The Antique Gift Shop 9 by Lee Eun: B-

antiquegift9Bun-Nyuh never wanted to be the proprietor of an antique shop, but made a bet with her grandmother that if she managed to sell all of the mystical merchandise she’d be allowed to pursue her goal of attending university instead of following family tradition and becoming a shaman. The bulk of the series has focused on episodic tales of the items Bun-Nyuh and her enigmatic employee, Mr. Yang, have sold to their customers as well as the results of those transactions.

That pattern ends in the ninth and penultimate volume, as Bun-Nyuh, desperate to be rid of the shop, decides to close it and abandon everything by running away. Despite her attempts to flee, her journey brings her to her hometown where a childhood friend she doesn’t remember claims her as his bride. Remaining by his side offers solace from things she’d rather forget, but dreams of Mr. Yang remind her there are some memories she’d like to keep. Just as she resolves not to let her memories of their time together disappear, her life is suddenly in jeopardy.

This was my first time reading The Antique Gift Shop and boy, was I confused at first. The volume begins with the conclusion to a story from volume eight, and I was completely lost. The tale of Bun-Nyuh and her friend really won me over, though, with its moody and oppressive atmosphere brought on by Bun-Nyuh’s fear of the incessant rain. Mr. Yang, though scarcely glimpsed in this volume, looks to be a very intriguing character, too, and I find that I’m both interested to learn what happens next as well as what’s gone before.

Review copy provided by the publisher. Review originally published at Manga Recon.

Shinobi Life 3 by Shoko Conami: B+

shinobilife3Beni Fujiawara’s dreams of pursuing a relationship with her ninja bodyguard from the past, Kagetora, are thwarted when her father announces that he has arranged her marriage to Rihito Iwatsuru, a classmate with an agenda of his own who is not adverse to hurting Kagetora when he gets in his way. As volume three begins, Beni has agreed to go out with Iwatsuru in exchange for him leaving Kagetora alone and is trying to keep Kagetora from finding out.

When put into words, the plot seems so simple, and yet a great deal of dramatic goodness is wrung from it. Iwatsuru’s henchman plants the seed in Beni’s head that Kagetora only sees her as a substitute for the princess he used to guard. Though she initially refuses to believe it, when her attempts to reassure Kagetora with a courageous smile remind him of her ancestress, he blurts out the wrong name and triggers all of the doubts she’d been determined to squelch. Because his code of ethics prevents him from defying her father’s orders to keep his distance, Kagetora is rather stuck when it comes to demonstrating that it’s her he truly cares for. Their dilemma makes for compelling drama as well as a satisfying conclusion to the volume.

I also appreciate that Iwatsuru is not some two-dimensional villain and is, in fact, just as much a pawn of his parents as Beni is. Speaking of Beni’s parents, the more I see her dad in action the easier I find it to believe the accusations she lodged against him in the first volume concerning his involvement in her mother’s death. With each volume, the tone of the series has become progressively darker and it now seems like major family secrets are just below the surface, waiting to emerge.

Shinobi Life hasn’t turned out to be lighthearted and fun like I was expecting and a few revelations leave me scratching my head, but I still find it quite enjoyable.

Review copy provided by the publisher. Review originally published at Manga Recon.

Shinobi Life 2 by Shoko Conami: B

shinobilife2From the back cover:
Beni convinces Kagetora to go back with her to the future—as a student! Everything is going fine until they meet a strange and mysterious classmate, Iwatsuru. As Kagetora and Beni’s interest in one another blossoms, Beni’s father reminds Kagetora that he is only a mere bodyguard and nothing more! What’s worse, he reveals that he has already arranged for Beni to get married—to Iwatsuru! A test of true love and courage begins…

Review:
Now that she and Kagetora have both returned to the present and he’s no longer seeing her as the untouchable princess he used to guard, Beni’s thinking that everything is going to be fine. She’s trying to get Kagetora accustomed to living in the future—enrolling him in school and having a nice bedroom set up for him—but he can’t change right away. When her father notices Beni and Kagetora getting close, however, he reminds Kagetora of his promise to be mindful of social rank and informs Beni that he has arranged for her to marry a surly classmate, Iwatsuru.

Another thing that Kagetora is unable to jettison from his past is his unquestioning respect for authority, and Beni is frustrated when he doesn’t speak up with any objections to her marrying someone else. Her fiancé is a real creep, though, and as much as Kagetora tells himself not to intervene, he does step in when Beni grows truly frightened. His meddling irritates Iwatsuru, who has an unexpected houseguest—a ninja from the past with a grudge against Kagetora.

This series really gets some things exactly right. The chemistry between the leads is strong, leading to some genuinely sexy moments. I love, too, that their cultural differences are so well-integrated; it doesn’t feel like some artificial obstacle that Kagetora would step aside for a suitor chosen by Beni’s father—it feels perfectly in character. Beni’s hurt feelings when Kagetora fails to defy her father are poignant, and when she realizes that if he’s incapable of rebelling she’ll just have to be the one to do it, it’s a nice moment.

I was disappointed in the methods Beni takes to break off the engagement, however. She somehow believes that this jerk is going to be fooled by her attempts to shake him off by being terribly rude in public, and the scenes where she tries to embarrass him are painful to endure given how good this series can be the rest of the time. Still, I’m won over again by an insight into Beni’s thoughts—she knows the time she and Kagetora have together will end someday, so she’s desperate for them to get as much time together before that happens.

As a final note, I’m also impressed by how seamlessly Conami-sensei was able to turn this concept, originally intended as a one-shot, into a series. I never would’ve realized that was the case, which is in marked contrast to a recent read, The Lizard Prince, where it could not have been more obvious.

The Lizard Prince 1 by Asuka Izumi: B-

lizardprinceFrom the back cover:
Canary is the princess of the kingdom of Linaria. Her father, the king, has promised her hand in marriage to Heath, the handsome prince of the kingdom of Gazania. Canary isn’t crazy about this, because Heath has a bad reputation. The Prince has his own reservations, and gets his brother Sienna to pose as him on their first date, convinced he’ll drive her away. But the plan backfires when chemistry ignites between the two. The only problem is, Sienna’s been under a spell, which turned him into a lizard. And once he’s done posing as his brother, he reverts back to that form! Will love really conquer all in this mixed-up triangle?

Review:
CMX does a great job finding all-ages shoujo fantasy titles that also appeal to older readers. I enjoyed both The Palette of 12 Secret Colors and Lapis Lazuli Crown, and while I think The Lizard Prince has some problems, it’s still a decent read.

When Princess Canary’s father announces that the time has come to discuss an arranged marriage, she is pragmatic enough to have been expecting it, though she is not so sanguine about her proposed mate. Prince Heath, heir to a neighboring kingdom, is rumored to be a drunken, womanizing lout and Canary wants nothing to do with him. Her father assures her that she need only meet him once and can then call things off, and she agrees. Meanwhile, Prince Heath has acquired some magical 24-hour body swap medicine and prevails upon his talking lizard pal/minion to switch places with him.

With the lizard inhabiting his body, the Prince Heath Canary meets is sweet and kind, and she falls in love with him. Awesomely, when Canary later meets the real Prince Heath she can tell instantly that he’s not the same person and, when she learns the truth behind the masquerade, unselfconsciously professes her love for the lizard. The moment she does so, the curse upon the lizard is lifted and he’s revealed to be Heath’s older brother, Sienna.

It’s patently clear that The Lizard Prince was meant to be a one-shot story. Events wrap up so neatly at the end of the first chapter that there’s not much else to be done. And yet, the tale continues with Canary and Sienna having a variety of episodic (and rather lame) adventures, like dealing with an imposter, helping some ghosts achieve closure, and caring for an infant. After fifteen years of living as a lizard, Sienna now possesses the ability to become one at will (though he has no control over when he becomes human again), and frequently faces peril while in this form. It’s sometimes amusing, but not often.

Though it may be similar in feel to Lapis Lazuli Crown, The Lizard Prince suffers in comparison because there’s no point to the story. Both Canary and Sienna are likable characters—a “strong woman and pathetic man” combo that the author professes to prefer—and much of the enjoyment derived from reading the volume is on account of them, but it’s disappointing that they’re not given more to actually do.

Izumi’s artistic style isn’t particularly distinctive, but it is nice to look at. Sienna doesn’t look much like any lizard I’ve ever seen—he kind of looks like a plushy comma with teeny legs—but I doubt realism was even attempted. The biggest problem is that it’s occasionally hard to determine in what order the panels should be read; I made the wrong choice a few times.

The Lizard Prince is pleasant but forgettable. If the series were any longer, I’m not sure I’d bother continuing, but since it’s only two volumes long, I will likely seek out the second for the sake of completion.

Review copy provided by the publisher.

Case Closed 4-5 by Gosho Aoyama: B

caseclosed4I find that one has to be in a certain mood for Case Closed. If one’s not into it, its episodic nature and the knowledge that even 60 volumes in, Conan’s secret still hasn’t been discovered can be annoyances. If you’re in the mood for a short mystery, though, the series can be a lot of fun.

Five cases of varying lengths get solved over the span of these two volumes. There’s the one where the nefarious Men in Black have planted a bomb on a train, the mystery of a coded treasure map, and the mysterious poisoning of a musician in front of several witnesses. As ever, Conan relies on the various gadgets he’s been given by Doc Agasa to both conduct his sleuthing and reveal the solution. The repeated motif of tranquilizing an adult and using the voice modulator in his bowtie (yes, really) to accuse the culprit used to bug me, but now I’m resigned/used to it.

caseclosed5My two favorite cases are each the first in their respective volumes. In volume four, a museum has been purchased by a greedy businessman who is on the verge of closing it down when he seems to be killed by a suit of armor in a medieval gallery. This one was low on gadget usage and featured some neat things like reviewing the murder on a surveillance camera and particularities of ballpoint pens.

In volume five, a group of college friends has gathered at a villa where they are menaced by an axe-wielding man wrapped in bandages. This one reminded me of a story in another volume (25, perhaps), but that’s a fairly common occurrence in this series. I actually figured out a little bit of the mystery before Conan did, which is usually difficult considering how unlikely some of these scenarios can be. It occurs to me that the stories I’ve singled out for praise also had the goriest moments in these two volumes. I’m not going to think about what that says about me.

Ultimately, Case Closed is not the best thing I’ve ever read, but when I finished volume five I wished I had the next one on hand, and that’s worth something, at least.

Vampire Knight 8 by Matsuri Hino: B

vampireknight8Have you ever seen anyone claim, in defense of Vampire Knight, “It gets better! Wait until you get to chapter 35!”? Well, it turns out that they’re half right.

Chapter 35 is a game-changer, with the full details of Yuki’s forgotten past coming to light along with unexpected revelations and their attendant complications. I found part of what occurs easy to predict, given the final moments of volume seven, but was genuinely surprised by a few things and absolutely delighted by Zero’s tortured reaction. (And yes, I am being terribly vague on purpose. It really is that big of a spoiler.)

However, I wouldn’t say that the series is necessarily better as a result of this dramatic turn. Kaname’s evil relative, Rido, has emerged as the villain of the piece, but he’s a recent addition and woefully undeveloped. Shifting allegiances are tough to pin down, Kaname behaves inscrutably, and the political maneuverings of the vampire realm can be confusing.

These flaws aren’t anything new—and are ameliorated somewhat by the gorgeous art—so I’d advise against developing unrealistically high expectations. Shocking developments aside, volume eight essentially offers more of the same.

Review copy provided by the publisher. Review originally published at Manga Recon.

Ouran High School Host Club 13 by Bisco Hatori: B

ouran13Feelings. That’s entirely what this volume is about. First, you’ve got Haruhi taking a love quiz and finally realizing that what she feels for Tamaki isn’t just admiration of his many good qualities, but actually love. Not that she’s ready to deal with that just yet, so she resolves to take his advice and start accumulating more life experience. Next, Hikaru informs Tamaki that he loves Haruhi, which sends Tamaki into a tizzy that still doesn’t result in him realizing his own feelings.

Even though I get the sense that not too much about this series is planned in advance, Hatori-sensei does at least offer a credible explanation for Tamaki’s family fixation and exactly why he may be unable to acknowledge his feelings for Haruhi. I also like how Haruhi realizes that Tamaki’s been encouraging her to be less apathetic for quite some time now and how he, who is pursuing his new career goals with much energy, has actually become her role model in a lot of ways.

This series is nothing if not lighthearted, but sometimes the side trips into comedy (or unnecessary appearances by other host club members) get in the way of the love story. Still, it’s fundamentally a warm, fuzzy, and satisfying read.

Review copy provided by the publisher. Review originally published at Manga Recon.

Ouran High School Host Club 12 by Bisco Hatori: B+

ouran12From the back cover:
Hikaru and Kaoru’s fight over Haruhi is taking its toll on Hunny and Mori, who are trying to watch over the estranged twins. Meanwhile, unbeknownst to Tamaki, Kyoya starts looking for Tamaki’s mother in France.

Review:
Three plot threads are simultaneously underway in this volume, though they converge nicely by the end. In the first, Kyoya is using the class trip to France to look for Tamaki’s mother. In the second, Kaoru and Hikaru are fighting over their feelings for Haruhi and Kaoru launches a plan to spur Hikaru into action. And in the third, Tamaki is trying to decide what he wants to do with his life, and a job offer from his dad gives him a lot to consider.

Although I like the twins and enjoyed the chapters focusing on them—wherein Kaoru rightly sees the need for him and Hikaru to establish themselves as individuals but has a rather convoluted way of going about it—the heart of this series for me will always be Haruhi and Tamaki. Tamaki has backed out on the class trip to France at the last minute, but everyone else believes he has gone. There’s a priceless scene around the middle of the book where Haruhi’s on the phone with Kyoya asking how Tamaki’s doing and then spots him lurking in front of her house. There’s a lot more to the scene than that, but I don’t want to spoil it.

Haruhi and Tamaki proceed to have a lovely scene with just the two of them, wherein he gives her license to ask anything about his childhood. He also confides in her that his desire to make people happy comes from a vow to his mother and that he’d also like to carry this oath further into a career. Haruhi’s encouragement clearly means the world to him, and it’s also clear that Haruhi admires him and is getting a bit flustered in his presence (something that completely failed to happen during an outing with Kaoru in the volume’s earlier chapters). When Kyoya is later able to report that Tamaki’s mother is doing well (sniffle alert!), Tamaki decides to embrace his place in the Suoh family and accept his father’s offer to work with a chain of hotels the Suoh corporation owns.

So here we have a volume that features several characters maturing, two reticent characters displaying fondness for Tamaki, a classic bit of comedy, and a scene that brought tears to my eyes. I guess that may not seem like much, but for a largely episodic series like this one, it really is quite a lot. It also, as someone mentions in uncredited narration, is starting to feel like the beginning of the end. I think the timing’s perfect—we’ve had quite a while to enjoy these characters in a variety of situations and now it’s time for some of them to grow up enough to realize that it’s not a bad thing if relationships evolve from their current states. From all present indicators, it would seem the ending is shaping up to be a satisfying one.

Vampire Knight 5-7 by Matsuri Hino: B

vampireknight5Vampire Knight is a series with a plot that makes sense while you’re reading it, but is difficult to summarize in a coherent manner. In these three volumes, the story moves away from Zero and his angst to focus more squarely on Yuki, who is increasingly more insistent upon uncovering her missing memories. She correctly surmises that Kaname is hiding things from her and confronts him several times, only to have him evade the question. Meanwhile, whenever she attempts to remember on her own, she experiences blood-drenched hallucinations. Her visions get progressively worse, prompting Kaname to whisk her away at the end of volume seven with the words, “It’s time to wake up… before you go mad.”

vampireknight6Other things are going on in the background: political factions in the vampire world are at odds over their government, with some wanting to restore the monarchy (which would make Kaname king) and others in support of the senate; Zero is suspected of killing a pureblood vampire, but is not actually the culprit; Ichiru, Zero’s brother, enrolls at Cross Academy with the apparent goal of doing something nefarious to Yuki; and, most importantly, a rival heir to the Kuran lineage awakens and inhabits the body of his son, currently attending the school. This last personage is shaping up to be the main villain of the piece, and it’s likely that Kaname has taken various steps to both up his own power and increase Yuki’s status amongst his brethren (by acknowledging her as his lover, he essentially guarantees her a vampire guard) all in order to protect her from this creepy foe.

vampireknight7As it has progressed, the story of Vampire Knight has become increasingly engaging, and I think it’s pretty safe to say that I’m addicted by this point. Zero has stabilized somewhat—a drink of Kaname’s blood, offered solely for Yuki’s sake, has stalled the progress of his insanity—while Kaname has grown both darker and more vocal about his feelings for Yuki, declaring his love for her outright at one point. Hino has also stopped writing scenarios in which Yuki blindly rushes into a dangerous situation and then promptly requires rescue. In these three volumes, it only happens once. These factors combine to make Kaname’s feelings for Yuki more believable, thus enabling me to be more invested in their interactions, which are growing progressively more sexay. I wouldn’t say yet that I actually like Yuki, but at least I no longer feel the desire to grab her by the shoulders and shake vigorously.

The art continues to be gorgeous, dark and gloomy and full of beautifully despondent boys. Hino’s also adept at cliffhangers; the one at the end of volume seven is the most suspenseful yet. While it may not be the best shojo series in existence, Vampire Knight offers an appealing blend of angst and gloom that has me hooked.

COWA! by Akira Toriyama: A-

cowaFrom the back cover:
Paifu, a half-vampire half-werekoala, is always getting into trouble with his best buddy, José the ghost. But when the Monster Flu sweeps through town, the fun and games are over. If the monsters don’t get the medicine soon, everyone will die! With all the adults sick, it’s up to the kids to save the day!

Paifu and José are off on a big adventure, but will they get the medicine in time… or will they become victims themselves?!

Review:
At first, I was pretty underwhelmed by COWA!. With a little perseverance, however, I found that if one can get past the first three chapters, which set up the world, introduce the characters, and include more than their fair share of flatulence, an absolutely charming monster road trip adventure awaits!

In the town of Batwing Ridge, all sorts of monsters live in peace and occasionally interact with their human neighbors. Paifu and his more timid buddy, José, spend their free time playing and stirring up mischief—the entire first chapter is about squandering money that was to be used to buy a watermelon and then having to pilfer one instead. When the Monster Flu outbreak hits and no adults are free to make the trip to the one witch who can make the medicine, Paifu instantly volunteers to go and drafts José to help him. When it’s pointed out that they don’t have a car, Paifu promises Maruyama, the reclusive former sumo wrestler who’s hiding out from the world after accidentally killing an opponent, $10,000 for his assistance.

Our heroes set out, joined by a braggart of a monster named Arpon, and a more linear story develops. The montages of the monsters riding in Maruyama’s car, entranced by things like a passing train and the lighted sign of a hardware store are nothing short of terrific; their wonder at the human life is depicted with warmth and fondness and serves to help soften Maruyama’s heart towards them, as well. Over the course of their quest, Paifu matures a bit and Maruyama proves that he is both compassionate and a total badass. The ending quite unexpectedly made me verklempt.

Toriyama’s depiction of the monster world adds a lot to the charm of his tale. The first chapter is in color, which is essential when you want to establish the fact that your lead character is green, his friend is blue, et cetera. Each monster family in Batwing Ridge has a home of their own, be it a cave or a giant pumpkin. I love the absurd idea that José’s family of ghosts has a mailbox and also enjoyed the random appearances by a cute little mummy kid who never actually says anything. Another fun monster awaits at the end of the quest—he reminds me of something out of The Point!—and he’s got a nifty weakness as well as a useful function.

Imaginative and entertaining, COWA! is heartily recommended as a Halloween read. In fact, I liked it so much I’m planning to check out Toriyama’s best known work: a little thing called Dragon Ball. Stay tuned!

COWA! is published in English by VIZ and is complete in one volume.