xxxHOLiC 12 by CLAMP: B+

From the back cover:
Lately Kimihiro Watanuki’s dreams have been pleasant escapes that have given him the chance to talk to his new friend Haruki Doumeki. But now he’s falling asleep a lot—and starting to think his entire life with the witch Yuuko might be taking place in some kind of dreamworld. Then one night his dream is visited by a pretty princess named Sakura…

Review:
This is the second volume in a row to consist primarily of ominous hints regarding the goings-on in the Tsubasa storyline and the future of this one. I thought it was kind of neat last time, but it’s starting to get on my nerves a little, because it seems like the main xxxHOLiC storyline is rather scattered as a result. Of course, Watanuki popping in and out of a dream state probably contributes to that, as well.

Even though the story isn’t always coherent, and there are some bits that don’t make a lot of sense to me, some very important things manage to happen. The last few pages throw a new light on the series and are much appreciated. Hopefully that bodes well for a fair amount of revelation in the next volume.

Now that I’m getting my wish of a more epic storyline, I really oughtn’t complain too much, but I just hope that xxxHOLiC doesn’t end up playing second fiddle to its sister series. There are times when ties are a source of strength and times when they just hold you back.

The Kurosagi Corpse Delivery Service 1 by Eiji Otsuka and Housui Yamazaki: B+

From the back cover:
Five young students at a Buddhist university find that there’s little call for their job skills in today’s Tokyo… among the living, that is! But their studies give them a direct line to the dead—the dead who are still trapped in their corpses, and can’t move on to their next reincarnation! Whether you died from suicide, murder, sickness, or madness, they’ll carry your body anywhere it needs to go to free your soul!

Review:
I really wasn’t sure whether I’d like this series or not. I’d heard it was funny in a macabre kind of way, but worried about excessive levels of gore. Though there was one page that was truly gross, there were fewer disturbing images and more amusing snippets of dialogue than I’d been expecting and I ended up enjoying it quite a lot.

The five members of the Kurosagi Corpse Delivery Service each had a different specialty they brought to the table, and their personalities meshed well. At times, I felt like I was watching a genre TV show—one of those with dashes of morbid humor—which is a compliment. My favorite character so far is probably Numata. His special talent is dowsing for corpses and though he looks all tough, he proved a couple of times to be a great big softie.

In the first chapter, the KCDS was formed (thanks to a winning lottery ticket that a grateful corpse gave them), and the three subsequent chapters dealt with different “cases” they came upon. Though each case was interesting, the recurring mystery of the spirit who hangs around one of the team and aids and protects him was what intrigued me the most. It was more genuinely creepy than anything else in the volume.

Lastly, Dark Horse provided extremely thorough notes at the back of the book, including a sound effects glossary and explanations of cultural references. This was good for a couple of giggles, too, and I’m sure the editor had fun describing sounds like “an organ hitting floor” or “foot bumping severed head” when he could’ve just written “thud” or “bump.”

I’m looking forward to continuing with this series; Dark Horse publishes a couple of other things by Otsuka and Yamazaki, too, which I might also check out eventually.

ETA: I’d originally classified this as shounen, because it was serialized some in Shonen Ace. However, it’s currently serialized in Comic Charge, which is definitely seinen. And it simply feels more seinen, so… there’s my rationale for switching it.

Bleach 23 by Tite Kubo: C

From the back cover:
The Arrancars, Hollows that have attained Soul Reaper-like powers, have descended on Karakura Town. Led by Grimmjow Jeagerjaques, they plan to eliminate anyone who poses a threat to them. And their deadly hunt doesn’t stop with Ichigo and the Soul Reapers—the Arrancars are after anyone with even a trace of spiritual powers!

Review:
Pardon me a moment while I indulge in a snicker over the name Grimmjow Jeagerjaques.

Ahem. Okay, moving on. I don’t know whether it’s the wait between volumes or that the story has really gotten majorly worse, but I found this to be thoroughly dull. Some Hollows with stupid names arrived and began fights with various Soul Reapers. Yawn. I don’t even fully understand this Arrancar business to begin with, so it all just seemed utterly pointless.

Still more pointless was some fanboy fodder involving Rangiku and her boobs (again). She just had to take a bath at Orihime’s house and then pounce and straddle the other girl while administering love advice in the nude. It was utterly retarded and served absolutely no narrative purpose whatsoever. I suppose that’s the definition of fanservice, but this is the first time I’ve seen an extended sequence like this in Bleach and I am annoyed by its appearance.

I’m glad I’m just reading this series from the library. I’ll probably give it a couple more volumes to regain my interest, but at the moment I’m not feeling too optimistic about it.

Buffy the Vampire Slayer Season Eight 2 by Brian K. Vaughan: A

From the back cover:
While Buffy is busy trying to uncover the mysterious new Big Bad known only as “Twilight,” Giles takes on a mission of his own that will require a Slayer who can handle a little dirty work. He recruits the notoriously rebellious Faith for an undercover job that demands her well-known penchant for violence. She must infiltrate the estate of a rogue Slayer and put a stop to this girl’s evil deeds no matter the cost.

Review:
This collection includes issues 6-10 of the series. The first four comprise Vaughan’s Faith arc that lends its name to this volume as subtitle—”No Future For You.” The last issue is a stand-alone written by Joss himself.

I’m current with the monthly issues of this series (up to 14 now), and I have to say that “No Future For You” is definitely my favorite arc thus far, which is a little weird since Vaughan was never a writer for the show. He really nails Faith, though, and all of her dialogue and inner thoughts ring true. I especially like her perspective on the conflicts she’s had with Buffy and her relationship with Mayor Wilkins. Here’s an excerpt:

Evil scumbag. That’s what most people think of the last guy who put me in a dress. But I don’t know. Dude may have been a bit of a snake… but he wasn’t a dog. Everybody thinks he was, like, exploiting me or whatever, but that’s not how it felt. So I totally get how chicks can get mixed up in the wrong crap. Even today, it’s still hard to look back at my time with that guy…and feel anything but loved.

Pretty awesome stuff. Vaughan also does well with the other characters, who both speak and act perfectly in character. I’m fascinated by the dynamic between Faith and Giles, especially in the scene where he mentions his own youthful rebellion and how they’re not so unalike, but the best is probably Buffy jumping to the absolute worst conclusion about Faith’s involvement with the rogue Slayer. It’s not only a very Buffy thing to do, but it also cuts Faith deeply to see that she will probably never really be trusted by Buffy, despite her various attempts at redemption.

Not so awesome, alas, is Georges Jeanty’s art. I’m not so miffed about it as this guy, but Faith really does look pretty awful in some panels. I realize that spot-on likenesses are not necessarily the artist’s goal, but she often looks like several different people per page, and each only marginally reminiscent of Eliza Dushku. I will, however, say that in more recent issues, Jeanty has drawn some truly exceptional panels of Willow.

Issue 10, “Anywhere But Here,” is important in its own right, featuring Buffy and Willow on a mission together and providing many answers, including where the funding for the Slayers came from and the current state of Willow’s relationship with Kennedy. Back at home, Dawn also finally discloses (to Xander) how she ended up gigantified. This is the kind of significant personal interaction I was missing in the first Buffy-centric arc, so I’m very pleased to get such a nice chunk of it here.

I really hope Vaughan writes an arc again soon or, even better, starts up a spin-off starring Faith and Giles. Sad to say, I would actually prefer that to the current arc that’s underway at present.

Dororo 1 by Osamu Tezuka: B

Book description:
Dororo is Tezuka’s classic thriller manga featuring a youth who has been robbed of 48 body parts by devils, and his epic struggle against a host of demons to get them back.

Daigo Kagemitsu, who works for a samurai general in Japan’s Warring States period, promises to offer body parts of his unborn baby to 48 devils in exchange for complete domination of the country. Knowing the child to be deficient, Kagemitsu orders the newborn thrown into the river.

The baby survives. Callling himself Hyakkimaru, he searches the world for the 48 demons. Each time he eliminates one, he retrieves one of his missing parts. Hyakkimaru meets a boy thief named Dororo, and together they travel the countryside, confronting mosters and ghosts again and again.

Review:
This was my first time reading Tezuka. Although I have a couple of other things by him, the shounen adventure qualities of Dororo made it seem a more accessible starting point.

While I enjoyed the volume overall, I ended up liking the beginning more than the middle or the end. The setting for Daigo’s bargain was immediately atmospheric and interesting. The second chapter recounted how baby Hyakkimaru (who looked kind of like Jack Skellington) was found by a doctor who raised him and fitted him with snazzy prosthetics.

From that point on, things were a bit more episodic, with varying degrees of success. It was interesting to see how Dororo probably influenced shounen tales to come. For example, a skilled swordsman and his companion(s) must wander around, collecting bits of something from a whole bunch of demons. These demons enjoy terrorizing innocent villagers. Hmm, what does that remind me of? One difference I appreciated was that the villagers in this series actually take part in fighting off the monsters, and they’re also not particularly welcoming of the freakish Hyakkimaru and the thieving Dororo after the battle’s been won.

Much suspension of disbelief is required for this series, and it was kind of weird which things I just accepted and which bugged me. For instance—a baby born missing 48 body parts not only survives but somehow possesses special sensory abilities enabling him to see, hear, and speak telepathically. Okay, fine. His foster dad is able to perform surgery on him and fit weaponry inside his prosthetic limbs (swords in his arms and poison spritzer thingies in his legs). Sure, why not? But then when Hyakkimaru is somehow able to bend the arms with swords inside, my illogic detector went, “Hang on just a minute!”

I’ll definitely be reading the rest of this series; there are only 2 more volumes, anyway. Now that flashbacks and such are out of the way, I hope that we’ll see more of the collection of Hyakkimaru’s missing bits, though I still have no idea what to expect when he’s succeeded in getting them all. He doesn’t seem to have a goal beyond that at this point.

InuYasha 33 by Rumiko Takahashi: B

From the back cover:
A fierce battle rages in the borderland lying between the world of the living and the afterlife. A mysterious force is attacking Inuyasha and preventing him from obtaining the last Shikon shard. This force claims to be acting on behalf of the will of the shard itself! Inuyasha also faces the dreaded Naraku, who will stop at nothing to obtain the shard. When all hope seems lost, Inuyasha receives help from a surprising force—his half-brother!

Review:
This volume is good, but the confrontation over the final shard is initially kind of dull. Then Sesshoumaru gets into the game and once everyone begins to contribute, it becomes more interesting.

The pattern of Sango and Miroku with their own mission to accomplish continues, to my enjoyment, and ends on a great cliffhanger with her encountering her brother, Kohaku, formerly under Naraku’s control but now in possession of his memories again and simply biding his time while maintaining the appearance of minionhood.

I also enjoy seeing the internal power plays within Naraku’s camp. His “team” is finally shaping up to have as much interpersonal dynamics as the good guys, and it’s very welcome. I’ve really enjoyed my InuThon; it’s going to be a long wait ’til July for the next volume.

InuYasha 32 by Rumiko Takahashi: B+

From the back cover:
Kagome faces a difficult decision—only she can help Kikyo heal from Naraku’s miasma. Will the love triangle between Kagome, Inuyasha, and Kikyo stop her from doing the right thing?! Kohaku comes under Naraku’s power and is ordered to steal the infant Hakudoshi. Will Kohaku be able to resist? While Inuyasha and his comrades watch, Naraku shows up at the demon bird’s nest for a showdown. A series of disturbing events is about to unfold, and a path to the borderland will be revealed!

Review:
This “last shard” arc is quite enjoyable. Not only is there the whole fun taking a path to the otherworld part, it also seems to be providing many more opportunities for the supporting characters to do things. Miroku and Sango are feeling like more important members of the cast now, which I appreciate. There even seems to be a slight evolution in the relationship between Inuyasha and Kikyo, which is also good.

I’m annoyed by the blurb on the back of the book, though. It makes it seem as if Kagome hesitated before healing Kikyo, when she did no such thing. She even makes a remark about it being insulting that someone would even consider she’d let her die for some Inuyasha-related reason.

One thing I particularly like about Takahashi is the way she paces the flow of action across a page. There’s one brief bit, where a lady is sneaking away in the background over several panels, glancing back over her shoulder and all that, that really struck me. It seems sort of cinematic somehow, and just so perfectly done that, though simple, it’s impressive. Some people can just draw pretty pictures, but Takahashi excels in using them to tell a story and set a mood.

InuYasha 31 by Rumiko Takahashi: B

From the back cover:
The search for the final shard of the Shikon Jewel leads Inuyasha and the gang to a mountain fortress. But the gate is guarded by two giant statues and a force that will only allow the dead to enter! Meanwhile, while seeking a path to the underworld, Naraku teams up with demon Abi Hime, who hunts the blood of innocent villagers to heal her mother. Inuyasha and friends step in to stop them when they find that Kikyo may be involved!

Review:
The coolness I was anticipating from the conclusion of the previous volume didn’t really pan out, as the journey to the gate was brief and no part of the dangerous Land of Fire was actually glimpsed. Inuyasha fought some statues. Ooh.

Most of the volume was centered on demonic birds who were ravaging nearby villages. This tied in with the main plot only slightly, and was more about a mysterious holy lady with the power to penetrate Hakudoshi’s barrier with a single arrow and whether she was Kikyo. Wow. I am so surprised Kikyo didn’t die. Takahashi, you fooled me again with your totally unpredictable storytelling ways.

This volume wasn’t bad by any stretch, but it was a bit of a let down. It ended with a fairly angsty cliffhanger, though, so I’m glad to have the next one on hand.

InuYasha 30 by Rumiko Takahashi: B+

From the back cover:
Evil Kagura and demonic baby Hakudoshi are searching for the border between the afterworld and this world, where it is said that the last Shikon Jewel shard lies. Inuyasha and the others are also doing everything they can to recover the last shard. Could it be that Inuyasha and Kagome have been to this border before?!

Review:
So far, this arc with Hakudoshi is shaping up to be a lot more interesting than the Band of Seven storyline. It’s not that Hakudoshi himself is anything particularly special, but the fact that this is supposedly a race to retrieve the last of the shikon shards makes the stakes much higher. The volume ends with the team learning how to pass the border and I have good hopes for the story ahead.

Something else of great significance happens in this volume, and it surprised me a good deal. Before the Hakudoshi plot really ramps up, the gang hears a legend about a group of ogre women and goes to investigate. Sango and Miroku take the center stage for these chapters and much coolness ensues, including a battle between them (when Sango comes under a demon’s control) and some revelations that I never thought would actually be made. Granted, it doesn’t seem to’ve made much difference in the ensuing chapters, but it’s a step.

InuYasha 29 by Rumiko Takahashi: B

From the back cover:
Inuyasha and the others are trapped inside Mount Hakurei with yet another newly reassembled Naraku. Meanwhile, Naraku reveals to Kikyo that his true purpose in hiding inside Mount Hakurei is to perfect an emotionless new form that could attack and even kill Kikyo without hesitation. Having finally divorced himself from Onigumo’s heart, will Naraku succeed in killing Kikyo? Inuyasha is troubled by a premonition of doom but arrives too late, finding only Kikyo’s broken bow!

Review:
Some things actually happened in this volume that surprised me, like Naraku cutting Kikyo down in battle and the explicit statement that only a few shikon shards remain uncollected. Things that failed to surprise me include the fact that Kikyo’s body was never found—I am entirely sure she will crop up again down the line—and that the chapter entitled “Inuyasha’s True Feelings” completely failed to reveal any such thing.

I liked the chapters involving Naraku’s plan to use Kagome to find the shards for him, especially since it prompted exploration of her feelings concerning Inuyasha and his lingering connection to Kikyo. I was also happy to see a brief segment occurring in the real world; seeing Inuyasha in that environment is always fun.

In all, I enjoyed the volume and its rare statement of a concrete fact, though it’s too bad I can no longer have faith in people truly being dead or things like that; it really dampens the impact of any kind of plot twist in that vein.