Tokyo Zombie by Yusaku Hanakuma: B+

tokyozombieFrom the back cover:
Tokyo Zombie is a horror-comedy manga about two blue-collar factory workers, Mitsuo and Fujio, whose plans for martial arts fame are sidelined when zombies take over Tokyo. In this gory and hilarious tale, the survivors of the zombie apocalypse have been enslaved by the wealthy ruling class, and must cater to their every depraved whim… or be thrown outside the city to fend for themselves. When some of the survivors are enlisted to fight in an undead gladiator arena for the amusement of the rich, Mitsuo and Fujio are locked in a battle for fame, freedom, and their very lives!

Review:
Our bizarre tale begins when factory workers Fujio and Mitsuo, a pair of martial arts buffs, kill their blowhard coworker and then head to Dark Fuji, a mountain of garbage, to bury his body. It just so happens that on that same day, zombies rise from Dark Fuji’s mix of industrial sludge and disgruntled spirits and begin terrorizing society. Fujio and Mitsuo are content to continue practicing their grappling moves in peace, but when zombies invade their factory and Mitsuo gets bitten during a food run, they can avoid the world’s crisis no longer.

The story picks up five years later. Humans have erected a wall to keep the zombies out. The rich are living well while slave labor provides their power and their amusement, particularly in the form of the gladiator deathmatch show, in which humans are pitted against zombies for the benefit of a bloodthirsty and moneyed audience. Fujio is one of the fighters, disliked by the crowd for how easily he wins using skills and techniques they couldn’t begin to understand. When the promoter tries to change things up, Fujio meets his next opponent, zombiefied Mitsuo, while outside a timely slave uprising (on pigback) is brewing. The outcome must be seen to be believed.

You’re likely to like Tokyo Zombie if:
* Absurd things appeal to you.
* You liked Shaun of the Dead.
* You don’t mind gore. These are zombies and they do go around biting people, sometimes in sensitive places. Humans commit acts of brutality against each other, too.
* You think dialogue like “Whoa. I think an old lady’s head just rolled by” is funny.
* You aren’t turned off by the heta uma (literally “bad, but good”) art style that works well for decomposing zombies and justice-dispensing dogs but not so well on protagonists.

I fit most of those categories, so I definitely enjoyed Tokyo Zombie. I can’t lie—it’s totally gross and I’m not entirely sure what the point is, but for sheer strangeness alone this isn’t one to be missed.

Tokyo Zombie is published in English by Last Gasp. It’s complete in one volume.

Nightschool: The Weirn Books 2 by Svetlana Chmakova: B

nightschool2Home-schooled weirn (witch) Alex Treveney had no interest in attending the nightschool that caters to her kind until her older sister went missing while on the job there. Several thwarted attempts to gain unauthorized entry leave Alex with no alternative but to enroll, and she spends her orientation tour scoping out the place and her first class proving just how ahead of the other students she is.

Meanwhile, three Hunters that encountered Alex in a graveyard the night before are still unconscious, victims of a violent magical attack that Alex has no memory of inflicting. Their leader, Daemon, is out for answers, and one of the magical sources he turns to in his search will soon become Alex’s new teacher.

After the exciting introduction to this supernatural world afforded by volume one, volume two gets down to the more mundane business of introducing Alex to the school and showing what the Hunters do while they’re at home. It’s still interesting, but it doesn’t pack as much of a punch as the debut volume. I also found it odd that the volume’s cliffhanger moment goes to a subplot about a seer under Daemon’s guardianship rather than to our main character, who shows another glimpse of a possible dark path when a classroom challenge causes her to access further levels of magical power.

If you’re looking for a fun story to put you in the Halloween spirit, you really can’t go wrong with Nightschool. This particular volume may not be full of action, but it does flesh out the world and set up some things to look forward to in installments to come.

Review copy provided by the publisher. Review originally published at Manga Recon.

Nightschool: The Weirn Books 1 by Svetlana Chmakova: B+

nightschool1From the back cover:
Schools may lock up for the night, but class is in session for an entirely different set of students. In the nightschool, vampires, werewolves, and weirns (a particular breed of witches) learn the fundamentals of everything from calculus to spell casting. Alex is a young weirn whose education has always been handled through homeschooling, but circumstances seem to be drawing her closer to the nightschool. Will Alex manage to weather the dark forces gathering?

Review:
It’s hard not to think about Vampire Knight when one first learns the concept of Nightschool: after the day class has gone home, the school turns its facilities over to a night class populated by vampires, weirns, and other supernatural students. In their execution, however, the two series could not be more different. Vampire Knight might take the prize in the artistic category on account of its sheer prettiness, but the characters in Nightschool are more interesting and the story more instantly captivating.

There’s a lot going on in this first volume—though it spans but a single night—and we follow several characters at different times, but the protagonist seems to be Alex Treveney, a young weirn (witch) who is being homeschooled by her older sister, Sarah. Sarah has just recently been hired as the night keeper at the school and tries to convince her sister to attend, but Alex will have none of it. Alex can be a little prickly, but she obviously cares about her sister, even if she doesn’t always follow her rules. Sarah is more extroverted and really gets into her job at the school, forming extracurricular clubs for the supernatural students and campaigning for them to finally get their own yearbook. We’re also introduced to some Hunters, a band of teens tasked with hunting down dangerous vampires and weirns, and seem to have quite an extensive organization backing their efforts.

An intriguing story is brewing here, with hints that Alex may unknowingly be susceptible to an evil influence and an appearance by a mysterious black-winged student who imprisons Sarah and eradicates her memory from all except for Alex. Could this be an attempt to lure Alex to the school? I’m not sure how all of the elements will eventually fit together, but it seems to’ve been well-planned and I’m looking forward to Alex’s journey to rescue her sister. The worldbuilding is nifty, too, with spell casting having a certain look, references to a treaty between humans and vampires, and young weirns being accompanied by little astral beings (Alex’s is particularly endearing). Also, there’s some snappy dialogue—I detect some Buffy the Vampire Slayer influences—though the presence of emoticons in the speech bubbles is an amateurish touch.

Chmakova’s art has obvious manga influences, utilizing the occasional chibi form as well as shorthand like sweatdrops, veinpops, et cetera. It still retains a certain Western feel, though, since she doesn’t try to make the characters into Japanese clones and, in fact, has assembled an admirably multi-ethnic cast. The occasional sprinkles of cute don’t hurt, either. Take a look at this adorable panel:

oohscary

I’m so easy to please sometimes. Seriously, it just takes a cute little bat.

If you’re looking for a spooky and original story to get you into the Halloween mood, Nightschool is a great choice. The first volume ends in a place that made me glad to have volume two on hand, though, so keep that in mind.

Nightschool: The Weirn Books is published by Yen Press. Two volumes have been released so far and a third is planned for October 2010.

Karakuri Odette 1 by Julietta Suzuki: B+

karakuriodette1“What is the difference between me and humans?” asks Odette, android creation of Professor Yoshizawa, two weeks into her existence. It’s a question that continues to puzzle her and one day, after seeing some schoolgirls on TV, she stuns the professor by telling him she wants to go to high school. The principal takes some convincing, and Odette’s required to keep her true nature a secret from the other students, but her request is eventually granted. Karakuri Odette is a slice-of-life story about Odette’s experiences in school as she makes friends, attempts to be more like a human, and comes to develop an understanding of human feelings and attachments.

It’s not difficult to imagine a story like this taking the route of a madcap comedy, but in Julietta Suzuki’s hands, the result is positively charming. Odette’s curious about her surroundings, and is content to be more of an observer while she works to understand the significance and nuances of things going on around her. There’s definitely humor, but it’s more likely to be something brief like the professor’s reaction to Odette’s mosquito-extermination methods than any kind of prolonged zaniness brought on by her ignorance of human behavior.

Indeed, Odette’s ignorance makes for some poignant moments, particularly in the first chapter. On her first day at school, the other girls notice that she isn’t eating and tell her that she’s missing out on enjoying tasty food. When she comes home, she tells the professor that she wants to be able to eat, and when the reconfiguration’s complete, thinks, “Now I’m just like them.” The next day, however, the gym teacher won’t let Odette participate in a volleyball game, spurring Odette to request that her strength be downgraded to that of a normal human’s. “Now I’m the same as everyone else,” she thinks afterwards.

Eventually, though, Odette gives up on trying to physically be like a human, but surprisingly succeeds in feeling like one when she cries genuine tears of frustration that her reduced strength leaves her unable to help a friend in a medical emergency. As Odette’s comprehension grows, she begins to become sensitive to things that even other humans miss out on, like the feelings of a classmate who’s been dismissed as a thug, as well as how important the opinion of someone you care about can be. One gets the sense she’s transcending her original programming, particularly when another robot, Asia, arrives for a brief visit. Asia seems to develop a quicker rapport with the humans around her, making Odette feel insecure, but it soon becomes clear that she has no real feelings at all.

The art is a little bit on the plain side, with a professor that looks like a teen and bodies that are sometimes awkwardly posed. The paneling itself is good, though, and I really appreciate how facial expressions are used as punchlines of comedic moments. Also, Odette’s all-encompassing curiosity is evident throughout, even when she’s silent.

Considering that Karakuri Odette is Suzuki-sensei’s debut series, the end product is very impressive indeed. I’ll eagerly be awaiting the next installment!

Karakuri Odette is published in English by TOKYOPOP. Only one of a total of six volumes has been released so far.

Review copy provided by the publisher. Review originally published at Manga Recon.

Oh! My Brother 1 by Ken Saito: B-

ohmybrother1-125Masago Kamoguchi is a normal girl: normal looks, normal grades, and normal athletic ability. But normal isn’t good enough for Masago when she’s constantly being compared to her older brother, Shiro, who is smart, good-looking, popular, and someone who draws people to him wherever he goes. As the story begins, Shiro is leading the student council in preparations for the school’s Cultural Festival and Masago is keeping a relatively low profile. All of that changes when Shiro dies saving Masago’s life and his consciousness somehow ends up sharing his sister’s body. Assuming that the incomplete plans for the festival are the “unfinished business” keeping Shiro around, Masago (with some oratorical assistance from her brother) convinces the remaining members of the student council to put aside their grief and make the festival a success in his honor. The students do just that, and though Shiro doesn’t move on as a result, that’s okay with Masago, who has decided she likes having him around.

The name Ken Saito might be familiar to some as the creator of The Name of the Flower. I like that series a lot, so I’d been looking forward to Oh! My Brother ever since the license acquisition was announced. Unfortunately, I found it to be somewhat of a disappointment. There are quite a few characters introduced all at once, and their various reactions to Shiro’s death—stemming from unrequited love or unfulfilled soccer rivalry—lack poignancy when we’ve only just met them; the tone is inconsistent, with the comedic aspect of the body-sharing predicament vying with teary moments for dominance; and I literally groaned aloud when the first page revealed the series was entering well-trod school festival territory already. Also, the relationship between the siblings is kind of icky at times: seriously, who blushes furiously when their brother gives them a peck on the cheek?

That isn’t to say it’s without good moments or the potential for a compelling story. When the successful completion of the festival fails to free Shiro’s spirit from this earthly plane, Masago realizes that his unfinished business is actually her and that his wish is for his sister to live life more fully. Of course, one of the ways in which she might do this is by allowing her feelings for Shiro’s friend, Kurouma-sempai, to flourish (and most likely be reciprocated), a path that Shiro seems determined to thwart by taking control of her body any time he thinks they’re getting too close. This dichotomy in Shiro’s intentions is interesting; I hope it’ll be explored later in the series. Also, it’s always completely clear which sibling is in control of Masago’s body at any given time, either by mannerism, expression, or dialogue. That can’t have been easy to achieve.

Artistically, Oh! My Brother has a cute style, though it’s a little too sketchy sometimes, particularly where light-haired characters are concerned. There’s one panel in particular in which a wispy-looking Masago appears right next to a solid-looking, dark-haired Kurouma-sempai. Perhaps there’s actually some deep symbolism going on here—she’s not fully here while he’s got both feet firmly on the ground?—but I rather doubt it. Also, there are a few errors in CMX’s script, a “your” that should be a “you’re,” and a “thoese” that should be either a “those” or a “these,” but definitely not both at once.

Ultimately, while I am slightly disappointed in this first volume, I plan to continue reading. Maybe this one just needs a little time to grow.

Oh! My Brother is published by CMX. The series is complete in Japan with four volumes, though only one has been published in English so far.

Review copy provided by the publisher. Review originally published at Manga Recon.

Comic 7 by Ha SiHyun: B

comic7The series that began with a heroine determined to learn more about the art of creating manhwa has now completed its transformation into a high school romance drama. Rather than reference Alice Song’s career goals in any way, this volume is full of sports festivals and love confessions.

On the heels of a particularly nasty fight, Alice and Patrick, the boy she loves, are fuming as the sports festival begins and end up partnered to different people for the three-legged race. Alice, determined not to let Patrick see how upset she is, is all smiles in the company of her smitten partner, Neil, and inspires him to risk his health in order to win the race. Patrick angsts a good deal about how happy they look together, and though he makes efforts to better get to know the scheming girl who’s been relentlessly pursuing him, he still can’t give up on Alice. Nor can she give up on Patrick, despite the fact that Neil has confessed his feelings to her. The volume ends with both of them out on the streets on a rainy night, trying and failing to connect.

“Trying and failing to connect” is the story of Alice and Patrick’s relationship in a nutshell, and one of the most interesting things about this volume is seeing how different Alice is in each boy’s company. Neil and Alice seem to mesh easily; with him, she shows a calm and gentle side that Patrick has not been privileged to see. When Alice and Patrick are together, on the other hand, quarrels are frequent and emotions intense. As far as love triangles go, this is definitely a compelling one; it keeps me invested in reading the series even though it’s strayed from its original concept.

Review copy provided by the publisher. Review originally published at Manga Recon.

Comic 1-6 by Ha SiHyun: B

comic1When a friend of amateur manhwa-ga Alice Song enters Alice’s story in a contest, she ends up taking third prize. Upon meeting with the publisher, she runs into an old student teacher (now working as an editor) who takes her to meet one of her favorite creators, Saturn Kang. Saturn turns out to be a rather arrogant high school boy who wants none of Alice’s help, even though he’s cutting it close for his deadline. They butt heads a lot, and this relationship extends into the high school realm because, of course, Saturn (whose real name is Patrick) is the studliest guy at his all-male school and all the girls at Alice’s neighboring all-female school are crazy for him.

comic2Alice has talent, but her work is unrefined, and after realizing just how much she doesn’t know, she decides to formally apply to be Patrick’s assistant. He’s reluctant at first, but her passion and willingness to perform menial chores wins him over and he begins teaching her in earnest. When the corporation funding Alice’s school goes bankrupt, the two schools merge and Alice and Patrick begin to see each other more often. With the merger, Patrick also comes to the attention of Daria, a scheming frenemy of Alice’s, who soon resolves to make him hers and generally causes a lot of strife for our protagonists. Though Patrick has been nursing feelings for Alice for a while, it’s the situation with Daria that prompts Alice to finally realize that she likes him, too. They both resolve to confess their feelings at Daria’s upcoming birthday party.

comic3Matters come to a head in volume five which, despite employing a pretty massive misunderstanding plot, is still the best of the series so far. Both leads have been duped by Daria in different ways, but seem to’ve finally made their feelings for each other clear, only for Daria’s scheming to intrude again. By the end of volume six, each is stubbornly sticking to his/her guns, with Alice demanding an apology for something she witnessed and Patrick demanding that, just this once, she actually believe him that he hasn’t done anything wrong. Meanwhile, Patrick’s best friend, Neil, returns from a long convalescence and develops an interest in Alice without knowing she’s the girl Patrick likes. There’s a great scene where each boy describes her in completely different ways, and swear that no girl could ever come between them.

comic5Comic is an entertainingly addictive series, but I stop short of calling it a truly good one. It begins well, with Alice declaring that she doesn’t want a normal life and with some fascinating excursions to manhwa specialty stores and details on the craft of comic-making. There are signs, though, that reader desires might’ve nudged the series in another direction. The character of Mr. Hwang, for example, Alice’s old student teacher and original love interest, is suddenly shipped off to Taiwan with very little fanfare. Then when the school merger occurs, the cast of students expands to include attractive obstacles in the path of Alice and Patrick’s relationship. Gradually, manhwa is mentioned less and less frequently until volume six, where it doesn’t come up at all. The series seems to’ve completed its metamorphosis into your standard angsty high school romance drama. Not that there’s anything inherently wrong with that, but one wonders where all of Alice’s passion and drive went.

comic6Though I grumble a little about the evolution of the series, it nonetheless provides some good moments and memorable characters. Early on, Patrick shows a surprisingly sensitive side when he doesn’t let on how abysmal Alice’s “help” has been and listens when she expresses her sorrow that her old school building, site of so many memories, will likely be condemned. And while Alice has a tendency to be hot-headed and run away from arguments, I like that there’s sometimes no clear right and wrong in their fights. Their conflict in volume six is a great example, as each has a valid point that they won’t back away from. Unfortunately, it seems much could be solved if they would only communicate better; a story that relies so much on misunderstandings is always a frustrating reading experience for me.

Ultimately, Comic is a fun and quick read that would be perfect for a romance fix. As long as you don’t go into it expecting the insights about manhwa to last, it should be a sufficiently enjoyable experience.

Review copies for volumes four and five provided by the publisher.

Bleach 29 by Tite Kubo: B-

bleach29From the back cover:
Ichigo and his friends knew invading Hueco Mundo wouldn’t be easy, but even the lesser Arrancars are pushing them to their limits! Can Ichigo, Uryuu and Chad find the inner strength to overcome the first line of attack, or will Orihime be stuck in Hueco Mundo forever?!

Review:
When you get right down to it, nobody does anything in this volume but fight. Ichigo, Uryuu, and Chad all face Arrancar opponents and each is pushed to employ the hidden reserve of strength they’d hoped to save for higher-level opponents. I’m enough of a shounen fangirl that I enjoy it when characters power up, so this volume is fun on that score, at least.

We begin with Ichigo, who is fighting some kind of Latino Arrancar who keeps needling him to reveal his bankai move. Once he’s witnessed that, he demands to see Ichigo’s Hollowfication skills, but alas, he only gets to enjoy it for about a second before he’s done for. Uryuu’s opponent is difficult enough that he’s forced to use some awesome kind of sword/arrow thing that finishes her off easily. And Chad, who always seems to get the short end of the stick in this area, not only reveals a new form of his powerful (defensive) right arm but suddenly unveils that the left one has (offensive) powers too.

I know, I know, this is not manga craft at its finest, but when I saw Chad’s left arm I swear I literally said “Aw, cool!” aloud. There’s definitely a kind of satisfaction to be derived from watching our battered heroes suddenly whip out a surprise weapon or tactic and go all badass on their foes. It may not be deep, but it can be awfully entertaining.

Review copy provided by the publisher.

The Gentlemen’s Alliance Cross 10 by Arina Tanemura: C

gentlemen's10After resolving some convoluted-sounding subplots involving Haine’s family—featuring maternal amnesia, uncertain paternity, and mansions afire—The Gentlemen’s Alliance Cross moves into the home stretch as Haine is pressed to finally choose between the identical twins with whom she is in love. Alas, just when she finally grasps the idea that the nice twin (Takanari) is probably a better choice than the scheming git (Shizumasa), he’s captured by his brother’s minions and imprisoned. Like any self-respecting shojo heroine, Haine vows to rescue him.

Being the penultimate volume of the series, volume ten offers a variety of dramatic moments and revelations, including arranged marriages, envelopes with surprising contents, and a tale of childhood betrayal that explains the current animosity between the twins. My favorite, though, is the surprise leukemia.

The end product of all these dire events tumbling one atop the other can be described as little else than a mess, and I was much more compelled to snicker at the ridiculous developments than sympathize with anyone involved. Still, I was pretty impressed by how easy it was to jump in and follow the story at this point and ended up liking Takanari, too, though I must question his taste in girls.

Review copy provided by the publisher. Review originally published at Manga Recon.

Skip Beat! 19 by Yoshiki Nakamura: B+

skipbeat19The famous Japanese native turned Hollywood actor, Koo Hizuri, is in town and Kyoko has been assigned to wait on him throughout his stay. He’d originally planned to treat her cruelly in order to elicit a rise from Ren, but can’t fight the temptation to polish the “uncut diamond” of Kyoko’s talent. As a result, he ends up giving her an assignment—create and enact the role of his son, Kuon—and develops a paternal bond with her while helping her to discover her main weakness.

Readers are aware that Kuon is actually Ren, and when Ren runs into Kyoko-as-Kuon, it’s not long before he requests a meeting with the father he hasn’t spoken to in five years to demand an explanation. Ren’s past has been a mystery throughout the series, and it’s a delight to finally get more details. We come to understand Ren better, past and present, and though there’s clearly more yet to be disclosed, what we get here is still satisfying.

Lastly, I appreciate that Koo isn’t portrayed as a self-aggrandizing stereotype but is actually kind and likable. He joins Lory, the president of the talent agency, and Sawara, Kyoko’s manager, in the roster of fun middle-aged men in the cast. That’s just one of the many quirks that make Skip Beat! so unique and worth reading!

Review copy provided by the publisher. Review originally published at Manga Recon.