Welcome to Wakaba-soh 2 by Chaco Abeno: D

wakabasoh2Just in case you were uncertain about what kind of manga this is, the volume opens with five color pages containing about a dozen bra and panty shots and one profile view of bountiful, nude bosoms.

The main storyline involves a not-too-bright boy called Kentarou Sawai who lives in a building with a bunch of girls of varying character types. He’s in love with Karen, the pretty caretaker, and doesn’t realize that the bespectacled Arai is really his childhood love. Chapters are brief and focus on uninspired scenarios like “Kentarou is ill and must eat the foul concoction prepared by the girl he likes” or “Kentarou’s sister visits and to avoid being recognized, Arai dons a mushroom costume.”

The characters are all incredibly shallow and none of the comedy is in the least bit amusing. The tone does get a little more somber right near the end, but the angst is so sudden and over-the-top that it comes across as more ridiculous than compelling. Plus, it’s hard to take it seriously when, two pages later, a girl wearing a maid’s outfit and thigh highs trips and sprawls across half a page, exposing her undies in the process.

It’s probably to be expected that female fans of this title will be few, since women are obviously not the target audience. I certainly don’t begrudge the fellas their right to eye candy, but must it be so vapid? I really looked for something to compliment, but aside from the cover, which I think is pretty, I couldn’t find a thing.

Review copy provided by the publisher. Review originally published at Manga Recon.

Physical Attraction by Tatsumi Kaiya: B

physicalattractionPhysical Attraction is a collection of BL stories about adult men—either college students or professionals—and is bookended by two tales about the same couple. In “Physical Attraction,” Kurata and Narusawa have been having a sexual relationship for some time, but when Kurata belatedly realizes that he loves Narusawa, he wonders whether it’s too late to try to steer things in that direction. It’s actually quite a cute story, and though it wraps up a little too easily, it’s nice to glimpse the guys again in “Loving Attraction” and see how being together in a loving way has positively influenced them.

Other good stories include “Anti-Dramatic,” in which one member of a cohabiting couple feels neglected when his significant other gets a job, and “Let Me Knock on the Same Door,” in which a talented graphic designer rejects a golden opportunity in order to work on a project with the down-on-his-luck game software developer he loves. The latter also ends too quickly and easily, but the premise is intriguing enough that that’s forgivable.

The other two stories, “February Rain” and “Cooled Passion,” are not going to be to everyone’s taste since in both, the point-of-view character abruptly forces himself on his companion. In “Cooled Passion” this is especially unfortunate, as the act is quite malicious and the tale had been so promising up to that point.

In the end, though there are elements in some stories that I’m not keen on, the overall collection is enjoyable and unique enough that I can still recommend it.

Review copy provided by the publisher. Review originally published at Manga Recon.

Slam Dunk 8 by Takehiko Inoue: B+

slamdunk8After an admirable performance in an exhibition game against a tough rival, the Shohoku High basketball team is ready to get back to practice, but a gang of thugs with a grudge against team member Ryota Miyagi makes that impossible. They invade the court with the intent of starting a brawl that’ll get the Shohoku team disqualified from competition. Just when the thugs have been beaten back, with help from Hanamichi’s pals, assistant captain Kogure reveals that the lead punk, Mitsui, was once a promising member of the team.

What follows is a multi-chapter tale of hubris, wounded knees, and wasted potential, and it might perhaps seem rather pointless if not for all the heartfelt emotion on display and the certainty that Mitsui will once again rejoin the team. Kogure, typically very mild in manner, shows he’s tougher than he looks while Mitsui does the opposite when confronted by Coach Anzai, whom he dearly loves and respects.

All in all, there’s very little actual basketball in this volume but there is a lot of team building, which makes for a very enjoyable reading experience.

Review copy provided by the publisher. Review originally published at Manga Recon.

Slam Dunk 3-7 by Takehiko Inoue: B

slamdunk3How did I let myself get a whole year behind on Slam Dunk?! Of course, the upside to such a monumental lapse is having half a dozen volumes to gobble up back-to-back!

At the end of the second volume, hot-headed protagonist Hanamichi Sakuragi impressed team captain Akagi by declaring himself “a basketball man” in answer to pressure to join the judo team. As a reward, Akagi decides that Hanamichi (who has been learning the fundamentals of dribbling, passing, et cetera) is now ready to learn to shoot. To Hanamichi, of course, this means the slam dunk, but what Akagi has in mind is a more common shot, the layup. Even though Hanamichi practices a good deal on his own, he’s just not getting it until Haruko, the object of Hanamichi’s affections, gives him some pointers. Meanwhile, the Shohoku High team prepares for an exhibition game against Ryonan, a school with an incredible team.

slamdunk5The game against Ryonan—which spans all of volumes four and five and the first third of volume six—is nothing short of riveting, even though Hanamichi is incredibly, incredibly obnoxious throughout. His cockiness wouldn’t grate so much if, like Ryoma in Prince of Tennis, he actually had the skill to back up his claims. Still, his overwhelming confidence does help the team in a few crucial moments and they hold their own extremely well. One of the things I love about sports manga is how the mangaka can quickly create interesting opponents for our team, and Inoue does so here with Ryonan’s ace, Sendoh, who must work much harder against Shohoku than he ever anticipated and enjoys himself much more as a result.

After the exhibition game, Shohoku sets their sights on the district preliminaries and the road to nationals. At the same time, Ryota Miyagi, a second-year student who’d been hospitalized after being injured in a fight, returns to the team. He and Hanamichi butt heads at first until they discover a shared lack of success with the ladies and quickly become buddies. Alas, some thugs have a grudge against Ryota and the basketball team, and a brawl on the court ensues that could disqualify them from competition.

slamdunk7I’m hopeful that the introduction of Ryota marks the start of a Hanamichi I’ll be able to like. Somehow, Hanamichi doesn’t feel the need to exert his prowess over Ryota and is able to receive instruction from him without being a moron about it. It’s extremely gratifying! And even if I find Hanamichi annoying, there are plenty of other characters for me to like. My favorite is Kogure, the mild-mannered assistant captain, but I’m also fond of Yohei Mito, Hanamichi’s right-hand henchman, who is sweetly protective of his friend’s newfound passion and unforgiving of those who would spoil it for him.

Inoue’s art may not be very pretty in Slam Dunk, but it’s extremely easy to follow where games are concerned. I never once had a question about who had passed to whom, or even whether the ball bounced before someone caught it; it must be hard to depict movement so gracefully, but Inoue really excels at it. The “bonus NBA content,” which I assume is provided by VIZ, has also proven to be more interesting than I thought it would be. I admit that I skip the player profile in each volume, but the second page includes all kinds of tips about strategy, and I find it both educational and entertaining. I never actually knew, for example, that the point guard was the fastest member of the team.

If you’re looking for a completely fun and addictive sports manga, Slam Dunk will definitely fit that bill. I’d like it more if Hanamichi weren’t so irritating, but I have hopes that he’ll gradually mature and, in the meantime, there are a lot of other positives to keep me reading!

Review copies for volumes 5-7 provided by the publisher.

Alice in the Country of Hearts 1 by QuinRose and Soumei Hoshino: B-

alicecountryhearts1From the back cover:
Wonderland is officially at war! And Alice is trapped in the middle of it all. Will she make it out alive? A little arrogant, stubborn, and determined to get back home, Alice isn’t fazed by these challenges… until she discovers that every man is gun crazy and weirdly in love with her. What’s going on in Wonderland?!

Review:
Based on a “female-oriented romance adventure game” developed in Japan by QuinRose, Alice in the Country of Hearts is a reimagining of Alice’s Adventures in Wonderland and features a girl named Alice (shokku!) who is forcibly whisked away down a hole by a white rabbit. He doesn’t stay a bunny for long, though, as he quickly transforms into a bishounen, declares that he loves Alice, introduces himself as Peter White, and forces her to drink a vial of medicine that commits her to playing “the game.” Justifiably, Alice thinks he’s a huge creep and runs off.

In quick succession, Alice meets a bevy of handsome fellows, the most important of which are Blood Dupre (a.k.a. the hatter), a mafia boss who looks just like her ex-boyfriend; somber Julius Monrey, a clock maker who offers some heavily edited explanations of what’s going on; and Nightmare, a dream demon who visits Alice in her sleep and provides the most useful information. All of the guys are inclined to love Alice and, indeed, seem to be prohibited from feeling love for anybody else. The world is divided into four areas and, aside from Julius’ neutral Clock Tower Plaza, everyone else is at war with each other and fond of engaging in shootouts without regard for public safety.

Alice is convinced that the whole world is a dream, but Nightmare tells her it’s not a world she created, but is instead a world she wished for. She’s quite dismayed to find she apparently wished for a world full of fairy tale castles and frilly clothes, but subtle references to her past suggest her ex-boyfriend fell for her more ladylike sister and that she is feeling lonely and unloved. Amorous declarations utterly fail to move her—she’s much more interested in the mysterious goings-on involving disappearing corpses and shadowy beings—but she can’t help being drawn to Blood, even though she knows he’s dangerous.

Because of Alice’s cleverness and strong personality—I love many of her lines, like “I didn’t realize I was so lame” and “I’m sick of your condescending crap! This place is freaking me out!”—Alice in the Country of Hearts is a lot better than it really has any right to be. The focus is much more on the mysteries of the world than romance, and a nicely ominous atmosphere is created, with several of the guys—and not necessarily the ones you’d suspect—concealing secrets from Alice.

On the downside, the narrative framework is clearly transplanted from a videogame. If Alice wants to return home, she must refill the medicine vial. And to refill the medicine vial, she must interact with the world’s inhabitants. This results in Alice walking back and forth between the four main areas in the world, encountering different hotties, witnessing bizarre happenings, and having to walk elsewhere to discuss what she just saw with someone. It feels exactly like playing an adventure game. Ask Julius about the creepy shadows? Yes/No

In the end, Alice exceeded my expectations but didn’t exactly knock my socks off. That said, I’m genuinely interested in reading the next volume, and I wasn’t expecting that outcome at all.

Alice in the Country of Hearts is published in English by TOKYOPOP. The series is ongoing in Japan, where four collected volumes have been released.

Review copy provided by the publisher.

Stolen Hearts 1 by Miku Sakamoto: B+

stolenhearts1The basic plot of Stolen Hearts is summed up succinctly on its back cover: “a mismatched pair finds romance through a kimono shop.” Though the premise has some things in common with other shojo series—a significant difference in height between the two protagonists (Love*Com), a girl who attempts to familiarize her classmates with the finer qualities of her scary-looking love interest (Beast Master), and said unintentionally scary person experiencing the warmth of camaraderie for the first time (Kimi ni Todoke)—the particular quirks of the characters endow this series with a charm all its own.

When petite Shinobu Okuma (whose surname, we are reminded several times, means “big bear”) accidentally spills milk into a bag owned by her intimidating and brawny classmate Miharu Koguma (his surname means “bear cub”), Koguma tells her she can take responsibility for damaging the valuable kimono within by working off her debt at his grandmother’s kimono shop. Each day after school, they head to the shop and spend their afternoons together, dressed in kimonos and passing out flyers. Over time, Shinobu loses her fear of Koguma and realizes that he’s actually very sweet and kind, and even after he admits to tricking her (the kimono was actually worthless) and she falls victim to a lame kidnapping attempt from some thugs, she tells him in a forthright and angst-free fashion that she loves him, and the two become a couple.

Even though Shinobu doesn’t care that others might see them as an unbalanced couple, she’s still driven to clear up the misunderstanding that keeps her classmates tiptoeing around Koguma. “I want to show them his charms so badly, I can’t stand it,” she thinks at one point, and a perfect opportunity soon presents itself in the form of planning for the fall festival. Shinobu plays both sides here, giving Koguma pointers on how to be less frightening, and refusing to act as a go-between for classmates afraid to talk to him directly. Koguma also turns out to be surprisingly handy and, in the end, his popularity improves by leaps and bounds.

Things like kidnapping plots and school festivals seldom interest me, and I had originally anticipated awarding this volume a slightly lower grade because of it, but the charm of the characters combined with some terrific-looking kimonos (I especially loved the demonstration on donning a yukata!) moved me to be a little more generous. Koguma is bashful and easily flustered, lacking confidence but able to show his gentle charm with a little encouragement from Shinobu. I like him, but I like Shinobu even more; characteristics like determination and resourcefulness aren’t rare in shojo manga, but frequently manifest in an over-the-top fashion. Shinobu possesses these qualities, but in a more low-key way that feels a lot more real.

Miku Sakamoto’s art is attractive and looks much nicer inside than the cover would suggest. The high point, as mentioned, is the plethora of lovely kimonos, but I also find interesting the various ways the mangaka handles depicting Koguma and Okuma in the same panel, given their height difference. Sometimes Koguma kneels to be on eye-level with her, at one point the top of Okuma’s head is all that we see of her, and, in my favorite example, the bottom edge of the panel slopes diagonally across the page to reveal Okuma standing next to Koguma, whose dialogue bubble occupies the space above her head. Instead of resulting in awkwardness, the challenge has evidently encouraged innovation.

My one reservation going forward is whether the charm of the characters and the clothes will cease to be a reason to excuse some uninspired plotting. I’d rather see the leads explore their relationship than cycle through shojo’s greatest hits; if the next volume is all about Christmas and New Year’s, I’m going to be quite disappointed.

Stolen Hearts is published in English by CMX. The series is still ongoing in Japan. where four volumes are available so far.

Review copy provided by the publisher. Review originally published at Manga Recon.

Sunshine Sketch 4 by Ume Aoki: C

sunshinesketch4I’m not a particular fan of moe, but Sunshine Sketch, a 4-koma series about a group of girls living in an apartment building across from the art high school they all attend, is actually better than I thought it would be.

It wasn’t a good sign when the character introduction page summed up each girl in three sentences, including facts like “She is always on a budget and hungry,” but the strips within seldom rely on these traits for punchlines, so it turned out not to be so bad. Instead, most of the chapters are about everyday things like failing an exam, greeting some new first years, or looking forward to trying a new dish at the cafeteria only to find it sold out. Nothing objectionable occurs and there aren’t any obviously pervy elements (aside from an exhibitionist teacher, the one character I actively disliked) to remind one that this series runs in a seinen magazine.

The main problem is that Sunshine Sketch is boring. Here’s the plot of one chapter for an example: Yuno fails her grammar exam and must take a make-up test. She studies. She passes. The end.

The best chapter in the volume is one in which the gang takes a trip to a home improvement store because one of the new first years wants some curtains. Mangaka Ume Aoki perfectly captures the feeling of vague creative inspiration that such places can induce. If only the whole volume had been the girls checking out doorknobs and dish towels, I probably would’ve liked it more.

Review copy provided by the publisher. Review originally published at Manga Recon.

La Satanica by Momoko Tenzen: B+

lasatanicaWhen Shoji Mashita spots his classmate Motoki Matsushima lovingly caressing his (Mashita’s) desk, he abruptly realizes that Matsuhima has feelings for him. He narrates that he’s okay with this, since he respects Matsushima as a friend, but he can’t resist tormenting him since his reactions are so violent. Eventually, Mashita realizes that he has feelings for Matsushima, too, and they share a pretty intense encounter in the boys’ bathroom until Matsushima suggests they adjourn to his home and Mashita suddenly gets cold feet.

Matsushima tries to figure out what he’s done wrong, and Mashita finally confesses that he’s afraid of the next step. From this point on, the boys become fairly obsessed with doing it. I prefer stories more about love than lust, myself, but the depiction of their awkwardness is well done and one really must appreciate that they take a whole chapter to really, really make sure that it’s what both of them want. “Are you only doing this for my sake? Are you positive about this?” “If I didn’t want to be here, I wouldn’t be.” That alone earns La Satanica major points in my book.

I’ve been impressed by Tenzen’s powers of characterization in her short stories, so it’s no surprise that they’re on even better display in this full-length story. Both characters are very endearing, to the point where it’s almost embarrassing to see them in bed together, and Tenzen’s expressive art makes the heartfelt confessions of their feelings and insecurities that much more sympathetic. The result is a BL manga that manages to be sweet and sexy simultaneously, which is no small feat.

Review copy provided by the publisher. Review originally published at Manga Recon.

Sand Land by Akira Toriyama: A-

sandlandFrom the back cover:
In the far future, war has destroyed the entire Earth, leaving only a barren wasteland where the supply of water is controlled by the greedy king. In search of a long-lost lake, sheriff Rao asked the king of the demons for help… and got the king’s son, Beelzebub, and his assistant, Thief. Together, the unlikely trio sets off across the desert, facing dragons, bandits, and the deadliest foe of all… the King’s Army itself! It’s travel adventure and tank action in this new story from Akira Toriyama, the creator of Dragon Ball Z!

Review:
After enjoying Toriyama’s COWA! so much last October, I decided to read more of his works. Sand Land, one of the first batch of titles to be serialized in the American Shonen Jump magazine, is another single-volume series about humans and demons working together on a quest, though this time it’s water they’re after and not medicine.

The follies of man and natural disasters have combined to reduce the habitable part of the world to one particular desert, with a further blow falling when the single river flowing through the land suddenly stopped. Some water is available—sold by the king for an exorbitant price—but many can’t afford it. One day, a war veteran named Sheriff Rao turns up at the village of the demons with a request. He has deduced, from the presence of a certain kind of bird, that there must be a lake to the south somewhere, but to cross the dangerous desert he’ll need demonic protection. The demon king (who appears for all of one page and is totally awesome) grants his assent and sends along his son, Beelzebub, who picks an older, knowledgable demon named Thief for the third member of their party.

The trio sets out in Rao’s car, but quickly encounters obstacles. When the car is rendered undrivable, Rao manages to steal a tank using nothing more than a can of hairspray, and they proceed on their way. The tank belongs to the king’s army and when they get wind of the theft, a chase ensues, during which Rao’s real identity is revealed, the chief general launches a smear campaign against him in the media, Rao retaliates with some unsavory secrets, and, ultimately, an extremely satisfying conclusion is reached.

Throughout all of this, Rao realizes that the demons have been sorely underestimated by humans and, in fact, are far more innocent of wrongdoing than humans are, themselves. Even though the basic plot is fun and extremely well paced, it really is this fledgling trust between races that is the best part of the story. Although it moves briskly and there’s not a lot of time for character development, there’s still enough for the story to resonate emotionally when it should.

Toriyama’s skill in paneling is extremely impressive; I always love it when reading manga feels like watching a movie. I did notice one disappointing and odd thing, though: one panel depicting an evil general is very obviously reused in a later chapter. Maybe there’s a good reason for it—could it have been VIZ’s doing?—but Toriyama did gripe at the outside about how hard the series (and especially the tank, which looks great) was to draw, so it seems possible this could’ve been a very random shortcut.

In any case, I really liked Sand Land a lot. It shares a lot of common elements with COWA!, but since I liked those elements, I really can’t complain about an overabundance of similarity.

Sand Land was published in English by VIZ and is complete in one volume.

Deadman Wonderland 1 by Jinsei Kataoka and Kazuma Kondou: B+

deadmanwonderland1From the back cover:
The Great Tokyo Earthquake. Ten years ago, it destroyed lives as it tore buildings asunder. Among those who lived through the disaster was Ganta Igarashi, now a middle school student finally getting a footing in his own life… that is, until the day the “Red Man” appears at his school and turns his world upside down again. Ganta’s entire class is brutally murdered, and although innocent of the crime, Ganta is sentenced to death and sent to the bizarre prison known as “Deadman Wonderland.” There, a brutal game of survival begins, where Ganta must discover the truth behind his classmates’ murder.

Can Ganta break out of Deadman Wonderland… or will it break him first?

Review:
The year is 2023. Ten years ago, the Great Tokyo Earthquake struck, leaving 70% of that city submerged by water. Ganta Igarashi used to live in Tokyo, but doesn’t remember anything prior to the evacuation. Now he attends middle school in Nagano, loves soccer, and has a couple good friends among his classmates. All of that changes on the day when “the red man”—a wonderfully creepy cyborg-looking fellow—arrives and murders all of Ganta’s classmates. In a rush to judgment, the authorities blame Ganta for the carnage and sentence him to death, at which point he’s shuffled off to Deadman Wonderland, the single privately owned prison in Japan, which doubles as a tourist attraction.

There, Ganta must learn to survive in the irrational environment or die. He’s fitted with a collar that is continually injecting him with poison—his death sentence—and the only way to delay it is to take a candy antidote every three days. To buy the candy, one must earn “cast points,” which are awarded for winning the various challenges put on for the benefit of the visiting public. When Ganta loses his first dose of the candy, he enters a deadly race with the hopes of using the prize money to procure another. Meanwhile, he meets a strange girl named Shiro who claims they knew each other before, gains some new super powers, and befriends his gentle-seeming cell mate who is hiding his true intentions.

There’s an awful lot going on in Deadman Wonderland, a fact made clear from the very start with a series of color pages depicting the moments right before the earthquake, but it all boils down to the fact that Ganta is likely not the normal kid he always thought he was. Sometimes I grow frustrated with stories that advance this many mysteries simultaneously, but it’s handled very well here, and the sense of a sure, guiding hand is palpable. I also really, really like “the red man,” who is not the only villain of the piece but merely the most visible. His character design is magnificent and menacing and you just know some crazy stuff is going to go down when he appears.

Ganta himself is also likable, as he rallies from his confusion and depression to fight for his life. I feel a little like one of the Deadman Wonderland patrons for enjoying watching him cope with some of the awful situations he faces, but he pulls through heroically enough that I can avoid feeling too bad.

This first volume of Deadman Wonderland does an excellent job introducing the reader to Ganta’s world and instilling a desire to read more about how he adjusts to his extreme circumstances. I also look forward to him learning more about some of the things at which the color pages hinted, like the truth of his early childhood and why, exactly, he’s been drawing a certain symbol on his possessions for years.

Deadman Wonderland is published in English by TOKYOPOP. The series is ongoing in Japan; seven collected volumes are currently available there.

Review copy provided by the publisher.