Blood+: Kowloon Nights by Hirotaka Kisaragi: B-

In the world of Blood+, a girl named Saya and her trusty servant Hagi battle against chiropterans, a race of blood-sucking creatures. This one-volume prequel focuses on Hagi’s 1993 stay in Hong Kong, during which he teams up with a hot-headed cop named Nishi to put down a man-made pack of chiropterans that’s been leaving corpses in a certain area of town.

Unlike the other manga series in the franchise, Kowloon Nights is definitely intended for a female audience. BL artist Hirotaka Kisaragi (best known in the US for Innocent Bird) excels at depicting attractive male characters and infuses Nishi and Hagi’s interactions with a definite boys’ love vibe. Although there’s not so much as a kiss between them, Nishi frequently blushes and experiences heart palpitations in Hagi’s presence and there are two occasions in which Hagi slurps Nishi’s blood in sexy fashion, including one particular panel that suggests a different bodily fluid entirely.

The plot itself starts promisingly, but soon becomes muddled when a crime boss of some kind reveals his intent to develop a drug that grants immortality. The story probably would’ve been better if it had focused solely on Nishi and the fascination and concern he feels for Hagi, but I suppose they did need a villain to fight so that Hagi could demonstrate that he cares for Nishi, too, in his own way.

Review copy provided by the publisher. Review originally published at Manga Recon.

Banana Fish 3-4 by Akimi Yoshida: A-

The action ramps up in these two volumes of Banana Fish as Ash and his allies follow the trail of the drug known as “Banana Fish” from New York to Los Angeles and more details about its nature, as well as Ash’s background, come to light.

There’s a lot going on here, including prison power struggles, an incredibly badass assassination attempt in a Chinatown fish market, a cross-country road trip, conflicting loyalties and military conspiracies. This is an intricately plotted story—an epic quest that has become absolutely fascinating and causes actual pangs of remorse when one must tell oneself, “No, you can’t go on to volume five. What about that library book that was due yesterday?”

Ash is a highly compelling lead, and a few of his layers are peeled back in these two volumes, giving readers a little more insight into what makes him tick. For instance, a lot of the time when he comes across as harsh, he’s just sparing others the need to voice unpleasant truths. This comes to light in a scene where he convinces Eiji to return to Japan by informing him he’ll be a hindrance—afterwards we see that it really bothered Ash to have to hurt Eiji in this way, though he pretends otherwise, but that he’s willing to do it in order to protect the one person who has ever helped him without expecting anything in return. Ash was betrayed at a young age by the negligence of his parents, but still has the ability to protect those he cares about, even though he might pretend he’s too tough to feel such tender emotions.

Eiji’s motivations are also explored in these volumes. Though his comfortable life has enabled him to live without a gun in his hand—“You can do something I can’t,” Ash remarks. “We’re even.”—he nonetheless has had his share of problems. Once a promising athlete, an injury shook his confidence and left him feeling adrift. He might not be invested in finding out the truth about Banana Fish, but he is invested in Ash, and staying by his side could be just what he needs to feel like he is accomplishing something in his life. “I want to quit quitting,” he remarks, and even though he is exposed to quite a lot of horrible things through his association with Ash, his convictions do not waver until Ash flat-out tells him he’ll do more harm than good.

I love the bond that’s developing between these two characters—bolstered by a couple of really awesome scenes between them—and also enjoy the dynamic amongst the older members of Ash’s retinue, a pair of journalists (one Japanese, one American) with their own reasons for tagging along and who occasionally offer insights onto the feelings and perspectives of their younger counterparts. It’s a very well-rounded cast, and a few ladies even show up in this volume, though all seem poised to be victims of one kind or another.

The only thing that still bugs me about Banana Fish is the art. A lot of the time it’s quite good and I can actually see what the back cover means when it says, “Nature made Ash Lynx beautiful.” Sometimes, though, the anatomy is rather weird—there’s one high kick from Ash that only a Barbie could achieve—and the depiction of African-Americans continues to be problematic. Seriously, please quit drawing their lips so they look like Mr. Bill, Yoshida-sensei. It makes me sad.

Minor complaints aside, Banana Fish is a masterpiece of plot and characterization, and should really be read by anyone who considers themselves a manga fan.

Kimi ni Todoke: From Me to You 4 by Karuho Shiina: A-

When Sawako Kuronuma was ostracised by her class due to her gloomy disposition and resemblance to a character from a horror movie, she never would have guessed that there are so many nuances to interactions with other people. Because of her inexperience in this area, she hasn’t learned to be distrustful, and so accepts as genuine the friendly advances of Kurumi, a girl who wants Kazehaya-kun for herself.

Kurumi does everything within her power to convince Sawako, who is growing increasingly curious about the depth of her feeling for Kazehaya, that what she feels for him isn’t anything special, and that she ought to try chatting up some other guys for the sake of comparison (then arranges for Kazehaya to witness this, of course). Things backfire for Kurumi, though, as Sawako manages to interpret this advice in the best possible light and ends up confirming and accepting that what she feels for Kazehaya is genuine love.

This is a huge step for Sawako, and her happiness at this achievement in self-discovery is contagious. In fact, the depiction of her thought process as she works this out is simply terrific throughout, as is that of Kazehaya as he realizes that, no matter what he may personally feel, Sawako is still not ready to begin dating anyone. The skill with which nonverbal and internal storytelling convey these revelations to the reader elevates Kimi ni Todoke beyond other sweet love stories and into the realm of great manga.

Review copy provided by the publisher. Review originally published at Manga Recon.

Flower in a Storm 1 by Shigeyoshi Takagi: B

After being rejected by her first love because of her superhuman strength, Riko is trying to live as unremarkable a life as possible. She believes that the only way she’s going to fall in love is to be “normal,” but this point of view is challenged by the dramatic arrival (with gun and menacing retinue) of rich boy Ran Tachibana, who barges into her classroom one day and proposes marriage.

Unlike her first love, when Ran caught a glimpse of Riko’s abilities he was smitten and his unstoppable pursuit leads him to transfer to her school. Ran’s got quite a few enemies, so his proximity involves Riko in all sorts of dangerous situations involving assassins and treacherous friends, but his acceptance of her as she is gradually endears her to him despite all the chaos he introduces into her life.

In no way did I expect to enjoy Flower in a Storm as much as I did. In fact, I remember reading the back cover description aloud to someone and the two of us groaning. In reality, though, it’s actually a lot of fun, even though some of the situations the leads find themselves in are fairly ridiculous. Ran might be outrageous, but the fact that he appreciates Ran for her competence and independence goes a long way toward making his presumptive actions more tolerable. Also, this isn’t one of those series where the domineering guy must come to the aid of the helpless heroine; instead, they do their fair share of rescuing each other.

After Ran and Riko’s tale comes to a nice stopping point, there’s a bonus story called “Need for Artificial Respiration.” It’s about a girl, Toko, with a bad reputation at school due to frequently being spotted kissing different guys. After having his first kiss stolen by Toko while napping in a classroom, Kiyoharu becomes interested in figuring out why she does what she does. The answer is rather surprising, but the story is quite good and definitely more interesting than many bonus stories tend to be.

I like Takagi-sensei’s art a lot, especially Ran’s character design. Riko resembles the title character from Alice in the Country of Hearts, but Ran—with his tied-back hair and impressive collection of stylish specs—has a look all his own that I actually find kind of sexy. Also, there’s just something about Takagi’s angular profiles that reminds me at times of Tomoko Yamashita, creator of Dining Bar Akira.

Ultimately, Flower in a Storm was a very pleasant surprise. Probably a story like this would fizzle out over a long serialization, but the fact that it concludes in its second volume (due in August) reassures me that its end will be as unexpectedly entertaining as its beginning.

Flower in a Storm is published in English by VIZ. Volume one is available now and the second and final volume will be out in August.

Review copy provided by the publisher. Review originally published at Manga Recon.

Kimi ni Todoke: From Me to You 3 by Karuho Shiina: A

From the back cover:
Sadako finally becomes friends with her classmates, instead of scaring them off. Even Kurumi, the cutest girl in school, wants to be her friend. But will this new friendship make Sadako realize that her feelings for Kazehaya might be more than just friendly?

Review:
I was bowled over by the surfeit of cute in this volume of Kimi ni Todoke. Let us count the ways!

1. Sawako has begun doing things after school with Yano and Yoshida, and is absolutely thrilled. Her parents are also adorably excited for her.

2. Sawako is beginning to realize that Kazehaya is a boy, and that she likes him in a way that is different from how she likes her other new friends. This results in her being somewhat flustered in his presence, which leads to him being flustered right back. Seriously, when these two are together, they just glow, and the art and pacing really make these moments special.

3. Yano and Yoshida are extremely awesome, and nudge Sawako into doing things like calling Kazehaya on the phone or dropping the -kun when she addresses him. Her reactions are cute, but Kazehaya’s are especially telling. Yano and Yoshida are kind of evil in how much they tease him, but their machinations result in a story that shows these characters’ feelings for each other rather than simply telling us about them.

4. Sawako’s friends have to inform her that she has earned the right to call them by their first names, because she’d never presume to do so otherwise. In fact, there’s a lot of emphasis on honorifics in this volume, making it a great candidate to prove why it’s necessary to retain them in translations.

I continue to love that friendship is so important to Sawako. Though she’s finally beginning to realize her romantic feelings for Kazehaya, her friends play a big part in that, encouraging her to reach out to him a little more and putting the two of them in situations where they can interact. Yano and Yoshida are at least tied with Hanajima and Uotani from Fruits Basket in the category of Best Best Friends.

A rival for Kazehaya’s affections—Kurumi, a girl he knew in junior high—also appears in this volume. I like that she’s not as over-the-top villainous as some rivals have been, but is still somewhat scheming. Happily, Sawako balks at Kurumi’s request to help her get together with Kazehaya; it’s evident that Kurumi thought Sawako was so self-effacing she’d just bend over backwards to accommodate her new friend’s request. It’s clear, too, that Kurumi knows exactly how Kazehaya feels about Sawako, thanks to some more excellent nonverbal storytelling.

In the end, this volume solidly establishes Kimi ni Todoke as one of my current shoujo favorites. I liked the first two volumes a lot, but now that Sawako and Kazehaya are hesitantly moving closer to a relationship, it has escalated to a new level of greatness.

Review copy provided by the publisher.

Beast Master 2 by Kyousuke Motomi: A-

From the back cover:
Leo Aoi looks like a crazy animal with wild eyes, and he goes berserk whenever he feels threatened or sees blood. That doesn’t stop animal lover Yuiko Kubozuka from befriending him, however. In fact, Yuiko is the only person Leo will listen to when he has one of his violent fits…

Leo’s 18th birthday is around the corner, but celebrating seems impossible as someone is after Leo’s life! Can Leo overcome the dangers of his past? Or will this beast-like boy be separated from his beloved “master”… forever?

Review:
I suppose there’s not anything terribly original about these final three chapters of Beast Master. In the first, we get a little more information on Leo’s backstory, including the revelation that he’s worth billions and began living in the wild in the first place to avoid his murderous relations. In the second, Leo’s dad reenters the picture and, after another attempt on his son’s life puts him in the hospital, suggests a move overseas. Finally, Yuiko develops insecurities about how Leo feels about her upon seeing how popular he’s become with other girls.

What makes this series so special, then, is how truly sweet it is. Not some cloying and irritating approximation of sweetness, either, but something truly genuine and moving. After Yuiko witnesses Leo being hit by a car, it makes sense that she’d support his father’s plan to relocate him someplace safer, and the scene where she attempts to maintain a brave face as she bids him good-bye, only to break down as he drives off is perfectly painful. Although we, as readers, can expect him to return, Yuiko’s sadness is nicely portrayed, as she realizes that simply knowing he’s safer will not make her miss him any less.

The final chapter’s a nice spin on the “I don’t know how he feels about me” idea, too. It works here because Leo is so child-like, Yuiko has to wonder whether he even realizes that there are different levels of liking someone. He can “like” a girl classmate who loans him some CDs, but does he feel anything more than this for Yuiko? Well, of course he does, and his eventual shy confession is so adorable it made me sniffly.

Rounding out the volume is “Cactus Summer Surprise,” a short story about a body-swapping cactus. Yes, you read that right. In a nutshell, Akira is a cactus fan who once gave her prized plant to her middle-school crush, Kaito, who told her that he threw it away. They’ve been enemies ever since—though, of course, it’s obvious they really fancy each other—and through the machinations of a middle-aged female spirit who transitions from the cactus in which she resides into possessing Kaito’s body, they manage to patch things up. Again, like Beast Master, this story ends with a particularly adorable scene of a guy trying to get his feelings across.

When I finished this volume, my first thought was, “That was good! I’d like to read something longer by Kyousuke Motomi.” And my second thought was, “Oh yeah! Dengeki Daisy is coming in two months!” Thank you, VIZ!

Itazura Na Kiss 2 by Kaoru Tada: B+

One could easily expend five hundred words or more relaying all the ups and downs contained in this double-sized volume of Itazura Na Kiss, but the most important facts are these: Kotoko and Naoki graduate from high school and move on to attend the same college, where Kotoko’s attempts to fit into Naoki’s world generally meet with embarrassing results. They also share a single, somewhat spiteful, kiss, and various events lead Kotoko to proclaim her intention to give up on Naoki, just in time for a renewal of close proximity that makes this impossible to achieve.

This series is a fine example of a romantic comedy that puts equal emphasis on both factors. Not that Kotoko’s relationship with Naoki is romantic yet—he is still too mean to her for that to be true—but there are quite a few comedic scenes in which the two leads do not appear at all that serve to further flesh out the setting and supporting characters. The least amusing of these tend to feature Kin-san, a persistent classmate who carries a torch for Kotoko, while the best revolve around Naoki’s mother, who is an avid supporter of a relationship developing between Kotoko and her son.

Though it can be a little painful to observe the desperate floundering of people in love, the end result is a story that’s consistently entertaining. Even after consuming 300+ pages in one sitting, I still wanted more.

Review copy provided by the publisher. Review originally published at Manga Recon.

Honey Hunt 4 by Miki Aihara: B

Despite having no prior interest in acting, Yura Onozuka, the relatively normal daughter of celebrity parents, discovers a talent for it when she resolves to surpass her mother in the dramatic sphere. She has achieved some moderate success pretty quickly, including a spot in a commercial and a supporting role on a new TV drama.

Yura’s career is less the focus in this volume than are her romantic prospects, however. While volume three ended with one pop star (Haruka) confessing his feelings, here Yura is swept away by his twin brother (Q-ta, also a pop star), to the point where she’s distracted during an audition and later ditches a dinner planned by her housemates—to celebrate her drama’s debut—in favor of spending a night on the town with Q-ta.

Although one might wish for a heroine more doggedly dedicated to her career, it’s not hard to sympathize with Yura as she faces the choice between two dreams—the nurturing family-type environment offered by her housemates and the love of a prince-like suitor. Even though she makes some mistakes, she’s still likeable. Q-ta, however, comes off as quite the brat here, and one can’t help but wonder whether his protestations that he likes Yura for herself rather than for her famous father are truly genuine. If not, I suppose it’ll make for good drama.

In the end, while Honey Hunt doesn’t leave a particularly strong impression with the reader, it’s still something I enjoy reading.

Review copy provided by the publisher. Review originally published at Manga Recon.

Oh! My Brother 2 by Ken Saito: B-

It’s been one month since Masago Kamoguchi’s brilliant older brother, Shiro, died and began possessing her. With all of this going on, Masago hasn’t been studying, so when exam time comes around, she allows Shiro to take the tests for her and ends up with a perfect score. Her impressive performance prompts a teacher to encourage her to run for student council, a decision she waffles about for a little while until gaining some confidence. Meanwhile, Shiro debates the wisdom of lingering in his sister’s body while his friend, Kurouma, deals with the knowledge that Masago likes him but views him as utterly unattainable.

I really want to like Oh! My Brother, and sometimes I manage to do so. I like Kurouma a lot, for example—it’s so refreshing that he actually notices Masago’s feelings!—and also the way Shiro’s possession is portrayed as a double-edged sword. True, his presence lends Masago strength in crucial moments, particularly in dealing with a bullying older girl, but her reliance on him is also holding her back in certain areas; although Shiro is willing to let go, it’s Masago who desperately makes him promise to stay with her forever.

On the other hand, there is a lot of extranneous material here that detracts from what’s good about this series. Some of the comedy feels out of place, and there are a few too many Shiro-obsessed characters floating around, from the aforementioned bully, to a former soccer rival, to a cool and competent member of the student council. If the focus had been more on the drama of Masago’s situation, coupled with the need to let go of Shiro in order to become open to other kinds of love, I’d like it so much more. As it is, I must be content with the occasional glimmer of what could have been.

Review copy provided by the publisher. Review originally published at Manga Recon.

Happy Cafe 2 by Kou Matsuzuki: C+

From the back cover:
When two mysterious young men walk into the café to declare war, Uru’s passion gets the best of everyone, and they accept the challenge—with one condition: the loser will have to quit the industry for good. However, just before the contest, Shindo sprains his wrist! And when Uru’s mother shows up at Bonheur, will she convince Uru to go back home? Café Bonheur will have to survive through some turbulent times if it’s to stay happy—and in business!

Review:
The go-nowhere nature of the story in Happy Cafe worked okay for me in volume one, but lame plots combined with rehashes of the same character moments over and over ensured that I liked volume two significantly less.

On the back cover of the first volume, Uru is described as being a klutz, and while my original reaction to that was to groan, the interior contents proved much better than I was expecting. I had the same response to the plot synopsis for volume two—a rival bakery challenges Café Bonheur to a contest but oh noes, Shindo sprains his wrist!—but no pleasant surprise awaited me: it’s every bit as dumb as it seems. The representatives of the other bakery are fairly obnoxious, but what’s worse is that their behavior inspires even more annoying antics from Uru, who spends much of the volume spazzing out and/or losing her temper.

My favorite character continues to be Shindo, the grumpy but kind baker at Café Bonheur, but even so, I got tired of how frequently we were reminded of his characteristics. This volume features the discovery that, while seemingly a big grouch, Shindo makes a low-sugar Mont Blanc especially for a diabetic customer, that he will improvise a dessert for a little girl with a strawberry craving, that he’ll whip up a green tea pound cake for customers who aren’t big on sweets, and that he will say nice things about Uru to her mother when she comes to visit. We get it already!

While I continue to enjoy some elements of Happy Cafe—the food looks tasty and I genuinely did snicker a couple of times—I found this volume to be a big disappointment. I hope it’s just a fluke, but we shall see.

Review copy provided by the publisher.