Love*Com 15-16 by Aya Nakahara: B-

I used to like Love*Com very much, but as I read these two volumes the main thought going through my mind was, “Just end, already!”

End it eventually does, as volume sixteen sees the conclusion of the main story line (the seventeenth and final volume is comprised of short stories) , but before that can happen we must endure more chapters focusing on the supporting cast. First up is the transgendered Seiko, whose dreams of confessing to the boy she likes are stymied by the untimely deepening of her voice. Next, the whole gang takes a conveniently free trip to an unspecified tropical island to witness the wedding of a popular teacher, culminating in a rather immature freakout from Risa at the thought of sharing a room/bed with Ôtani.

As volume sixteen begins, the gang is planning for graduation, but instead of spending the final chapters on the main cast, some new random third-year girl is introduced for the purpose of providing a girlfriend for Kohori, Risa’s coworker who had a thing for her at one point. These chapters—in which the girl (Abe) attempts to break up Risa and Ôtani so that Risa can date Kohori and make him happy—are pretty pointless and predictable, though they do at least inspire Ôtani to dismiss the chances of them breaking up any time soon.

The final chapter of the main story, chapter 62, is nothing fantastic, but still manages to be satisfying. True to form, Risa and Ôtani are late to their graduation ceremony, and as punishment must deliver a speech that devolves into one final comedy routine. A DVD of classmate memories yields further testimonies of love from the protagonists, and everything ends on a sunny note.

I wish the volume had ended there as well, but instead there’s a bonus story about the singer/actor whose first big role was playing Ôtani in the Love*Com movie. It’s all about his struggles to achieve stardom and to get people to listen as he and his buddy play acoustic guitars out in public. It’s exceedingly boring, and memories of Negishi in Detroit Metal City performing the same sorts of gigs—with lyrics as sappy—kept intruding.

Love*Com has fallen a lot in my estimation since its early volumes, but I don’t regret persevering to the end. It should have ended sooner, definitely, and all the filler gets on my nerves, but I can’t really quibble with its warm and fuzzy finale.

Review copies provided by the publisher.

Skip Beat! 20 by Yoshiki Nakamura: B

Kyoko takes a break from acting jobs in this volume to focus on throwing a fabulous non-birthday birthday party for the boss’s granddaughter, Maria, who refuses to celebrate the occasion since it’s also the date of her mother’s death, for which she feels responsible. What follows is possibly the most shojotastic volume of manga ever, filled with warm expressions, bright smiles, avalanches of flowers, swarms of shimmering butterflies, an emotional reunion between Maria and her absentee father, and a surprise celebration for Kyoko’s 17th birthday.

While I don’t like Maria enough to find the easing of her family troubles particularly moving, it’s still nice to see Kyoko at her best, giving her all for the benefit of someone else and wishing hard for their happiness. We also get a really sweet, if unfortunately curtailed, moment between Ren and Kyoko when he gives her a rose for her birthday and she goes all sparkly over it, which I suppose could be counted as progress.

In the end, this is a rather non-essential volume in Kyoko’s journey toward stardom, but it’s worth it to see how she unknowingly wins hearts just by being herself.

Review copy provided by the publisher. Review originally published at Manga Recon.

Vampire Knight 9 by Matsuri Hino: C+

After the revelations in volume eight, the world of Vampire Knight goes—please pardon my indelicacy, but this is really the only way to put it—batshit crazy.

Pureblood vampire Rido Kuran (our villain) completes his resurrection and summons his followers to him. Said followers feel no compunction about snacking on the day class students of Cross Academy, so the noble vampires of the night class must protect them. Kaname challenges the vampire senate, Zero gains thorny super powers along with some self-control, Yuki squares off against Rido, and the Hunters Association arrives to exterminate the night class, but is held off by Headmaster Cross and his hunter pal, Toga.

This synopsis might make it seem as if the volume is action-packed, but “incoherent” is actually closer to the truth. I honestly have no idea why half of this stuff is going on. Perhaps it’s because it’s been three months since I read volume eight, but that just goes to show how little of this series is actually memorable beyond its main characters and its prettiness. Zero’s evolution is genuinely interesting, though, and makes for some cool moments near the end of the volume.

The art of this series is usually its best asset, but Hino’s style is far more suited for depicting pretty, angsty vampires than scenes of battle. Many times, I was left puzzled by what was happening—“‘Shunk?!’ What just went ‘Shunk?!’”—and kept confusing Rido and Toga, since they both have wavy shoulder-length black hair and an unruly forelock.

I am left to conclude that Vampire Knight is like a morsel of dark chocolate: its bittersweet taste lingers on your tongue while you’re consuming it, but its impact doesn’t last much beyond that moment.

Review copy provided by the publisher. Review originally published at Manga Recon.

New Shojo Beat Licenses?

These VIZ licenses may not be new to some, but they were to me!

This evening, while perusing the Amazon listings for Beast Master, by Kyousuke Motomi, my friend and fellow manga blogger Jennifer Dunbar noticed a listing for Dengeki Daisy by the same creator with a July 2010 release date. I checked the Simon & Schuster site, and sure enough, there it is!


Dengeki Daisy

From the site: One day at school, Teru accidentally breaks a window and agrees to pay for it by helping Kurosaki with chores around school. Kurosaki is an impossible taskmaster though, and he also seems to be hiding something important from Teru…

This inspired me to check for other new prospective Shojo Beat titles on Amazon, and I struck gold with a listing for Seiho Boys’ High School! by Kaneyoshi Izumi, mangaka of Doubt!!, with an August 2010 release date.

Seiho Boys’ High School
From the site: Remote, lonely and surrounded by the ocean. This isn’t Alcatraz we’re talking about, it’s Seiho Boys’ High School, where the student body is rife with sexually frustrated hunks! How can these young men get girlfriends when they’re stuck in the middle of nowhere? These are the stories of the students of Seiho High and the trouble they get into as they awkwardly pursue all girls who cross their paths.

I’m not sure that Seiho will really appeal to me, but I’ll probably give it a shot. I’m really happy to see more from Kyousuke Motomi, though, since Beast Master is adorable. Looks like this is a slightly longer series, as well.

Kaze Hikaru 9-11 by Taeko Watanabe: A-

Beware: spoilers ahead.

I have come to the conclusion that Kaze Hikaru is not only worth owning—as opposed to borrowing it from the library, which is what I’ve been doing up until now—but is also pure evil (in the very best way, of course).

Volume nine begins with a reorganization of the Shinsengumi that sees Sei reassigned from active patrolling to a position taking care of the headquarters. This is arranged by Yamanami, who is the second member of the troop to learn her secret and who wants to keep her out of harm’s way. Okita fully approves of this arrangement, though Sei does not. The first half of the volume is fairly lighthearted, featuring a bunch of guys who see Sei and Okita’s separation as an opportunity to vie for Sei’s affections. Saito and Okita intervene, which gives Sei ample opportunity to thoroughly misunderstand the intentions of each.

Problems begin to percolate near the end of volume nine, as Sei learns one of the troops is planning to lodge a complaint against the captain. Inter-troop tensions continue into volumes ten and eleven, when Todo returns with a bevy of new recruits, including a bigshot named Ito Kashitaro who promptly ruffles a bunch of feathers. Ito’s arrival is played for comedy for several chapters—because he’s a lover of beautiful things, he outrageously pines for both Hijitaka and Sei—but abruptly gets more serious when he invites Yamanami into his confidence and puts him in a position where he’s caught between the complicated and conflicting ideologies of Ito (for whom he feels loyalty because they’re from the same sword school) and Captain Kondo.

Throughout these volumes, Sei and Okita’s relationship continues to subtly evolve in minute yet important ways. We also learn more about the supporting cast, most notably the incredibly sympathetic Yamanami. He’s a really sweet guy who tries to nudge Sei and Okita together and gives her some really good advice. Here’s a particularly lovely exchange:

Sei: Okita-sensei’s like the wind… there’s nothing to hold on to. I’m merely a blade of grass who is always swayed by doubt and unable to catch up with the free-spirited wind.

Yamanami: Without grass even the wind would lose sight of itself. So you have to sway more and show the wind that ‘this is your home.’

These words really stick with her and are shown to be true later on when she is restored to patrol duty and Okita muses that he doesn’t feel as free to sacrifice his life with her around.

I should’ve known, therefore, that just when we’re made to love Yamanami very much, something awful would happen. He is still haunted by atrocities he witnessed at the prison, and when further news of bakufu brutality reaches him, he can no longer continue to serve them and deserts the troop. He knows full well what the penalty will be, but accepts it without complaint, refusing too to state his reasons, knowing that it might throw his comrades into chaos. It’s all the more terrible because he didn’t fail the cause—the cause failed him!

I can’t remember the last time a manga made me cry like this. And so, that is why Kaze Hikaru is simultaneously marvelous and evil. It lulls you into a false sense of homey security and then suddenly reminds you that you’re dealing with a lot of passionately idealistic men with a strict (and bloody) code of honor. You can love them as individuals, but be warned—their story will break your heart.

Natsume’s Book of Friends 1 by Yuki Midorikawa: B+

natsume'sbook1Takashi Natsume has been able to see yokai ever since he was little, an oddity that resulted in the boy being shuffled from one relative to the next after the death of his parents. Lately, though, the yokai are getting more insistent, mistaking Natsume for his grandmother, Reiko, and pestering him relentlessly. After an encounter with a yokai residing in a ceramic cat, Natsume learns that his grandmother bound many yokai to her by capturing their names in a Book of Friends—which he has inherited—and vows to return their names to them. The cat, hereafter referred to as Nyanko-sensei, agrees to help with the stipulation that should Natsume get eaten by an angry and powerful yokai, possession of the book will fall to him, enabling him to rule over his brethren.

The first volume consists of four stand-alone chapters in which Natsume returns some names, gets to know a diminishing dew god and his one remaining worshiper, fields a request from some yokai to get rid of a meddlesome human, and helps the spirit of a swallow catch a glimpse of a man who was kind to her and cured her of bitter feelings towards humanity. The tales are each entertaining, though it’s the last, referred to in the Afterward as “The Swallow Underwater,” that is my favorite. It’s both moving and lovely and admirably showcases the true potential of this series.

On the surface, Natsume’s Book of Friends may appear to be simply an episodic series of stories about yokai, but it works on several additional levels as well. Because of his experiences in the past, Natsume has been regarded as strange and never made any close friendships. And yet, we see through the course of this first volume that he’s partly to blame for this. He gets so wrapped up in his supernatural endeavors that he fails to see the friendly overtures some of his classmates are making towards him. It’s only when he gets the chance to meet another person who can see spirits that he takes any initiative to get to know a human and, after that point, spends a bit of time with his other classmates, as well.

His feelings towards yokai evolve throughout the book, too. As he interacts with them, he begins to recognize that many are lonely, just like he is. Gradually, his feelings towards them change from dislike to “I don’t mind lending a hand” to, finally, risking danger to himself in order to give the swallow spirit the best possible gift he could. His outlook on a childhood interaction with a yokai also undergoes a metamorphosis; what he once saw as a betrayal he can now view as an act of kindness. Natsume isn’t a very expressive character, but he is extremely kind. Though his trusting nature might come to cost him later—even Nyanko-sensei is occasionally tempted to eat him—his ability to have faith in and sympathize with yokai makes him extremely sympathetic in return.

Midorikawa’s sketchy art matches the tone of the story well. It reminds me a little bit of Chica Umino, actually, though much calmer. Natsume and his classmates have pretty average character designs, but a lot of creativity shows in the designs for the yokai, from the tiny, Noh-masked dew god to the powerful spirit forced to dwell inside a tubby ceramic cat to all sorts of one-eyed, animal-faced creatures in between.

In the end, Natsume’s Book of Friends is a very unique title among the Shojo Beat line. I’m extremely eager to see where the story will go from here.

Review copy provided by the publisher. Review originally published at Manga Recon.

Monkey High! 8 by Shouko Akira: B

monkeyhigh8Beginning with volume seven, the age rating of Monkey High! was changed from Teen to Older Teen to reflect the leads’ growing interest in consummating their relationship. They finally achieve their goal in the first chapter of this final volume, but thereafter are kept busy with studying for exams and preparing for their final school festival.

An irksome last-minute rival pops up in the form of Gotoda, Haruna’s father’s secretary and his choice for her fiancé. Because her father, recuperating from an illness, and Gotoda are working from home constantly, Haruna accepts Macharu’s offer to stay with him for a while. Gotoda’s a scheming sort, though, and Haruna unfortunately allows herself to be swayed by his assertion that one day she’ll be a burden to Macharu. Happily, by the end of the volume she has found the confidence to believe that if such a time ever comes, they’ll work through it together.

The things that’ve been kind of annoying about Monkey High! all along are still annoying at the end: the reliance on shojo clichés and the occasionally intrusive antics of the supporting cast. Against the zany backdrop of a maid and butler café, for example, Haruna and her father have an important conversation. It’s a big moment, but is hampered by the shenanigans going on around it.

Still, despite its faults, the conclusion of this series made me sniffly and, really, isn’t that the best possible outcome for a Shojo Beat title?

Review copy provided by the publisher. Review originally published at Manga Recon.

Monkey High! 7 by Shouko Akira: B

monkeyhigh7From the back cover:
Different classes, college preparations, and a disapproving father all make it hard for Macharu and Haruna to be together. So when they win tickets for an overnight stay at a resort, it seems like a great chance for them to take their relationship to the next level…

Review:
Although I liked this volume of Monkey High! somewhat less than the others, it certainly has its share of positives. Macharu and Haruna, sent by their class to fetch a wedding gift for their teacher, spontaneously enter a raffle and win tickets to “Mouse World,” including an overnight stay at a resort hotel. Haruna is anxious and Macharu, who frankly admits he wants to have sex with her but is not the least bit pushy about it, realizes that the situation is troubling her and so gives the tickets to the teacher. This moment of genuine sweetness works to quell Haruna’s doubts and, when the trip won’t fit in with the newlyweds’ itinerary, it’s Haruna who now advocates going.

The resulting date is wonderfully awkward. Both are so concerned with making it a special day that every time something goes wrong, it’s a crushing blow. It’s a bit painful to read, but it’s a situation with which most people can likely sympathize. I also like how a couple chapters later, when Macharu suddenly gets gung ho about working to get into college, it’s Haruna who feels that she’s being left behind even though she’s the one with better academic prospects. She has several goals that she’s been pursuing independent of Macharu, but it’s only now that she realizes he’s going to be experiencing things without her, as well.

On the negative side… the whole resort plotline reminds me of something I just read in High School Debut and of course the two leads are interrupted (by the collapse of Haruna’s father) before they can consummate their relationship. It’s not that I’m all pro-teen sex or anything, but because they don’t go through with it, we’ll probably be in for more angst about whether they should. At least the interruption puts Macharu in contact with Haruna’s dad, who says nasty things about his lack of prospects and inspires all that hard work that has Haruna fretting.

Also, it feels like the whole volume centers on the question of closeness for the couple. How close are we? Are we less close now? It feels like we’re more close now. Oh, wait, now we’re less close again. Now we’ve had a poignant conversation and we’re close again. I still like the characters a lot, and these moments provide opportunities for Haruna to show her vulnerable side and Macharu his more mature side, but it does get a bit repetitive.

High School Debut 13 by Kazune Kawahara: A-

VIZ sent this (the series finale!) over a month early! What a great Christmas present!

hsd13From the back cover:
Yoh faces a difficult choice: should he go to university all the way in Tokyo or stay near Haruna? Haruna wants to support Yoh’s decision no matter what, but will her high school romance end with his graduation?

Review:
Is it considered bad form to write a review consisting entirely of hearts and sniffles? That’s what the adorable concluding volume of High School Debut tempts me to do.

On the surface, it’s really not much different than an average volume of the series. We begin with Haruna realizing that asking Yoh not to go away to the college of his choice was a selfish act, and zealously trying to convince him that she’s really okay with a long-distance relationship. A chapter in which their friends try to cheer them up by arranging for a ski trip is followed by one in which Haruna meets Yoh’s mom (spazzery ensues, as one might expect) and finally the chapter in which Yoh graduates and heads off to Tokyo.

Grafted onto this framework, however, are some very touching moments between the main couple. It’s easy for Yoh to see that Haruna is putting up a brave front for his benefit, and there’s a really nice moment where he just hugs her and says, “That’s enough,” at which point she promptly breaks into tears. Because he’s worried that she’s going to continue to hide her feelings from him, he next goes around to all of his friends and hers and asks them to take care of Haruna and let him know if she appears to be sad. Aww.

One of the strengths of High School Debut has always been that it doesn’t neglect the feelings of the male half of the relationship, and Yoh’s own sadness, worry, and insecurity about the upcoming separation are given equal consideration. One of my favorite scenes occurs as Yoh and Haruna are on the bus on the way back from the ski trip. He reveals that his vision of the future involves an oblivious Haruna being hoodwinked into dating some other guy. Haruna, meanwhile, spews a detailed, pages-long happy fantasy about how her first visit to Tokyo will play out, leaving Yoh hilariously overwhelmed.

The final chapter is sweet indeed. I shan’t spoil it, except to say that Haruna is Haruna right to the very end. I’m sad to see this series end, but I’m glad that it has done so before it ran out of steam. I’m sure it’s one I’ll often turn to for a comfort reread in days to come.

Review copy provided by the publisher.

Beast Master 1 by Kyousuke Motomi: B+

beastmaster1From the back cover:
Leo Aoi looks like a crazy animal with wild eyes—and no one at his new high school will go near him! He does seem to have a special connection with animals, though, which intrigues overzealous animal lover Yuiko Kubozuka. In reality, Leo isn’t as frightening as he appears, but Yuiko finds out that he goes berserk whenever he sees blood! Will Yuiko be able to get through to Leo during these violent fits? Or will Leo’s ferocious side eventually devour her?

Review:
I initially didn’t expect much from Beast Master but, like other reviewers before me, I found it to be surprisingly adorable.

It’s the story of an enthusiastic animal lover named Yuiko Kubozuka whose attempts to hug and squeeze various furry friends all end in disaster. One rainy day, after her attentions have driven her pet cat up a tree, a bloodstained boy with wild eyes rescues the kitty then runs off. As always happens in shoujo manga, the boy, named Leo Aoi, turns up as a transfer student in her class the next day. The other students are all frightened of him, save Yuiko, and when some thugs arrive to seek retribution for a fight in which Leo thrashed several of their compatriots, it’s Yuiko who explains his circumstances and, with her natural ability to get along with anyone, handily converts the main thug, referred to simply as “Boss,” into a recurring ally and resource. She’s less successful in deflecting the violent intentions of another gang, though, and Leo ends up going into a berserker mode and nearly biting a classmate until Yuiko soothes him.

What follows from there is a series of chapters in which Yuiko is threatened and Leo’s bloodlust is triggered. Simultaneously, she uses her social skills to introduce him to others and show that he’s not really a bad guy, despite what his appearance may indicate. What makes this different than other series in which “heroine requires rescue” is a common theme is that sometimes Yuiko is able to take down the suspicious person herself, even if that person is actually Leo’s guardian, Toki. Sometimes, unfortunately, she’s a liiiiitle stupid, like when she decides that she’s capable of calming a violent stray dog despite much evidence to the contrary and a sincere warning from Leo. I found this lapse in reasoning especially disappointing, because up until then Yuiko had seemed competent and quick-thinking.

Leo himself is completely endearing, much more like a kitten than a wild beast and transparently overjoyed to have met a kind person who isn’t afraid of him. His plight actually reminds me a lot of Sawako from Kimi ni Todoke: he looks frightening until he smiles, at which point he’s utterly transformed. In fact, Leo in chibi mode bears a striking resemblance to Sawako in the same state; is this a case of long-lost manga siblings?! My very favorite moment in the volume comes in a rooftop scene when Leo, wanting to cheer up a depressed Yuiko, puts his arms around her so that birds will land on her like she’s always wanted. It’s very, very sweet.

Overall, Beast Master is adorable and, though it employs a few shoujo clichés, unique. It’s not quite a romance yet, but I have no doubt that the second and final volume will take care of that!

Review copy provided by the publisher.