Bleach 28 by Tite Kubo: B

bleach28From the back cover:
Ichigo, Chad and Uryu are determined to rescue Orihime from Aizen’s vile machinations. But though the Arrancars’ fortress is in sight, the would-be heroes must first pass Tres Cifras—the land of the disgraced Arrancars, who see destroying Ichigo and his friends as a way to redeem their honor!

Review:
There were times as I read this volume that I stopped and thought, “You know, this is completely ridiculous.” Like when Aizen, after making sure that his Espadas (the highest-ranked of the Arrancar) have had their tea, announces that Hueco Mundo has been invaded by Ichigo and friends. He basically tells them it’s no big deal, and to go back to their palaces and wait for the enemy to come to them. If they’d fight en masse, they could wipe the floor with Ichigo-tachi in, like, 2 minutes, so this is obviously advised only so that we can have a nice long arc in which the Espadas are defeated one at a time.

There were also, however, times when I thought, “Ooh, this is cool.” The Espadas look pretty nifty, and because there’s all this special energy in the air, Uryuu’s badass new skills are even more impressive. (Also, I was reminded anew of his similarities to Wesley Wyndam-Pryce.) There’s the dramatic appearance of a couple more friends, as well, but really the best moments are between Orihime and Ulquiorra, her Arrancar captor who I’d swear has begun to admire her quiet bravery. I want to see more of them than I do anything else at this point.

I might be more peeved about the ridiculous moments if I were actually buying and collecting Bleach, but since I’m not, I can simply like it for the things it does get right.

Review copy provided by the publisher.

Ikigami: The Ultimate Limit 1-2 by Motoro Mase: B

ikigami1From the back cover:
Dear Citizen:

Thank you for your loyalty. You’ve no doubt noticed that the world is a troubled place. People are apathetic, lazy, unmotivated. You’ve probably asked yourself

WHY ISN’T ANYTHING BEING DONE TO STOP THIS SYSTEMATIC DECLINE?

Rest assured that measures are being taken. Beginning immediately, we will randomly select a different citizen each day who will be killed within 24 hours of notification. We believe this will help remind all people how precious life is and how important it is to be a productive, active member of society.

Thank you for your continued attention and your cooperation and participation…

Review:
In this dystopian tale, Japan has passed the National Welfare Act, designed to help its citizens lead more productive lives by instilling in them the fear of death. To this aim, one in a thousand children entering the first grade is injected with a nanocapsule along with their standard immunizations. This nanocapsule is preprogrammed to rupture in the pulmonary artery sometime between the ages of 18 and 24, killing the person instantly. The identities of the supposedly randomly selected capsule recipients are tracked by the government and 24 hours before the capture’s rupture, a messenger dispatches an ikigami (or death paper) notifying them of their selection. We follow Fujimoto, one such messenger, as he delivers these ikigami and struggles with questions about his work that he cannot express, lest he himself be injected with a capsule.

Rather than focus on Fujimoto exclusively, each volume contains two three-chapter stories about a recipient of an ikigami delivered by Fujimoto and how they spend their final day. In volume one, a store clerk who was bullied in high school uses his final day to exact revenge upon his tormenters and a singer who had chosen an opportunity for stardom over his best friend uses his last live performance to sing his friend’s composition on the radio. In volume two, a director squabbles with his girlfriend over his drug use but tosses aside his big break when she receives an ikigami and a young employee at a nursing home makes a connection with an elderly woman right before he receives his death notice.

Almost without exception, these tales are extremely depressing. The first story in volume two is the worst on that score, but basically, any time you see two people who mean anything to each other in this series, you know that they are about to be torn apart, one way or another. Even the most grim tales manage to offer something optimistic, though. In volume one, the final act of the store clerk is to give advice to another victim of bullying while hearing his own song on the radio inspires the singer’s former partner to take up music again. In volume two, the death of his girlfriend spurs the director to finally clean up his act. It’s only the last story of volume two that is actually uplifting, though, because Takebe, the recipient of the ikigami, is truly satisfied by how much he was able to help the woman in his care, and so dies without regret.

ikigami2One thing that becomes clear in these stories is that the law is not having its desired effect. No one—with the possible exception of Takebe, who has tried to be his best because that’s his nature rather than due to fear of death—in these stories has become particularly productive. Because only 1 in 1000 people have the capsule, they had believed it wouldn’t happen to them. Some are spurred to action after they receive the ikigami, but others are too paralyzed to do much of anything as their time slips away.

Fujimoto is merely a recurring character throughout and we don’t learn too much about him. It’s clear that his job is taking a toll on both him and his personal relationships, though, and though he succeeds in burying his concerns for a while, they do have a way of returning to the surface. Through his eyes, we see the training seminars given by the government about the process and how the recipients are theoretically entirely random. Fujimoto, however, notices that, in practice, things are rather sloppy, with ikigami arriving at the last minute and with incorrect case notes attached. By the end of the second volume, he’s feeling numb, and a brief flare of hope when he meets a therapist that genuinely seems to be offering solace to the recipients is cruelly extinguished when she reveals that her clients only appear to’ve been calmed because she drugs them.

Mase’s art is dark and gloomy, as befits the story, but manages to move the story along rather than hinder it. Characters’ faces are frequently distorted into expressions of anguish or other raw emotion, so the art is sometimes a bit unattractive, but again, that still serves the story. One thing I especially like is that most everyone actually looks Japanese. Fujimoto, in particular, has a nice, understated design that looks pretty realistic.

Ultimately, while I’m curious to see whether Fujimoto will be able to continue to rationalize his job or if he’ll become a “social miscreant” and attempt to effect change, I’m not sure if I’ll be continuing with this series. It’s just such a tremendous downer. In fact, I must now seek solace in some girly manhwa as a mental palate cleanser.

Ikigami: The Ultimate Limit is published in English by VIZ. Volume one is out now and volume two will be available in August 2009. In Japan, it’s currently serialized in Young Sunday and six volumes have been released so far.

Review copies provided by the publisher.

Boys Over Flowers 28 by Yoko Kamio: B+

boysoverflowers28From the back cover:
Tsukushi’s friend Yuki is still fixated on Sojiro*, a member of the F4. While struggling to understand him she immerses herself in a mysterious event from his past. Meanwhile, spies continue to track Tsukushi and Tsukasa’s every move. The two of them will have to take some outlandish steps to outsmart the snoops and get some “alone time!”

* The back cover actually says “Akira” here. Tsk tsk, VIZ. While Akira and Sojiro might’ve seemed interchangeable at the beginning of the series, they certainly aren’t anymore.

Review:
Here’s another volume that very nicely balances the relationship between Tsukushi and Tsukasa with Yuki’s ongoing efforts to get through to Sojiro. On the former front, after an annoying bout of insecurity in which Tsukushi wonders whether Tsukasa just sees her as a novelty because she’s poor (since she hasn’t seen him return to the dingy apartment he rented next door), they proceed to have some cute/good scenes, like when she thinks that her laying next to him will help him sleep in an unfamiliar place (wrong!) or when they very nearly consummate their relationship.

Yuki, meanwhile, has been told by Sojiro that there was one girl he loved—whom we meet in a side story called “Story of an Encounter”—but he did her wrong by not showing up to a certain rooftop at 5 a.m. as she’d requested. Yuki searches through a bunch of rooftops until she finds the right one and drags Sojiro off to see what the girl had been trying to show him. Personally, I’m not sure what Yuki sees in Sojiro, but I like her calm determination quite a bit, so I’m interested to see where this’ll go.

Once again, not a whole lot more to say other than “it’s good and here were my favorite bits.” With this volume, it also beats Basara for the honor of Longest Shoujo Series I Have Read.

Boys Over Flowers 27 by Yoko Kamio: B+

boysoverflowers27From the back cover:
Tsukushi makes a shocking announcement at a party! Then her parents move into a tiny apartment, forcing Tsukushi and her brother to get their own place—next door to someone she knows. And Tsukushi’s friend Yuki is becoming increasingly infatuated with Sojiro, one of the F4. Is she willing to compromise herself for what she thinks he wants?!

Review:
So many nice things happened in this volume. It’s a feel-good volume on the main couple front and also significantly advances the subplot about Tsukushi’s friend Yuki and her feelings for Sojiro.

What did I love?
* Kamio-sensei evidently knows full well that fans squee when Tsukasa is shown when wet hair, because she finds a couple of excuses to depict him thusly in this volume. I don’t disapprove.

* Tsukushi makes an effort to be more forthright with Tsukasa, and ends up telling the gang that she loves him and they’re going out.

* All of the shoujo angst about Yuki’s confession to Sojiro and his subsequent attempts to scare Yuki by making it seem he intends to bed her are a lot of fun. I’m really enjoying this subplot!

* After a thief breaks into Tsukushi and Susumu’s new apartment, Tsukasa moves in next door and takes an adorable trip to a public bath house.

* There’s a really sweet scene between Tsukushi and Rui wherein he says he’s happy for her but a bit sad as well, since he looked on her as his pet.

Other than new plot developments, there really isn’t a lot to praise in this series that I haven’t praised already. I can only say that I really like the place that it’s in right now.

One Piece 12 by Eiichiro Oda: B+

onepiece12From the back cover:
Luffy narrowly escapes being executed by his old nemeses Lady Alvira and Buggy the Clown, but now he has the Navy hot on his trail. Leading the hunt is the relentless Captain Smoker, a man who has never let a pirate escape from his jurisdiction!

Review:
There’s no other way to describe this volume than “ridiculously fun.” Where else will your heroes battle an opponent who can turn into smoke, encounter a lonely whale and give him a reason to hope, and drink themselves into a stupor in a town full of bounty hunters?

While I have to cringe at some of the idiocy the boys get up to—like picking a fight with said whale or destroying a valuable navigation tool—there is still plenty of cool stuff to make up for it. The method of navigating the Grand Line, for example, is pretty sweet. Strong magnetic fields make an ordinary compass useless, and instead, a ship must pick one of seven paths and then travel from island to island along that path, logging each island’s magnetic field somehow (a process which can take days or hours) before moving on to the next one. All paths ultimately converge and the final island is the mythical Raftel, which has only been visited by the king of pirates (and thus may be the location of the One Piece). I’m sure the science here is a bit dodgy, but it’s fun nonetheless and provides a handy excuse for encountering lots of kooky people along the way.

Although One Piece seems to shun the power-ups that other shounen series employ, Zolo did recently buy a couple of spiffy new swords. The scene in which he finally tries them out, against a hundred bounty hunters, is rather awesome, as well. It feels like we haven’t really seen him fight in a long time, since he was so injured during the Arlong Park stuff. His prowess convinces the villagers that the wanted poster must be mistaken, that he must be the captain worth 30 million berries, so they decide to focus their efforts on him while a bloated Luffy snores away unheeded.

So, yes, nothing incredibly deep here but that didn’t prevent me from being thoroughly entertained.

One Piece 11 by Eiichiro Oda: B

onepiece11From the back cover:
After almost drowning at the hands of “Sawtooth” Arlong, captain of the nasty Fish-Man pirates, Luffy bounces back with a few tricks up his sleeve. The fate of Coco Village, if not the rest of the East Blue, rests on the outcome of their final battle!

Review:
After a fight involving lots of chomping and a completely silly move known as “shark darts,” Arlong Park is destroyed and the villagers rejoice. Nobody seems too concerned that they don’t recover Arlong’s body, which I suspect they will regret later. Luffy is kind of awesome in this fight, in that he takes special care to destroy the room in which Nami was made to draw charts for the fish-men, and declares from atop the pile of rubble that used to be Arlong Park, “Nami! You’re one of us now!” I swear, I actually got a bit teary. Shounen manga is so wonderfully uncomplicated.

A corrupt naval official wants to take credit for defeating Arlong, but when he is prevented from doing so, he takes his revenge by issuing a world-wide all points bulletin for Luffy. As our heroes set out for the Grand Line, they stop over in Roguetown, where Luffy is recognized by some past foes as well as the naval presence and is about to be executed upon the very spot where the last king of the pirates met the same fate. Meanwhile, Zolo acquires some new swords with the help of a knowledgeable young woman (in a chapter that is oddly fascinating), Sanji buys a big fish, and Shanks finds out (courtesy of Luffy’s wanted poster) that the boy he met long ago really did become a pirate.

Some very interesting things are afoot! I’m glad to see Shanks again, and the naval captain at Roguetown also seems to be a pretty decent guy. I’m kind of bored by the return of Buggy and Alvira, but it brings up an interesting point. Their meeting and cooperative efforts were documented in a series of splash pages, which Oda-sensei likes to use to tell stories about minor characters. Does that mean these stories are canon? If so, based on the splash pages going on currently, another foe may reappear at some point after escaping the clutches of a Vice Admiral whose ship has Triumph the Insult Comic Dog for a figurehead.

One Piece 10 by Eiichiro Oda: B-

Arr! Belay reading on if ye not wish to be spoiled.


onepiece10From the back cover:
Luffy’s navigator, Nami, has been working all along for “Saw-Tooth” Arlong to steal enough treasure and buy back her village. In return, the pirate has handed over her fortune to the Navy! Now Luffy and his crew prepare to risk their lives for Nami’s sake against their most ruthless opponent yet.

Review:
It seems that for each volume in which the plot advances, we get one like this, which is almost entirely fighting. Answering Nami’s tearful plea for help (see note at end of review), Luffy and friends square off against Arlong and his crew. Predictably, Arlong just so happens to have three powerful minions, which means that Zolo, Sanji, and Usopp must each face off with their opponent before the real fight—between Luffy and Arlong, of course—can begin.

For the most part, the fights follow the typical shounen routine. The good guy takes a beating that would kill a normal man, rallies, and eventually defeats his opponent. All moves have a name and these names are shouted as the moves are executed. The one exception is Usopp’s battle. His first instinct is to avoid conflict, but when he thinks about the comrades who are depending on him, he manages to fight in his own way, which is less face-to-face and more about sneak attacks. I thought this was a nice way to keep him in character while allowing him to contribute something to the battle.

Although the fights still manage to be fairly entertaining, despite going exactly as one would expect, my favorite scene occurs at the end. Nami can no longer stand being away from the battle that is being fought on her behalf, so she arrives and challenges Arlong. He forces her to decide whether she’ll return to his crew, in return for him sparing the lives of the villagers, or whether she wishes to align herself with Luffy’s crew, who is looking miserably beaten by this point. She chooses to believe in Luffy, which is a big turning point for her. I appreciate that even in a volume full of brawling, Oda-sensei still manages to work in moments like this.

Note: Have I been pronouncing Luffy’s name incorrectly? I’ve been thinking that it rhymes with Buffy, but in one of the storyboard presentation pages we see the rough outline of Nami’s tearful plea again, and the katakana she uses for Luffy’s name could be romanized as “roofy.”

Kimi ni Todoke: From Me to You 1 by Karuho Shiina: A-

kiminitodoke1Sawako Kuronuma doesn’t mean to terrify her classmates. In fact, she wants nothing more than to befriend them, but her resemblance to a character from a horror movie combined with her reserved demeanor keeps them at bay. Everyone, that is, except for a cheerful boy named Kazehaya, who is friendly to all and known to look out for those who don’t quite fit in. When Sawako accidentally says something about him that might be construed as insulting, Kazehaya gives her the opportunity to explain her true feelings. Learning from this experience, she henceforth attempts to clear up misunderstandings about her temperament and rumored psychic powers by revealing her true feelings all over the place, earning her a few additional friends who are moved by her earnest efforts. Kazehaya continues to encourage her to open up, though the attention he pays Sawako causes rumors to fly, including one that might put her new friendships in jeopardy.

I could tell before I even confirmed it that Kimi ni Todoke was serialized in Margaret or one of its offshoots. There’s a similar (but not identical) kind of warmth to series like High School Debut and Crimson Hero that really I really like, and Kimi ni Todoke possesses it as well. Part of the appeal is the importance of friendship as the basis for a relationship, as in each of the series mentioned, the romantic leads have many reasons to like and respect each other, with their feelings developing as a result of one another’s good qualities rather than reasons more shallow. Friendships between female characters are also important, something which is sometimes lacking in shojo manga.

Another point in Kimi ni Todoke’s favor is that the main cast is genuinely likable. True, Sawako is somewhat clueless at times, but her inability to realize that Kazehaya has feelings for her is not due to ditziness; she just’s so very happy and grateful to have him as a friend that it simply doesn’t occur to her that he could possibly want something more. I’m also quite fond of Sawako’s first new friends, Yano and Yoshida, who look kind of tough but end up rallying around her at crucial moments. Sawako, with her long dark hair and spooky vibe and Yoshida, who is brash and rumored to be an ex-gang member, also remind me of Hanajima and Uotani from Fruits Basket, which is definitely a compliment.

Karuho Shiina’s panel layouts and sparse backgrounds pretty much adhere to the shojo standard, but she does possess a unique style where faces are concerned. They’re drawn simply yet expressively, perfectly suited to all of the sincere feeling on display. Sawako is depicted in a variety of ways—creepy-looking, super-deformed—and only manages an unselfconscious smile once, eliciting surprise from all around and prompting Yano to remark later that it actually made her seem “pretty normal.” It does take a little while to tell Sawako’s new friends apart, but they’re distinct enough that it’s not a major problem.

The bottom line: Kimi ni Todoke is feel-good shojo at its best.

Review copy provided by the publisher. Review originally published at Manga Recon.

Honey and Clover 6 by Chica Umino: A-

honeyclover6Yuta Takemoto, the nominal protagonist of Honey and Clover, has been battling feelings of insecurity and inferiority for some time. When he finally gets a job offer, only to receive news of the company’s sudden bankruptcy during his celebration party, it suddenly becomes too much and he takes off on a bicycle journey to find himself. Meanwhile, Yamada starts forming a bond with Nomiya, one of Mayama’s former coworkers, and Hagu faces pressure to “make a lasting impact” with her art, when all she wants to do is live a quiet country life financed by the occasional sale of a painting.

Like volume five before it, volume six mixes pivotal moments for several of its characters with moments of over-the-top zaniness. While the series has always blended humor and drama—and, indeed, a chapter in which the gang helps a bakery with its Father’s Day special is very funny—lately it seems that the comedy has become more outlandish, especially where Morita is concerned. It’s hard to completely dislike him, since he can be considerate and insightful when he tries, but his antics just don’t do it for me.

Those pivotal moments, however, are definitely worth the price of admission; Umino is adept at creating endearing characters with whom readers, whether in the midst of youth or thankfully beyond it, can identify and sympathize. Another thing at which she particularly excels is subtle comparison, be it equating Yamada’s unrequited love for Mayama with the broken stem of a plant that she just can’t bring herself to prune, or likening Takemoto’s genius-adjacent situation to that of Professor Hanamoto, who, in his own college days, also had fabulously talented friends whose world he could never fully enter. Even a hilariously unsubtle comparison between Nomiya, who has just shed the baggage of youth, and Mayama, who is wrapped in it like a cocoon, is excellent.

Because of the universality of the characters’ struggles, this is one of those series with the capacity to appeal to anyone—male or female, old or young, suave or awkward—and make them earnestly desire a happy outcome.

Review copy provided by the publisher. Review originally published at Manga Recon.

Honey and Clover 5 by Chica Umino: B+

honeyclover5From the back cover:
Takemoto is nearing graduation, but he doesn’t have a job lined up—he doesn’t even know what he wants to do with his life. His friends try to be supportive, but they have their own dramas to act out. With his health failing and his heart in turmoil, how will Takemoto find the strength to carry on?

Review:
I unreservedly adore the cover of this volume. Colorful whimsy is the way to get me every time, I think. Alas, I don’t have such effusive praise for the actual contents.

There’s nothing overtly bad. In fact, there is quite a bit that is good, including the truly excellent first chapter. Mayama quits waiting for Rika to make a move and, nudged along by his coworkers, manages to reinstate himself in her employ. He refuses to let her push him away and resolves that he’s going to eventually extinguish her wistful thoughts about joining her late husband on the other side. Later, Yamada receives marriage proposals from five childhood friends and finally understands how Mayama felt receiving a love confession from someone he cared about but only on a friend or sibling level. Lastly, Takemoto works himself into exhaustion and comes to some personal realizations—like the fact that through it all, Hagu was close by, watching over him—just in time for Morita to return.

What bothers me is that some of the attempted humor, mostly involving Morita, is just sooo over-the-top that it’s not funny. There are a few times when someone gets injured and a joke is made about calling the ambulance, but it’s hard to tell what’s an actual injury and when it’s only in jest. There’s a nurse who enforces hospital rules violently. There’s Morita’s surprising appearance at the Mocademy Awards and his subsequent acceptance speech/rant. It’s all just really… crazed. Even Morita gets some nice moments, though, like when he takes care of his drunken advisor after finally managing to graduate.

One humorous episode, though, was truly amusing. Takemoto’s graduation piece, a somewhat lopsided tower, confuses the judges until Professor Hanamoto gives it a title—Tower of Youth—and then suddenly the judges are teary-eyed, going on about youthful ambitions and vulnerabilities. Although the title wasn’t Takemoto’s idea, he does later decide that the tower represents himself and his aimless state, and destroys it, beginning anew on a new tower that represents his decision to stay in school one more year and find out what it is he really wants to do with his life.

All in all, definitely not a bad volume. Just a rather hyper one.