Black Cat may not have the most innovative or sophisticated plot ever conceived—our hero and his friends face off against a mentally unbalanced bad guy and his lackeys—but it’s executed so well and the characters are so likable that I can’t help but be thoroughly entertained each time I consume another chunk of the story.

In volume twelve, Train and friends meet with Dr. Tearju, a nanotech expert who might be able to help Train (now in the body of a child) return to normal. Tearju’s advice enables Train to overpower the nanomachines causing his condition and use them to develop a new power—immediately dubbed the “rail gun”—which essentially allows him to electrify his bullets. Creed’s forces attempt to draft Tearju, and when that fails, they use a monkey with clone powers (I am not making this up) to steal both her appearance and her knowledge. All of this makes Eve decide that the time has come to go after Creed, as he’s much too dangerous to remain free.

Train agrees, and after revealing the story of his past and deciding that he wants to administer justice as a sweeper rather than pursue vengeance as the Black Cat, he sets about acquiring intel on Creed’s whereabouts. While Sven goes off to train his “vision eye,” which allows him to see a few seconds into the future, Train and Eve enter into an alliance with some other sweepers. This is quite a fun twist on things, and the fourteenth volume ends with a (literal) boatload of sweepers making their way to Creed’s island hideout.

There are six volumes left of this series, and if they’re comprised of a huge epic battle between the sweepers and Creed and his goons, I think I could be quite happy indeed. As I said, this isn’t the deepest series ever, but it’s genuinely enjoyable to read and whenever I finish the volumes I’ve got on hand, I always wish I had more. I like that the characters seem to genuinely like each other, too; some of the best moments are things like child-sized Train and Eve going to see a movie called “A Dad and His Dog” together.

Lastly, I rejoice that I have finally gotten an answer about those weird things on Train’s jacket! Tucked away in a character popularity poll was the information I’d been seeking. Yabuki writes that the “donut-shaped accessories on Train’s chest are made of wood with a metal interior. They serve as a sort of shield.” Not that we ever see them function in that capacity, but at least we need wonder no more!

I had originally checked out about a dozen volumes of One Piece from my local library with high hopes of reading them all in the allotted time, but life intervened and I sadly ended up turning most of them back in. I did, however, manage to read these three volumes, in which the Straw Hats attempt to prevent civil war from erupting in Princess Vivi’s kingdom (Alabasta) due to the devious meddlings of the head of the Baroque Works criminal organization, Sir Crocodile.

In volume nineteen, Luffy and the gang arrive in the town where Crocodile, thought to be a good guy by the townspeople, is living, and some of them are very promptly captured. We learn more about the rebels in Alabasta—and how all they’ve really wanted is for the king to prove that he hasn’t done the dastardly thing Crocodile has pinned on him—and this volume succeeds in making the country’s troubles much more compelling than I found them to be in the previous batch of volumes I read.

As the rebellion heats up, Crocodile gives Vivi the choice of rescuing her friends or attempting to save her country. Sanji arrives at a timely moment and proceeds to be a fabulous badass for about a panel, before eagerly asking Nami, “Do you love me now?” After rescuing the navy captain who’d attempted to capture them, the group heads for the palace in Alubarna, where the rebels and royal forces are set to converge within hours. Luffy is recaptured by Crocodile, but insists that Vivi and the others carry on without him. Vivi’s reaction to Luffy’s devotion to her cause is quite touching, and is another example of a member of the group learning to trust the others and let themselves be helped.

While volume nineteen features a lot of good character moments, volumes 20 and 21 are chiefly devoted to fighting, as the Straw Hats split up to draw away the Baroque Works agents and give Vivi a chance to make it to the front. First, Luffy faces off against Sir Crocodile, culminating in an awesomely shocking skewering; Usopp and Chopper (whose delight in being of use is extremely sweet) take on the slow-witted Mr. 4 and his partner, Miss Merry Christmas; Sanji engages in a particularly memorable encounter with Mr. 2 Bon Clay; Zolo faces off against Mr. 1, whose body is made of steel; and Nami tries out a new weapon in her fight against Miss Doublefinger. It’s particularly nice to see Nami obtain some combat prowess at last, and it feels like forever since we’ve seen Zolo in action, too.

Although I don’t generally like the battles as much as the rest of One Piece, Oda handles them so skilfully I can’t help but be impressed. There are multiple events going on here in multiple places, but one is never confused for the slightest moment. Everything is paced well, the reader knows where everyone is at any given moment, thanks to some handy maps, and we’re reminded of what’s going on in other places just frequently enough to reinforce the epic scale of what’s going on. Lines like “Their hopes are about to collide at Alubarna” elevate the skirmishes beyond mere displays of Devil Fruit powers and again exemplify why this series is a shining example of shounen manga.

Although the civil war situation is not resolved by the end of volume 21, matters are definitely coming to a head, though it might still be a couple of volumes before this arc concludes. The temptation to check out another huge chunk of this series is strong, and it’s possible I won’t be able to resist it, but I shall at least attempt to get to the next few volumes in a timely manner this time!

I’m at somewhat of a loss to explain how Black Cat manages to be so incredibly appealing, but these three volumes were a real pleasure to read and left me wanting to devour more of the series as soon as possible.

Volume nine begins in the middle of a confrontation between Cerberus, a trio of elite members of the Chronos Numbers, and Creed, the villain of the piece who is looking markedly glam this arc. (Seriously, here’s some evidence.) First, they must fend off a nanotech werewolf while Creed laughs his head off on the sidelines like any self-respecting villain must.

When this story started, the members of Chronos were the bad guys, but we’re obviously supposed to root for them here, and the fight is actually extremely cool. The fallout’s nice, too, with Creed freaking out that Train refused to fight him (preferring simply to rescue one of his friends) and a couple of his minions deserting him after it becomes clear that his true goal is not really what he represented it to be.

Volume ten begins with the fates of Creed and the members of Cerberus in question, though they are pretty quickly revealed. Creed decides that the reason Train will not fight and/or join him has to do with his ties to Sven, and so he kidnaps said fellow and is about to turn him into a nanotech monster when Train intervenes and ends up shot with the tech instead. This results in him turning into a little kid, and while that would be stupid in any other series, it actually kind of works here. Train’s laid-back personality compels him to enjoy the change, but when it begins to affect his shooting ability (and hampers his efforts to protect a defector from Creed’s ranks against some unscrupulous Chronos fellows), it’s time to consult the foremost nanotech expert, who happens to be Eve’s creator.

I could probably go on describing the plot for paragraphs on end, but suffice it to say that this series is a great deal of fun. I like the characters a lot, and all of their conflicts with the bad guys are satisfying in that way only shounen manga can be. Sure, what’s going on is sometimes kind of silly, and the overarching plot with Creed and Chronos is kind of half-formed, but that’s okay. One shouldn’t read Black Cat because one wants to think deeply about world-dominating criminal organizations and those who seek to thwart them. One reads it for the fast-paced action and a compelling narrative that makes it a real page-turner.

If there remains anyone who doubts that One Piece is something special in the world of shounen manga, they need only read these three volumes to be convinced.

Volume sixteen begins with Luffy and Sanji on their way up a treacherous, snowy mountain to deliver a feverish Nami to the only doctor (Kureha) left on Drum Island. They’re waylaid by some giant killer bunnies, but an avalanche puts a stop to their conflict. I have never loved One Piece so well as in the first two chapters here, in which Luffy demonstrates his lack of antagonism towards those who’ve done him no real wrong by helping free a trapped bunny. This act earns him the respect of the pack, who then come to his aid as the evil former monarch of Drum Island attacks. Yes, I know this is probably the single most sappy moment in the history of this series, but that doesn’t change the fact that Oda executes it really, really well and that I loved it to pieces.

The whole Drum Island arc is excellent, really. We meet Chopper, a blue-nosed reindeer who ate the human-human fruit and can now perform a variety of human/reindeer transformations. He’s studying medicine under Kureha and entranced with the idea of pirates, but weighed down by a lifetime of being shunned for his oddness. His backstory is sad, as they usually are in this series, but Luffy’s unbridled acceptance (and demonstration of his own bizarre abilities) finally convinces Chopper that he has finally found the place he belongs. A good bit of fighting is involved, too, but these warm and affecting character moments are really the highlight of the series for me.

After a touching resolution, the gang is ready to set sail for Alabasta, Princess Vivi’s homeland, which is in the midst of rebellion. Awesomely, quite a few others are converging on that destination as well, and volumes seventeen and eighteen focus on introducing more of the elite agents of Baroque Works as well as explaining the organization’s hierarchy. Baroque Works is shaping up to be a wonderful enemy, with quirky characters (like Mr. 2 Bon Clay, who likes nothing so well as a good pirouette), cool resources (like transport turtles), and internal rivalries. I’m much more interested in them than the plight of Vivi’s people, actually, though I did enjoy learning more about her past.

Unfortunately, Alabasta’s desert climate brings out some of the worst in Luffy, who, despite valiantly helping some villagers and taking up Vivi’s cause as his own, is nonetheless extremely stupid when it comes to keeping a low profile or rationing supplies. Yes, I know, I should simply believe that everything will work out fine for his crew, because it always does, but I can’t help being frustrated by his occasional idiocy.

While I’ve truly enjoyed One Piece, these volumes got me excited for what’s to come in a way that’s new. In fact, I couldn’t help splurging at the library the other day and came home with a veritable armload of volumes. It really is that good. If you’re looking for a shounen series with heart, look no further.