguously positive event for these beloved characters—something like that would surely merit an A+ from me—even while I recognize that such untainted triumph rarely happens in life, and appreciate that Ai Yazawa recognizes it, too.

The Loudest Whisper: Uwasa no Futari 1 by Temari Matsumoto: D

loudestwhisper-125The Loudest Whisper tells the wholly unremarkable tale of school friends Aoyama and Akabane as they experiment with acting like a couple (since rumors at school pair them up anyway). There’s nothing distinctive about the characters or the plot, resulting in a shallow and unsatisfying read.

Only 67 pages of this volume are devoted to the main series; the other two-thirds is occupied by unrelated short stories, which are all either bland, ridiculous, or icky. The only one that starts out semi-promisingly—“Cure for the Common Crush,” involving a business man who makes regular nightly stops at a pharmacy—derails into inanity when he accidentally receives aphrodisiacs instead of cold medicine.

The real problem with The Loudest Whisper, though, is the ick factor. In two linked stories, “First Stroll” and “First Help,” there are some story elements that I find disturbing, including an apparently significant age difference between the lead characters. Even “Cure for the Common Crush,” which contains a line that implies the pharmacist uke may actually be older than the seme, exagerrates his diminutive frame to such an extent as to invite misinterpretation.

Let’s recap all the adjectives used to describe this book: unremarkable, shallow, unsatisfying, bland, ridiculous, icky, inane, and disturbing. Need I say more?

Review copy provided by the publisher. Review originally published at Manga Recon.

Boys Over Flowers 23 by Yoko Kamio: B

boysoverflowers23From the back cover:
Tsukushi ends her visit at her parents’ quiet seaside home and returns to Tokyo. She is welcomed back with a “girls’ night out” and ends up meeting a ton of guys! Unfortunately, they all turn out to be losers. In fact, one of the boys is downright terrifying and bears a striking resemblance to a certain curly-haired ex-boyfriend! Could they be related?!

Review:
The fishing village story line wraps up fairly decently, actually, with some nice awkwardness between Tsukushi and Tsukasa (in which she has trouble not confessing her love), the “No-Account” dude being reunited with his girlfriend, and, back in Tokyo, the Makinos being given use of a condo by Shigeru. It turns out that all of Tsukushi’s rich friends wanted to lend her accommodations and had talked about it at length to figure out whose generosity would put the least strain on her. Aww.

Of course, Tsukushi is determined to get a job so that the Makinos no longer need depend on Shigeru and so that she can fund her brother’s high school ambitions. Sakurako dangles the carrot of a high-paying job that she knows about and manages to get Tsukushi to attend a group date along with Shigeru and Yuki. These scenes with the four girls hanging out (and trying to help Tsukushi forget Tsukasa) are a lot of fun and I hope we see more of them together. I can even forgive the ridiculousness of encountering a Tsukasa look-a-like on the date and Tsukushi’s subsequent moron moment as she keeps mistaking him for Tsukasa.

As usual, the final scene of the volume offers some particularly scrumptious angst between our two leads. It’s worth noting that Tsukasa, who had said that if the two-month dating experience didn’t work out that he would let her go, is being true to his word and not exerting any effort to get Tsukushi back. I’d like this scene better if the Tsukasa look-a-like didn’t show up at the end, but it still serves to acquaint Tsukushi even further with her true feelings, so I can’t complain much.

I can complain about the Story Thus Far, however. Usually, this is pretty decent but this time it contains errors. It says of the final chapter in volume 21 that “Tsukushi does not reveal the real reason for leaving Tsukasa, and instead, tells him that she no longer loves him.” Er, that’s completely untrue. She specifically mentions his mother and the threats on her friends’ families. Also, how could you tell someone you no longer love them if you’ve never told them you love them in the first place? What she did do was allow Tsukasa to think calling things off was easy for her because she had no feelings for him.

Boys Over Flowers 22 by Yoko Kamio: B-

boysoverflowers22From the back cover:
Tsukushi has left her on-and-off boyfriend Tsukasa, his mansion, her school, and Tokyo altogether! Down and out, she heads for the seaside village where her family has gone to live and work. Unfortunately, her parents are about to be run out of town. Just then, visitors from Tokyo arive!

Review:
What a disappointment! After the awesomeness at the end of the last volume, I was expecting something much better than this. Instead, we get a ridiculous plot where Tsukushi flees to the fishing village, where her incredibily annoying parents have told everyone that Tsukushi is engaged to Doumyouji and are racking up bills with the expectation that he’ll pay them. She also meets a slacker surfer guy who is waiting around for the girlfriend who left him to return and who has garnered a reputation as a “no-account.” Inexplicably, everybody in the village seems irate that Tsukushi is hanging out with this dude, and there’s a completely dumb scene where they all turn out at her parents’ house to confront her.

Meanwhile, Tsukasa is reverting to his violent ways, threatening his friends with bodily harm when they come to talk to him about what’s happened and being cruel to a girl who takes advantage of Tsukushi’s absence to confess her feelings for him. This, at least, is better than the fishing village story line and I kind of love the scene where Rui, having seen Tsukushi on TV (some kind of program was filmed at the beach and had Tsukushi in the background), goes to goad Tsukasa into going to see her, pushing all the right buttons by exaggerating her frail condition.

Ultimately, the best part of the volume is the ending, in which Rui and Tsukasa turn up at the village just in time to prevent some angry mob action. Yes, it’s completely goofy, but that Rui came himself (thinking he had failed to motivate Tsukasa) is actually pretty sweet. I’ve learned my lesson, however, and shan’t be anticipating any greatness out of the next volume just because this one ends well.