Boys Over Flowers 29-35 by Yoko Kamio: B

August 23, 2009 by 9 Comments

These seven volumes leading up to the conclusion of Boys Over Flowers, which now has the distinction of being the longest shoujo series I’ve read, feature some pretty drastic reversals of fortune. Through spontaneous trips to New York City, love confessions from unexpected sources, kidnappings, deserted islands, stabbings, and amnesia, Tsukushi and Tsukasa endure a whirlwind of on again, off again romance that can leave the reader rather dizzy.

Because it’s better simply to go with the shoujo flow than try to reconstruct a linear account of what happens, I’m going to forgo any attempt at a comprehensive summary and instead write a little bit about each volume individually.

Volume 29: B
boysoverflowers29Tsukasa is convinced that he can make his mother understand his feelings for Tsukushi. The two of them have a very sweet date, one of their first that’s uniformly happy, with visits to pet stores and attendance at a baseball game. Alas, this game is the scene for a record-breaking home run for an American player, and Tsukushi’s catch of the ball ends up televised in New York, where Tsukasa’s mother happens to see it. She yanks Tsukasa back to New York, and Tsukushi pluckily follows.

After a couple of dumb chapters wherein Tsukushi just happens to run into someone she knows, things pick up again when she finally gets to see Tsukuasa. He coldly tells Tsukushi to go home and that he’s staying in New York of his own volition. She is stunned, but then sweet Rui arrives to lend her his support.

Volume 30: B+
boysoverflowers30Rui reveals that he is in love with Tsukushi. Although they don’t really work as a couple—the one date they had in the past was pretty awkward—I still see why they’d be drawn together. There’s a certain aura that Rui exudes, a strong, wistful kind of pull, that produces romantic angst of such a wonderful quality that it quite literally makes my heart ache a little. Even better is that this time, Tsukushi’s feelings for Tsukasa don’t waver in the slightest.

On the annoying side of things, Tsukushi just accepts Tsukasa’s cold dismissal and is on the verge of returning to Japan, when Kaede turns up at the airport and gives her one wish (in return for helping save a business deal). Tsukushi wishes for Tsukasa to keep his promise to have a hot pot dinner with her. A few days later, Tsukasa returns to Japan to spend just one day with Tsukushi, and it’s wonderfully sad and they’re about to have a tearful goodbye when suddenly some thugs with tasers arrive and kidnap them.

Volume 31: B
boysoverflowers31Tsukushi and Tsukasa awake to find themselves on a ship set on auto-pilot. When they arrive at a deserted island, Tsukasa proves himself surprisingly reliable by catching some dinner and, as they explore their surroundings, he reveals why he sent her away in New York and Tsukushi finds the courage to declare that she never wants to be separated from him again. Predictably, it turns out that their friends were behind the kidnapping, but neither Tsukushi nor Tsukasa is mad, since Tsukushi feels the experience has taught her what’s really important to her and Tsukasa decides that he’s going to leave his family.

Alas, Tsukasa’s sudden disappearance has hit the news. There’s a media frenzy upon his return and, in the commotion, he ends up getting stabbed by a guy with a grudge against his family. “Why is it,” Tsukushi wonders, “that every time I’m about to grasp that hand it just slips through my fingers?”

Volume 32: B-
boysoverflowers32Tsukasa nearly dies from his injuries, but miraculously recovers, though he has amnesia as a result and can’t remember Tsukushi. This ailment is untimely since, in grudging gratitude for Tsukushi’s life-saving actions after Tsukasa’s attack, Kaede says she’ll consider her son dead for one year. Throughout the rest of the volume, Tsukasa continues to be unable to remember Tsukushi while a very annoying, supposedly innocent girl at the hospital begins spending a lot of time with him.

A new romantic rival this late in the game is irritating. It’s strange—previous volumes prove I can accept and be entertained by all kinds of ridiculous drama, but this arc is just incredibly frustrating. I do like that we get a glimpse of a softer side of Kaede, though, and hope that it’ll be followed up on in the future.

Volume 33: B-
boysoverflowers33The amnesia plot persists and Umi continues to hang around Tsukasa, prompting him to wonder if perhaps she is the person he’s forgotten and taking credit for making a bento lunch that he found nostalgic somehow. Kamio-sensei attempts to portray Umi as naive and oblivious rather than calculating, but it doesn’t really work for me and I still hate her unreservedly. Thankfully, Tsukasa begins to realize that being with her simply doesn’t feel right and eventually scares her away with his temper, still awful when not modulated by Tsukushi’s influence.

Tsukushi, meanwhile, has become convinced that the Tsukasa she loves no longer exists and decides to see him one last time to return the mementos of their relationship. The encounter angers her enough to bean him in the head with the baseball she caught on their date and viola, his memories return. I’m more relieved than anything else, though there are certainly some nice moments after their reunion. The volume ends with them heading out to enjoy the freedom granted by their one-year grace period, promising to think about what to do after that when the time comes.

Volume 34: B+
boysoverflowers34Now that Tsukushi and Tsukasa are back on the right path—though Tsukushi can’t quite believe that it’s not going to all fall apart again, given their track record—focus shifts back to the subplot involving Yuki and her feelings for Sojiro. After helping him to attain a bit of closure regarding the one girl he ever really loved, she’s been keeping her distance. When they reconnect at a dinner to celebrate Tsukasa’s recovery, he offers to do something for her to repay her actions, and she asks him to instruct at her school’s Tea Club, unaware that the Sara in the club is the very girl that Sojiro once loved.

Angst ensues, but it’s enjoyable. Yuki is a strong and likable character (whose increasingly mature outlook has been an inspiration for our heroine), Sojiro has some unexpected layers, and it’s nice to give the main couple a break sometimes and let others bear the brunt of the drama burden for a while.

Volume 35: B
boysoverflowers35The Yuki/Sojiro storyline plays out to its conclusion and it’s awesome. Less awesome, alas, are the developments with our main couple. They couldn’t possibly be allowed to enjoy the year of freedom they’ve been granted! Instead, Tsukasa’s father collapses and he decides to go off to New York after graduation and take the reins of the company, leaving he and Tsukushi only a few more days together.

Firstly, this is entirely out of the blue and runs contrary to what Tsukasa was just saying a few volumes ago, about how he’s going to leave the family and all that. Secondly, as his departure approaches, the story turns into a tour of memories, with random reappearances by side characters that I don’t really care about.

All in all, of these volumes, I loved the scenes between Tsukushi and Rui the most, followed by the resolution to the Yuki and Sojiro story. There are some really great moments with the main couple in there, but the amnesia plot and this latest announcement of Tsukasa’s kind of bum me out in that department. Instead of being excited at the prospect of what the final volume will bring, I’m now kind of wary.

Filed Under: Manga, Shoujo Tagged With: ,

Summer Fun with Shonen Jump

August 18, 2009 by Leave a Comment

tegamibachiI reviewed four summer releases from VIZ’s Shonen Jump imprint for a post over at Comics Should Be Good.

On the agenda are:
Tegami Bachi: Letter Bee 1 by Hiroyuki Asada: B-
It’s very pretty and atmospheric, but some aspects of the story are rather cheesy. I will probably still check out volume two, though.

Gin Tama 13 by Hideaki Sorachi: D
I know some find this series amusing, but it would seem I’m not among them. Like… really really not among them.

Wāqwāq 1 by Ryu Fujisaki: C+
The plot’s convoluted and the art is muddled but I’ll be damned if I didn’t still kind of like it.

Naruto 45 by Masashi Kishimoto: C
Most of this didn’t make sense to me and what did make sense was very silly. Also, Sasuke is a total angstmuffin.

All in all, it was a fun experiment but I’ve kind of had my fill of shounen for the time being.

Review copies provided by the publisher.

Filed Under: Fantasy, Manga, Sci-Fi, Shounen Tagged With: , ,

Animal Academy 2 by Moyamu Fujino: C+

August 17, 2009 by Leave a Comment

The second volume of Animal Academy is much the same as the first. Neko Fukuta and her shapeshifting animal classmates engage in low-key adventures like searching for a lost camera or deciding which club to join. There’s one chapter entitled “Hunt for the Hair Clip,” which should give you an idea of what kind of stories to expect. Some imparting of lessons about friendship is also involved—nominally for the animals attempting to pass as human but presumably for the readers as well—but is handled with some subtlety.

The transition between these everyday moments and some darker aspects of the tale is handled less well, however, making for some jerky segues. I’m actually kind of interested in the bigger mystery that seems to be brewing, but I lack confidence that it’s going to escalate in any kind of meaningful way. Still, it’s early days yet and Animal Academy might just surprise me. I certainly like it more than I’d expected to based on the premise alone.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Fantasy, Manga, Shounen Tagged With:

Black Bird 1 by Kanoko Sakurakoji: B-

August 16, 2009 by Leave a Comment

blackbird1Misao Harada has always been able to see spirits, but when she turns sixteen, things suddenly get a lot worse. Kyo Usui, her childhood friend and first love, returns after a ten-year absence just in time to inform her that she is “the bride of prophecy,” and that now that she is sixteen, all sorts of demons are going to want to drink her blood, eat her flesh, and/or marry (read: sleep with) her, all of which will confer some benefit to the demon, be it eternal youth or prosperity for his/her clan. Kyo is a demon himself—a tengu, as it turns out—and appoints himself Misao’s protector, fending off other demons while pressuring her to become his bride.

There are several very good reasons why I shouldn’t like Black Bird. In the first place, it’s another supernatural romance where the somewhat ditzy heroine is possessed of delicious-smelling blood that inspires the hottest guys around to fight over her. In the second, Misao’s childhood memories of Kyo have left her waiting for some guy to show up and protect her from the spirits who’re harrassing her. And thirdly, when Kyo does arrive to perform that function, he does things like fly up into the air with Misao (who is scared of heights) in his arms in order to encourage her to cling to him, saying, “You can’t live without me. I have to teach your body that.” Creepy! That’s just a step away from, “Why are you making me hurt you?” in my book.

And yet, I did like Black Bird, at least more than I’d expected to. Misao, though she’s weak in some ways, is adamant about not becoming Kyo’s bride—even though she’s attracted to him—because she believes he’s only interested in the prosperity that sleeping with her would grant his clan. These doubts also come into play for some fine drama later on when a tricky kitsune (fox demon) arrives and points out that it’s likely not a coincidence that Kyo was Misao were childhood friends, that Kyo must’ve been establishing that early relationship in order to foster a preference for him in Misao’s mind down the road. The notion that her precious memories might all be a sham leads Misao to push Kyo away, though of course he persists in protecting her anyway. It’s angsty, but good.

Sakurakoji’s artwork is attractive, and even though Misao and the rest of the cast boast rather humdrum character designs, Kyo really stands out, making it easy to see why Misao would be so captivated by him. Also, while I’m genuinely not one for smutty scenes, the ones in Black Bird rely more on suggestion than explicit detail, making them all the more sexy.

In the end, Black Bird really is nothing more than your standard wish-fulfillment fantasy. And I think I’m okay with that.

Black Bird is published in English by VIZ. The series is still ongoing in Japan, where eight volumes have been released so far.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Manga, Shoujo, Supernatural Tagged With: , ,

Crimson Hero 11 by Mitsuba Takanashi: B

August 16, 2009 by Leave a Comment

crimson11The Crimson High girls’ volleyball team has made it to the third round of the Newcomers’ Tournament and is facing its first serious challenge. Things are going well and they win the first set, but when the opposing team intentionally wounds Crimson High’s star setter, there’s no one who can fill in. Instead, the Crimson High girls rearrange their strategy to protect their injured teammate and refuse to give up. Their spirit of camaraderie and teamwork inspires their rivals, who are, of course, actually sympathetic girls being led astray by an unaccountably obnoxious coach.

Okay, yes, I completely admit that Crimson Hero can be sappy at times. This whole volume seems calculated to make one verklempt, be it the way that the most inexperienced member of the team demonstrates her growth by scoring the winning point or how the girls from the other team come to regret the way they’ve abandoned their friendships in pursuit of the number one spot on the team. Transparent manipulation like this would usually annoy me, but it just works so well in a sports manga that I can forgive it.

There’s also a little progress on the romantic front. It seems that one of the boys who likes Nobara might still have feelings for his ex-girlfriend, but it’s really nothing to get excited about. I’m just here for the volleyball.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Manga, Shoujo Tagged With: , ,

Fairy Tail 7 by Hiro Mashima: B+

August 15, 2009 by 1 Comment

From the back cover:
Fairy Tail’s rival guild, Phantom Lord, has taken the competition to dangerous levels by smashing the Fairy Tail building and nearly killing three wizards. What is Fairy Tail’s response? A full-frontal assault on Phantom Lord! But this clash is all part of the Phantom Lord’s evil plot to capture a coveted prize.

Review:
Volume seven of Fairy Tail is a lot of fun. The battle between Fairy Tail and Phantom Lord continues on, and not only are some nifty villains introduced on the Phantom Lord side, we also learn more about some members of Fairy Tail who’ve remained in the background thus far. True, a couple of the chapters could be summarized as “Mirajane and Elfman have angst,” but it’s about time some of these folks got some attention.

Showcasing the new faces on both sides means Mashima gets to show off his talent for devising interesting new magical abilities. The most devastating new power to be introduced in this volume is called “drain,” wielded by a wind magic user, which essentially blows a person’s powers right out of them. Elfman turns out to have a pretty cool ability too, and now that he’s overcome his angst enough to use it, I wonder whether he’ll figure more prominently in the story from now on.

Lastly, I must commend Mashima for not taking this in the exact direction I was expecting. I was dreading another entry into the “our heroine is kidnapped by the enemy and our heroes bravely battle to retrieve her” school of shounen plotting, but Lucy surprised me by escaping her confinement pretty quickly. Everyone does still battle because they refuse to hand her over, but at least she wasn’t wholly passive about it.

Filed Under: Fantasy, Manga, Shounen Tagged With: ,

Ōoku: The Inner Chambers 1 by Fumi Yoshinaga: A

August 8, 2009 by 4 Comments

From the back cover:
In Edo Period Japan, a strange new disease called the Redface Pox has begun to prey on the country’s men. Within eighty years of the first outbreak, the male population has fallen by seventy-five percent. Women have taken on all the roles traditionally granted to men, even that of the shogun. The men, precious providers of life, are carefully protected. And the most beautiful of the men are sent to serve in the shogun’s Inner Chamber…

Review:
After a mysterious illness wipes out most of the young men in Edo Period Japan, women step up to take over the roles traditionally filled by men, becoming laborers, merchants, heads of families, and even shogun. Over time, the illness grows less virulent, but remains a common threat, resulting in a population made up of four times as many females as males. Healthy men are prized—families use them as pawns to negotiate alliances, and it’s tough for the average woman to secure a husband, requiring her to visit a brothel if she wishes to have a child.

It’s into this world that Mizuno Yunoshin (name order left intact!) is born, the son of an impoverished family of the samurai class. He’s in love with his childhood friend, Nobu, but because she is of the merchant class, they are not considered a good marital match. Rather than assent to marry someone else, Mizuno instead goes into service in the Ōoku, the Inner Chambers of the shogun’s palace—where many men are kept either for the purpose of becoming concubine to the shogun or for serving those who have been deemed worthy for that honor—which will award his family enough money to perhaps attract a suitable husband for his sister. The majority of the volume focuses on Mizuno learning of the Inner Chambers’ elaborate customs as well as his unexpected rise in rank when he happens to catch the eye of the senior chamberlain.

If I had to pick one word to describe Ōoku, that word would be “intrigue.” In the noun sense of the word, Ōoku delivers abundantly, as jockeying for position within the Inner Chambers is the favorite past-time. There’s some fairly elaborate scheming going on that takes the plot in unexpected and interesting directions. And, of course, in the verb sense of the word, Ōoku intrigues readers by not being easily classified as a simple gender reversal tale.

Instead, it emphasizes the fluidity of the notion of gender, showing how males in a certain situation can exhibit traditionally feminine attributes while females can possess qualities that are generally regarded as masculine. The new shogun, Yoshimune, is an absolutely fascinating example. In this world, where women reign, Yoshimune’s intelligence and political savvy have flourished, and she is a very effective ruler, making unorthodox decisions and sidestepping the ploys of her underlings, all while frequently sating her robust sexual appetite. Her advisor, Hisamichi, is also wonderful, with a mild-mannered countenance that conceals the full extent of her cleverness. Towards the end of the volume, Yoshimune begins to question why it is that women in power are required to adopt manly names, so that it appears in historical records as though they have been men all along. I’m eager to see what will happen next!

Artistically, Yoshinaga’s distinctive style is deceptively simple; one might think that without elaborate designs to distinguish so many dark-haired, similarly garbed men, keeping them straight would be a problem, but it actually never is. Also, I’m particularly fond of the way Yoshimune is drawn; her haughty expressions manage to simultaneously capture her senses of humor and of self-importance. My one complaint here is that though Mizuno is often described by other characters as being handsome, he really doesn’t look it.

Published under the VIZ Signature line, Ōoku has the beautiful packaging generally afforded titles in that imprint, with French flaps, color pages, and a gorgeous vellum title page. Even the “You’re reading the wrong way!” page has been given a classy facelift. I applaud the adaptation for retaining the proper order of names, but am less enamored of the choice to render the dialogue in a very formal sort of English. I get that VIZ must’ve been trying to recreate the feel of the original, but it’s a bit distracting at first. Thankfully, I did get used to it eventually. It’d be a shame to let something so trivial mar one’s enjoyment of so excellent a work.

Review copy provided by the publisher.

Filed Under: Alternate History, Josei, Manga Tagged With: , ,

Tsubasa: Those with Wings 2 by Natsuki Takaya: C+

August 3, 2009 by Leave a Comment

tsubasawings125Oh, if only Tsubasa: Those with Wings were as good as its gorgeous cover suggests!

Former thief Kotobuki and her companion/love interest, erstwhile Army officer Raimon, are still searching for Tsubasa, a legend rumored to grant wishes. But first, they must slog through an excruciatingly dull plot about the Army enlisting the help of Raimon’s gun-smuggling foster father to destroy orphanages as part of a nefarious and nebulous plan. The most ridiculous moment occurs when Kotobuki spews a little bit of Shojo Heroine Optimism™ at one of the officers in charge, causing the woman to finally realize, “Hey, killing orphans is murder!”

The rest of the volume is somewhat better, despite the introduction of far too many new characters, as Kotobuki and Raimon team up with some others to pursue Tsubasa clues in a ruined 21st century city known as “the cursed forest.” First, they must infiltrate a fancy party (given by a guy who evidently stole Yuki Sohma’s body) to learn how to deactivate an electric barrier preventing entry to the forest. Once they’ve made it inside, they encounter the Akito of the piece, a colonel who is obsessed with Raimon and has implanted a bomb in his brain to prevent him from leaving the country. He’s pretty crazy, which certainly livens things up.

While there are some moments that are actually good, they are overrun by messy plotting, cryptic hinting, lame gags, and angsty backstories for everyone (even robots). I’m left with the itch to go at the thing with a cleaver, hacking off all the excess bits in search of a better story that might lurk within.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Fantasy, Manga, Shoujo Tagged With: ,

A Strange and Mystifying Story 2 by Tsuta Suzuki: C+

August 3, 2009 by Leave a Comment

strangemystifying2Akio’s family is cursed with illness, but they also have a protective guardian beast who will appear if summoned and grant a wish. Akio summons the beast—an amorous, wolfish sort whom he names Setsu—and wishes to be cured. After Setsu accomplishes this with his own brand of sexual healing, Akio finds he doesn’t want Setsu to disappear, so wishes for him to stick around. Now Akio is feeling a bit insecure, since he isn’t sure how Setsu feels about that request. Apparently, he can’t just come out and ask.

In this volume, we learn more about Setsu’s past. Once upon a time, he was a human named Shinra who encountered a magical creature called Bansho and merged with him (this is a bit of a pun, since shinrabanshou is a Japanese idiom meaning “all things in nature”). Initially, he had some control over Bansho, but relinquished this to save one of Akio’s ancestors, of whom he was very fond. Setsu is far more likable in these chapters than he ever is in the main story, where he can be very crude. The juxtaposition of his interesting backstory with a flashback chapter of some icky* more-or-less nonconsensual sex is particularly jarring.

Akio’s reluctance to simply ask Setsu questions is frustrating, as well, and one wonders on what basis he can possibly claim to love a creature he hardly knows. Still, I can’t help kind of liking this series, since it at least tries to have a plot and features an art style that doesn’t look like every other BL title in existence.

* Believe me, you’re glad I spared you the details.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Boys' Love, Manga, Supernatural Tagged With: ,

Bleach 28 by Tite Kubo: B

July 29, 2009 by 3 Comments

bleach28From the back cover:
Ichigo, Chad and Uryu are determined to rescue Orihime from Aizen’s vile machinations. But though the Arrancars’ fortress is in sight, the would-be heroes must first pass Tres Cifras—the land of the disgraced Arrancars, who see destroying Ichigo and his friends as a way to redeem their honor!

Review:
There were times as I read this volume that I stopped and thought, “You know, this is completely ridiculous.” Like when Aizen, after making sure that his Espadas (the highest-ranked of the Arrancar) have had their tea, announces that Hueco Mundo has been invaded by Ichigo and friends. He basically tells them it’s no big deal, and to go back to their palaces and wait for the enemy to come to them. If they’d fight en masse, they could wipe the floor with Ichigo-tachi in, like, 2 minutes, so this is obviously advised only so that we can have a nice long arc in which the Espadas are defeated one at a time.

There were also, however, times when I thought, “Ooh, this is cool.” The Espadas look pretty nifty, and because there’s all this special energy in the air, Uryuu’s badass new skills are even more impressive. (Also, I was reminded anew of his similarities to Wesley Wyndam-Pryce.) There’s the dramatic appearance of a couple more friends, as well, but really the best moments are between Orihime and Ulquiorra, her Arrancar captor who I’d swear has begun to admire her quiet bravery. I want to see more of them than I do anything else at this point.

I might be more peeved about the ridiculous moments if I were actually buying and collecting Bleach, but since I’m not, I can simply like it for the things it does get right.

Review copy provided by the publisher.

Filed Under: Manga, Shounen, Supernatural Tagged With: ,
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