Like Elizabeth George, Deborah Crombie is an American writing about Scotland Yard detectives in England. Her works come recommended by a friend who knows and shares my taste in mysteries, and now that I’ve been overtaken by a powerful urge for a mystery binge, I am finally checking them out. There are presently sixteen books in the series; I plan to tackle them in four installments.
A Share in Death
Newly promoted Detective Superintendent Duncan Kincaid is in Yorkshire on holiday, taking his cousin’s place at a timeshare for a week. He intends to keep his profession a secret from his fellow guests, but when he discovers the body of an employee floating in the pool, he can no longer maintain his anonymity. And, despite his attempts to convince himself that it isn’t his case, he also cannot resist getting involved with the investigation.
In some ways, A Share in Death is a traditional British cozy mystery. Kincaid’s not an amateur, as many sleuths tend to be in those sorts of mysteries, but the action does take place in a small village and involves a finite cast of suspects, some of whom have preexisting relationships. Crombie has a way with physical descriptions that is admirable—she doesn’t expend excess words in the act, but yet I somehow came away with a distinct picture of each individual guest—and between this and the cozy feel, the experience of reading this book was rather like watching my own mental PBS mystery program!
It’s not a perfect book—one secret held by a guest was not difficult to work out, and I’m not entirely sure that everything about the resolution makes perfect sense—but it was still on the whole very enjoyable. Engaging and not intellectually demanding, it managed not to come across as fluffy or trivialize the act of murder. I very much look forward to continuing with this series, and especially hope to see more of Kincaid and his capable Sergeant, Gemma James, working together (as opposed to separated by distance, as they were here).
All Shall Be Well
Like the first book in the series, All Shall Be Well involves a murder that has taken place in close proximity to Duncan Kincaid. This time it’s his cancer-stricken friend and neighbor, Jasmine Dent, whose death might’ve been assumed to be natural had not Duncan been suspicious and ordered a postmortem, discovering that Jasmine died of an overdose of morphine. Suicide is a possibility, but certain details prevent Duncan from accepting that conclusion.
Again, there is a short list of suspects, with the strongest suspicion resting upon the douchebag boyfriend of the former coworker to whom Jasmine has left the bulk of her estate. And yet, the end result doesn’t feel as typically cozy as A Share in Death because Duncan’s investigation takes him far and wide in search of clues. Happily, there is also much more interaction with Gemma in this book. (I especially liked that Duncan made a point of comparing her to the aforementioned coworker and how the latter inspired parental feelings but the former certainly did not.) There is also a very positive outcome regarding Jasmine’s kitty about whom I worried for the entire book.
I am really enjoying this series so far, and looking forward to the third book, in which Duncan seems to shed his Jessica Fletcher murder-magnet ways and is actually assigned a case!
Leave the Grave Green
Okay, Leave the Grave Green is definitely my favorite of the series so far. Instead of a murder happening in Duncan’s vicinity, this time he and Gemma are assigned to the case of Connor Swan, an apparent drowning victim who also had handprints on his throat. He is the son-in-law of a famous and influential couple in the opera scene, thus Scotland Yard’s involvement.
I thought it was interesting that there was essentially no physical evidence to consider, with the autopsy being inconclusive about what exactly happened, so the case was more-or-less solved by talking to the same half dozen or so characters, over and over, with each revealing things they had neglected to mention in previous conversations until finally, Duncan works out what must have happened. It’s not as tidy of a conclusion as they could wish from a prosecutorial standpoint, but it’s satisfying enough for readers.
There was one instance where a clue about a particular family link was a little too obvious, but ultimately, I did not peg the likely culprit. I also appreciated spending more time with Duncan and Gemma’s partnership, complete with a burgeoning physical attraction that culminates in something that they have fascinatingly contrary reactions to afterwards. And, lastly, I didn’t even dare to hope that we’d get a kitty update, but not only did we, but Crombie also kindly told us who was looking after him while Duncan was away on the case. This degree of solicitude made me suspect Crombie must have cats herself and, verily, her bio confirms it.
Mourn Not Your Dead picks up a few days after the conclusion of Leave the Grave Green. Gemma has been avoiding Duncan, but must come into work when they are assigned to the case of a high-ranking police officer found bludgeoned to death in his home. In retrospect, the case itself isn’t terribly fascinating or twisty, but there’s a remarkably solid and memorable cast of suspects and locals, and the undercurrents between Gemma and Duncan make this quite a riveting read.
They are envisioning wildly different outcomes, and Duncan is hurt and baffled when Gemma calls what happened between them “a dreadful mistake.” I loved that he hadn’t even considered how she might worry about and wish to prioritize her career, and I loved too that he told her she had no need to apologize for what she felt or didn’t feel. It was a nice way of showing that he’s got some flaws, but also deeply respects Gemma’s agency. I also really enjoyed the way they gradually regained some equilibrium and how the case helped put some things in perspective.
I love mysteries where the leads are just as interesting as the cases, and this is definitely such a series. Onward, ho!