NANA 10 by Ai Yazawa: A

NANA is a series I vow never to spoil.

nana10From the back cover:
Being engaged isn’t as wonderful as Hachi thought it would be. She has a trendy new apartment, but she’s isolated from all her friends and Takumi is hardly ever home. When scandal hits hard, Trapnest (and her fiancé) flee to Europe, and Hachi is left to watch Blast suffer in the scandal rags and tabloid shows.

Review:
So much happens in a volume of NANA that I feel like I should keep a scorecard or something! There are important revelations (Nobu still seems to have feelings for Hachi, Yasu’s feelings for Nana become known both to her and Ren), realizations (Blast must sacrifice some of their ideals about how they want to become successful in order to seize the chance they’ve been given), and reconciliations (even though Nana and Hachi have not met face to face due to the paparazzi frenzy surrounding Blast and Trapnest, Nana takes advantage of a microphone thrust in her face to declare that she’s still working to make Hachi’s dreams come true).

The most fascinating part of the story for me right now is the Nana-Yasu-Ren triangle. Although Nana and Ren both have moments where they think that their love for the other hasn’t diminished, things still aren’t the same as they used to be. Nana feels that her bond with Yasu may be even stronger than hers with Ren, and Ren’s commitment to Trapnest leads him to decide not to defend Nana from reporters. Instead, that role falls to Yasu who does it without a second thought. It also becomes clear that Yasu has completely abandoned his ambitions to practice law in order to pursue a musical career, something he had told Reira long ago that he wasn’t willing to do. I personally am really rooting for Nana and Yasu to get together.

Less successful to me is the Hachi plotline: I’m confused, though I think that may be because Hachi is confused. She tells Jun that she “really, really” loves Takumi, and laments that she can’t seem to fall in love with nice guys like Shoji or Nobu. Later on, though, it seems like she’s talking about Nobu when she says, “I’ll never be fulfilled by happiness like that again, the kind with no shadows.” Were her earlier comments just an attempt to make the best of an imperfect situation? She likes him enough to derive some happiness from their life together, even while mourning what might’ve been?

On the whole, I love how complex all of these characters and their circumstances are. I still profess a desire for some big, unambiguously positive event for these beloved characters—something like that would surely merit an A+ from me—even while I recognize that such untainted triumph rarely happens in life, and appreciate that Ai Yazawa recognizes it, too.

Monkey High! 6 by Shouko Akira: B+

monkeyhigh6Volume six of Monkey High! builds on issues between reserved Haruna and her cheerful boyfriend, Macharu, that began to develop in the previous volume. Macharu, in his optimism, keeps trying to help bring about reconciliation between Haruna and her distant politician father while the mere thought of her family woes is sufficient to ruin any fun Haruna might be having. Macharu’s friend Atsu, who also has feelings for Haruna, tries to take advantage of the situation to convince her that he’s a better choice, but in the end Haruna decides that it’s time to stop running from her family problems and face them head-on.

I’m always appreciative when the issues a couple faces come completely from who they are as people. Haruna and Macharu have had very different upbringings, and it’s clear that Macharu’s warm and loving environment has rendered him incapable of imagining the coldness with which Haruna’s father treats her until he sees it for himself. I also really like how clear the beautiful Haruna is about her devotion to the goofy Macharu and how she’s neither flustered nor tempted by Atsu’s attempts to woo her.

On the downside, the old shojo cliché of “Oops, I tripped and got to first and/or second base with you!” is employed not once but twice in this volume. In each case, it serves to get Macharu and Haruna thinking about the physical aspect of their relationship, which is good, but it’s too bad that couldn’t have been accomplished in a more original way.

Review copy provided by the publisher. Review originally published at Manga Recon.

High School Debut 10 by Kazune Kawahara: A-

hsd10From the back cover:
Friendship and love are put to the test when Asaoka reveals to Yoh that he likes Haruna. To settle things once and for all, Yoh and Asaoka strike a deal—whoever loses the school sports meet will give up his feelings for her! Who will win the meet and Haruna’s heart?

Review:
Once again, the back cover blurb is wrong. I wouldn’t like Yoh at all if he’d participate in such a stupid wager! What actually happens is that Asaoka proposes that if Yoh performs better than he does at the sports festival, he won’t tell Haruna how he feels, which is something Yoh said would upset her to find out. That’s it. Yoh should sue the blurb for defamation of character.

Outspoken fan of the series that I am, it should surprise no one that I loved this volume to pieces. Uh-oh, I feel a list coming on. Brace yourselves.

1. How, during the sports festival, we get lots of low-dialogue pages featuring Yoh watching Asaoka watching Haruna or Asaoka watching Haruna watching Yoh.

2. Asaoka’s attempt to pass it all off as a joke on his part, which neither Yoh nor Mami buys. I particularly like his anguished eyes, when Haruna dismisses his impromptu confession as teasing, as he realizes that all of his jesting has cost him his credibility in serious matters.

3. The entire chapter where Yoh ends up hanging out at Haruna’s house, including but not limited to: the talk he has with her dad, her brother’s starry-eyed admiration, and the handful of freshly picked radishes he receives as a parting gift.

4. Even the less-good chapters involving a rude girl at Yoh’s prep school are still lots of fun.

In summation, in Kawahara’s hands, plots like sports festivals and romantic rivals are imbued with a special warmth that can both move and amuse. I really hope we get some of her other series here after High School Debut finishes serialization.

Review copy provided by the publisher.

Otomen 2 by Aya Kanno: B

otomen2-125This volume presents three episodic tales, two of which focus on Asuka’s challenge to be true to himself despite the expectations of others. In the first of these stories, he acquires an apprentice who wants to use him as a reference on how to be cool and masculine, requiring Asuka to suppress his girly tendencies, and in the other, his mother attempts to set him up in an arranged marriage and manipulates him by warning that her health will suffer if he should thwart her or betray any sort of preference for feminine things. This last story is insanely kooky, but it gives Ryo the opportunity to ride in on a white horse and rescue the about-to-be-wed Asuka, so I can’t fault it too much.

Kanno’s art is very attractive in general, but I was especially impressed by it in this volume because she was able to adopt a completely different style—one reminiscent of ’70s shoujo—to depict the parents of Asuka’s fiancée. What’s more, there are scenes where they are sitting at a table with Asuka’s mom, and seeing the two very different artistic techniques juxtaposed in the same panel is pretty awesome.

The other story in the volume is more of a romantic one. Asuka finds out that Ryo has never celebrated Christmas before, and so plans the perfect Christmas party for her. It’s a nice chapter overall, but the best part is Asuka’s inexplicable fixation upon a yule log as the essential ingredient for the event. I often find straightforward comedies unfunny, but the absurdity of Otomen gets me every time.

Review copy provided by the publisher. Review originally published at Manga Recon.

Beauty Pop 10 by Kiyoko Arai: B-

beautypop10Narumi’s father has goaded him into entering the Scissors Project into the All-Japan Beauty Tournament in order to prove he’s serious about forming his own salon with his schoolmates rather than inherit the family salon. In this final volume, the outcome of both the tournament and the love triangle between Narumi, his friend Ochiai, and protagonist Kiri, is revealed.

I was pretty disappointed in this conclusion. Kiri is sidelined for most of the first half for an incredibly contrived reason—she catches a cold by going out in the rain to forgive the rival hairstylist (I lost count, but I believe he’s the fifth or sixth to appear in the ten-volume series) who stole her special scissors but who we are supposed to care about because he is a sad orphan—and a lot of the romantic momentum built up in the previous volume is squandered. The outcome of the tournament is treated as an afterthought and while we do, courtesy of a comedic bonus story set ten years in the future, ultimately learn which boy Kiri ends up with, we never see her admit any feeling for either of them or witness any reaction from the boy not chosen.

Ultimately, Beauty Pop is a silly and cute tale that shows occasional glimmers of a more satisfying story but fails to deliver in the end. In some ways, I am reminded of the conclusion to Hana-Kimi, which had similar issues involving the unsatisfying resolution to a romantic triangle. How one felt about the final volume of that series would be a good indicator of what to expect from this one.

Review copy provided by the publisher. Review originally published at Manga Recon.

Beauty Pop 9 by Kiyoko Arai: B

bp9From the back cover:
After kissing Kiri accidentally, Narumi struggles to keep his composure during the All-Japan Beauty Tournament. With everything on the line, can the Scissors Project even make it through the preliminaries?

Review:
Sometimes the overall feel of a volume is so cute that I can’t help but like it, even though it also contains myriad things at which I roll my eyes.

We start with the continuation of the All-Japan Beauty Tournament. At the end of volume eight, Narumi and Kiri accidentally bumped lips when they were tripped by a scheming competitor. We resume with both of them sitting, dazed, and realizing just in time that they should get a move on if they don’t want to be eliminated in the first round. Round two involves taming a brat of a kid, which Kiri awesomely does by giving him the haircut of his favorite TV hero, though why she waits 45 minutes into the 60-minute round to actually talk to the kid, I couldn’t say.

The competition adjourns for a week, leaving time for romance drama to ensue! I like that Kiri is pretty nonchalant about the accidental smooch, saying, “I didn’t hate it,” while Narumi is the one who flees and freaks out. When Kiri’s dad is conveniently whisked off to America, extracting a promise from Narumi to look after Kiri, the two spend some time alone wherein Kiri acts clingy because she’s afraid of cockroaches and Narumi valiantly vanquishes one on her behalf. By various means, Ochiai finds out about that, Narumi finds out about Ochiai’s feelings, Ochiai declares that he won’t hold back any longer, and it’s a whole big tangle of cute drama, pretty much.

Now that the focus is on Kiri and the two boys who like her, the annoying side characters are left far in the background and I don’t miss them at all. Arai’s art, delicate and perfect for drawing hair, also excels at more romantic scenes, and there are many panels in which Ochiai’s and Narumi’s softened expressions really catch the eye. Too, I like the gradual way Arai has built up the possibility that Narumi and Kiri could actually feel something for one another; it certainly didn’t seem possible earlier in the series.

Beauty Pop 8 by Kiyoko Arai: B-

bp8From the back cover:
Just as the Scissors Project is getting stronger than ever, forces are at work to discredit Kiri and disband the club. What’s even more surprising is the person who is behind it all…

Review:
Most of what happens in this volume is pretty dumb. There’s a rival stylist, hired by a mysterious boss, whose tasks are to get the Scissors Project to disband and to retrieve a pair of special golden scissors that were given to Kiri a few volumes ago. The rival causes the rest of the students to suspect Kiri of trashing the S.P. club room, but is eventually unveiled in a highly unlikely fashion. His boss then tells Narumi that he can prove he’s serious about the S.P. by entering and winning a tournament.

It’s all incredibly contrived, but this silly plot does serve to provide some good moments. When Narumi catches some girls planning to pull a nasty prank on Kiri, he gives them an earful, not realizing she’s nearby and has overheard. In fact, ever since their talk about why they want to be beauticians, relations have thawed some between them. In this volume, they’re giving each other thank you gifts, we get to see Kiri laugh, and I feel, for the first time, a romantic vibe. Ochiai’s not to be outdone, of course, and tries in his way to protect Kiri, too.

Overall, it’s not a very good volume, but it leaves off just as the tournament’s getting underway, and I expect I shall enjoy that.

Beauty Pop 7 by Kiyoko Arai: B-

bp7From the back cover:
Kiri is undecided about what career she wants to pursue after graduation, but for Narumi it’s plain and simple—he’s always wanted to become a professional hairstylist. Can Narumi’s passion help persuade Kiri to face her dreams?

Review:
The Beauty Pop series is actually split in two parts, and this volume sees the conclusion of the first part, a smattering of bonus stories, and then the resumption of the series as Beauty Pop, Stage 2.

The conclusion to the first part of the series hinges on Kiri finally admitting that she does want to be a beautician after graduation. It’s time for the second-year students to fill out their career choice forms and she dallies over it a bit until Narumi’s passion for cutting hair, and recollections of the happiness of her former makeover subjects, prompts Kiri to make her decision. After talking to Narumi, she actually smiles at him, which, of course, causes him to go “b-bmp,” just like happened to Ochiai after he caught a glimpse of the same rare sight. Even the imposter from the last chapter ties in with the whole “go for your dreams” theme, even if his motivation for impersonating Narumi is totally ridiculous.

The bonus stories are not very good—surprisingly, the one featuring Chisami is the best of the lot. In “Twisted Typhoon,” most of the cast is contrivedly visiting Los Angeles at the same time, and Kiri saves the schedule of a movie shoot her mother is working on by correctly interpreting the drawing made by the temperamental child star who insists on a particular hair style. In “I Want to Be a Prince,” we see Chisami through the eyes of her childhood friend, Takeda, and discover that she’s a lot more lonely than she lets on. There’s one panel of her just waving and smiling sadly to Takeda that single-handedly goes a long way toward making her more tolerable. “Extra-Curricular Daydreaming” is the worst of a lot, about a dog who has returned as the ghost of a human boy to repay Kiri’s kindness to him in his canine life, an aim that he accomplishes by stealing pencil cases and snacks for her. Hana-Kimi did this—randomly inserting a story about the supernatural into its school-based narrative—and I disliked it then, too.

Stage 2 starts with the rather subtle revelation that Kiri has finally joined the Scissors Project. She’s been resistant and apathetic all this time, but now we see her sporting a certain bracelet and then are introduced to the significance of that bracelet a little later on. It seems that Ochiai is getting more serious about marketing the group, and Kiri even seems to be seeking out people to practice on rather than simply stumbling upon folks in need. A Scissors Project performance, with Kiri as a willing participant, ensues, but is interrupted by yet another famous stylist who, for some reason, enjoys interfering with the efforts of amateurs. Yawn.

I’m happy to see the change in Kiri’s outlook and that she is both participating and having comparatively civil conversations with Narumi. But with only three volumes left in the series, I hope the story quits introducing these tedious rivals and starts devoting more of its time to her character arc.

Beauty Pop 6 by Kiyoko Arai: B

bp6From the back cover:
The entire gang travels to Karuizawa to hone their skills. There, they meet Chihiro Osawa, a famous but nasty hairstylist who breaks Kiri’s scissors on purpose! But even more distressing to Narumi is a dream he has about Kiri…

Review:
This series really is at its best when it focuses on makeover challenges. In this volume, Kiri encounters the unfriendly Osawa, who gets peeved when she fixes the extremely curly hair of a girl whose request for help he had sneeringly ignored. His destruction of her scissors is enough to spur Kiri into anger—a rarity—which leads her to accept his challenge for a public showdown. Not only are such challenges themselves fun, but I enjoy seeing the kind side of Kiri as she helps solve beauty problems for average girls.

After Kiri’s efforts in the contest attract notice from the media, Ochiai characteristically seizes the opportunity to announce that she’s the daughter of Seiji Koshiba, a legend in the business. And here’s another parallel to sports manga: Kiri’s father, Seiji, was the best in his day, but retired from the spotlight to live in relative obscurity and train his offspring for greatness. I am strongly reminded of the relationship between Nanjiro Echizen and his son, Ryoma, in The Prince of Tennis. I think I even spotted an “Ero Ero” magazine in one panel, though Seiji is less upfront about perusing nudie mags than Nanjiro is.

The rest of the volume deals with the beginning of a new school year, the appearance of a troublemaking imposter, and Narumi’s confused feelings about Kiri after learning she was his first love and experiencing a dream in which she confesses her love to him. Due to looks and his position as Kiri’s rival, Narumi is definitely the guy one would assume would end up with feelings for her, but I don’t really buy it yet, given how antagonistic and jerky he’s been thus far. It’s not just that I don’t think he loves her, it’s that I think he’s too immature to love anyone, as exhibited by the whole “icky girls give me a rash” thing he’s got going on. I’d love it if this series subverted convention and had Kiri end up with Seki or Ochiai instead, but I doubt that it will.

Beauty Pop 5 by Kiyoko Arai: B-

bp5From the back cover:
Narumi’s father, Yujiro, a world famous hairstylist with salons across the globe, has never been able to defeat Kiri’s father, Seiji, in a hairstyling competition. Will Narumi be able to surpass his father by winning against Kiri?

Review:
That’s a really strange blurb, considering that the challenge Narumi poses to Kiri, after hearing about their fathers’ rivalry, goes ignored by her. Instead, this volume offers a mixed bag of some good moments surrounded by some extremely annoying ones.

The bad:
* Chisami, Narumi’s middle schooler sister, is extremely irritating and spends the volume coming to the high school in search of her “prince.” There’s a very dumb chapter in which she gets kidnapped, too.
* The team makes over a wannabe model who is afraid of men, leading to a silly cross-dressing gag.
* Iori acts inexplicably stupidly regarding a doll in Kiri’s possession that ultimately leads to the revelation that it was she who bested Narumi in a competition back in elementary school, his sole defeat.

The good:
* There are some nice bits with Kiri and her father where she recalls watching a video of a competition he’d been in during the height of his popularity.
* I like how Kiri cares for the makeover recipients and how their utter happiness afterwards is one of the few things that can make her smile.
* I continue to love anything related to Ochiai’s feelings for Kiri and Aoyama’s (Kiri’s friend) feelings for Ochiai and her reaction to the knowledge that he likes Kiri.
* I still love Shampoo, and how he’s incorporated into the background of some scenes. There’s a really cute one where he’s sleeping on Ochiai’s coat.
* In one of her sidebar columns, Arai-sensei reveals that, to properly approximate the lack of Kiri’s drawing ability, she commissioned her five-year-old nephew to create the drawings that would appear in the manga as Kiri’s.

This series could be so much better, and it’s frustrating. At this point, I’m not even sure if I’m going to keep it after I finish it (I usually do). On the one hand, I can’t see myself wanting to read it again, but on the other, I’d be sad to lose all of Shampoo’s cuteness. I guess I could just hang on to it for the good bits.