As I recounted in this week’s Off the Shelf column, I have been a fan of Fruits Basket for nearly a decade now. I followed the end of the series in Japanese, and because I knew how it ended, I was able to postpone reading the final English volumes and delay the sad moment when the series really would be over. This week’s Manga Moveable Feast, however, prompted me to finally take the plunge.
Volume 21 is extremely tense, with Kyo continuing the story of how he redirected his feelings of guilt regarding the death of Tohru’s mother into a hatred of Yuki (just like his father redirected his own guilt in the death of his wife onto Kyo). Meanwhile, an ominous, knife-wielding Akito creeps up on their location. After Kyo seems to reject her feelings, Tohru runs off and crosses paths with Akito. A vitally important scene occurs between them in which Akito, weakened by lies and uncritical kindness perpetuated by various Sohma family members, is finally receptive to the kind of acceptance and sympathy Tohru offers. I’m a little disappointed that Tohru immediately falls off a cliff at this point, because that’s rather meloramatic, but I adore how urgently Akito attempts to summon help.
All of the Sohmas are worried, but none more so than Yuki (in cold fury mode) and Kyo (deeply grieving), who eventually have it out and end up finally confessing that they each aspired to be like the other. I love how this plays out, and I love that Yuki continues to nudge Kyo when necessary to ensure that Tohru ends up happy. Are they super pals by the end of the series? Not exactly, but they’ve definitely made their peace and come to an understanding. I’d say they’re closer than mere friends, actually, because they’ve gone through so much together, treasure the same person so much, and have finally realized that, despite appearances and insults, the person they are is valued by the other.
While Tohru recovers in the hospital, Kyo realizes that she’s given him something worth fighting his “fate” for. A visit to his father leads to paternal hysterics, but Kyo’s resolve is unshaken: he is going to live “outside,” no matter what. Meanwhile, Akito has made plans to demolish the isolation room. In the aforementioned Off the Shelf column, I wondered whether Akito’s actions might partly be due to some unconscious influence by the God who originally created the bond, as we later learn that he laments that something forged in love has now become a source of pain. He’s grateful to those who “shouldered that exhausted promise” for so long, and willingly lets them go. So, did he convince Akito in some way? Did Akito convince him? The latter would be more in line with the themes of the series, actually.
Uotani and Hanajima keep Kyo away from the hospital while Tohru is recuperating, since the mere mention of her name prompts her to start crying (she still believes he is disillusioned by her confession of love), but he’s finally tipped off regarding her release date and goes to see her. It’s an amazing scene: as Kyo heads there, he’s full of doubts and uncertainty regarding his own feelings, but the moment he sees her, everything is clear as day. “I love her.” I can’t help getting a bit choked up even discussing it, because it seems like I’m watching cherished friends finally find each other. They talk and work things out, and it is as lovely as can be. “I really do love you,” quoth Tohru, when Kyo warns he’ll probably cause her pain because the curse is still between them. “And that feeling is invincible.” They embrace and are profoundly shocked when Kyo does not transform. His curse is broken.
A wonderful chain-reaction montage ensues as the members of the Zodiac are freed in turn, with Yuki the last of all. “You’re the last,” says God. “Thank you. For keeping the very distant promise.” This happens just in time for Yuki, who had been on the verge of telling Machi about the curse, to embrace her in tears.
Loose ends are wrapped up in the final volume, more loose ends than I actually realized needed wrapping up, making for a very thorough and satisfying conclusion. It’s a little convenient that nearly everyone ends up romantically paired off by the end, with the exceptions of Momiji and Kagura, who are still not over their respective unrequited loves. Other things, however, aren’t wrapped up so neatly, with Rin unable to forgive Akito just yet, long-time family servants unable to adjust to the dissolution of the curse, and many painful feelings still remaining.
But, as a certain image reminded me, Takaya-sensei maintains the idea that “there is no such thing as a memory that’s okay to forget” to the end. The formerly cursed Sohma don’t need to forget what happened to them in the past in order to be happy in the future. Tohru believes this fully, collecting each of the beads from Kyo’s broken bracelet and displaying them as precious items alongside family portraits even until the day she and Kyo are lovey-dovey grandparents.
I cannot express enough how wonderful this series is. I feel so fortunate that I was able to witness the growth and transformation of such a memorable cast of characters, many of whom I dearly love.