Dororo 2 by Osamu Tezuka: A-

Book description:
Hyakkimaru and Dororo continue to travel the land, protecting ungrateful villagers from demons and collecting missing body parts along the way. An encounter with a former mentor causes Hyakkimaru to reexamine his goals, however, and start considering what he wants to do with his life after the last of the demons has been defeated.

Review:
I really liked this volume of Dororo! The stories were continuous rather than purely episodic and Dororo really grew on me as a character. Hyakkimaru gained some angst when he learned about his family and also a cause, when the existence of a cache of money destined to fund a revolution was made known to him.

Although I liked pretty much everything (pesky anachronisms aside), my favorite bit was a story about a spirit dedicated to collecting new faces for a demon possessing a statue. She’s supposed to collect Dororo’s face, and takes on his mother’s visage to beguile him, but he ends up charming her by calling her “mama” and stuff, and in the end, she can’t sacrifice him.

I liked the first volume fine, so wasn’t expecting such an improvement for the second one. I’m not really sure how the story can wrap up with just one more volume—Hyakkimaru still has 27 or 28 demons left to vanquish—but hopefully it’ll deliver on the promise exhibited here.

Bleach 23 by Tite Kubo: C

From the back cover:
The Arrancars, Hollows that have attained Soul Reaper-like powers, have descended on Karakura Town. Led by Grimmjow Jeagerjaques, they plan to eliminate anyone who poses a threat to them. And their deadly hunt doesn’t stop with Ichigo and the Soul Reapers—the Arrancars are after anyone with even a trace of spiritual powers!

Review:
Pardon me a moment while I indulge in a snicker over the name Grimmjow Jeagerjaques.

Ahem. Okay, moving on. I don’t know whether it’s the wait between volumes or that the story has really gotten majorly worse, but I found this to be thoroughly dull. Some Hollows with stupid names arrived and began fights with various Soul Reapers. Yawn. I don’t even fully understand this Arrancar business to begin with, so it all just seemed utterly pointless.

Still more pointless was some fanboy fodder involving Rangiku and her boobs (again). She just had to take a bath at Orihime’s house and then pounce and straddle the other girl while administering love advice in the nude. It was utterly retarded and served absolutely no narrative purpose whatsoever. I suppose that’s the definition of fanservice, but this is the first time I’ve seen an extended sequence like this in Bleach and I am annoyed by its appearance.

I’m glad I’m just reading this series from the library. I’ll probably give it a couple more volumes to regain my interest, but at the moment I’m not feeling too optimistic about it.

Hikaru no Go 12 by Yumi Hotta and Takeshi Obata: A-

From the back cover:
Hikaru’s career as a professional go player begins! In his first game, he must face veteran player Toya Meijin, none other than Akira’s father. But to Sai, this round is personal. Then Sai attempts to teach a cheating go player a lesson he’ll never forget… Will Hikaru’s ghostly master do him proud or make him look like an amateur?

Review:
Parts of this volume are so difficult to read. Sai and Hikaru have a number of semi-arguments, Sai wondering whether he’ll ever be allowed to play a game again and Hikaru maintaining that such a demand is selfish and would deprive him of opportunities for his own development. It’s like watching a couple who wants different things from the relationship, but neither wants to break up. It bugs me especially when Hikaru ignores Sai, though at least by the end of the volume he’s actively trying to cheer him up and give him opportunities to play.

Hikaru plays one of his first games as a pro, with Toya Meijin as his opponent. Or, rather, Sai plays it. Sai has been looking forward to this since day one, and though the build-up and tense atmosphere were awesomely done, I was kind of disappointed that the game itself was so brief. I could’ve happily read a couple of chapters focused just on the details of that game. It looks like a rematch is on the horizon, though, so perhaps that will satisfy Sai and me.

This series is definitely one with reread potential. I can already picture myself—unfortunately several years hence—happily devouring all 23 volumes in a marathon. Until that day, I’ll take the little nibbles I can get.

Dororo 1 by Osamu Tezuka: B

Book description:
Dororo is Tezuka’s classic thriller manga featuring a youth who has been robbed of 48 body parts by devils, and his epic struggle against a host of demons to get them back.

Daigo Kagemitsu, who works for a samurai general in Japan’s Warring States period, promises to offer body parts of his unborn baby to 48 devils in exchange for complete domination of the country. Knowing the child to be deficient, Kagemitsu orders the newborn thrown into the river.

The baby survives. Callling himself Hyakkimaru, he searches the world for the 48 demons. Each time he eliminates one, he retrieves one of his missing parts. Hyakkimaru meets a boy thief named Dororo, and together they travel the countryside, confronting mosters and ghosts again and again.

Review:
This was my first time reading Tezuka. Although I have a couple of other things by him, the shounen adventure qualities of Dororo made it seem a more accessible starting point.

While I enjoyed the volume overall, I ended up liking the beginning more than the middle or the end. The setting for Daigo’s bargain was immediately atmospheric and interesting. The second chapter recounted how baby Hyakkimaru (who looked kind of like Jack Skellington) was found by a doctor who raised him and fitted him with snazzy prosthetics.

From that point on, things were a bit more episodic, with varying degrees of success. It was interesting to see how Dororo probably influenced shounen tales to come. For example, a skilled swordsman and his companion(s) must wander around, collecting bits of something from a whole bunch of demons. These demons enjoy terrorizing innocent villagers. Hmm, what does that remind me of? One difference I appreciated was that the villagers in this series actually take part in fighting off the monsters, and they’re also not particularly welcoming of the freakish Hyakkimaru and the thieving Dororo after the battle’s been won.

Much suspension of disbelief is required for this series, and it was kind of weird which things I just accepted and which bugged me. For instance—a baby born missing 48 body parts not only survives but somehow possesses special sensory abilities enabling him to see, hear, and speak telepathically. Okay, fine. His foster dad is able to perform surgery on him and fit weaponry inside his prosthetic limbs (swords in his arms and poison spritzer thingies in his legs). Sure, why not? But then when Hyakkimaru is somehow able to bend the arms with swords inside, my illogic detector went, “Hang on just a minute!”

I’ll definitely be reading the rest of this series; there are only 2 more volumes, anyway. Now that flashbacks and such are out of the way, I hope that we’ll see more of the collection of Hyakkimaru’s missing bits, though I still have no idea what to expect when he’s succeeded in getting them all. He doesn’t seem to have a goal beyond that at this point.

Tsubasa RESERVoir CHRoNiCLE 17 by CLAMP: A-

Book description:
One of the travelers is about to die, and the only way to keep that from happening is to make a deal with Yuuko the witch. The price has lasting repercussions for the others—one must be responsible for the saved life while another is sent out into the inhospitable ruins of Tokyo on a quest… alone.

Review:
It’s not a surprise that when CLAMP does shounen, they don’t do it like everyone else. In most shounen series I’ve read, characters aren’t allowed to undergo such fundamental changes as have occurred in these last couple of volumes of Tsubasa. There’s also lots of rather subtle character growth and interaction, too, especially between Fai and Kurogane. I love every scene where these two are together—okay, part of it may be “squee, they’re so in love!” but there’s a lot more to it than that. Fai’s struggle to stay remote and unconnected is particularly fascinating to me.

There’s not a whole lot of focus on what’s going on with Syaoran, since there were more immediate things to deal with, like wishes and their prices. Sakura, however, gets a lot of attention. Upset by how often people are getting hurt on her account, she decides to pay the price of one of the wishes on her own, and exhibits some surprising toughness. I’m a little unsure of where this grit came from, honestly, but the chapters focusing on her quest are pretty neat. I’m impressed by how well the story was conveyed in a 99% nonverbal fashion.

The ending is super sweet, and ties back in to Fai’s issues in an understated way. Again, I urge people not to judge this series based on its early volumes—I think it’s starting to become one of my favorites by CLAMP.

InuYasha 33 by Rumiko Takahashi: B

From the back cover:
A fierce battle rages in the borderland lying between the world of the living and the afterlife. A mysterious force is attacking Inuyasha and preventing him from obtaining the last Shikon shard. This force claims to be acting on behalf of the will of the shard itself! Inuyasha also faces the dreaded Naraku, who will stop at nothing to obtain the shard. When all hope seems lost, Inuyasha receives help from a surprising force—his half-brother!

Review:
This volume is good, but the confrontation over the final shard is initially kind of dull. Then Sesshoumaru gets into the game and once everyone begins to contribute, it becomes more interesting.

The pattern of Sango and Miroku with their own mission to accomplish continues, to my enjoyment, and ends on a great cliffhanger with her encountering her brother, Kohaku, formerly under Naraku’s control but now in possession of his memories again and simply biding his time while maintaining the appearance of minionhood.

I also enjoy seeing the internal power plays within Naraku’s camp. His “team” is finally shaping up to have as much interpersonal dynamics as the good guys, and it’s very welcome. I’ve really enjoyed my InuThon; it’s going to be a long wait ’til July for the next volume.

InuYasha 32 by Rumiko Takahashi: B+

From the back cover:
Kagome faces a difficult decision—only she can help Kikyo heal from Naraku’s miasma. Will the love triangle between Kagome, Inuyasha, and Kikyo stop her from doing the right thing?! Kohaku comes under Naraku’s power and is ordered to steal the infant Hakudoshi. Will Kohaku be able to resist? While Inuyasha and his comrades watch, Naraku shows up at the demon bird’s nest for a showdown. A series of disturbing events is about to unfold, and a path to the borderland will be revealed!

Review:
This “last shard” arc is quite enjoyable. Not only is there the whole fun taking a path to the otherworld part, it also seems to be providing many more opportunities for the supporting characters to do things. Miroku and Sango are feeling like more important members of the cast now, which I appreciate. There even seems to be a slight evolution in the relationship between Inuyasha and Kikyo, which is also good.

I’m annoyed by the blurb on the back of the book, though. It makes it seem as if Kagome hesitated before healing Kikyo, when she did no such thing. She even makes a remark about it being insulting that someone would even consider she’d let her die for some Inuyasha-related reason.

One thing I particularly like about Takahashi is the way she paces the flow of action across a page. There’s one brief bit, where a lady is sneaking away in the background over several panels, glancing back over her shoulder and all that, that really struck me. It seems sort of cinematic somehow, and just so perfectly done that, though simple, it’s impressive. Some people can just draw pretty pictures, but Takahashi excels in using them to tell a story and set a mood.

InuYasha 31 by Rumiko Takahashi: B

From the back cover:
The search for the final shard of the Shikon Jewel leads Inuyasha and the gang to a mountain fortress. But the gate is guarded by two giant statues and a force that will only allow the dead to enter! Meanwhile, while seeking a path to the underworld, Naraku teams up with demon Abi Hime, who hunts the blood of innocent villagers to heal her mother. Inuyasha and friends step in to stop them when they find that Kikyo may be involved!

Review:
The coolness I was anticipating from the conclusion of the previous volume didn’t really pan out, as the journey to the gate was brief and no part of the dangerous Land of Fire was actually glimpsed. Inuyasha fought some statues. Ooh.

Most of the volume was centered on demonic birds who were ravaging nearby villages. This tied in with the main plot only slightly, and was more about a mysterious holy lady with the power to penetrate Hakudoshi’s barrier with a single arrow and whether she was Kikyo. Wow. I am so surprised Kikyo didn’t die. Takahashi, you fooled me again with your totally unpredictable storytelling ways.

This volume wasn’t bad by any stretch, but it was a bit of a let down. It ended with a fairly angsty cliffhanger, though, so I’m glad to have the next one on hand.

InuYasha 30 by Rumiko Takahashi: B+

From the back cover:
Evil Kagura and demonic baby Hakudoshi are searching for the border between the afterworld and this world, where it is said that the last Shikon Jewel shard lies. Inuyasha and the others are also doing everything they can to recover the last shard. Could it be that Inuyasha and Kagome have been to this border before?!

Review:
So far, this arc with Hakudoshi is shaping up to be a lot more interesting than the Band of Seven storyline. It’s not that Hakudoshi himself is anything particularly special, but the fact that this is supposedly a race to retrieve the last of the shikon shards makes the stakes much higher. The volume ends with the team learning how to pass the border and I have good hopes for the story ahead.

Something else of great significance happens in this volume, and it surprised me a good deal. Before the Hakudoshi plot really ramps up, the gang hears a legend about a group of ogre women and goes to investigate. Sango and Miroku take the center stage for these chapters and much coolness ensues, including a battle between them (when Sango comes under a demon’s control) and some revelations that I never thought would actually be made. Granted, it doesn’t seem to’ve made much difference in the ensuing chapters, but it’s a step.

InuYasha 29 by Rumiko Takahashi: B

From the back cover:
Inuyasha and the others are trapped inside Mount Hakurei with yet another newly reassembled Naraku. Meanwhile, Naraku reveals to Kikyo that his true purpose in hiding inside Mount Hakurei is to perfect an emotionless new form that could attack and even kill Kikyo without hesitation. Having finally divorced himself from Onigumo’s heart, will Naraku succeed in killing Kikyo? Inuyasha is troubled by a premonition of doom but arrives too late, finding only Kikyo’s broken bow!

Review:
Some things actually happened in this volume that surprised me, like Naraku cutting Kikyo down in battle and the explicit statement that only a few shikon shards remain uncollected. Things that failed to surprise me include the fact that Kikyo’s body was never found—I am entirely sure she will crop up again down the line—and that the chapter entitled “Inuyasha’s True Feelings” completely failed to reveal any such thing.

I liked the chapters involving Naraku’s plan to use Kagome to find the shards for him, especially since it prompted exploration of her feelings concerning Inuyasha and his lingering connection to Kikyo. I was also happy to see a brief segment occurring in the real world; seeing Inuyasha in that environment is always fun.

In all, I enjoyed the volume and its rare statement of a concrete fact, though it’s too bad I can no longer have faith in people truly being dead or things like that; it really dampens the impact of any kind of plot twist in that vein.