Boys Over Flowers 6 by Yoko Kamio: A

From the back cover:
Could Tsukushi Makino really fall under Tsukasa Doumyouji’s spell? Desire and jealousy walk hand in hand as the crazed Tsukasa seeks revenge on behalf of Tsukushi. Rui Hanazawa surprises everyone with his return from France. Tsukasa’s mixture of cruelty and compassion is as perplexing as ever.

Review:
What a difference a volume makes! Volume 5 contained some of my least favorite moments remembered from the anime, while volume 6 had some of those I liked best.

Just as Tsukushi began to feel that she could return Doumyouji’s feelings—in fact, just as she realized she could no longer claim there was “nothing” between them—Rui returned from France and threw her feelings into complete confusion. This paved the way for some really great chapters, where Rui acted strangely and Tsukushi found herself torn between the two boys—not wishing to upset the one who used to be her enemy but still drawn to the elusive Rui, who’d clearly suffered something in Paris. It all built up to an excellent final chapter.

I distinctly remember falling in love with the anime in a big way right about here, and when people describe it as operatic, it’s these events that I always think of. I could see a plot like this annoying me if not well-handled, but the lead characters are so great in Boys Over Flowers that I’m really enjoying it.

Boys Over Flowers 5 by Yoko Kamio: B+

From the back cover:
This volume contains innumerable ups and downs for our heroine, Tsukushi Makino. Tsukasa is as jealous as ever with the arrival of Thomas as lurid and embarrassing photos of Tsukushi and Thomas emerge. Just when she thought that things couldn’t get any worse, her tormentors up the ante of cruelty and violence! Will anyone come to her rescue?

Review:
I’m not a fan of prolonged misunderstandings in manga, so the “did Tsukushi sleep with a foreigner?” plot is not a favorite of mine. Possibly because of that, the crazed antics of Tsukushi’s schoolmates as they punish her on Tsukasa’s behalf seemed even more unrealistic than usual. It also didn’t seem like Tsukushi was quite upset enough when she believed she may actually have slept with the guy without remembering it.

On the positive side, Tsukushi did work out the truth before too long, and her confrontation with Sakurako (“I’ll never grovel for anybody!”) was good. I also liked that Tsukushi realized that although she didn’t care at all what anyone else thought, she wanted desperately for Tsukasa to believe her.

This set up the end of the volume, where the lackluster plot at least paid off with a rescue. Tsukasa finally realized what kind of person Sakurako was when she tried (and failed) to seduce him, and rushed back to Tsukushi’s side to proclaim his belief in her. I really liked that conclusion, though I’m still waiting for Tsukasa to simply tell the other kids never to mess with Tsukushi again.

xxxHOLiC 11 by CLAMP: A-

From the back cover:
Kimihiro Watanuki has been saved from death by the sacrifices of his friends, but his recovery time is cut short. His special connection with the spirit world is needed to investigate a terrifying haunted house, placate annoyed Warashi spirits, and face the growing threat of a shadowy figure called Fei-Wang Reed.

Review:
This volume was interesting. It was liberally sprinkled with hints about something coming down the line—”the final moment,” as Yuuko called it—and preparations being made for its arrival. There were also more references to the travelers in Tsubasa than heretofore and suggestions that their decisions are affecting Watanuki’s fate in some fashion.

All of that was cool, but some of the episodic chapters weren’t exactly riveting. There was one cool tale about a girl who was frightened of sounds she heard in the house in which she lived that I liked, but it ended kind of abruptly. There were also a couple of appearances by Kohane, who is a child with abilities similar to Watanuki’s. I have no idea what her deal is, but find her fairly boring so far.

There were several cute scenes where Watanuki showed kindness to a creature and made it very happy. At one point, he was tasked with naming a magical bird he’d given Himawari for a pet. As he mulled, we got a panel of the bird in question, all sparkly and adorable with “Great Expectations” written in the background. Later, the pipe fox spirit was sulky on account of not having been named yet, and repeated the same pose when Watanuki deliberated once more. It was extremely cute.

On a final note, there are some visual spoilers for Tsubasa volume 16 and slightly beyond, so if you’re following that series and aren’t up-to-date, you might want to get caught up before reading this volume.

Tsubasa RESERVoir CHRoNiCLE 16 by CLAMP: A+

From the back cover:
The five dimension-hopping travelers have stuck together through all sorts of worlds and all kinds of harrowing adventures. But when the group enters the ruined city of Tokyo, two powerful fugitives set in motion a disastrous chain of events that may cause their tight-knit friendship to unravel. Syaoran’s mysterious past is finally revealed, and a tumultuous battle leaves one of the friends near death, while another becomes an enemy after a shocking act of betrayal. Don’t miss this pivotal volume in the Tsubasa saga!

Review:
Holy crap! Now that’s what I call major payoff! It took quite a long time, but wow! In retrospect, maybe all that lag time was necessary to make the events in these chapters even more shocking by contrast. This was easily the most suspenseful volume of manga I’ve read in ages.

In addition to all the stuff in the blurb above, which was incredibly awesome, there was also movement on a couple of subplots—namely the twin vampires that Seishirou is after and Kurogane’s quest for revenge against the person responsible for killing his mother. These chapters were very, very creepy and every bit as dark as something like Tokyo Babylon or X.

I am really glad that I didn’t give up on this series. If, like me, your interest waned around volume 10, I urge you not to give up on Tsubasa. It’s volumes like this that really show what masterful storytellers CLAMP are. Now if only they could get over their thing with eyes…

Tsubasa RESERVoir CHRoNiCLE 15 by CLAMP: B+

From the back cover:
Kurogane, Syaoran, Fai, Mokona, and Princess Sakura have come upon a desert of shifting sands and ruined skyscrapers. This postapocalyptic nightmare is all that remains of the booming metropolis that was Tokyo, and the survivors are battling for the few life-giving resources left in the world. As the five dimension travelers search for another piece of the princess’s lost memories, they will all be tested to their limits in ways they never expected!

Review:
When did I start to like Kurogane so much? It’s crept up on me unawares. My favorite thing about him is how observant he is. It was Kurogane who, a few volumes back, knew something was up with Tomoyo and her Dragonfly Race. It’s been he who’s noticed Syaoran’s shifts in personality, and it’s he who initiates a fascinating conversation with Fai in this volume about how the latter has been keeping his distance while wearing a “constant grin.” What I love is that no one ever cried, “Gee, Kurogane! You sure are observant!” Instead, the character trait is portrayed with subtle consistency, and I really like that.

There’s a lot to like plot-wise in this volume, too. The gang from X is almost all here, but with some differences. The groups that Kamui and Fuuma lead are reversed from how they were in the X manga, and Subaru and Seishirou are missing. All of Tokyo is battling over water—a precious resource in this country—and it’s a pretty interesting landscape for our leads to be thrust into. More importantly, there is a major development concerning the villain’s plans that also seems like it might shed light on Syaoran’s mysterious origins.

Every time I resume reading this series I realize anew how entertaining it can be. Some chapters are uneventful, and I find it hard to care very much about Syaoran and Sakura, but I really adore Fai and Kurogane and anything that pertains to them.

Kare Kano 2 by Masami Tsuda: A

From the back cover:
You know that couple who was obviously meant for each other, and everybody knew it, except them? That’s Yukino and Soichiro, the two top students in school, who are capable of anything other than a normal relationship. Still, despite all they’ve been through, it seems they could finally be getting together. But now, the school’s token pretty boy, Hideaki, is intent on wedging himself between them, for reasons they can’t begin to imagine.

Review:
One of the things I am enjoying most about Kare Kano is Tsuda’s innovative use of panels to dramatic effect. Take, for instance, the climax of chapter four. In what I would call one of the classic moments of shoujo manga, Yukino (after several failed attempts) finally reveals her feelings to Arima by silently taking his hand in the middle of a student council meeting. No words are spoken, and what follows are two pages of their facial reactions and then one final page, showing the both of them from behind. I can’t really explain why I love the perspective shift at the end so much, but I really do.

Another thing I like is that if a character is alone somewhere, like in a classroom or waiting outside a movie theatre, there will be a large panel of their environment and superimposed upon it will be tiny panels showing what’s going on in the immediate vicinity—some students laughing down the hall, a quiet patio, a couple meeting up for a date. There’s a lot of sky and clouds in her imagery, too, and though I won’t try to decipher its metaphorical meaning, it makes me realize the opening sequence of the anime was very appropriate. I must also mention the fabulous panel of Yukino’s silhouette against a darkening sky as she pined for Arima.

And, of course, I also like the story. I think I didn’t like the character of Hideaki much when I read this the first time, and now I wonder why that was. My second favorite chapter, after chapter 4, is chapter 7, where we see both Arima and Yukino’s differing perceptions of the same or similar events. Yukino worries she’s not good enough for Arima, and Arima worries he’s too boring in comparison with her, but by the end, they’ve each leant the other some optimism, so they end up reacting identically in a separate conversations with Hideaki. It’s neat.

Kare Kano 1 by Masami Tsuda: A+

From the back cover:
Yukino Miyazawa has it all—perfect grades, looks, the admiration of her peers. She’s the #1 student at her school… at least she was until he showed up. The new boy, Souchirou Arima, one-ups her in every department. And the worst thing about it is that he’s sincere! With her ego in jeopardy, Yukino will do whatever it takes to regain the spotlight, but falling in love was never part of the plan.

Review:
What with watching the first disc of the anime twice, reading this volume way back in 2003, and rereading it now, I have consumed this portion of the Kare Kano storyline four times. I’ve read many other things in the interim, and I have to say this is still one of the best first volumes I’ve ever come across.

It’s so good it could function as a stand-alone. I didn’t like the anime much by its conclusion, though, and I’ve heard some unflattering comments about the manga, too, so I’m interested to see how I’ll like the bits I’ve not yet read. At the very least, I’ll always have volume one!

There are only three chapters collected in this volume, followed by an unrelated (but cute) short story. My favorite was the second. Arima, who had previously confessed romantic feelings to the “perfect” Yukino but who has since discovered that Yukino is a fraud, uses this knowledge to seemingly blackmail her into completing his student council work for him, which keeps her at school until late every evening.

When she finally tires of it and tells him he can go ahead and tell everyone her secret, a fabulous chase scene through the darkened halls and grounds of the school ensues until Arima finally prevails and reveals that he actually just did it to have an excuse to hang around her. Yukino finds that she’s relieved to learn that he actually does still care about her, and her gradual recognition of her feelings for Arima is very well done.

The other two chapters provide additional background on each of the main leads, though Arima is still kind of hard to figure out at this point. That’s probably because Yukino’s goal is shallow and simple—she wants to feel worshipped—while Arima is actually dealing with some darker family issues.

I really hope I don’t end up as displeased with this series as it seems others have done. For now, it’s hard to imagine that being the case.

Fruits Basket 19 by Natsuki Takaya: A

From the back cover:
As the Fruits Basket saga continues, the relationship between Tohru and Kyou becomes increasingly complicated, especially since most of the members of the Zodiac seem to look down on him. Tohru comes to the realization that if she wants to save Kyou, she’ll have to create some sort of trigger to break his curse. But what, if anything, can cure Kyou?

Review:
There was a lot going on in this volume, with quite a lot of the cast making an appearance. Many plot points were advanced nicely, including some I’d forgotten about.

The most important things, though, centered primarily on Shigure. I swear, he’s probably the single most fascinating character I’ve ever encountered in manga. I especially loved his conversation with Hatori where the latter was chiding him for saying cruel things to Akito and urging him to be kind instead. Shigure essentially said he wasn’t going to coddle Akito in a paternal way, and it seemed his intentions are to force Akito to cease wallowing in despair and step forward to meet him.

He also had a gripping scene with Tohru where he essentially said that all of the Jyuunishi look down on Kyou in their heart of hearts, and that they accept his imprisonment as his duty. The notion definitely stuck with and disturbed her later when some of the younger Sohma were gathered at the house. It seemed that he wasn’t quite right about their opinions, though, so I have to wonder what his intent was there.

Toss in a nice long chapter featuring Ayame and some genuine progress with Kyou and Tohru, and I am a happy reader indeed. Not so happy, however, when I contemplate waiting until July for the next installment.

Venus in Love 2 by Yuki Nakaji: B+

From the back cover:
Fukami is convinced that there’s chemistry between his friends Suzuna and Eichi, who just need a little push to become a couple. Little does he suspect that they both have a crush on him. But Fukami’s got his own romantic distraction with a girl he keeps running into. When Suzuna realizes that she has a new rival, she’s going to have to act fast. Can she build up the nerve to tell him how she really feels?

Review:
The main plot threading through this volume is that Fukami has a possible love interest, and it’s neither Suzuna nor Eichi. Her name is Honoka, and while she’s not terribly interesting herself so far, like the Mei character in the latest volume of Ouran, she’s a catalyst for Eichi and Suzuna to figure out what to do about their feelings for Fukami.

Aside from this, the volume is a little random. There’s a tennis camp, a visit from Eichi’s younger brother (In shoujo manga, they’re always sent by a parent because the older sibling doesn’t visit sufficiently.), a school festival, and a fashion show. It’s all an enjoyable read and the characters are likable, but I don’t find it as emotionally compelling as, say, Love*Com. I think the issue is that we don’t really get inside the heads of any of the characters, plus it doesn’t seem like Suzuna seriously loves Fukami. She just thinks he’s dreamy.

As a final note, the art continues to confuse me a bit. Facially, the new character Honoka looks just like Suzuna, unless I’m missing some subtle distinction.

Despite these few critical comments, I do like the series and plan to continue with it.

Love*Com 3 by Aya Nakahara: A

From the back cover:
A new student starts out as Risa’s rival for love, but ends up proving how important it is to be honest with yourself!

Review:
Okay, it’s official—I love Love*Com. Of all the series I’ve started recently, this is the one I’ve been most eager to continue.

I adore the two lead characters, especially when they’re being honest and/or sweet with one another. We don’t really get events from Ôtani’s perspective, so I tend to like Risa a bit more, but he has his moments. I like that Risa wasn’t swayed by Haruka’s love confession, thus saving us a long and annoying trip down a relationship road we all know will ultimately lead nowhere.

I also like the realism in the series—there aren’t any perfect bishounen here falling for clumsy girls. There’s only a girl with a mad crush on a guy friend who sees no reason to suspect that he could ever return her feelings. I think most adolescent girls have experienced that at one time or another!

The art also continues to be both cute and strange simultaneously. I still love the facial expressions, but have now noticed a new body part that’s occasionally too big—earlobes! Some of these characters have great big fat earlobes! And then, sometimes on the next panel, they don’t anymore. Or sometimes the left one will be fine and the right one will be elephantine. It’s kind of distracting.

Wacky earlobes aside, this manga is great. Go read it!