The Adventures of Young Det 3 by Gyojeong Kwon: B+

youngdet3-125Book description:
Two adventure-loving boys from the country set out on their quest to defeat the evil dragon that threatens the world. Det and Osen battle their way to glory, finding romance and the life of heroes along the way.

Review:
Having left Ogean, their small village, behind, friends Det and Osen are traveling toward Dedeil, a large city where they hope to “make it big.” The first village they come to is beset by dog-headed monsters, however, so they stop a while and use some knowledge imparted by their hometown’s sorcerer to help the villagers defend themselves against the creatures. Things aren’t much better at the next town, where giant, corpse-faced birds are plucking off the populace one by one. Det and Osen again help out but the volume abruptly ends in the middle of a nocturnal skirmish.

This volume feels more like a medieval fantasy novel than either of the earlier ones in the series, mostly due to all the traveling and the encounters with mystical beasts. Actually, it reminds me a little of an RPG, a resemblance definitely not lost on Gyojeong Kwon when he/she writes, “The tempolite, Fore, has joined Det on his journey! Party level +1!” While Det and Osen (though mostly Det) are still determined to make their way to Dedeil, they aren’t adverse to pausing and helping people in need, resulting in a pace that is best described as unhurried.

As a result, there is time for plenty of small moments, like testing to see whether a certain plant stem, when burned, really can repel the monsters, or talking about Det’s feelings for the girl he left behind in Ogean. The friendship between Det and Osen is warm and secure; not only do they look out for each other, they also clearly admire one another’s particular qualities and skills. Even though they may appear to be your typical “odd couple,” with Det being more outgoing and Osen more reserved, Kwon never portrays their relationship in so simple a manner. Their personalities do make for some funny moments, though, like these final lines from chapter eight when they’ve finally seen the gruesome faces of the giant birds up close.

Det: By the way, that face is a real gag.
Osen: Yeah. A little bit.

Besides a nicely nuanced story, The Adventures of Young Det also offers gorgeous art from Gyojeong Kwon. Aside from just being generally beautiful, I find that backgrounds and scene composition provide a stronger sense of place than I usually encounter in manga. Too, Kwon is adept at drawing all sorts of people, especially at depicting age in a way that goes beyond simply taking a young-looking character and drawing some lines under his eyes.

The one major complaint I could make about this volume is that it doesn’t move the overall story forward much, but I suspect that taking the time to set groundwork will pay off in the end, just as the lengthy explanations of the magical system did in earlier volumes.

Click 6-8 by Youngran Lee: B-

I’ve decided to absolve myself from the entirely self-imposed edict that I review each volume of a series separately and start offering multi-volume reviews on this site. The final three volumes of Click seemed like an ideal place to start, since it was getting to be challenge coming up with new things to say about each volume when taken individually.

The romantic angst ramps up as we approach the conclusion, with Jinhoo realizing he has feelings for Joonha (and, believing Joonha is male, proceeding to be melodramatic and tortured about it) and Heewon being depressed because of her own pathetic behavior regarding same. (Meanwhile, Taehyun’s family resolves to learn the true gender of the person who has captivated his heart. I hesitate to include that in the angst category, though, since it’s pretty pointless and boring.) One has to wonder why all of these characters are in love with Joonha, since she’s only somewhat less of an ass now than she used to be.

In any case, Joonha seems to feel about equal affection for them all (judging by a conversation with her father at the beginning of the seventh volume) and they all know about each other too, resulting in fisticuffs between Taehyun and Jinhoo at one point. Jinhoo, the presumed favorite, breaks up with his girlfriend, Hyejin (whom he realizes he cares for but has never truly loved), and finally, finally comes out and asks Joonha, “Why does everyone say you’re a girl?” Alas, it’s here where the series takes a turn for the dramatastic, for as Joonha begins to respond to the question, Jinhoo’s phone rings with news that Hyejin’s entire family has been in a car accident. Dun dun dunnnn.

From that point on, the kooky just keeps on coming, with two of the contenders for Joonha’s affection removing themselves from the picture for pretty much unnecessary reasons. The way the two scenes parallel each other is kind of interesting, though, and I finally have some sympathy for (okay, this is a spoiler, but did anyone really think this person would be the one?) Heewon who was feeling like a dupe for ever falling in love, but who now seems to be more at peace with the way things happened. There’s also an entirely random kidnapping that made me laugh out loud, it was so ridiculous.

I’ve seen where some have found the ending of this series to be unsatisfying, and I can see where they’re coming from. My problem’s not with the ultimate pairing, though, but rather with how it was carried out. Like Beauty Pop, instead of actually showing the protagonist confessing her feelings to the person of her choice, the story instead jumps forward in time a few years to a point where they’re a recognized couple already. What a cheat! Plus, they’re not acting much differently than they ever did, and it seems to have taken four years for any kissing to transpire!

Click continues to be a fast read through to the end, and while the endless drama is part of it, the art’s another big factor. The page layouts tend to be pretty simple, with large panels and not a lot of backgrounds to stall the eye. This presents a problem, though, because without any pace-slowing, transitional panels, one can be zipping through a brief scene with Taehyun’s family and suddenly, disconcertingly, turn to a page on which Jinhoo is dramatically announcing that he’s postponing his return trip to New York. It happens fairly often and is jarring each time, like zooming along the interstate then suddenly slamming on the brakes.

Ultimately, I’m glad I read Click. Yes, it could be cheaply manipulative and ridiculous, and no, I didn’t much like any of the characters, but it was a fun ride all the same.

Click 5 by Youngran Lee: B-

Book description:
While Jinhoo doesn’t believe Heewon’s declaration that Joonha is actually a girl, his girlfriend, Hyejin, manages to catch a glimpse of Joonha in his school uniform. Will she share that information with Jinhoo, and risk him leaving her for his former best friend?

Review:
The status quo is upheld in this volume. Not much really happens aside from Hyejin becoming convinced that Joonha is a girl, but because of her own insecurities—we see in a side story about her that she has always felt Jinhoo valued Joonha more than he did her—her first thought is that Jinhoo is going to leave her. I can’t really like Hyejin much, or any of the characters for that matter, but I do have a little bit of sympathy for her, at least.

A diagram of the relationships in this series would be pretty amusing. Here’s how they stand at this point: Joonha is attracted to his/her best friend Jinhoo (who is going out with Hyejin, who hates Joonha), a new friend Taehyun, and a former love interest Heewon (who is now going out with Taehyun’s lackey, Jihan). With whom will Joonha end up?! Seeing as how I can’t stand Heewon at all, I’m really hoping it isn’t her. The pull towards Jinhoo is strong, but I think I actually prefer the idea of Joonha teaming up with Taehyun and getting away from the angst of the past.

In terms of redeeming qualities, Click doesn’t really have a lot aside from its sheer addictive potential. The premise is silly, the story’s kind of stagnating, and I don’t really like anybody, but I still want to know how it all ends.

Click 4 by Youngran Lee: B-

From the back cover:
Carefree player and rich kid Taehyun knows that he feels something for Joonha whether he’s a boy or a girl. But he hasn’t reckoned on the arrival of music star Jinhoo, Joonha’s friend from childhood, who’s back in Seoul to stay. That’s because Joonha seems ready to pick up right where he and his old pal left off. But can a close friendship remain just friendship when one of the boys is now a girl?

Good-natured and oblivious, Jinhoo seems to take it all in stride—that is, until Heewon, the trash-talking crazy girl, confronts him with a devastating revelation…

Review:
There’s not much I can say about this series that I haven’t already. I’m not terribly fond of any of the characters, and yet I find it pretty engrossing. I think it helps that the art is so clean and easy on the eyes and the layouts so simple—it makes it easy to just focus on the emotions and dialogue and zip right on through.

Most of the action in this volume is pretty boring. Taehyun is in love with Joonha, even though he’s unsure of her gender, and she admits to him that she lived for a guy as sixteen years. Taehyun’s minion is inexplicably in love with the violent Heewoon, and does her bidding a few times. Joonha bickers with Jinhoo’s girlfriend. The good stuff is in the interactions between Joonha and Jinhoo, especially a moment they share toward the end where Jinhoo confesses he’s still nervous that Joonha will spontaneously disappear again.

Also, despite the faults of this series, it seriously delivers come cliffhanger time. I think practically every volume has ended with a new step toward Jinhoo’s eventual discovery of Joonha’s secret. This time, I don’t know how can possibly avoid realizing that his old friend is now a girl, but we shall see.

Click 3 by Youngran Lee: B-

From the back cover:
Joonha, the transgender headcase, and Taehyun, the hotshot rich kid, are actually becoming buddies—so much so that they even team up to take down a card shark at the casino Taehyun’s family runs. Is the friendship about to turn into something… more?

Meanwhile, figures from Joonha’s past keep popping up—and stirring up real trouble. His old friend Jinhoo, now a star piano player, is back in Seoul and not going anywhere. And former nice girl Heewon: is she really as nasty as she acts, or is it all a front? Could she be the reason why brainy Jihan suddenly isn’t wearing his glasses anymore?

Review:
I’m not sure what it is about Click that makes it so addictive. I think perhaps the emphasis on character relationships over anything else is partly responsible, because the plot itself is pretty much just day-to-day things, even though what passes for day-to-day in Taehyun’s life is his stepfather accusing him of being gay, plotting business takeovers, winning at high stakes poker games, et cetera.

Also, now that the mechanics of Joonha’s gender change are out of the way, the uncertainty of the other characters regarding her true gender is pretty interesting. Taehyun’s definitely attracted to her, but unable to really convince himself she’s a girl. Heewon, despite Joonha telling her outright that she’s a girl (though she made up a story about having been a girl all along) is in denial and insists to her friend that Joonha’s a guy. And Jinhoo is completely clueless, though the volume ends with a cliffhanger in which he seems poised to find out (or to at least spot Joonha in a girl’s uniform).

I also love the wordless reunion between Jinhoo and Joonha and the fact that when Joonha tells Taehyun she’s starting to like him, she doesn’t mean romantically (at least, I don’t think so), but rather means that she wants to be like him, a cool badass kind of guy. I can almost like Joonha now, but her nasty personality emerges once again when confronted with Jinhoo’s girlfriend. I also can’t stand Heewon, with her profanity, violence, and propensity for ordering people around like they’re her servants.

I think of a B- as meaning, “I enjoy this despite its flaws,” which fits Click pretty well.

10, 20, and 30 2 by Morim Kang: A-

From the back cover:
Life changes come faster than anyone expects in the second installment of Morim Kang’s unorthodox family saga. Widow Krumb’s would-be suitor suddenly departs for Hong Kong—but was he called away on business or is he a fugitive from the law? And how much longer is Krumb going to keep her job? On the home front, meanwhile, icy relations between the headstrong teenager Rok and her ditzy older cousin, Belle, start to thaw after a girls’ night out leads to unintended consequences. But then a sudden (and shocking) health scare upends everyone’s plans, and these three very different women have to face a whole new set of challenges—together!

Review:
Warning: I am writing this while suffering an opthalmic migraine, so it probably will not be my best.

This series is getting really good! All of the characters are fleshed out further, and while Rok and her mother, Krumb, are definitely my favorites, even the irritating Belle reveals she has some good qualities. There’s also more emphasis on Krumb’s workplace and the possibility that the guy who proposed to her might’ve run out on the failing company.

It seems the primary purpose of this volume is to contrast the relationship between Rok and Krumb with that of Belle and her mother. To this end, we get some truly wonderful scenes of Rok making sure Krumb gets enough to eat, slipping into her bed at night to snuggle with her, and telling her how pretty she is. Contrasting this are scenes of Belle’s troubled relationship with her own mother, all of which serve to make Belle look like a pretty crappy person. She shows a better side, though, when listening to Rok’s problems and providing support for the family when Krumb is suddenly hospitalized.

One of the things I love about this series is that it trusts in the reader’s intelligence. For example, after Rok learns that the guy who likes her went on a date with her supposed friend, she spends the entire day scarfing mass quantities of junk food. They don’t say, “I am eating junk food because…” but the cause and effect is clear. Likewise, a few panels of Krumb waiting by the phone is all it takes for us to know that she’s thinking about the guy who has proposed to her and wishing he would call.

The primary drawback to the series is how annoying Belle can be at times, but it seems like her brash attitude might actually be helpful for the family in the challenges to come, so we shall see. Also, the older generation seems to still subscribe to beliefs about feminine uselessness, because when Rok tells her mom that she wants to be an interior decorator when she grows up, Krumb says, “That’s too much work for a woman.” Seriously, between this and Click, I’m getting tired of this notion! Luckily, this isn’t something that Rok believes herself.

Lastly, one aspect that might’ve been a flaw for some—the unconventional artwork—seems to look better this volume. I’m not sure whether that means I’m just getting used to it or what, but there are several panels and expressions that I like quite a lot.

Click 2 by Youngran Lee: B-

From the back cover:
Poor Joonha has moved to the big city and is now living incognito, as a girl, at a new school. But that doesn’t mean his (her?) troubles are over. First, Taehyun, the obnoxious class playboy, coerces Joonha into a “friendship” that royally ticks off Yoomi, Taehyun’s ex. That’s before the reappearance of Heewon, the lovesick stunner who’s followed Joonha all the way from their old school—and whose feelings apparently stay the same whether Joonha is a boy or a girl!

Review:
I liked this one much more than the first volume, to the point where I’m tempted to give it a B. There’s just too much lingering sexism (albeit an incredibly diluted amount compared to volume one) for me to justify doing so. There does look to be some progress on this front, though. First, Joonha, being severely humbled, is not actively being arrogant and cruel to girls. She does still, however, have this notion that being a girl means that there’s no reason to do well in school anymore or to have ambitions of any kind, so she’s been slacking off in a major way. When her new friend, Taehyun, gets wind of this attitude his response is one of disbelief at this antiquated notion. He encourages Joonha to live life to its fullest, whatever her gender may happen to be, and she ends up turning out a bravura performance on her next round of class exams and makes plans to join Taehyun as his business partner.

There’s all sorts of other drama going on, too, including the girl Joonha spurned in junior high emerging on the scene and beating up the leader of Joonha’s new gang of admirers, Taehyun’s serious-minded lackey falling in love/obsession with her, an angsty family background for Taehyun, and the return of Joonha’s childhood friend Jinhoo (now a famous concert pianist) after a concert tour.

Despite the persistent problem of no truly likable characters, but I can’t deny that it’s getting pretty addictive at this point. The volume serves up a couple of nice cliffhangers in the final chapter, too.

Click 1 by Youngran Lee: C+

From the back cover:
Joonha is a normal, healthy boy of sixteen who has cruised through life without too many problems. Imagine his surprise when a recent trip to the bathroom suddenly reveals that he’s not normal at all! With a shriek of “Oh, my God!!!,” he finds himself missing, well, something he never thought he could live without.

As it turns out, his family is abnormal in the weirdest possible way. After puberty, their chromosomes undergo some kind of mutation, which converts their bodies into the opposite sex!

Review:
There are a few things that bothered me quite a lot about Click, even while I think it’s fundamentally fairly interesting and I plan to keep reading.

1. Before spontaneously turning into a girl, Joonha is the most thoroughly infuriating chauvinist pig imaginable. He treats girls like his playthings in an attempt to teach them the feminine virtues of obedience. When the girl he likes confesses to him, he blows her off, saying that it’s her duty to “wait gracefully until you are chosen.”

2. When Joonha begins to live as a girl, he’s more tolerable, but I can’t help but think that this is because he suffered such a tremendous blow to his pride. The remorse he shows for his past actions is more along the lines of, “I should have kissed her” rather than “I shouldn’t have treated her that way.” It’s still ultimately about what’s in it for him.

3. None of the other characters are really all that likable, either. Joonha’s friend from childhood, Jinhoo, comes closest. The fact that he merely expresses mild disapproval of Joonha’s treatment of girls, however, speaks volumes.

4. Joonha’s parents are annoyingly chipper and dim. When he asks why they didn’t tell him about the family’s tendency to change genders, they claim they forgot about it. Yes, I know, I always take stories with wacky premises too seriously, but this is just too ridiculous to be suffered quietly.

There are a few good moments scattered throughout, though. My favorite is the scene in which Jinwoo and Heewon (the girl who confessed her feelings to Joonha) share their hurt feelings about Joonha’s sudden disappearing act. The art is also quite nice. It’s interesting to note, too, that once Joonha begins living as a girl, he doesn’t embody the same ideals of feminine behavior that he once held.

At this point, it’s hard to care about the story or any of the characters, but I plan to give it a couple more volumes at least to see if it gets any better.

10, 20, and 30 1 by Morim Kang: B

From the back cover:
Krumb is a clumsy, scatterbrained widow in her 30s whose teenaged daughter, Rok, is forced to take care of her. Belle is Rok’s jaded, twenty-something cousin suffering from a messy breakup with her boyfriend. The president of Krumb’s company has proposed, and she is posed to become a married woman once again, but Rok, who dreads the thought of growing up and its attendant responsibilities, hates men and is sure to complicate matters.

Review:
10, 20, and 30 features three female characters in different decades of life. Rok is seventeen and rather anti-romance, Belle is 26 and being pressured by her family to marry, and Krumb (Rok’s mother) is 36 and a widow. They each have a particular guy who fancies them, but whom they’re disinclined to accept for various reasons. Initially the story cycles between them, but once Belle is disowned by her parents for refusing to marry the male friend she’s been sleeping with and moves in to mooch off Krumb (her aunt) and Rok, there are more scenes with the three of them together.

Because of the setup of the story—particularly the wise-beyond-her-years teen saddled with a scatterbrained parent—and the whimsical artwork, 10, 20, and 30 feels like a sitcom at times, but there are still some nice moments that elevate it beyond mere comedy. Much of the volume focuses on Belle and the pressure she gets from her parents to marry. She balks at the idea of marriage, since she has “never really been free in [her] entire life.” Still, when her putative groom hooks up with someone else, she’s surprisingly upset. Another scene that made me smile was one in which Krumb and her boss (who has recently proposed to her) surreptitiously glance at each other during a company meal.

I had a bit of a hard time getting into the first few chapters, but beginning in chapter three, I found that the characters and art style were really growing on me. Too, there’s a warm feeling to this series that I find very appealing. It even improved my mood when I was feeling rather grumpy. I’m very interested to see what happens next.

10, 20, and 30 is published by NETCOMICS. The first two volumes were released in print editions but the others are only available online. According to the site’s update schedule, the chapters of the seventh and final volume of the series will appear throughout April 2009.

The Devil’s Trill by Sooyeon Won: B-

The Devil’s Trill is the fourth volume of NETCOMICS’ Manhwa Novella Collection—an anthology of short stories from Korean authors. This particular volume is by Sooyeon Won, creator of Let Dai. Melodramatic in the extreme but entertaining nonetheless, I reviewed it for Comics Should Be Good.