Boys Over Flowers 22 by Yoko Kamio: B-

boysoverflowers22From the back cover:
Tsukushi has left her on-and-off boyfriend Tsukasa, his mansion, her school, and Tokyo altogether! Down and out, she heads for the seaside village where her family has gone to live and work. Unfortunately, her parents are about to be run out of town. Just then, visitors from Tokyo arive!

Review:
What a disappointment! After the awesomeness at the end of the last volume, I was expecting something much better than this. Instead, we get a ridiculous plot where Tsukushi flees to the fishing village, where her incredibily annoying parents have told everyone that Tsukushi is engaged to Doumyouji and are racking up bills with the expectation that he’ll pay them. She also meets a slacker surfer guy who is waiting around for the girlfriend who left him to return and who has garnered a reputation as a “no-account.” Inexplicably, everybody in the village seems irate that Tsukushi is hanging out with this dude, and there’s a completely dumb scene where they all turn out at her parents’ house to confront her.

Meanwhile, Tsukasa is reverting to his violent ways, threatening his friends with bodily harm when they come to talk to him about what’s happened and being cruel to a girl who takes advantage of Tsukushi’s absence to confess her feelings for him. This, at least, is better than the fishing village story line and I kind of love the scene where Rui, having seen Tsukushi on TV (some kind of program was filmed at the beach and had Tsukushi in the background), goes to goad Tsukasa into going to see her, pushing all the right buttons by exaggerating her frail condition.

Ultimately, the best part of the volume is the ending, in which Rui and Tsukasa turn up at the village just in time to prevent some angry mob action. Yes, it’s completely goofy, but that Rui came himself (thinking he had failed to motivate Tsukasa) is actually pretty sweet. I’ve learned my lesson, however, and shan’t be anticipating any greatness out of the next volume just because this one ends well.

Boys Over Flowers 21 by Yoko Kamio: B+

boysoverflowers21From the back cover:
Tsukasa’s mother, Kaede, is back! Can Tsukushi really stay in the home of the woman with whom she is at war?! Kaede takes a new and vicious tack in her obsession to tear Tsukushi away from her upperclass son. If Tsukushi can’t be bribed, then maybe Kaede can destroy the lives of Tsukushi’s friends! Tsukushi is forced to take extreme measures—but which course will she choose?!

Review:
Kaede’s return has everyone in turmoil. Tama, the elderly maid who has been instructing Tsukushi in her duties, manages to keep Kaede from kicking Tsukushi out of the mansion, but Kaede simply turns to other means at her disposal and pulls strings to threaten the jobs of the fathers of Tsukushi’s two closest friends. Ultimately, Tsukushi agrees to stop associating with the Doumyouji family in exchange for their jobs being reinstated.

At first, I found this volume to be kind of frustrating, despite some nice moments. The scene in which Tsukushi attempts to hide from Kaede under a table is painfully dumb, for example, and Tsukushi’s decision to give up Tsukasa seemed like just another way to extend the drama for a few more volumes. But then that last page!

That last page made me cry! I shan’t spoil it, but suffice it to say that this volume contains a couple of very important actions and realizations on Tsukushi’s part, and the impact is enough that I immediately forget all the silly business and enjoy reading the last half dozen pages several times over.

Black Cat 1-2 by Kentaro Yabuki: B+

blackcat11 Black Cat is the story of Train Heartnet, who used to work as an assassin for a powerful organization called Chronos. After an encounter with a female bounty hunter (a.k.a. sweeper) named Saya (whom we only glimpse near the end of volume two), his outlook changed and he gave up that life. Now it’s two years later and Train has become a sweeper himself, collecting bounties on criminals with his partner, Sven. Train’s motto is “more money, more danger… more fun!” and his pursuit of the latter two usually means the duo doesn’t get much of the former.

Though the idea of the “protagonist who used to be a killer but has now become more kind” is not new to shounen manga, it’s employed a little differently in Black Cat. While many such heroes have made it their pledge never to kill again, Train has no problem with offing the criminal element, though he’s scrupulous about not harming innocents. This allows for the potential of a deadly showdown with his former partner, Creed, who was responsible for Saya’s death and upon whom Train has sworn to exact revenge.

After going after a few minor targets, Train and Sven are approached with a proposition by Rinslet, a notorious female thief. She’s been hired to steal some research data from a criminal bigwig, and wants Train and Sven to help make her job easier by capturing the bigwig first. They get the reward; she gets the loot; everybody’s happy. Of course, things don’t exactly go as planned, since the bigwig invokes Creed’s name and makes Train go rather nuts. Ultimately, Train and Creed confront each other, inflicting enough wounds to prove they are well matched as opponents but living to fight another day.

These first two volumes skillfully introduce Train’s past, his current circumstances, and the lingering threat of Creed and his band of revolutionaries (who seek to overthrow Chronos and want Train to join them) without inundating the reader with information. One of the best things about this series is the nebulous notion of “pacing,” which to me means that when I read it, it feels like I am watching a television show, with a variety of perspectives and camera angles and a natural flow to scenes and conversations. The story is also structured similarly, with the introduction of a villain who then retreats into the background for a bit while the protagonists get on with the daily grind of their occupation, calling, and/or duty.

My favorite aspect of the series, however, is the strength of the partnership between Train and Sven. It’s clear that these two trust each other professionally, but it goes deeper than that, as exemplified by Train’s reaction when Sven gets wounded during an attempt to apprehend a target. Their relationship actually reminds me some of Ban and Ginji in GetBackers, with the energetic but extremely powerful guy using the nickname –chan to refer to his more cerebral partner who possesses some sort of eye-related power (though this is only a hint so far in Sven’s case). That’s a pretty superficial comparison, but the overall affectionate feel is pretty similar.

Thankfully, the similarities between Black Cat and GetBackers do not extend to the art. Yabuki’s illustrations are clean and easy on the eyes, with a minimum of screentone and quite a lot of speed lines. Even without looking at the cover, one could probably tell that this series ran in Shonen Jump. Speaking of the cover, that’s the one area where Yabuki’s art becomes unattractive. Rinslet in particular looks much, much better in the interior art. One artistic element that does puzzle me is Train’s coat. What exactly are those brown things?! They look like miniature life boats but I have a sneaking suspicion they’re meant to be cat nipples.

Bizarre sartorial choices aside, what it all boils down to is that Black Cat is a lot of fun. The well structured story and the camaraderie between the leads elevates it beyond typical shounen fare and I’m definitely looking forward to seeing how the rest of it plays out.

This review was originally published at Comics Should Be Good.

Monkey High! 6 by Shouko Akira: B+

monkeyhigh6Volume six of Monkey High! builds on issues between reserved Haruna and her cheerful boyfriend, Macharu, that began to develop in the previous volume. Macharu, in his optimism, keeps trying to help bring about reconciliation between Haruna and her distant politician father while the mere thought of her family woes is sufficient to ruin any fun Haruna might be having. Macharu’s friend Atsu, who also has feelings for Haruna, tries to take advantage of the situation to convince her that he’s a better choice, but in the end Haruna decides that it’s time to stop running from her family problems and face them head-on.

I’m always appreciative when the issues a couple faces come completely from who they are as people. Haruna and Macharu have had very different upbringings, and it’s clear that Macharu’s warm and loving environment has rendered him incapable of imagining the coldness with which Haruna’s father treats her until he sees it for himself. I also really like how clear the beautiful Haruna is about her devotion to the goofy Macharu and how she’s neither flustered nor tempted by Atsu’s attempts to woo her.

On the downside, the old shojo cliché of “Oops, I tripped and got to first and/or second base with you!” is employed not once but twice in this volume. In each case, it serves to get Macharu and Haruna thinking about the physical aspect of their relationship, which is good, but it’s too bad that couldn’t have been accomplished in a more original way.

Review copy provided by the publisher. Review originally published at Manga Recon.

ChocoMimi, Vol. 1 by Konami Sonoda: C

choco125Choco and Mimi are in the eighth grade and they are best friends, despite the fact that Choco is serious, mature, and tolerable and Mimi is spoiled, ridiculous, and irksome. The cast also includes their stern teacher, Mr. Take; Ando and Mumu, a couple of boys in their class; and several pets, who are easily the best thing about ChocoMimi.

There’s not much story to this manga, which is told in a mix of regular paneling and four-panel styles. It’s primarily just jokes and gags, most of which are unfunny (though I did have to smile at a few, mainly the ones starring Mimi’s dog, Chiffon, who wants to be a manly samurai but instead gets dressed up by his master in ruffles and frills). Quite a lot of page space is given to building fabulous outfits for any occasion, including comments like “I added pom-poms” (to yellow pumps) and “I pin earrings on my socks.” Strangely, the girls’ definition of cute also seems to include being afflicted with a tragic case of pigeon toe.

I’m aware I’m not the target audience for this manga, but I doubt I would’ve liked it much as a kid, either. A story entirely devoted to Chiffon and the other critters would’ve been much more up my alley.

ChocoMimi is published in English by VIZ and volume one will be available on July 7, 2009. In Japan, it’s serialized in Ribon and four volumes have been released there so far.

Review copy provided by the publisher. Review originally published at Manga Recon.

Kurohime 12 by Masanori • Ookamigumi • Katakura: C+

kurohime-125Kurohime is a witch-gunslinger, which essentially means that she can shoot magic out of a gun to heal injuries, beef up her own physical defenses, or conjure “witch-beasts” to fight opponents. As the volume begins, she is fighting the Kurohime Punishment Squad, a band of scantily-clad women with a grudge against her. A common enemy forces the women to work together and the previously-stoic Kurohime exhibits compassion for her reluctant allies and even helps to rescue the lover of one of them.

Kurohime definitely has some ridiculous attributes—nearly all of the warrior women are wearing next to nothing, Kurohime’s more grown-up guise looks like she has some pretty severe anatomical deformities, and one of her foes is (I am not making this up) a vampire werewolf death angel—but it somehow manages to be pretty entertaining. The story is surprisingly easy to follow for someone just popping in at volume twelve and the frequency with which some of the characters seem to undergo transformations into other sorts of creatures is kind of cool.

While I found myself distracted by all of the improbable bosoms in this manga, there are times when the art is nice to look at. Facial closeups are usually lovely and the character design for Zero, the former male lead who has now become a sort of… quasi-invisible death angel, is nothing short of awesome.

Story-wise, Kurohime is a bit crazy, and art-wise it’s bursting with fanservice, but it’s still pretty intriguing for all that.

Kurohime is published in English by VIZ, who has released eleven volumes so far (twelve will be officially available on July 7). The series is ongoing in Japan, where the sixteenth volume has just been released.

Review copy provided by the publisher. Review originally published at Manga Recon.

Brilliant Blue 1 by Saemi Yorita: B+

brilliantblue-125Shouzo Mita had no intention of going home to the rural town where he grew up, but when his father is hospitalized with a back injury, he returns to temporarily helm the family construction business and “fix things” with his family. Shouzo’s stay is extended when his father manages to reinjure himself, and he gradually relinquishes ties to his life in Tokyo while renewing some of his childhood acquaintances. Chief among these is Nanami Ushijima, sub-contracted as an electrician for the Mitas’ projects, who has blossomed from a dim-witted and chubby kid to a slightly less dim-witted but more conventionally attractive adult. As he gets to know Nanami, Shouzo grows to understand him better than anyone else, realizing that Nanami is smarter that he seems, with a genuine talent for numbers and deciphering electric schematics, but yet so malleable that he is unable to extricate himself from an unwanted sexual relationship.

There are quite a few complimentary adjectives I could employ to describe Brilliant Blue, but I’m going to go with “utterly charming.” Shouzo and Nanami are very different—Shouzo is restrained, reserved, and responsible while Nanami is child-like and easily led—but the bond between them feels warm and genuine. You can tell a lot about someone by how they behave toward those less powerful than themselves, and Shouzo shines admirably in this regard, treating Nanami with firm kindness and helping him to end the relationship that had been causing him such distress (while keeping his own growing feelings chastely under wraps). Too, because of his obvious respect for Nanami’s talents, he manages to provide guidance without coming across as patronizing.

After Nanami is freed from the relationship—in an emotional scene in which tears of relief are shed—one might assume Shouzo would promptly declare his own feelings for Nanami. Instead, he encourages Nanami to acquire an official electrician’s license, hoping to set him on the path to self-sufficiency. Shouzo’s aims aren’t entirely altruistic—he hopes that by boosting Nanami’s professional confidence the other man will gradually become more of an adult and thus be able to consent to an adult relationship with Shouzo—but I can’t help but like him for refusing to take advantage of the imbalance of power in his relationship with Nanami.

While the characters are the chief draw, the overall tone of the story is nice, too. It’s gentle and funny and there are quite few amusing moments, mostly involving Nanami being endearing (though I could’ve done without the nose picking, personally). Brilliant Blue is published under DMP’s DokiDoki imprint, and therefore has less sexual content than other titles in the genre, which is something I appreciate. There are a few slightly disturbing scenes between Nanami and his lover, but they’re not explicit and are there to show Nanami’s helplessness in that situation rather than to titillate.

I’m also a fan of Yorita’s artwork: it’s delicate to the point of wispiness with a dearth of backgrounds, but I found that its simplicity works well for the story. It’s particularly adept at conveying comedic moments and some of the humor is amplified because it just looks so durned cute.

While I’d hesitate to call Brilliant Blue a romance just yet, it’s nevertheless a satisfying story of two men growing closer while one patiently waits for a time when his feelings might be understood and returned.

Brilliant Blue is published by Digital Manga Publishing under their new Doki Doki imprint. It’s a two-volume series; the first is available now and the second will be published in September 2009.

Review copy provided by the publisher. Review originally published at Manga Recon.

Fairy Tail 6 by Hiro Mashima: B

From the back cover:
Hotshot Natsu and his cool rival Gray are fighting to stop a calamity demon from being revived by Gray’s fellow disciple Lyon and Zalty, a master of lost magic. But while they try to defeat the bad guys, the magical ice binding the demon keeps melting. Then a grudge between Fairy Tail and a rival guild turns to all-out war!

Review:
In the Author’s Note at the end of the volume, Mashima says that he doesn’t do much planning ahead with his story. I think that shows with the way the Deliora arc plays out. There are a couple of switcheroos that, while they very well may have been intended from the beginning, make me suspect a last-minute easy out. Also, Lucy’s sudden escalation in importance at the end of the volume comes out of nowhere.

That’s not to say the result isn’t entertaining, though. The battles between Gray and Natsu and their opponents are pretty fun, with some new ice techniques from Gray and a new kind of magic—the ability to control time as it relates to objects—for Natsu’s opponent. Shounen staples like having faith in one’s companions, preventing one’s rival/ally from completing a noble self-sacrifice, forgiving the enemies’ sins due to mitigating angst, and delayed-reaction spurting wounds abound.

Though it’s disappointing that our heroes face virtually no punishment whatsoever (aside from some very creepy spanking the Master administers to Lucy) for undertaking an S-class quest (played up as an offense worthy of expulsion), the story picks up a bit once they return home to find that Fairy Tail headquarters has been virtually destroyed by a rival guild called Phantom Lord. Throughout the volume, less prominent members of Fairy Tail had been introduced on the chapter splash pages, and just as I’d been thinking I’d like to see some of these folks get to do something cool they’re given an opportunity to do so in a rather awesome brawl when Fairy Tail pays the rival guild a retaliatory visit.

Even though Lucy’s capture at the end of the volume is not the most original shounen plot device, some of the Phantom Lord opponents look interesting, so I’m looking forward to what’s to come.

Boys Over Flowers 20 by Yoko Kamio: B+

boysoverflowers20From the back cover:
Tsukushi has agreed to be Tsukasa’s girlfriend! But there’s a hitch—she’ll go out with him for only two months to see if she can truly love him. Tsukasa is off to a bad start when he ends up smacking the womanizing new boyfriend of Tsukushi’s friend, Yuki, at the end of a double date, making Tsukushi furious. Then Sojiro of the F4 helps Yuki by exacting a little revenge on her playboy boyfriend and the two wind up on a date together. Tsukushi is worried to death about Sojiro taking advantage of her good friend. The question is… who is using whom?

Review:
I had a really hard time grading this one.

The case for a B: There are some frustrating moments in this volume. Tsukushi doesn’t believe Tsukasa had a good reason for hitting Yuki’s sleazy boyfriend and lectures him about resorting to violence, only to do exactly the same when she encounters the guy herself. She does, at least, recognize that she was in the wrong. Also, her preoccupation with Yuki’s plight later on prevents her from noticing Tsukasa’s adorable awkwardness after an important development in their relationship, and in general, several promising moments fail to pay off as satisfactorily as one might wish.

The case for a B+: Enduring all of the frustrating moments makes the sweet ones all the better for being so hard-earned. I love how Tsukasa drops everything to help Tsukushi look for Yuki and how Tsukushi actively reaches out to hug him for the first time when he doubts their chances of succeeding as a couple. Later, when the two of them have been manipulated by Sojiro and Yuki to tail them on a romantic pseudo-date, there’s more good stuff, with Tsukushi earnestly asking Tsukasa to stay with her and saying, “I don’t know what I’ll do if you go.” Of course, Tsukasa is totally won over by her cuteness. Also, Tsukasa demonstrates how much he has changed by saying to Yuki, “And Yuki… find yourself someone better than this.” Tsukasa, actually kind of caring about Tsukushi’s commoner friend? Now, that’s progress!

In the end, the impact of the good scenes outweighs my frustrations, and I come down on the side of the B+. I have this feeling, though, that this sort of balance is going to be the norm until they finally, finally genuinely get together.

Boys Over Flowers 19 by Yoko Kamio: B+

boysoverflowers19From the back cover:
When Tsukushi is left homeless, she has no choice but to become a maid in the mansion of her on-and-off boyfriend, Tsukasa. Not only that, but she becomes his own personal maid! Her duties include the dreaded task of waking him up in the morning, a job normally left to three people. Then Tsukasa orders her to come to his room unseen at midnight, causing Tsukushi to panic. Will this pull them closer together or push them further apart?!

Review:
This volume gets off to somewhat of a slow start, with Tsukushi freaking out about being Tsukasa’s personal servant, convinced that he’s going to use the position to take advantage of her. Of course, this doesn’t happen, and they end up having a midnight stargazing date instead that culminates with a pretty straightforward conversation about the state of their feelings. The final outcome is that they begin dating on a trial basis to allow Tsukushi two months to figure out if she loves Tsukasa or not.

It was a little odd seeing Tsukasa being so patient at the beginning of the volume, and I’m not sure where that came from. The experience with breaking things off with Shigeru? Knowing that Tsukushi had defied his mother and believing that it was for his sake? I’m not sure, but when he returns to his canankerous ways later in the volume, it was almost a relief.

The last few chapters, after they’re officially a couple, really are the best. Tsukushi and Tsukasa double-date with Yuki and her new boyfriend and Tsukasa does an admirable job at keeping his temper in check even though the boyfriend is a real git. It’s great! Also, I like seeing Tsukushi talking to Yuki and Tsukasa talking to his friends about the relationship. I always like it when both members of a couple have some support from their friends.

In short, I think this two month trial dating period is going to be awesome.