The Gentlemen’s Alliance Cross 11 by Arina Tanemura: C+

When this series was wrapping up in Japan, I heard rumors about how it ended. Word was fans were peeved because, in the end, the heroine does not make a decision between the twin brothers for whom she has feelings. It turns out that this isn’t true, though author’s notes from Tanemura indicate that her original intention was for Haine to marry both boys and not just one. And yes, this is the kind of shojo that ends with a wedding.

As the conclusion approaches, all kinds of things happen that are probably supposed to be dramatic but just make me laugh. Haine confronts the twins’ grandfather about an archaic family tradition that establishes one as the heir and the other as mere stand-in, demonstrating her anger by ripping up a chair cushion. She then proceeds to talk down a gun-wielding friend by diagnosing his angst within three pages, gets shot anyway, narrates insipid dialogue like “Even if I’m mistaken… if what I make my mind up to do will lead to happiness then I can do it,” convinces gramps to acknowledge both twins, relays the good news to the boys, and then promptly collapses from her wound.

It’s all extremely silly, but there’s at least some enjoyment to be derived from watching all the clichés at play. Also, it seems that the art—though extravagantly toned as per usual—is a bit prettier in this volume. Perhaps Tanemura stepped it up a notch for the big finale.

Review copy provided by the publisher. Review originally published at Manga Recon.

Library Wars: Love & War 1 by Hiro Arikawa and Kiiro Yumi: B

At some point in the near future, the national government of Japan passes the Media Betterment Act, which “seeks to exercise censorship over all media, including restricting offensive books.” Libraries are the only institutions able to oppose them, and so local governments build up armed forces to defend their libraries, which continue to preserve banned works in their collections and make them available to the people.

When Iku Kasahara was in her final year of high school, a member of the Library Forces intervened during a bookstore raid and prevented a beloved book from falling into the grasp of the Media Betterment Committee. The incident made a big impression on her and, after graduating from college, she enlists. As a new recruit, she must attend classes, complete grueling physical challenges, help out at the local library, and participate in woodsy training sessions.

While we see all of these scenarios play out in this introductory volume, the focus is really on Iku’s relationship with Dojo, her cranky commanding officer. To the reader, it is plainly obvious that he was the one who helped Iku in the bookstore that day, but Iku fails to connect him with her idealized prince. Because he pushes her harder than the other recruits—since he expects more of her—she thinks he hates her and is suspicious of his occasional kindness. For his part, Dojo is clearly smitten and impressed by Iku’s determination, even though her frequent intellectual lapses do try his patience.

Library Wars is a perfectly decent read, but it does have some issues. Firstly, the basic concept, as inherited by the series of light novels upon which the manga is based. If the national government has banned offensive books, why isn’t it going after the publishers of these books isntead of waiting until they’ve actually been printed to go confiscate them from bookstores? That doesn’t make much sense.

Secondly, the protagonist. I really appreciate that Iku is a physically coordinated heroine in her twenties, but wish that she wasn’t portrayed as such a scholastic ditz, forever sleeping in class and having to learn on the job what she was supposed to have learned in the classroom. I found myself sympathizing with Tezuka, her antagonistic fellow recruit, who is annoyed that such a slacker is able to achieve the same honor—a spot on an elite squad—that he was only able to attain through hard work.

Lastly, I am bothered by the inconsistency with which VIZ (presumably) has treated the characters’ ranks. Iku is first introduced as a Corporal, yet she is later identified as a Sergeant on a chart of characters and their positions and, indeed, the insignia on her uniform bears this out. Dojo, in turn, is called a Sergeant but according to the chart and his uniform, is actually a First Lieutenant. I know I shouldn’t let this sort of thing distract me from the story, but it’s a mistake that’s repeated so frequently I just couldn’t help it. Hopefully they’ll correct it for volume two.

I enjoyed Library Wars enough that I plan to continue with the series, though I doubt it’ll ever top my personal list of beloved books.

Review copy provided by the publisher. Review originally published at Manga Recon.

Fairy Navigator Runa 1 by Miyoko Ikeda and Michiyo Kikuta: C

Stop me if you’ve heard this one before. There’s this clumsy, kind-hearted girl who learns she’s really a princess and… Oh. You’ve stopped me.

When the female protagonist of a series is “a completely uncoordinated fourth grader,” you just know you’re dealing with a magical girl story. Fairy Navigator Runa is an unoriginal example of the genre, starring a clumsy but kind-hearted girl who learns that she is not only the princess of the fairy world but also possessed of a great power. Yawn.

Runa is resistant to this news at first, but when one friend—whose sole character trait is “the one who clutches a teddy bear”—is nearly struck by a car and another is captured by an evil ferret creature, Runa’s desire to protect her friends awakens her awesome ability to… send fairies back home. Yes, that is her amazing talent, and the inspiration for the manga’s title.

This manga is simply boring. It’s also full of cheesy dialogue like, “I am the one who holds the key to your destiny.” The only original elements are the creepy third eye on the back of Runa’s neck—such an uncute element is rare in this kind of tale—and Sae, the tomboyish best friend who looks at Runa in a very special way upon being rescued. Slashy!

There’s no shortage of magical girl manga out there, so if that’s what you’re after, it shouldn’t be hard to find one better than this.

Review copy provided by the publisher. Review originally published at Manga Recon.

Spiral: The Bonds of Reasoning 1-3 by Kyo Shirodaira and Eita Mizuno: B

I’ve been curious about Spiral: The Bonds of Reasoning for a long time, and after really enjoying The Record of a Fallen Vampire by the same author, I decided to choose it for one of my Shounen Sunday picks.

It’s been two years since Kiyotaka Narumi, a brilliant young detective, disappeared after announcing he was pursuing the mystery of the “Blade Children.” Now, his wife Madoka and younger brother Ayumu are left to wonder what’s become of him. Madoka, a lieutenant on the police force, continues to investigate, while Ayumu is presently slumming it through high school, haunted by the amazing abilities of a brother to whom he feels he will never measure up.

When murder is committed on campus and Ayumu is accused, he must clear his name. Unexpected assistance arrives in the form of Hiyono Yuizaki, the president of the school newspaper who has a mysterious knack for gathering information. Together, they identify the real culprit, who ends up having connections to the Blade Children. Two further deaths require Ayumu’s sleuthing skills and each provides one more morsel of information about the central mystery.

In the second volume, the tone shifts as members of the Blade Children arrive and begin testing Ayumu with a variety of life-or-death challenges. These tests are apparently being administered at Kiyotaka’s orders, possibly as a means to jolt his brother from his torpor and awaken his true abilities so that he might become the Blade Children’s savior. Ayumu performs well, but the Blade Children utilize his lack of faith in himself to manipulate him. At moments like these, it’s Hiyono who steps up to display her utter confidence in her friend.

There’s no doubt that Spiral is an interesting and well-written manga. Author Kyo Shirodaira does an admirable job, achieving perfect pacing with the mystery but also taking the time to develop his lead character. Ayumu is quite the atypical shounen hero. He’s not at all confident in his abilities, and possesses a huge inferiority complex about his brother. Many people whom he meets identify him by his relationship to Kiyotaka, and he worries that his own personal tastes have become shaped by his brother, too. This even affects his ability to play the piano, an instrument he loves but gave up because “Even when I try to play from my heart, it always becomes like my brother’s style.”

Hiyono’s also an intriguing character, providing indispensible assistance time and time again and bolstering Ayumu’s spirits with her convictions when his own are lacking. I love how much he comes to rely on her help and is impressed by her (and tells her so). She even gets to save the day a time or two. It’s great that she’s given the opportunity to prove her usefulness, unlike some female sidekicks in shounen manga.

Unfortunately, the Blade Children are almost unbearably dull. They like to sit around and angst about whether Ayumu really can save them, whether they oughtn’t just kill him instead, whether their as-yet-undefined cruel fate can be avoided, whether it’s worth it to even hope, et cetera. Their gimmick of challenging Ayumu to high-stakes gambles gets repetitive, too. (Bomb, card trick, bomb again, poisoned beverage dilemma.) Even Shirodaira admits it becomes not so much a mystery manga as a “showdown manga.”

Shirodaira is paired with artist Eita Mizuno this time, who is a more consistent and traditional artist than Yuri Kimura, with whom Shirodaira worked on The Record of a Fallen Vampire. I like some of Mizuno’s character designs (Ayumu looks cool with his improbable hair and crazy sideburns) but not others (one of the Blade Children, Eyes Rutherford, looks like a petulant tween goth). I had been thinking that Hiyono looks she stepped from the pages of Ribon, with her big eyes and poofy braids, until the diminutive character of Rio was introduced. Rio, with her even bigger eyes and propensity to trip every five feet, just screams moe, which makes me worry that perhaps Hiyono is supposed to be moe, too. In the end, I think she’s too competent to qualify, but it’s worrisome nonetheless.

While I may find the reality of the Blade Children somewhat lacking, the mystery behind their creation is still intriguing, though ultimately not as compelling as the question of what Kiyotaka is really up to. It’ll also be interesting to see whether these tests do really result in Ayumu achieving his full potential. In fact, Ayumu and Spiral have a lot in common that way—the series has a lot of good points, but hasn’t yet managed to fire on all cylinders.

Striding Folly by Dorothy L. Sayers: A-

Book description:
Lord Peter Wimsey’s last three baffling cases all demonstrate his unique detection skills at their most spectacular. The enigma of a house numbered thirteen in a street of even numbers. An indignant child accused of theft. A dream about a game of chess that uncovers the true story behind a violent death. Each of the stories introduces a different side of the twentieth century’s most ingenious detective hero.

Review:
Short as it is, Striding Folly is still, by far, my very favorite of the Lord Peter short story collections.

Of the three stories collected herein, the title story is of the least consequence. It’s chiefly about a country gentleman who is suspected of killing a neighbor who planned to sell his land to developers. Lord Peter comes in at the end and prevents a miscarriage of justice. The title, incidentally, refers to the more tangible sort of folly, that is “a whimsical or extravagant structure built to serve as a conversation piece [or] lend interest to a view.” This one happens to be located on a property known as Striding. I had always thought it referred to a bit of foolishness engaged in while ambling about.

In “The Haunted Policeman” we get our first glimpse of Lord Peter since the events of Busman’s Honeymoon. It’s just over a year since his marriage to Harriet, and Peter has just passed a sleepless night while his wife gives birth to their first son. Once all is declared well, his spirits are high and he desires some conversation, even though it’s three in the morning. A passing policeman fits the bill and tells Peter the story of how he came to be accused of drunkenness by his sergeant. The tale involves a murdered man inside a house numbered thirteen on a street with only even-numbered residences. Again, Lord Peter serves as a force of vindication. Though the solution to the mystery is fairly ridiculous, the depiction of Peter is really excellent. I love the notion that, when fretting especially about Harriet, he takes solace in the company of the servants, who allow him to polish the silver.

The second charmer in the collection is “Talboys.” A further six years have passed since the previous story and Peter and Harriet’s family has grown to contain three sons. The eldest, Bredon, confesses at the outset to having stolen two peaches from a neighbor. Peter punishes him and the matter is considered closed until the following morning, when all of the peaches are discovered missing. A visiting houseguest—friend to Peter’s notoriously censorious sister-in-law—persists in suspecting Bredon while Peter rather easily proves his innocence. Again, the mystery is not really the point here. Instead we get a truly wonderful portrait of Peter as father—always willing to have a roll with the dog, let his children clamber all over him, and participate in mischief. I might wish for more emphasis on Harriet in this situation, but her happiness is never in doubt.

Of all the Lord Peter stories, only these last two have ever tempted me to come back and read them again. I had wondered how any short story could provide a sense of closure to the Wimsey series, but in fact it works perfectly, since little time and effort need be expended upon a mystery which is only of secondary importance. I will probably end up reading Thrones, Dominations in the near future but I certainly see the rationale behind stopping here, too.

Déjà Dead by Kathy Reichs: B

From the back cover:
In the year since Temperance Brennan left behind a shaky marriage in North Carolina, work has often preempted her weekend plans to explore Quebec. When a female corpse is discovered meticulously dismembered and stashed in trash bags, Tempe detects an alarming pattern—and she plunges into a harrowing search for a killer. But her investigation is about to place those closest to her—her best friend and her own daughter—in mortal danger…

Note: There are many, many different covers available for this series. I picked the attractive British version.

Review:
For those who aren’t aware, this is the first volume in the series of mysteries upon which the TV series Bones is based. But if you’re looking for a story with banter/sexual tension between two attractive leads and a supporting cast of quirky scientists, then you’re going to be disappointed. The only real similarities are that the main character is named Temperance Brennan and that she is a forensic anthropologist.

The story is set in June 1994 in Montreal. Dr. Temperance (Tempe) Brennan is working for the Province of Quebec, examining skeletal remains of various types discovered around the city. When she notices some similarities between dismembered murder victims, she becomes convinced there’s a serial killer at work and must convince the detectives—one highly skeptical (Claudel) and one more receptive (Ryan)—of her theory. There’s a lot of emphasis on forensic technique and quite a bit of detail on Tempe’s findings; though the squeamish might find the latter too abundant, they are at least never relished. Meanwhile, the killer is annoyed by Tempe’s interference and begins leaving grisly presents in her yard and targeting her friends and family.

Déjà Dead is at its best when slathering on the suspense. Probably my favorite scene in the book is a wonderfully spooky one in which Tempe hears a weird noise at night and must investigate its origins. And there are some genuine surprises, too. I didn’t expect that any real harm would come to anyone Tempe cared about, and I liked that the culprit was not easily predicted. The characters are memorable and I really like her kitty, Birdie. My favorite line in the book relates to his grooming process: “Birdie focused on inter-toe spaces.”

At its worst, Déjà Dead puts its heroine into situations where I am supposed to be concerned for her peril but am instead annoyed. Why, oh why, do you go investigate a possible burial site on a dark and stormy night? Why go loiter in the seedy part of town in the wee hours to tail a creepy perv? I guess this is supposed to show how brave and determined she is and that my disapproval shows what a stodgy prig I am. Also, having Claudel’s resistance to the serial killer theory persist for so long in the face of overwhelming evidence doesn’t make much sense. He’s not a stupid man.

Despite my few complaints, I did enjoy Déjà Dead overall. By the end, Tempe is getting along especially well with Ryan and it seems possible that she and the intriguing Claudel might interact more compatibly in the future. Both of these developments are welcome, and compel me to seek out the second installment.

In the Teeth of the Evidence and Other Mysteries by Dorothy L. Sayers: B

From the back cover:
A fleeing killer’s green mustache. A corpse clutching a note with misplaced vowels. A telephone with the unmistakable ring of death. A hopeful heir’s dreams of fortune done in when nature beats him to the punch. A playwright’s unwatered-down honor that is thicker than blood.

In each case, the murder baffles the local authorities. For his Lordship and the spirited salesman-sleuth Montague Egg, a corpse is an intriguing invitation to unravel the postmortem puzzles of fascinating falsehoods, mysterious motives, and diabolical demises.

Review:
In the Teeth of the Evidence and Other Mysteries is a collection of short stories, not all of them technically mysteries. Two feature Lord Peter Wimsey, five star Montague Egg, and the other eleven tell of wanted criminals, murderous relations, unpleasant smells, and more!

The two Lord Peter stories, “In the Teeth of the Evidence” and “Absolutely Elsewhere,” are not very exciting. They’re better than some of the Wimsey stories in previous collections, but coming off a novel like Busman’s Honeymoon in which Peter’s character is explored in greater depth than ever before, they seem incredibly lacking by comparison. It’s like we’re seeing a mere shadow of the person we’ve come to know, and anyone could have taken his place without altering the story one bit.

Montague Egg’s stories are somewhat more entertaining, although they share the common trait of ending abruptly. The focus here is on Egg’s cleverness, and once the clues have been interpreted to work out the method of the crime or the culprit, the stories tend to just stop. I suppose it isn’t really necessary to show the criminal being apprehended, and perhaps this would grow repetitive after a while, but the suddenness of the conclusions is jarring all the same.

The best and worst of the collection can be found in the stories with no detective character. Standouts include “The Milk-Bottles,” in which a week’s worth of milk bottles accumulating on a doorstep leads to suspicions of a terrible crime, and “Dilemma,” in which various tough decisions of the “which one would you save?” variety are debated. This last isn’t even a mystery at all, but just a really good story with a nice ending.

Several of the stories have amusing endings, in fact, though just as many have predictable ones, and a few seem absolutely determined never to end. One of the most tiresome for me was “Nebuchadnezzar,” which features a party attendee who becomes convinced that a group playing charades is about to reveal the fact that he murdered his wife. I think we spend too much time in his head as he freaks out, and it becomes annoying. Similarly, parts of “The Inspiration of Mr. Budd,” about a hairdresser who realizes that his customer is a wanted criminal, are irritating as the protagonist dithers about what to do, though this one redeems itself in the end.

While nowhere near as good or satisfying as a Wimsey novel, and barely offering anything about that noble sleuth, In the Teeth of the Evidence is still notable for containing some very good short stories by Sayers. I’m glad I read it.

Yokan 1: Premonition by Makoto Tateno: B-

Akira is the lead singer of a visual kei band and has somewhat of an attitude. He doesn’t care about the fans’ enjoyment, only his own, and refuses to sing anything he didn’t write himself. That is, until he overhears mainstream entertainer Hiroya Sunaga singing one of his own compositions. For the first time, Akira’s obsessed by someone else’s music and makes it his mission to get Hiroya to abandon his “adequate” career and really sing seriously.

Once again, Makoto Tateno has crafted a BL story with a fair amount of plot and a minimum of romance. Yes, Akira and Hiroya eventually become lovers, but there’s always an atmosphere of challenge to their encounters. In dragging Hiroya back into a world he left behind, Akira is creating a rival for himself, setting up a standard to be surpassed.

While this concept is promising, Yokan is far from perfect. When Akira first expresses interest in singing his song, Hiroya demands payment. Readers expect this to be sex, but in fact, he only claims a kiss. This led me to hope the story would be free from a nonconsensual scene, but this is unfortunately not the case. The bonus story, “Sinsemilla,” is also pretty horrible, featuring one character dosing another with an aphrodisiac and said victim later suggesting that the drug made him gay. “I was completely hetero before!”

I liked Yokan well enough to continue to the second volume, but it probably won’t be everyone’s cup of tea.

Review copy provided by the publisher. Review originally published at Manga Recon.

Announcing Shounen Sundays

MJ (of Manga Bookshelf) and I have often talked about our ardent love for shounen manga. Shounen manga’s actually what got MJ into the medium in the first place, and I’ve lately been enjoying a reading spree through my library’s Shonen Jump collection. Unfortunately, our conversations have been somewhat limited because neither of us has read the other’s favorite series. Awesome as it is, there’s only so much fangirling one can do over a mutually adored title like Hikaru no Go. With that in mind, the idea for Shounen Sundays was born.

Here’s how it works: each Sunday in June, MJ and I will post a review of a shounen manga that is new to us, two that are among the other’s favorites and two of our own choosing. For MJ I have recommended Slam Dunk and One Piece, and for me she has chosen Fullmetal Alchemist and Claymore. (Yes, we know none of these actually ran in the real Shounen Sunday.)

The goals of our experiment are multifarious. As manga reviewers, there’s the desire to be at least familiar with as many different series as possible. To an inveterate hoarder like me, there’s the guilt-assuaging opportunity to actually read the things that I own. And to a couple of enthusiastic friends, there’s the anticipation of introducing someone to a story that you really, really love and hoping with fingers crossed that they’ll love it, too.

We hope you’ll check back with us throughout the month. This post will be kept updated with the latest entries in our endeavor.

WEEK ONE:
Michelle: Fullmetal Alchemist, Vols. 1-2
MJ: Arata: The Legend, Vols. 1-2

WEEK TWO:
Michelle: Spiral: The Bonds of Reasoning, Vols. 1-3
MJ: Slam Dunk, Vols. 1-2

WEEK THREE:
Michelle: Claymore, Vols. 1-2
MJ: Black Butler, Vols. 1-2

WEEK FOUR:
Michelle: Saiyuki, Vols. 1-3
MJ: One Piece, Vols. 1-3

Fullmetal Alchemist 1-2 by Hiromu Arakawa: B+

I’ve been hoarding volumes of Fullmetal Alchemist for several years. Having heard it praised for its impressive storytelling, I decided to wait until it was nearer to being finished in Japan before starting it, with the idea that I might be spared some of the long waits between volumes that other fans have endured. But now, word is that the end is nigh, and with MJ recommending it to me so ardently, the time has finally come. Cracking open that first volume felt like quite the momentous occasion.

Edward and Alphonse Elric are unlike normal teenage boys. Both studied alchemy as children and when Edward found a way to bring their beloved mother back to life, the boys performed the ritual without a second thought, not realizing—in the “equivalent exchange” demanded by alchemy—that it would cost Edward his left leg and Alphonse his entire body. After exchanging his right arm for Alphonse’s soul, Edward grafted the soul into the one human-shaped thing that was handy at the time: a suit of armor. Edward is haunted by this mistake, not to mention the memory of what they actually managed to resurrect for their sacrifice, and his primary concern is regaining their original bodies. To that end, they travel the world looking for the Philosopher’s Stone, an alchemical power booster that might make this possible.

The brothers’ travels bring them into contact with trouble in various forms. Their first deed is to expose an alchemist posing as a religious figure, followed by freeing occupants of a mining town from the corruption of a military official and foiling a train hijacking. While this is going on, Edward is also trying to learn as much as he can about biological transmutation. In the second volume, his research leads him to a state alchemist who’s had some success in this area, which in turn takes the story down a very dark avenue involving human experimentation and a vigilante named Scar who takes it upon himself to execute alchemists who have violated the laws of nature.

I knew exceedingly little about Fullmetal Alchemist going into this, which is great. I knew about the brothers’ injuries, though not how they obtained them, and I knew they’d meet a mechanically inclined girl at some point. That’s it. As a result, I was surprised by a number of things as I read, including the presence of comedy. I’m not sure why I thought there wouldn’t be any, but having lighthearted moments sprinkled throughout is definitely welcome, especially once the story delves into more disturbing territory. I particularly love anything that shows that Alphonse, trapped inside a hulking steel shell, is really just a kid.

I was also surprised (and impressed) that the series tackles the religion vs. science question right away with the story of the fraudulent holy man. This also provides an opportunity to introduce Edward’s feelings about alchemy: because alchemists strive to understand the laws of nature, they are perhaps the closest to God that a human can achieve, but overstepping certain bounds—he likens this to the hubris of Icarus—leads only to sorrow and pain. His conflicted feelings resurface several times in these two volumes; one gets the idea that he would like to avoid the very kind of alchemy he’s been researching, but because it’s his best chance at bodily restoration, he’s got no choice.

Lastly, I was downright shocked by some things in the second volume. Somehow, I had expected the Elric brothers to save Nina, the child of a desperate alchemist about to lose state funding, from her father’s experimentation, but this was not to be. Similarly, I expected them to escape grievous bodily harm when fighting Scar so imagine my surprise when both are gravely injured in volume two. That’s just not normal! Shounen heroes are supposed to sustain wounds that would kill an average guy three times over and then get up for more!

I had originally planned to read three volumes for this review, but so much had happened by the end of volume two that I required time to digest it all. I’m used to a shounen manga’s second volume being the stage of the story where some wacky episodic hijinks introduce our hero to the rivals who’ll eventually become part of his entourage. It’s usually not until half a dozen volumes later that you glimpse the real meat of the story. Not so with Fullmetal Alchemist, which lulls you into expecting that episodic setup but makes with the buildup and continuity right away. I can already tell, and believe me that I mean this as a most sincere compliment, that this is going to be one challenging series.

Fullmetal Alchemist is published in English by VIZ. There are 22 volumes currently available, with volume 23 due out next month. We’re pretty close to being caught up to Japan, where volume 25 just came out in late April.