Booked to Die by John Dunning: C-

bookedtodieFrom the back cover:
Denver homicide detective Cliff Janeway may not always play by the book, but he’s an avid collector of rare and first editions. After a local bookscout is killed on his turf, Janeway would like nothing better than to rearrange the suspect’s spine. But the suspect, sleazeball Jackie Newton, is a master at eluding murder convictions. Unfortunately for Janeway, his swift form of off-duty justice costs him his badge.

Review:
Denver Detective Cliff Janeway has a grudge against one particular thug named Jackie Newton. Newton has managed to elude prosecution for the various crimes that Janeway is sure he has committed and Janeway has developed an obsession with pinning something on him, so much so that when a bookscout is found dead with a method of death similar to other crimes attributed to Jackie, Janeway immediately leaps to the conclusion that Jackie must be responsible and spends the first half of the book almost exclusively pursuing Jackie Newton rather than considering any other leads. He flagrantly breaks established rules of policework time and again and eventually loses his badge over it.

And we are supposed to like this guy?! I can’t shake the idea that author John Dunning worried that readers might find a sleuth who collects books to be too wimpy, so he took steps to make sure he’s seen as a macho tough guy. All of the posturing to that end gets exceedingly boring, and there was one section, featuring an unsympathetic doormat who’s essentially determined to do nothing to stop Jackie’s abuse and harrassment, during which I realized I hated every single character in the book, with the possible exception of Janeway’s long-suffering partner.

Thankfully, once Janeway gives up being a cop and opens an antiquarian bookstore instead, things improve a great deal. His contact with Jackie is reduced—aside from the lawsuit Jackie files after Janeway hauls him off into the middle of nowhere and beats the crap out of him—and there’s a good deal of interesting detail about setting up his shop and hunting for treasures. After a three month interval, however, Janeway begins to get embroiled in the now-cold case of the bookscout’s murder and once again uses whatever methods he damn well pleases to get to the bottom of it.

While the second half of the book is definitely better than the first, I can’t say that I really am much impressed with the mystery itself. It involves too many indistinct characters for one thing, and for another is just plain boring and predictable. Janeway continues to make a lot of assumptions about things, and seemingly has no compunction with carting away boxes of evidence (rare and valuable books) rather than leave it for police to find. I have to wonder whether anything he uncovered would ever be admissable in court. During the investigation, he also strikes up a relationship with a lady (I fight the compulsion to call her a dame, in the tradition of hard-boiled mysteries of yore) and, in Dunning’s attempt to depict how gritty and visceral their attraction is, keeps his gun in his hand throughout their first moment of intimacy. The lady is apparently fine with this, since she has a thing for violent dudes.

Ultimately, Booked to Die is a big disappointment. The idea of a mystery series with a bookseller as amateur sleuth has definite appeal, but there are so many things I dislike about the actual execution that I don’t think even the lure of booky goodness could entice me to continue with the series.

Additional reviews of Booked to Die can be found at Triple Take.

Manga on the Small Screen

The advent of free and legal streaming anime is upon us! Even though I no longer consider myself much of an anime fan—outside of a few nostalgic favorites—it’s hard to resist the lure of a free (and legal!) opportunity to see how some of my favorite manga series have been adapted for the small screen.

To that end, I visited three websites offering streaming anime and checked out the first episodes of Ghost Hunt, Skip Beat!, and Honey and Clover, all series I have enjoyed in their manga form. Here are the results!

ghosthunt500
Ghost Hunt — Ep. 1 “Evil Spirits All Over!?, Part 1”
How I watched it: subtitled
Where I watched it: FUNimation Videos

When high school student Mai Taniyama breaks an expensive camera belonging to Shibuya Psychic Research and injures the boss’s assistant, she is drafted into becoming a substitute and enters into the world of ghost hunting. Rumors of strange accidents abound about an old, abandoned building on school grounds and the principal has hired several notable mediums, exorcists, and researchers to get to the bottom of what’s going on. This first episode introduces the characters who’ll be working together for the rest of the series, but doesn’t get much beyond that to the meat of the case in question.

The first thing to strike me was the quality of the animation. One of the big flaws about Ghost Hunt as a manga (itself an adaptation from a series of novels) was that Mai’s character design was liable to change dramatically from volume to volume. The anime has chosen a style closest to her latest manga incarnation, and it looks quite attractive. Additionally, another character who was always supposed to be pretty finally merits that description.

The case itself doesn’t play as creepily as it did in the manga, though there are definitely some attempts to promote a spooky vibe, like the fabulous orchestral opening theme. It’s too bad the closing theme is so plain by comparison.

Overall, I was pretty pleased with this adaptation. As near as I can remember, it follows the manga faithfully and even improves upon it in some ways. I’m not sure it excites me enough to keep on with the rest of it, though.

skipbeat500
Skip Beat! — Ep. 1 “And the Box was Opened”
How I watched it: subtitled
Where I watched it: Crunchyroll

Kyoko Mogami has come to Tokyo to lend support to her childhood friend Sho in his bid for stardom. And by lend support I mean slave away night and day to pay for his expenses, do his laundry, cook his meals, et cetera. She thinks they’re special to each other, but when she overhears him telling his manager what he really thinks of her, she loses it and vows to get her revenge.

This seems like a pretty accurate adaptation of the beginning of the manga. Some of the comedy bits are a bit too loud and zany for me, but I can’t complain much because those elements are in the manga, too. Kyoko’s transition from accommodating to vengeful is well done—it looks a bit like a magical girl transformation sequence—and I actually rather like her voice so far, even though I’d heard from others that she can come off a bit shrill.

I don’t really like Sho’s voice, though, and find the music boring and the animation sloppy at times. Still, this is the one series of the lot that tempted me to proceed directly on to episode two. The prospect of seeing Kyoko’s auditions and acting jobs animated sounds pretty appealing and I simply must see Lory.

honeyclover500
Honey and Clover — Ep. 1 “I Saw Someone Fall in Love for the First Time”
How I watched it: subtitled
Where I watched it: Hulu

Honey and Clover is the story of a bunch of students attending an art college. In the first episode, sophomore architectural student Takemoto meets freshman Hagumi (hereafter referred to as Hagu), the daughter of his professor’s cousin, who has come to the school to study. She is tiny, dainty, and shy and Takemoto is instantly smitten. Meanwhile, we’re also introduced to some other students whose romantic woes will play a bigger part in the story later on.

Rather than adapt manga to anime in a straightforward way, the creators of the Honey and Clover anime have done something a bit different with the material, seeking to reinterpret it with Takemoto’s solitary bicycle journey (which doesn’t happen until volume five or six of the manga) as a framing device for the early events of the series. It’s an interesting and thoughtful choice. Unfortunately, their changes also extend to the insertion of unnecessary scenes, like one in which Hagu (quite literally) runs into Yamada.

Ultimately, despite its innovations, the anime of Honey and Clover is the one I like least of the three, and that is likely because the manga is the one I like best. The difference in tone is too great from what I have imagined for me to really enjoy it.

Also, I must add that this series probably has the strangest opening credits I’ve ever seen. You’ll never look at a shrimp cocktail the same way again.

Summer Fun with Shonen Jump

tegamibachiI reviewed four summer releases from VIZ’s Shonen Jump imprint for a post over at Comics Should Be Good.

On the agenda are:
Tegami Bachi: Letter Bee 1 by Hiroyuki Asada: B-
It’s very pretty and atmospheric, but some aspects of the story are rather cheesy. I will probably still check out volume two, though.

Gin Tama 13 by Hideaki Sorachi: D
I know some find this series amusing, but it would seem I’m not among them. Like… really really not among them.

Wāqwāq 1 by Ryu Fujisaki: C+
The plot’s convoluted and the art is muddled but I’ll be damned if I didn’t still kind of like it.

Naruto 45 by Masashi Kishimoto: C
Most of this didn’t make sense to me and what did make sense was very silly. Also, Sasuke is a total angstmuffin.

All in all, it was a fun experiment but I’ve kind of had my fill of shounen for the time being.

Review copies provided by the publisher.

Animal Academy 2 by Moyamu Fujino: C+

The second volume of Animal Academy is much the same as the first. Neko Fukuta and her shapeshifting animal classmates engage in low-key adventures like searching for a lost camera or deciding which club to join. There’s one chapter entitled “Hunt for the Hair Clip,” which should give you an idea of what kind of stories to expect. Some imparting of lessons about friendship is also involved—nominally for the animals attempting to pass as human but presumably for the readers as well—but is handled with some subtlety.

The transition between these everyday moments and some darker aspects of the tale is handled less well, however, making for some jerky segues. I’m actually kind of interested in the bigger mystery that seems to be brewing, but I lack confidence that it’s going to escalate in any kind of meaningful way. Still, it’s early days yet and Animal Academy might just surprise me. I certainly like it more than I’d expected to based on the premise alone.

Review copy provided by the publisher. Review originally published at Manga Recon.

Black Bird 1 by Kanoko Sakurakoji: B-

blackbird1Misao Harada has always been able to see spirits, but when she turns sixteen, things suddenly get a lot worse. Kyo Usui, her childhood friend and first love, returns after a ten-year absence just in time to inform her that she is “the bride of prophecy,” and that now that she is sixteen, all sorts of demons are going to want to drink her blood, eat her flesh, and/or marry (read: sleep with) her, all of which will confer some benefit to the demon, be it eternal youth or prosperity for his/her clan. Kyo is a demon himself—a tengu, as it turns out—and appoints himself Misao’s protector, fending off other demons while pressuring her to become his bride.

There are several very good reasons why I shouldn’t like Black Bird. In the first place, it’s another supernatural romance where the somewhat ditzy heroine is possessed of delicious-smelling blood that inspires the hottest guys around to fight over her. In the second, Misao’s childhood memories of Kyo have left her waiting for some guy to show up and protect her from the spirits who’re harrassing her. And thirdly, when Kyo does arrive to perform that function, he does things like fly up into the air with Misao (who is scared of heights) in his arms in order to encourage her to cling to him, saying, “You can’t live without me. I have to teach your body that.” Creepy! That’s just a step away from, “Why are you making me hurt you?” in my book.

And yet, I did like Black Bird, at least more than I’d expected to. Misao, though she’s weak in some ways, is adamant about not becoming Kyo’s bride—even though she’s attracted to him—because she believes he’s only interested in the prosperity that sleeping with her would grant his clan. These doubts also come into play for some fine drama later on when a tricky kitsune (fox demon) arrives and points out that it’s likely not a coincidence that Kyo was Misao were childhood friends, that Kyo must’ve been establishing that early relationship in order to foster a preference for him in Misao’s mind down the road. The notion that her precious memories might all be a sham leads Misao to push Kyo away, though of course he persists in protecting her anyway. It’s angsty, but good.

Sakurakoji’s artwork is attractive, and even though Misao and the rest of the cast boast rather humdrum character designs, Kyo really stands out, making it easy to see why Misao would be so captivated by him. Also, while I’m genuinely not one for smutty scenes, the ones in Black Bird rely more on suggestion than explicit detail, making them all the more sexy.

In the end, Black Bird really is nothing more than your standard wish-fulfillment fantasy. And I think I’m okay with that.

Black Bird is published in English by VIZ. The series is still ongoing in Japan, where eight volumes have been released so far.

Review copy provided by the publisher. Review originally published at Manga Recon.

Crimson Hero 11 by Mitsuba Takanashi: B

crimson11The Crimson High girls’ volleyball team has made it to the third round of the Newcomers’ Tournament and is facing its first serious challenge. Things are going well and they win the first set, but when the opposing team intentionally wounds Crimson High’s star setter, there’s no one who can fill in. Instead, the Crimson High girls rearrange their strategy to protect their injured teammate and refuse to give up. Their spirit of camaraderie and teamwork inspires their rivals, who are, of course, actually sympathetic girls being led astray by an unaccountably obnoxious coach.

Okay, yes, I completely admit that Crimson Hero can be sappy at times. This whole volume seems calculated to make one verklempt, be it the way that the most inexperienced member of the team demonstrates her growth by scoring the winning point or how the girls from the other team come to regret the way they’ve abandoned their friendships in pursuit of the number one spot on the team. Transparent manipulation like this would usually annoy me, but it just works so well in a sports manga that I can forgive it.

There’s also a little progress on the romantic front. It seems that one of the boys who likes Nobara might still have feelings for his ex-girlfriend, but it’s really nothing to get excited about. I’m just here for the volleyball.

Review copy provided by the publisher. Review originally published at Manga Recon.

Fairy Tail 7 by Hiro Mashima: B+

From the back cover:
Fairy Tail’s rival guild, Phantom Lord, has taken the competition to dangerous levels by smashing the Fairy Tail building and nearly killing three wizards. What is Fairy Tail’s response? A full-frontal assault on Phantom Lord! But this clash is all part of the Phantom Lord’s evil plot to capture a coveted prize.

Review:
Volume seven of Fairy Tail is a lot of fun. The battle between Fairy Tail and Phantom Lord continues on, and not only are some nifty villains introduced on the Phantom Lord side, we also learn more about some members of Fairy Tail who’ve remained in the background thus far. True, a couple of the chapters could be summarized as “Mirajane and Elfman have angst,” but it’s about time some of these folks got some attention.

Showcasing the new faces on both sides means Mashima gets to show off his talent for devising interesting new magical abilities. The most devastating new power to be introduced in this volume is called “drain,” wielded by a wind magic user, which essentially blows a person’s powers right out of them. Elfman turns out to have a pretty cool ability too, and now that he’s overcome his angst enough to use it, I wonder whether he’ll figure more prominently in the story from now on.

Lastly, I must commend Mashima for not taking this in the exact direction I was expecting. I was dreading another entry into the “our heroine is kidnapped by the enemy and our heroes bravely battle to retrieve her” school of shounen plotting, but Lucy surprised me by escaping her confinement pretty quickly. Everyone does still battle because they refuse to hand her over, but at least she wasn’t wholly passive about it.

The Happiest Days of Our Lives by Wil Wheaton: B+

happiest-daysFrom the back cover:
Readers of Wil Wheaton’s website know that he is a masterful teller of elegant stories about his life. Building on the critical success of Dancing Barefoot and Just a Geek, he has collected more of his own favorite stories in his third book, The Happiest Days of Our Lives. These are the stories Wil loves to tell, because they are the closest to his heart: stories about being a huge geek, passing his geeky hobbies and values along to his own children, and painting, as vividly as possible, what it meant to grow up in the ’70s and come of age in the ’80s as part of the video game/D&D/BBS/Star Wars figures generation.

In all of these tales, Wheaton brings the reader into the raw heart of the story, holding nothing back, and you are invited to join him on a journey through The Happiest Days of Our Lives.

Review:
The Happiest Days of Our Lives, a collection of stories by actor, writer, and blogger Wil Wheaton, focuses primarily on childhood and adolescent memories as viewed through the nostalgic lens of an adult and experienced parent. In “Blue Light Special,” for example, Wil tells the amusing story of how he ended up with a Lando Calrissian action figure. “Portrait of the Artist as a Young Geek” charts his entry into the world of gaming. And in “The Butterfly Tree,” he recounts the story of how he got in trouble at school for the first time, and manages to perfectly capture the painful moment when a child first discovers the fallibility of adults, as his teacher punishes him unfairly and his parents fail to defend him. Having had a similar experience myself once (though, happily, with much parental defense), I thought he nailed the feeling precisely.

I’m not a regular reader of Wil’s blog, so nearly all of this material was new to me. Sometimes this worked to my detriment, though, as there were references to other stories—one about a homemade Star Wars toy and the other an in-joke shared between Wil and Jonathan Frakes—that I just didn’t get. Still, growing up in the ’80s myself, there was much with which I identified, like watching Poltergeist and being scared silly (“Close Your Eyes and Then It’s Past”) or forever being tempted to equate raspberry sorbet with a certain song by Prince (“Exactly What I Wanted”).

I also enjoyed stories like “Suddenly It’s Tomorrow,” which is about Wil’s desire need to spend more time with his family. The story that resonated with me the most, though, was “Let Go – A Requiem for Felix the Bear.” This story, about the efforts of Wil and his wife to prolong the life of a sick and beloved kitty, had me in tears. It also made me love Wil quite a lot, not only for the efforts he made to help Felix, but for how profoundly affected he was by his death.

There’s not much negative to say about the collection. A couple of the stories aren’t really stories, but are more just snapshots of recollections, like “Beyond the Rim of the Starlight,” which is about Wil’s experiences attending Star Trek conventions, and “My Mind is Filled with Silvery Star,” in which Wil puts the ’80s music on his iPod on shuffle and writes about the memories that each song conjures up. While I preferred the tales with linear narratives, I still found both pieces to be entertaining. The only real sour note is the final story, “Lying in Odessa,” which has nothing to do with being a geek or being a parent. Instead, Wil writes about an illegal poker tournament that he participated in. Since I am not a poker aficionado, there were many terms that I didn’t understand and I questioned the choice to end with this story and not one of the warm and fuzzy “family togetherness” ones.

I’m not sure the experience of reading The Happiest Days of Our Lives will convert me into a faithful blog-reader, but it has at least sparked an interest in reading Wil’s other books one of these days.

Additional reviews of The Happiest Days of Our Lives can be found at Triple Take.

Crocodile on the Sandbank by Elizabeth Peters: B

From the back cover:
Amelia Peabody, that indomitable product of the Victorian age, embarks on her debut Egyptian adventure armed with unshakable self-confidence, a journal to record her thoughts, and, of course, a sturdy umbrella. On her way to Cairo, Amelia rescues young Evelyn Barton-Forbes, who has been abandoned by her scoundrel lover. Together the two women sail up the Nile to an archeological site run by the Emerson brothers—the irascible but dashing Radcliffe and the amiable Walter.

Soon their little party is increased by one—one mummy, that is, and a singularly lively example of the species. Strange visitations, suspicious accidents, and a botched kidnapping convince Amelia that there is a plot afoot to harm Evelyn. Now Amelia finds herself up against an unknown enemy—and perilous forces that threaten to make her first Egyptian trip also her last…

Review:
Amelia Peabody is a proud and independent 32-year-old spinster who has decided to put her inheritance to use by doing some traveling. After coming to the rescue of Evelyn, a young woman who’d collapsed in the streets of Rome, the two of them travel to Egypt where they meet the Emerson brothers, do some excavating, and are harassed by a supernatural menace.

While I liked most of the characters as well as Amelia’s blindness to her growing feelings for the elder Emerson brother and Evelyn’s amused awareness of same (You’ve heard of Pride and Prejudice and Zombies? Well, this is Pride and Prejudice and Mummies), I found the mystery plot of the novel to be incredibly obvious. In fact, very early on I predicted to a friend (who’d already read it) not only the identity of the culprit but some of his/her specific nefarious deeds. Later on, Amelia herself confirmed my impression by saying, “The plot now seemed so obvious I felt a child ought to have detected it.”

Still, the flaws in the plot have not dissuaded me from continuing with the rest of the Amelia Peabody books. The first volumes of mystery series are seldom the strongest, so I assume some improvement is in order. And besides that, I simply want to read more about Amelia and Emerson and their love, which seems to be equal parts withering scorn and impassioned smooching.

10, 20, and 30 7 by Morim Kang: B+

102030-7Morim Kang’s warm, family-oriented manhwa comes to a close in its seventh volume, bringing the tales of thirty-something Krumb, twenty-something Belle, and teenager Rok to a satisfying close. Each woman has faced personal and romantic challenges throughout the course of the series, and the ending resolves nearly all of these plot lines well while still retaining the sense that life will go on for these vibrant characters.

My one complaint about the conclusion involves the resolution of a subplot concerning an art teacher of Rok’s who became obsessed with her and who, it was suggested, suffered from mental illness. One of Rok’s friends does a bit of investigating but the solid truth behind his mysterious behavior is never known; I suppose that’s true to life—we sometimes never know the motivations of those who puzzle us—but it’s frustrating from a reader’s standpoint.

I’m not sure what the Korean equivalent of josei is, but whatever it is, I bet 10, 20, and 30 qualifies. Although there are some teens among the cast, two-thirds of the focus is on Krumb and Belle and their forays into the workplace and the dating scene. Though its tone is quite different from Mari Okazaki’s lamentably languishing Suppli, I’d recommend it as a possible consolation read for fans of that series. If nothing else, it’ll make you feel like hugging your mom.

Review copy provided by the publisher. Review originally published at Manga Recon.