Black Cat 5 by Kentaro Yabuki: B

blackcat5From the back cover:
Train’s mortal enemy Creed summons his followers, the Apostles of the Stars, and sets his grand scheme in motion. Creed plans to launch a global revolution by attacking a summit between world leaders and the executives of Chronos. But if the police and secret service can’t stop Creed, does Train have any hope of taking him down?!

Review:
This volume, despite its status as the fifth in the series, is full of exposition for what I can only assume will be a fairly involved story arc. Creed gathers his forces—including a few characters that haven’t been seen previously—and carries out a deadly attack on a world summit, ensuring the whole world sees his group as enemies. Chronos mobilizes its “Numbers,” commanded by a young woman, and wants to hire Train on to help them to go after Creed.

So far, Chronos seems to be forgiving Train’s treachery because he is useful to them, and this is twice now its emissaries have approached him as a sweeper rather than as an assassin. I personally find plotlines of the “temporary alliance” variety to be a lot of fun—like the fabulous Kyoto arc in Rurouni Kenshin—and will be interested to see whether there comes a time when Chronos turns against Train again.

Meanwhile, while this is going on, an imposter is posing as the Black Cat and, though Train is personally okay with this, he ends up having to step in and protect the fellow when another gunslinger decides to challenge him. This is kind of a lightweight subplot, but it was just the right length to be amusing and not tiresome. I also really liked the way the rival gunslinger, Stamper, is drawn. He’s one of the more facially realistic manga characters to appear in the series so far.

There was something that bothered me, though. In early volumes, Train is seen dispatching his enemies with little regret. Now, though, he tells Lugart, “And if I can spare the life of my enemy, I’ll do that too… even if the bounty is offered dead or alive.” I wonder whether someone objected and wanted him to fit more easily into the mold of “the hero that doesn’t kill” or something. I don’t own the volumes to compare, but this certainly doesn’t seem to’ve been his philosophy from the beginning!

Black Cat 4 by Kentaro Yabuki: B+

blackcat4From the back cover:
Persuaded by the promise of a gourmet dinner, Train accepts coy cat burglar Rinslet’s invitation to be her date at the birthday bash of a prominent socialite. But Train may have bitten off more than he can chew because among the guests at the party is a murderer who believes that killing is a fine art!

Review:
After a couple of simple yet effective chapters that fill in part of Sven’s past as an employee of the International Bureau of Investigations as well as the origin of his right eye, we get into what could’ve been a supremely silly story. A wealthy woman named Madame Freesia, who has amassed her fortune by dealing in exotic pets, is holding a birthday gala and Rinslet has managed to wrangle an invitation. Madame Freesia is notorious for showing off newly acquired “treasures” at these parties, and Rinslet is eager to get her hands on the newest one. To support her cover story, she needs Train to pose as her husband and promises that he’ll see something that interests him, as well.

This “something” turns out to be Lugart Won, a notorious assassin who prefers the purity of hand-to-hand combat. Although untrained in this area, Train’s cat-like reflexes make him a worthy opponent for Lugart and they have quite a fun brawl out in the corridor until Madame Freesia’s latest “treasure” causes a stampede. Why? Because it is a dinosaur, of course.

The inclusion of a dinosaur in the story could’ve been ridiculously stupid but it actually turns out to be rather fun. I was inexplicably delighted that it heralds its entrance by tossing a battered car into the ballroom, for example. It also gives Eve the opportunity to protect people with the abilities she’s been given while also preserving the life of the artificially-created dinosaur, with whom she feels kinship because of their origins. She can’t quite manage it on her own, but she’s been practicing (inspired by seeing Train do the same earlier in the volume) and shows impressive control of her abilities.

This volume also provides a clue as to the setting of this story. In volume three, there was a sign for Charing Cross and here, we’re informed the party takes place in Loire Province, which is in France. So it would seem we’re looking at a European setting. However, Saya Minatsuki, whose name is unquestionably Japanese, doesn’t seem to know the name of the “far east country” from which her kimonos hail and one of Creed’s minions is described as coming from “Jipangu,” so I am all confused. Is this an alternate world or is it Europe?

Still, that’s a pretty minor quibble. I can’t complain much about a series that’s able to include a dinosaur and not have it be too dumb for words.

Black Cat 3 by Kentaro Yabuki: B

blackcat3-125From the back cover:
Train Heartnet, also known as “Black Cat,” was an infamous assassin for a secret organization called Chronos… until he abandoned that cold-blooded existence to live life on his own terms as an easygoing bounty hunter. But is Train’s past as far behind him as he thinks?

Train receives a desperate plea for help from Karl, the mayor of Rubeck City and one of Chronos’s top brass, because a serial murderer with mysterious powers is terrorizing Karl’s town. Eve offers herself as bait to lure the killer out, but will she be caught in a deadly trap?!

Review:
Ugh, what a garish cover. That red background is actually supposed to be bricks, but you can’t tell from the image. At least the contents are more pleasant.

After nabbing a pair of jewel thieves—and experiencing a few flashbacks involving Saya, the woman who convinced him to give up the assassin’s life and become a sweeper instead—Train is contacted by his former boss from Chronos who needs help getting rid of a serial killer who’s terrorizing the town of which he is the mayor. The bounty will be enough to cover Train and Sven’s debts, so they eagerly accept.

It turns out that, through a bunch of silliness involving drinking a forbidden elixir that brings out one’s potential Taoist powers, an escaped convict boxer has achieved invincible strength thanks to Creed’s band of revolutionary minions. Because this is shonen manga, battle between Train and the boxer ensues. It’s not bad, but more interesting is the subsequent fight between a Chronos assassin and Creed’s people. I’m always a sucker for unusual fighting powers, which Creed’s folks definitely possess, and I also like how I ended up unexpectedly rooting for the Chronos guy. Hooray for shades of grey!

Also cool? Eve is sticking around and has ambitions of sweeperhood and we see Sven’s eye-related power for the first time. The latter causes me to make another mental tick mark in the tally of series involving eye exchanges. They’re surprisingly popular.

Honey and Clover 4 by Chica Umino: A-

honeyclover4From the back cover:
Morita has disappeared, leaving his friends bereft and confused. Hagu and Takemoto turn to their art, while Mayama and Yamada cling to their unrequited loves. When his coworker begins to romance Yamada, Mayama can’t help interfering. But what does he care, when he’s nursing a flame for a woman he hasn’t seen in a year?

Review:
After a chapter in which the gang reacts to Morita’s sudden departure and Takemoto receives a troubling answer when he asks Hagu whether she wants Morita to come back, the pendulum swings back to the Mayama-Yamada-Rika triangle. We learn more about how Mayama met Rika as well as more about his current job and coworkers. One of these coworkers, Nomiya, is a bit of a playboy and when Mayama objects a little too much to Nomiya meeting Yamada to talk about some pottery she’d helped them with, that only makes Nomiya all the more determined to meet her. Mayama goes a bit nuts trying to “protect” Yamada from Nomiya, with various people urging him to question his motives. Does he, after all, just want to keep Yamada in reserve in case things don’t work out with Rika?

One thing I particularly liked about this volume was the use of metaphors to illustrate Yamada’s and Mayama’s feelings. In a chapter from Yamada’s perspective, in which she spends hours getting gussied up for a festival just so Mayama will tell her she looks nice and maybe begin to want her just a little, a plant that she’s been growing has been damaged by a storm. Her mother advises her to snip off a bit of broken stem and allow new growth, but she just can’t give up on it and delays too long, condemning the plant to a slow, withering death. This exactly parallels her situation with Mayama—she just can’t let go of her feelings for him, and persists in holding out hope that romance will bloom. In the next chapter, Mayama’s dogged yet fruitless pursuit of Rika is juxtaposed with the way cicadas spend their brief lives.

It’s okay to spin around and around in the same place. Just so long as you’re singing your heart out.

The comparison is subtlely done, with Umino trusting to readers’ intelligence to make the connection.

I’d also like to commend how well Yamada has been fleshed out as a character. Originally, it seemed like she was just going to be the violent girl who pummels the boys occasionally, but she has really evolved beyond that. Too, I’m liking Mayama a lot more than I’d originally expected to. He’s a pretty complex guy—very aware of his own flaws and yet still driven to do things he doesn’t completely understand. I love how his dislike of being left out of social gatherings comes into play in this volume. Hooray for consistent characterization and continuity (as also exemplified by Yamada’s dad wearing his tea-cozy-as-hat in one panel).

Honey and Clover 3 by Chica Umino: A-

honeyclover3From the back cover:
Professor Hanamoto is off in Mongolia on a research trip and Hagu is having a hard time coping. The gang do their best to help her out, especially Takemoto. But as graduation threatens to alter their friendships forever, Hagu begins to turn toward Morita…

Review:
Time moves very quickly in Honey and Clover—already two years have passed since Takemoto met and fell in love with Hagu. While the days pass quickly and those still in school make progress with their studies (except for Morita, the terminal senior), relationships within the group remain at a standstill. In volume two, the focus was more on the triangle consisting of Mayama, Rika (the boss he loves unrequitedly), and Yamada (the classmate who loves him unrequitedly). This time the story revolves around Takemoto’s feelings for Hagu and how he begins to realize that she and Morita are attracted to each other.

One thing I really like about this series is how the guys genuinely try to help each other out with their romantic entanglements. Morita, ever the enigma, turns out to be quite perceptive to Yamada’s feelings and thrusts her (quite literally) into Mayama’s path more than once. Mayama, meanwhile, though incapable of extricating himself from his love woes, dispenses advice to Takemoto, encouraging him to fight for Hagu while Takemoto is inclined to simply step back and accept the situation. I find Takemoto’s attitude here to be pretty fascinating and realistic. He’s a gentle boy whose uncertainties of his own self-worth are well documented and not only that, he’s been a great friend to Hagu and primarily wants whatever will make her happy. I sympathize with him a lot and find his internal monologues—especially the scene when he compares Hagu’s flustered behavior around Morita to her complete relaxation in his presence and concludes that she doesn’t love him—exquisitely painful.

Morita also demonstrates some new layers in this volume. In addition to his perceptiveness, he also betrays that he is rather freaked out by his feelings for Hagu. After a random encounter during which he impulsively kisses her, he flees and ends up going on an extended trip to America on one of those mysterious jobs he does every so often. Takemoto is astounded by this, thinking that Morita has everything Takemoto wants and is just going to run away from it. We don’t see Morita between the kiss and the departure, but he is pretty notorious for his lack of seriousness, so his reaction to run from genuine emotion feels perfectly in character.

The main flaw in this series remains Hagu. She has definitely changed a great deal since arriving at the art school and is learning to be more independent now that Hanamoto is out of the country. Still, though, I feel like I don’t really have a handle on her personality just yet. Another thing that bugs me is that we see the characters working on projects but seldom their outcome. Did Takemoto ever finish that armoire thing he was building to house Hagu’s dolls’ clothes? Did Hagu finish the project for the art exhibition that she was stressing over in the beginning of this volume? I’ve got no idea.

Despite my small complaints, Honey and Clover offers a charming blend of humor and nostalgia that pleases me very much. Could any other series make a bonus story about tea cozies so fun to read? I think not.

Boys Over Flowers 26 by Yoko Kamio: B+

boysoverflowers26From the back cover:
Tsukushi struggles to understand her feelings for Tsukasa, her on-and-off boyfriend, and he struggles to not destroy Tokyo. Will the man who came between them step aside? The meddlesome F4 try their hand at forcing Tsukushi and Tsukasa together. All the while Tsukasa’s mother’s spies are hot on their trail!

Review:
If I were to give a one-word reaction to the events of this volume, that word would be “hooray!” Tsukasa intercepts Tsukushi at a bus stop with Amon and makes another attempt at convincing her to be with him, saying, “I don’t want anyone but you. It has to be you.” While moved by his plea, Tsukushi remembers what will happen to her friends’ families if Tsukasa’s mother finds out they’re dating, and so she gets on the bus. Moments later, there’s a terrific scene where she comes running back and, honestly, I have goosebumps just typing about it!

While the fangirl in me would’ve loved a big epic declaration of mutual feeling, that would be completely out of character for these two headstrong people. Instead, awkward tension ensues. Tsukushi is unable to express herself adequately and Tsukasa worries that he has misunderstood yet again. What’s different now is that Tsukushi realizes they’re on the verge of falling into their same old pattern and actually comes out and tells Tsukasa that she wants to be with him. The catch is that she wants their relationship to remain a secret. Amon has bought them some time by telling Kaede’s minions that he and Tsukushi are dating, but the problem of her threats has yet to be resolved.

It’s truly great seeing these two together, and even small things like hugs are so hard-won that they are elevated into monumental moments. Even though they still have to face Kaede—a looming obstacle that has Tsukushi thinking that their happiness is “like standing over water, on a layer of thin ice”—at least they’ll (presumably) be doing so together and seem to understand each other at last.

This volume also picks up the friendship between Sojiro and Yuki, spawned a few volumes back when he helped her get revenge on the boyfriend that betrayed her. I really like how Kamio is handling this subplot. I’ve read a few other series where the heroine’s friends get some attention (Kare Kano and Love*Com come to mind) but only in Boys Over Flowers does it feel like a well-integrated part of the main storyline. In fact, I am downright happy to let Tsukasa and Tsukushi remain united for a while and shift the focus to fleshing out some of the supporting characters. I’d also like to see some kind of resolution to Rui’s relationship with Shizuka, who at least gets a mention here after being off the radar for quite some time.

Lastly, I must spare a paragraph to compliment the cover to this volume. While Tsukushi’s face looks a little frenzied, I love Tsukasa’s expression and the colors are gorgeous.

Boys Over Flowers 25 by Yoko Kamio: B

boysoverflowers25From the back cover:
Tsukushi has an on-and-off romantic entanglement with a hothead named Tsukasa. Tsukasa has a sketchy relationship with his even more hotheaded mother, named Kaede. Kaede has hired a near sociopath to woo Tsukushi and destroy her son’s relationship with Tsukushi once and for all. Will Tsukushi fall for this?!

Review:
The fake “cousin” hired by Kaede, whose real name is Amon, is not my favorite character, but calling him a sociopath is pretty extreme. It turns out that, one his guise is dropped, he’s actually not a bad guy. Although he has a cynical outlook on love, and advises Tsukushi on several times not to go through suffering on Tsukasa’s account because their love can only last a maximum of a few years, he is still better able to understand her than most others and offers her a different kind of relationship, free from drama but also free from love.

While this whole idea of Tsukushi dating Amon seems mostly an attempt to postpone the inevitable moment when she and Tsukasa finally, irrevocably get together, it does still offer some worthwhile moments. Tsukasa has grown to see Shigeru as a friend, and has a couple of nice conversations with her, including one in which they finally seem to realize that their hyper-wealthy lives are not normal. Also, though he initially feels like there’s nothing he can do about Tsukushi dating Amon, he somehow (exactly how isn’t clear) resolves that he’s going to make Tsukushi his.

And, okay, yes, this is kind of an antiquated idea, but somehow I love Tsukasa for this unwavering devotion. If both of the lead characters were floundering and uncertain, this series would be a mess. With the looming threat to her friends’ families if she gets near Tsukasa, Tsukushi certainly isn’t going to make the first move, so it’s up to him to help this story go somewhere satisfying. Even though I’m well aware that he’s a fictional character, I still want to cheer him on.

Boys Over Flowers 24 by Yoko Kamio: B

boysoverflowers24From the back cover:
Tsukushi has been unconscious for two days and wakes up in Tsukasa’s cousin’s home! This terrifying man saved her life and now he’s courting her! What is the secret behind this mysterious cousin who so closely resembles Tsukasa, and what could be the reason for his intense hatred of Tsukasa? Why does Tsukasa not know anything about him?

Review:
I find I’m kind of running out of things to say about this series. Each volume is usually a combination of good scenes between Tsukushi and Tsukasa and silly plot happenings that often border on ludicrous. Volume 24 manages to be pretty decent without much direct interaction between the two leads, at least.

Tsukushi is pursued by a guy who claims to be Tsukasa’s cousin, though he pretty quickly reveals himself (to the reader) to be more than he’s letting on. Tsukushi’s rich friends are suspicious and take it upon themselves to investigate, and though this involves a bunch of mistaken notions about detecting, it’s all still kind of sweet.

The best part of the story at this point is kind of underplayed. Tsukasa has already asked Tsukushi if she’s never once regarded him as just a guy, and seeing a rival version of himself without all the rich boy baggage is bothering him. In an attempt to prove how normal he is, for example, he decides that he is going to travel by train. The experience is almost entirely played for comedy, but there is one moment with Akira where Tsukasa asks, “Akira, I’m not very different from these other guys on the train, am I?” Alas, he doesn’t get the answer he wants.

Once the truth about the cousin is revealed, Tsukushi gets good and fired up and demands to see Kaede. While she’s feeling rebellious, I’d like to see her finally confess her love to Tsukasa, but I have a feeling that’s still several volumes away, at least. Sigh.

Bleach 27 by Tite Kubo: B+

bleach27From the back cover:
Orihime’s return from the Soul Society is interrupted by the Arrancar Ulquiorra, who has a different, terrifying path for her. Using duplicitous tactics, Ulquiorra convinces Orihime to accompany him to Hueco Mundo, which brands her as a traitor in the Soul Society’s eyes and therefore unworthy of rescue. Ichigo refuses to abandon his friend, and sets out to storm Hueco Mundo to set her free! But can he win when the entire world is against him?!

Review:
I can’t deny that on basic facts alone, the abduction of Orihime and the battle to get her back is very similar to the arc where Rukia was imprisoned in the Soul Society. That doesn’t stop it from being entertaining, though.

There are many, many cool things in this volume. Ulquiorra seems genuinely menacing for the first time as he orders Orihime to come with him: “Don’t say a word except yes. If you say anything else, I’ll kill. But not you.” Orihime comes off as terrifically valiant when she protects her Soul Reaper “guards.” Hitsugaya, Rukia, Chad, and Uryuu are also given the opportunity to show off their improved skills.

The real heart of the volume, though, is Orihime’s goodbye to Ichigo. Ulquiorra has given Orihime twelve hours before she must join him at a specified rendez-vous point. She can say goodbye to one person, but must wear a bracelet that renders her invisible to everyone but Arrancars, and chooses Ichigo, who is recovering from his injuries. In typical Orihime fashion, she tries to put an upbeat spin on things, which only serves to make it more touching.

Final, incredibly random note: the subtitle to this volume is “goodbye, halcyon days,” a phrase my brain has set to the tune of Elton John’s “Goodbye, Yellow Brick Road.”

NANA 11 by Ai Yazawa: A

Cut for spoilers.

nana11From the back cover:
With the tabloids still out for blood, Nana and her Blast bandmates move into a weird dorm building run by their agency. But they’ve barely got enough time to settle into their new digs beacuse their crammed schedule has them running from music studio to TV interview. The stress of band life and dealing with a disintegrating Ren have started to take their toll on Nana. If she collapses now, will she ever get back up?

Review:
Although this volume isn’t light-hearted by any means, it is still far less painful to read than some recent ones have been. Time heals all wounds, as they say, and keeping busy helps, too. Nana and the other members of Blast are working hard on their album as well as doing interviews and live shows, and she’s feeling so good that at one point she thinks she could handle talking with Hachi about Takumi and the baby. In a similar “moving forward” vein, Nobu meets a girl he might like and is forgiven by his parents for not wanting to inherit their inn, and Hachi introduces Takumi to her family.

One of the things I really like about NANA is the way that it shifts focus between the leads. For a while there, we were all worried about Hachi, but it really seems that she’s at peace with her situation. Yes, she has regrets, but, as Jun says, she has her feet on the ground more than before. Hachi has palpably matured and she actually has a career goal in mind now. I’m left wondering if perhaps this pregnancy wasn’t ultimately a really good thing to happen to her, despite that it meant the end of her relationship with Nobu.

Now it’s Nana that I’m really worried about. She’d had this idea in her head that Blast becoming successful would somehow bring Hachi back and that Nobu would fight to get back together with her. When she learns that he has no intention of doing that, she begins to hyperventilate and ends up at the hospital. It’s like she has no faith in her own ability to keep Hachi near her—going back to motherly abandonment issues, perhaps—and so is depending on Nobu to do it for her.

She also feels like she’s “drowning helplessly in Ren,” and several times seems to be expecting Yasu to declare his feelings for her and rescue her from Ren’s pull. When she realizes at last that Yasu will never do that because of how close he and Ren are, she gives in to some extent and reconnects with Ren, who proposes. Trouble is waiting, though, because Ren has been using drugs, and a paparazzi guy also seems to’ve located her mother. Poor Nana.

This volume’s full of the drama, but I’m relieved that it wasn’t quite the kind to make me cry.