From the back cover:
Mitsuki’s alter ego, Fullmoon, gets a new producer—Dr. Wakaouji, who is treating Mitsuki’s cancer! Before he got his medical degree, the doctor played keyboard in the legendary band ROUTE..L with Mitsuki’s father. Will the doctor break Mitsuki’s cover? And will Takuto’s newly exposed memories destroy his present friendships?

Review:
A lot of important stuff happened in this volume, and almost none of it related to Mitsuki’s career. Since I’m always hard-pressed to care about that what with the other plot points, this suited me just fine.

The first major occurrence is that Takuto remembers some of his past. I thought the details were just a little bit cheesy, but there were some interesting ramifications there for a couple of characters, so it managed to steer clear of lame. The second major thing, to which I shan’t even allude, is a pivotal twist and makes one entirely re-examine their concept of the story so far. It’s a testament to the writing that the story still hangs together when one looks at it through new eyes.

A pair of bonus stories round out the volume, one about Meroko and Izumi when they were partners and the other the first meeting of Eichi and Mitsuki (covered from her perspective earlier in the volume) now from his point of view.

From the back cover:
Now that Mitsuki has debuted in the pop world, she is faced with the dark side of the glitz and glamour—petty jealousy and scheming that just might be her undoing. Will her love for Eichi be enough to keep her on the road to stardom? Or will the schemes of a mysterious new Shinigami stop her dreams short?

Review:
This volume was pretty good, but not as good as the first. Thankfully, the Madoka pop rival stuff seems to be done (although how Meroko figured in was interesting), and instead we’re getting more backstory on the shinigami, both as individuals as well as the job itself. Also sprinkled in were a few moments suggesting Mitsuki’s not as happy-go-lucky as she seems. Cute moments abound, but it’s really the darker moments that I like the best.

There’s also a bonus story at the end called “Gin-yu Meika.” It’s about a boy (who looks a bit like Yuki Eiri) that encounters a fairy while practicing for a music competition. Although certain things transpired predictably, enough of the unexpected occurred that it turned out to be decent.

From the back cover:
Young Mitsuki loves singing and dreams of becoming a pop star. Unfortunately, a malignant tumor in her throat prevents her from pursuing her passion. However, her life turns around when two surprisingly fun-loving harbingers of death appear to grant Mitsuki a temporary reprieve from her illness and give her singing career a magical push start.

Review:
This is the first manga I’ve read by Tanemura, and I’m extremely impressed by both plotting and art. It’s super cute. I mean, really really cute, but it manages not to be obnoxious. The super cutest thing is Guu-chan, a pet pig, but though I tried and tried to find a screencap to link here, I couldn’t do it.

I’ve seen the anime for Full Moon, and I rather wish I hadn’t. The memory of all that dreadfully monotonous filler kept intruding as I began this volume, but gradually dissipated as the story lines began to diverge. Acts and motivations are ever so much clearer in the manga, so I will try to forget everything about the anime except for Ogata Megumi as seiyuu for one of the characters.

Like the best kind of stories, there may be some outer conventions that seem really silly, but the story is about a lot more than some twelve-year-old girl getting transformed into a pop star. Characters make tough choices, some rather dark fates may be looming on the horizon, et cetera. If pressed for a complaint, I’d say that it’s rather hard to care about plot twists regarding Mitsuki’s career when all that aforementioned looming is going on.