By Kore Yamazaki | Published by Seven Seas
I’d heard good things about The Ancient Magus’ Bride from my Manga Bookshelf compatriots, but I had also heard about a sad fate befalling some cats, so I steered clear. After reading and really enjoying Kore Yamazaki’s Frau Faust, however, I decided to give AMB a try. I’m glad I did, because it turns out the cat stuff wasn’t a deal breaker (it all happened long ago and present-day kitties emerge unscathed) and the series is excellent.
In the opening chapter, fifteen-year-old Japanese teenager Chise Hatori is on sale at a British auction house. She is apparently “the most wondrous tool an alchemist can hope for—a sleigh beggy,” though she knows not what a sleigh beggy is. She only knows that she’s been attracting weird creatures all her life, that her father left with her younger brother, that her mother committed suicide, that her other relatives wouldn’t take her, and that she just wants a place to call home. She doesn’t care whether she lives or dies, but thought that if she could be useful to someone, that would be okay.
She’s purchased by a mage named Elias Ainsworth, who takes her as his apprentice. Elias is not entirely human and not entirely fae, either. Most of the time he assumes the form of a tall human with a head somewhat like a cow’s skull, but his real form is something far stranger. Despite his scary looks, he’s kind to Chise, insisting that she be neither passive nor servile, and she’s soon comfortable in his home in the countryside west of London. Eventually, he tells her that because of her ability to absorb and generate mass quantities of magic, her lifespan is destined to be brief. Part of the reason he bought her was to try to help overcome this while also learning more about humans. And to be his bride, of course.
Here’s a particularly revealing passage from volume two:
”I bought you because you met my requirements. With nothing of your own, you’d have little reason to leave me. I gave you food and shelter, and said things I expected you wished to hear. I thought that raising you myself might enable me to better understand your kind. I’d planned to tell you these things after I was confident you’d never leave.”
For Chise, someone not wanting her to leave is a novel experience, so she stays. Most of the time, anything romantic happening between them is downplayed. Instead, they take on a variety of tasks like investigating the black dog haunting a churchyard (who ultimately becomes Chise’s very, very lovable familiar), or helping a muse-like fae communicate with the man she’s loved for decades, or helping a girl find the brother her parents have inexplicably forgotten. Meanwhile, Chise learns more about magic (and how it differs from alchemy) and becomes passionate about helping others, often to her detriment. While she’s become more attached to the idea of living, she’s also reckless, culminating in an incident at the end of volume seven where, in an attempt to calm a rampaging dragon, she ends up absorbing so much of its magic that she curses herself. A despairing and desperate Elias attempts something awful to cure her, driving her away in the process (and potentially into an alliance with evil alchemist Josef, though I fail to see how Chise could rationalize doing such a thing).
What I’m getting at here is that this is a series rich in story. The plot is interesting, but the real story is Chise and Elias, what they mean to each other and how they might be incompatible despite all that binds them together. Besides the fact that her life was already going to be brief, now Chise has this dragon’s curse to contend with, and it’s really not looking good for her. Sometimes, too, Chise gets warned about Elias’ interest in her, like when his master Lindel says, “It looks as if he’s trying to tame you… and you are allowing him to do it. But you mustn’t.” Even if she were to return to him after what he did, would that be the healthy choice? I’m not sure this is going to have a happy ending, but it’s certain to have a fascinating one. I can’t wait for volume nine!
The Ancient Magus’ Bride is ongoing in Japan, where the ninth volume has just been released. It’ll come out in English in September.
I had heard good things about Frau Faust and figured I would probably like it too, but I wasn’t prepared for the “OMG, I love this!” feeling that overtook me after the first dozen pages or so. I loved it so much, in fact, that the first seven volumes of Yamazaki’s other published-in-English series, The Ancient Magus’ Bride, are currently on their way to my branch of our awesome local library. If Frau Faust is going to be this original and entertaining, clearly I need to read more of Yamazaki’s work!
After the errand is complete, Marion refuses to let his memories of the encounter be wiped, and tags along with Johanna on her journey to gather the rest of Mephisto, whom she refers to as “my adorable, detestable, unfathomable idiot of a dog.” As the trail leads Johanna to a town where the church is protecting Mephisto’s leg, we learn more about why the demon has been quartered and his parts kept under guard—his only charge is performing an immortality curse upon the dead—and what this means for Johanna. Whenever she sustains an injury, she is able to heal herself, but has a finite supply of physical material to work with, thus she ends up looking younger each time. 
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