COWA! by Akira Toriyama: A-

cowaFrom the back cover:
Paifu, a half-vampire half-werekoala, is always getting into trouble with his best buddy, José the ghost. But when the Monster Flu sweeps through town, the fun and games are over. If the monsters don’t get the medicine soon, everyone will die! With all the adults sick, it’s up to the kids to save the day!

Paifu and José are off on a big adventure, but will they get the medicine in time… or will they become victims themselves?!

Review:
At first, I was pretty underwhelmed by COWA!. With a little perseverance, however, I found that if one can get past the first three chapters, which set up the world, introduce the characters, and include more than their fair share of flatulence, an absolutely charming monster road trip adventure awaits!

In the town of Batwing Ridge, all sorts of monsters live in peace and occasionally interact with their human neighbors. Paifu and his more timid buddy, José, spend their free time playing and stirring up mischief—the entire first chapter is about squandering money that was to be used to buy a watermelon and then having to pilfer one instead. When the Monster Flu outbreak hits and no adults are free to make the trip to the one witch who can make the medicine, Paifu instantly volunteers to go and drafts José to help him. When it’s pointed out that they don’t have a car, Paifu promises Maruyama, the reclusive former sumo wrestler who’s hiding out from the world after accidentally killing an opponent, $10,000 for his assistance.

Our heroes set out, joined by a braggart of a monster named Arpon, and a more linear story develops. The montages of the monsters riding in Maruyama’s car, entranced by things like a passing train and the lighted sign of a hardware store are nothing short of terrific; their wonder at the human life is depicted with warmth and fondness and serves to help soften Maruyama’s heart towards them, as well. Over the course of their quest, Paifu matures a bit and Maruyama proves that he is both compassionate and a total badass. The ending quite unexpectedly made me verklempt.

Toriyama’s depiction of the monster world adds a lot to the charm of his tale. The first chapter is in color, which is essential when you want to establish the fact that your lead character is green, his friend is blue, et cetera. Each monster family in Batwing Ridge has a home of their own, be it a cave or a giant pumpkin. I love the absurd idea that José’s family of ghosts has a mailbox and also enjoyed the random appearances by a cute little mummy kid who never actually says anything. Another fun monster awaits at the end of the quest—he reminds me of something out of The Point!—and he’s got a nifty weakness as well as a useful function.

Imaginative and entertaining, COWA! is heartily recommended as a Halloween read. In fact, I liked it so much I’m planning to check out Toriyama’s best known work: a little thing called Dragon Ball. Stay tuned!

COWA! is published in English by VIZ and is complete in one volume.

The Headless Cupid by Zilpha Keatley Snyder: B

headlesscupidFrom the back cover:
Eleven-year-old David is about to meet his new stepsister, Amanda, who is only one year older than he is. Amanda arrives at their big old house wearing a huge tattered shawl and carrying a sharp-eyed crow in a cage. She is hardly what David expects. Before long, she introduces David to a strange world of witchcraft and the occult.

At first, spells and potions are fun. He enjoys the spooky chants and smoky seances. Even his younger brother and sisters join in, making sure their parents suspect nothing. But when rocks of all sizes start flying around the house and strange things go crash in the night, David begins to fear the strange forces at work.

Review:
When the Stanley siblings meet their new stepsister, who has mastered the art of disdain and claims to be well-versed in the occult, they all fall under her spell to various degrees. They undergo various ordeals to become qualified wizards (annoying their parents a good deal in the process), conduct a séance, and endure a mysterious pelting of rocks throughout the house. The truth about these incidents, long obvious to the reader, eventually becomes clear and what seems on its surface to be a supernatural tale is really a story about the effects of divorce on children.

Rated for readers age twelve and up, The Headless Cupid skews a bit younger than that, and for a time its theme seems to be, “Gee, siblings are the pits.” Gradually, it heads into more subtle territory, particularly as regards Amanda’s complicated feelings towards the adults in her life. Still, as an adult, there were no surprises in the narrative for me and I admit to being somewhat disappointed that it wasn’t genuinely spookier.

It’s a pretty fun read, though, and the best thing that can be said about it is that the children are by no means idealized. Amanda is possessed of the surly, affected boredom of a twelve-year-old and the younger kids are often rambunctious and a bit rude. David is the only one that comes off as a bit too good, but he does take some ribbing for this and laments his inability to ever be cool, so that’s alright.

I don’t know that I’d recommend this to adults in general, and maybe not to any teens who’ve already achieved the surly stage themselves, but I bet it’d be great fun to read to a kid about nine or ten.

Tokyo Zombie by Yusaku Hanakuma: B+

tokyozombieFrom the back cover:
Tokyo Zombie is a horror-comedy manga about two blue-collar factory workers, Mitsuo and Fujio, whose plans for martial arts fame are sidelined when zombies take over Tokyo. In this gory and hilarious tale, the survivors of the zombie apocalypse have been enslaved by the wealthy ruling class, and must cater to their every depraved whim… or be thrown outside the city to fend for themselves. When some of the survivors are enlisted to fight in an undead gladiator arena for the amusement of the rich, Mitsuo and Fujio are locked in a battle for fame, freedom, and their very lives!

Review:
Our bizarre tale begins when factory workers Fujio and Mitsuo, a pair of martial arts buffs, kill their blowhard coworker and then head to Dark Fuji, a mountain of garbage, to bury his body. It just so happens that on that same day, zombies rise from Dark Fuji’s mix of industrial sludge and disgruntled spirits and begin terrorizing society. Fujio and Mitsuo are content to continue practicing their grappling moves in peace, but when zombies invade their factory and Mitsuo gets bitten during a food run, they can avoid the world’s crisis no longer.

The story picks up five years later. Humans have erected a wall to keep the zombies out. The rich are living well while slave labor provides their power and their amusement, particularly in the form of the gladiator deathmatch show, in which humans are pitted against zombies for the benefit of a bloodthirsty and moneyed audience. Fujio is one of the fighters, disliked by the crowd for how easily he wins using skills and techniques they couldn’t begin to understand. When the promoter tries to change things up, Fujio meets his next opponent, zombiefied Mitsuo, while outside a timely slave uprising (on pigback) is brewing. The outcome must be seen to be believed.

You’re likely to like Tokyo Zombie if:
* Absurd things appeal to you.
* You liked Shaun of the Dead.
* You don’t mind gore. These are zombies and they do go around biting people, sometimes in sensitive places. Humans commit acts of brutality against each other, too.
* You think dialogue like “Whoa. I think an old lady’s head just rolled by” is funny.
* You aren’t turned off by the heta uma (literally “bad, but good”) art style that works well for decomposing zombies and justice-dispensing dogs but not so well on protagonists.

I fit most of those categories, so I definitely enjoyed Tokyo Zombie. I can’t lie—it’s totally gross and I’m not entirely sure what the point is, but for sheer strangeness alone this isn’t one to be missed.

Tokyo Zombie is published in English by Last Gasp. It’s complete in one volume.

Nightschool: The Weirn Books 2 by Svetlana Chmakova: B

nightschool2Home-schooled weirn (witch) Alex Treveney had no interest in attending the nightschool that caters to her kind until her older sister went missing while on the job there. Several thwarted attempts to gain unauthorized entry leave Alex with no alternative but to enroll, and she spends her orientation tour scoping out the place and her first class proving just how ahead of the other students she is.

Meanwhile, three Hunters that encountered Alex in a graveyard the night before are still unconscious, victims of a violent magical attack that Alex has no memory of inflicting. Their leader, Daemon, is out for answers, and one of the magical sources he turns to in his search will soon become Alex’s new teacher.

After the exciting introduction to this supernatural world afforded by volume one, volume two gets down to the more mundane business of introducing Alex to the school and showing what the Hunters do while they’re at home. It’s still interesting, but it doesn’t pack as much of a punch as the debut volume. I also found it odd that the volume’s cliffhanger moment goes to a subplot about a seer under Daemon’s guardianship rather than to our main character, who shows another glimpse of a possible dark path when a classroom challenge causes her to access further levels of magical power.

If you’re looking for a fun story to put you in the Halloween spirit, you really can’t go wrong with Nightschool. This particular volume may not be full of action, but it does flesh out the world and set up some things to look forward to in installments to come.

Review copy provided by the publisher. Review originally published at Manga Recon.

Nightschool: The Weirn Books 1 by Svetlana Chmakova: B+

nightschool1From the back cover:
Schools may lock up for the night, but class is in session for an entirely different set of students. In the nightschool, vampires, werewolves, and weirns (a particular breed of witches) learn the fundamentals of everything from calculus to spell casting. Alex is a young weirn whose education has always been handled through homeschooling, but circumstances seem to be drawing her closer to the nightschool. Will Alex manage to weather the dark forces gathering?

Review:
It’s hard not to think about Vampire Knight when one first learns the concept of Nightschool: after the day class has gone home, the school turns its facilities over to a night class populated by vampires, weirns, and other supernatural students. In their execution, however, the two series could not be more different. Vampire Knight might take the prize in the artistic category on account of its sheer prettiness, but the characters in Nightschool are more interesting and the story more instantly captivating.

There’s a lot going on in this first volume—though it spans but a single night—and we follow several characters at different times, but the protagonist seems to be Alex Treveney, a young weirn (witch) who is being homeschooled by her older sister, Sarah. Sarah has just recently been hired as the night keeper at the school and tries to convince her sister to attend, but Alex will have none of it. Alex can be a little prickly, but she obviously cares about her sister, even if she doesn’t always follow her rules. Sarah is more extroverted and really gets into her job at the school, forming extracurricular clubs for the supernatural students and campaigning for them to finally get their own yearbook. We’re also introduced to some Hunters, a band of teens tasked with hunting down dangerous vampires and weirns, and seem to have quite an extensive organization backing their efforts.

An intriguing story is brewing here, with hints that Alex may unknowingly be susceptible to an evil influence and an appearance by a mysterious black-winged student who imprisons Sarah and eradicates her memory from all except for Alex. Could this be an attempt to lure Alex to the school? I’m not sure how all of the elements will eventually fit together, but it seems to’ve been well-planned and I’m looking forward to Alex’s journey to rescue her sister. The worldbuilding is nifty, too, with spell casting having a certain look, references to a treaty between humans and vampires, and young weirns being accompanied by little astral beings (Alex’s is particularly endearing). Also, there’s some snappy dialogue—I detect some Buffy the Vampire Slayer influences—though the presence of emoticons in the speech bubbles is an amateurish touch.

Chmakova’s art has obvious manga influences, utilizing the occasional chibi form as well as shorthand like sweatdrops, veinpops, et cetera. It still retains a certain Western feel, though, since she doesn’t try to make the characters into Japanese clones and, in fact, has assembled an admirably multi-ethnic cast. The occasional sprinkles of cute don’t hurt, either. Take a look at this adorable panel:

oohscary

I’m so easy to please sometimes. Seriously, it just takes a cute little bat.

If you’re looking for a spooky and original story to get you into the Halloween mood, Nightschool is a great choice. The first volume ends in a place that made me glad to have volume two on hand, though, so keep that in mind.

Nightschool: The Weirn Books is published by Yen Press. Two volumes have been released so far and a third is planned for October 2010.

Oh! My Brother 1 by Ken Saito: B-

ohmybrother1-125Masago Kamoguchi is a normal girl: normal looks, normal grades, and normal athletic ability. But normal isn’t good enough for Masago when she’s constantly being compared to her older brother, Shiro, who is smart, good-looking, popular, and someone who draws people to him wherever he goes. As the story begins, Shiro is leading the student council in preparations for the school’s Cultural Festival and Masago is keeping a relatively low profile. All of that changes when Shiro dies saving Masago’s life and his consciousness somehow ends up sharing his sister’s body. Assuming that the incomplete plans for the festival are the “unfinished business” keeping Shiro around, Masago (with some oratorical assistance from her brother) convinces the remaining members of the student council to put aside their grief and make the festival a success in his honor. The students do just that, and though Shiro doesn’t move on as a result, that’s okay with Masago, who has decided she likes having him around.

The name Ken Saito might be familiar to some as the creator of The Name of the Flower. I like that series a lot, so I’d been looking forward to Oh! My Brother ever since the license acquisition was announced. Unfortunately, I found it to be somewhat of a disappointment. There are quite a few characters introduced all at once, and their various reactions to Shiro’s death—stemming from unrequited love or unfulfilled soccer rivalry—lack poignancy when we’ve only just met them; the tone is inconsistent, with the comedic aspect of the body-sharing predicament vying with teary moments for dominance; and I literally groaned aloud when the first page revealed the series was entering well-trod school festival territory already. Also, the relationship between the siblings is kind of icky at times: seriously, who blushes furiously when their brother gives them a peck on the cheek?

That isn’t to say it’s without good moments or the potential for a compelling story. When the successful completion of the festival fails to free Shiro’s spirit from this earthly plane, Masago realizes that his unfinished business is actually her and that his wish is for his sister to live life more fully. Of course, one of the ways in which she might do this is by allowing her feelings for Shiro’s friend, Kurouma-sempai, to flourish (and most likely be reciprocated), a path that Shiro seems determined to thwart by taking control of her body any time he thinks they’re getting too close. This dichotomy in Shiro’s intentions is interesting; I hope it’ll be explored later in the series. Also, it’s always completely clear which sibling is in control of Masago’s body at any given time, either by mannerism, expression, or dialogue. That can’t have been easy to achieve.

Artistically, Oh! My Brother has a cute style, though it’s a little too sketchy sometimes, particularly where light-haired characters are concerned. There’s one panel in particular in which a wispy-looking Masago appears right next to a solid-looking, dark-haired Kurouma-sempai. Perhaps there’s actually some deep symbolism going on here—she’s not fully here while he’s got both feet firmly on the ground?—but I rather doubt it. Also, there are a few errors in CMX’s script, a “your” that should be a “you’re,” and a “thoese” that should be either a “those” or a “these,” but definitely not both at once.

Ultimately, while I am slightly disappointed in this first volume, I plan to continue reading. Maybe this one just needs a little time to grow.

Oh! My Brother is published by CMX. The series is complete in Japan with four volumes, though only one has been published in English so far.

Review copy provided by the publisher. Review originally published at Manga Recon.

Bleach 29 by Tite Kubo: B-

bleach29From the back cover:
Ichigo and his friends knew invading Hueco Mundo wouldn’t be easy, but even the lesser Arrancars are pushing them to their limits! Can Ichigo, Uryuu and Chad find the inner strength to overcome the first line of attack, or will Orihime be stuck in Hueco Mundo forever?!

Review:
When you get right down to it, nobody does anything in this volume but fight. Ichigo, Uryuu, and Chad all face Arrancar opponents and each is pushed to employ the hidden reserve of strength they’d hoped to save for higher-level opponents. I’m enough of a shounen fangirl that I enjoy it when characters power up, so this volume is fun on that score, at least.

We begin with Ichigo, who is fighting some kind of Latino Arrancar who keeps needling him to reveal his bankai move. Once he’s witnessed that, he demands to see Ichigo’s Hollowfication skills, but alas, he only gets to enjoy it for about a second before he’s done for. Uryuu’s opponent is difficult enough that he’s forced to use some awesome kind of sword/arrow thing that finishes her off easily. And Chad, who always seems to get the short end of the stick in this area, not only reveals a new form of his powerful (defensive) right arm but suddenly unveils that the left one has (offensive) powers too.

I know, I know, this is not manga craft at its finest, but when I saw Chad’s left arm I swear I literally said “Aw, cool!” aloud. There’s definitely a kind of satisfaction to be derived from watching our battered heroes suddenly whip out a surprise weapon or tactic and go all badass on their foes. It may not be deep, but it can be awfully entertaining.

Review copy provided by the publisher.

Vampire Knight 1-4 by Matsuri Hino: B-

vampireknight1The first memory Yuki Cross can remember happened ten years ago when she was five: she’s attacked by one vampire but saved by another, the beautiful and pureblooded Kaname. Kaname brings the human girl to the home of a human he knows and his frequent visits throughout her childhood result in her growing very attached to him. Six years later, the introduction of a boy named Zero, sole survivor of a vampire attack against his vampire-hunting family, diverts Yuki’s attentions from Kaname somewhat, since she’s compelled to try to cure Zero of his misery and hatred. When Yuki’s adopted father decides to open Cross Academy as a way to foster peaceful relations between humans (the day class) and vampires (the night class), the three central characters attend, with Zero and Yuki serving as the disciplinary committee (tasked with keeping the peace as well as the secret about the true nature of the students in the night class) and Kaname as the main draw for the vampire contingent, since it turns out purebloods inspire devotion amongst their brethren.

vampireknight2Yuki still carries a torch for Kaname, even confesses to yearning for him, but she’s also very protective of Zero, especially when she learns his secret: as a result of the pureblood’s bite he suffered as a child, he’s turning into a vampire. What’s more, vampires that used to be humans are fated to go insane, at which time they’re hunted down by the vampire elite. Yuki, in earnest shoujo heroine fashion, declares that she will not let this happen and offers Zero her blood so that he may satisfy his cravings without preying on others. Kaname isn’t keen on this arrangement—uttering the gem of a line, “I can’t keep my composure when my dear girl has been pierced by someone else”—and knows he should rightly be preparing to hunt Zero down, but looks the other way because Zero’s the only one in the day class who could protect Yuki if danger should ensue. Aside from the introduction of the vampire responsible for killing Zero’s family, this is essentially where matters stand at the end of the fourth volume.

vampireknight3Thus far, Vampire Knight is an exceptionally pretty bowl of angsty soup that offers a sprinkling of legitimately good scenes amidst a broth of cheesy and/or eyeroll-inducing ones. Yuki is a big problem, since she is completely and totally ineffectual. She’s one of those types who’ll rush headlong into a dangerous scene, usually intent on helping, and make matters worse by getting attacked or having her anti-vampire gun plucked from her grasp within two seconds of her arrival. She’s got a special weapon—the Artemis Rod—and occasionally demonstrates feats of athletic prowess, but proves incapable of saving herself time and time again. One wonders why on earth this dismally dim girl has two hot vampire boys competing for her affections.

The boys are somewhat more compelling, though not exactly likable. Zero is perpetually unhappy and often sour in disposition, though Yuki’s fretting on his behalf occasionally inspires brief displays of affection. I don’t begrudge him his angst—he is turning into the thing he hates, after all—but his seemingly constant vampireknight4dilemma about whether to give up or try to keep living for Yuki’s sake doesn’t do much for me. Kaname, for his part, is refined yet inscrutable. Even dialogue like, “I can’t bear losing you. Ever.” doesn’t manage to convince me that he’s in any sort of real emotional turmoil. The enjoyable flashbacks in volume three help somewhat to establish his connection with Yuki, though not greatly.

And yet, Vampire Knight possesses attributes that make it not only readable, but also somewhat of a guilty pleasure. For one, the art is very lovely, with bishounen eye candy galore. It’s slathered with screen tone, something I don’t normally like, but that ultimately works well in cultivating a gloomy and oppressive mood. Too, Hino occasionally creates scenes of surprising sexiness and drama, like the first time Zero drinks Yuki’s blood or the shocking final pages in volume four. This series may be blatantly silly at times, but as long as my (awesome) local library continues to carry it, I’m likely to keep reading.

InuYasha 41 by Rumiko Takahashi: B

inuyasha41In the past few volumes, it’s begun to feel like the final confrontation between Inuyasha and the evil Naraku is drawing nigh. First, however, Inuyasha and friends must defeat Moryomaru, a living demonic armor constructed by and to protect the scheming infant that houses Naraku’s heart. Unless the heart is destroyed, Naraku will never truly die. Naraku, for his part, wants Moryomaru dead, too, and is seemingly content to let his enemies fight each other without getting involved.

Moryomaru absorbs powers from other demons to increase his offensive and defensive capabilities, so he’s a tough opponent. Luckily, Inuyasha has just acquired a handy new power for his sword, but it’s one that he’s having trouble controlling. Still, if he’s to have any chance at all against Moryomaru, he might have to use it.

Pretty much this entire volume is about Inuyasha trying to master his sword’s new power while Moryomaru causes a reanimated turtle demon to wreak havoc. Later, the gang and their goodish allies reunite to beat on Moryomaru for a bit, but he escapes. For fans of the series, this actually qualifies as progress, but even speaking as someone who really likes InuYasha, I rather doubt anyone else would enjoy starting here.

Review copy provided by the publisher. Review originally published at Manga Recon.

InuYasha 38-40 by Rumiko Takahashi: B

inuyasha38Fans of InuYasha have long been resigned to the fact that nothing much seems to happen to further the main plot of the series along. Imagine my surprise, therefore, when several very major things happen in the 38th volume of the series. Afterwards, alas, we plunge back into more episodic fare, but it’s definitely starting to feel like the beginning of the end.

Volume 38 is a first on several levels. It’s the first volume to be published as part of VIZ’s new monthly release schedule for the series. It’s the first volume to be published under the Shonen Sunday imprint. And, most importantly, it’s the first volume of the series with unflipped artwork; to see earlier volumes unflipped, one will need to buy the VIZBIG editions of the series that will begin coming out next month. Unfortunately, the new packaging approach does not include refreshing the same old “Story So Far” section or providing actual chapter numbers instead of simply numbering them scrolls one through ten.

inuyasha39It seems only right, therefore, that this volume would also provide our first glimpse of some real plot movement in quite some time. When last we left off, Naraku’s minions were conspiring against him, some seeking only their freedom while others strove to take his place. When Naraku gets wind of their plans, he takes care of business and man, is it gratifying to witness something permanent actually happen in this series! While this is going on, Moryomaru, the demon that houses Naraku’s heart, is after the few remaining shards of the Shikon Jewel, which means that Kohaku is a target. We get a few nice scenes between Kohaku and Sango before the end of the volume brings new complications: Kikyo has absorbed the spirit of the priestess who originally created the Shikon Jewel and is on a quest to use the reformed jewel to defeat Naraku, never mind that doing so will cause Kohaku’s death.

The final battle appears nigh, as our heroes, who refuse to condone Kikyo’s plans, resolve to defeat Naraku before the jewel is completed. To that end, they spend the next two volumes engaged in the grand shounen tradition of powering up. Koga acquires a legendary weapon imbued with spirits of wolf demons. Inuyasha, who has been told that inuyasha40Naraku cannot be defeated by any sword, learns of a blade with the ability to absorb the power of demons, so he tracks it down with the intent of incorporating its attributes into his own weapon, Tetsusaiga. He conveniently locates it right away and, after a bunch of fighting, acquires its power. It soon becomes apparent, however, that this new ability is darker and more dangerous than he had presumed; this whole storyline reminds me of Bleach, in which Ichigo takes on some qualities of his enemy in order to obtain the power required to defeat his enemy.

The power ups are important, to be sure, and I really do like it when our heroes acquire new fighting techniques and shiny weaponry and all that, but after the goodies offered in volume 38, I found the subsequent two to be rather bland in comparison. Still, I guess a bit of a lull is generally required before the big climactic battle and they’d sort of have to obtain some new tricks in order to actually, like, win this time.