One Piece 1 by Eiichiro Oda: B+

From the back cover:
As a child, Monkey D. Luffy was inspired to become a pirate by listening to the tales of the buccaneer “Red-Haired” Shanks. But his life changed when Luffy accidentally ate the fruit of the Gum-Gum Tree and gained the power to stretch like rubber… at the cost of never being able to swim again! Years later, still vowing to become the king of the pirates, Luffy sets out on his adventure… one guy alone in a rowboat, in search of the legendary “One Piece,” said to be the greatest treasure in the world…

Review:
Influenced by praise of this series, particularly from Connie, I decided that I ought to check it out. This aim was facilitated by the fact that my local library carries One Piece (and several other lengthy Shonen Jump series), so I could do my investigatin’ for free!

I couldn’t really get into it at first, particularly as the art style is really cartoony. I thought about starting a gaping maw (a mouth open so wide that molars are visible) tally box, but it would’ve gone over 200, easily. Gradually, though, the story grew on me and I found myself quite enjoying it by the end.

I really like the protagonist, Luffy. In the first chapter, he’s a rather annoying kid who has as his role model a pirate called Shanks. Shanks teaches him a lesson about what it means to be a good man, and throughout the rest of the volume, the teenage/adult Luffy proves by his actions that he has taken the lesson to heart. Sure, he’s reckless and rash, as any shounen hero must be, but he’s also quite mellow and takes things as they come.

It’s also pretty funny, in a goofy way that appeals to me. For example, the first line spoken by the main villain of the volume, a megalomaniacal naval captain, is “I’m so great!” I also cracked up at this exchange between Luffy and his new friend, who is explaining how he came to be affiliated with a cruel female pirate:

Koby: I’ll never forget that fateful day. I just wanted to go fishing and I boarded a pirate ship by mistake. That was two years ago. In exchange for my life, I’ve been working as their cabin boy.

Luffy: You’re kinda clumsy and dumb!

By the end of the volume, I was definitely wanting more. In fact, I’ll probably be picking up the second volume from the library tomorrow.

Maison Ikkoku 9 by Rumiko Takahashi: B+

From the back cover:
Godai finally gets serious about finding a job. Unfortunately, Kyoko is the only one who takes him seriously—a little too seriously—when he talks about his “future.” For the immediate future, he gets a position waiting tables at a resort, and an eyeful when Kyoko loses her top in the pool. Once he finally lands a gig student-teaching at Kyoko’s old high school, a googly-eyed student named Yagami moves into his life, and, sneakily, into Maison Ikkoku. Will she manage to get between Godai and Kyoko?

Review:
Even though I find Yagami pretty annoying, I must admit that this volume was consistently entertaining. With the previous volume, I’d gotten tired of stories about the neighbors pulling pranks, so it was nice to read a continuous storyline that had little to do with that sort of thing.

My favorite part, though, was the Christmas chapter. Godai and Kyoko were drafted by the puppet theatre club, who they’d helped a few years previously, to provide some voices for a show being given at a pre-school. Godai ended up cast as a penniless pauper and Kyoko’s character berated him for his worthless state. This lead to a nice conversation between the two of them where he lamented the state of his life. I don’t remember this from the anime, so to me it kind of felt like the first glimmer of the plot going in a more serious direction and getting the two of them together.

The volume ended with one of the most frustrating bits I remember from the anime—when Godai missed his job interview with Yagami’s dad because he encountered a woman in labor on the way and got roped into escorting her to the hospital. I suppose it’s a testament to the quality of the series when the characters’ faults make me want to shout at them, but it’s still irritating.

I’m almost up to the point where I abandoned the anime and am really looking forward to finally seeing the conclusion of this classic series!

High School Debut 6 by Kazune Kawahara: A-

Not long after Haruna first met Yoh, she heard about the “beads incident.” Back in Junior High, Yoh was on the basketball team and was dating the team manager, Makoto. She had a fondness for wearing beads, and one day he accidentally hurt her feelings by saying that he didn’t particularly care for them. She turned on the waterworks and managed to get Yoh’s teammates to turn against him. Now Makoto is back, and has been calling Yoh in hopes of seeing him again.

It’s one of the strengths of this series that Yoh’s perspective is not neglected. Getting to see his reaction to being contacted by his ex-girlfriend elevates this from a mere “romantic rival” plot to something a lot more meaningful, more melancholy than melodrama. He firmly tells her to leave him alone, and unequivocally lets Haruna know that she’s the one he wants to be with. It’s Haruna who eventually convinces him to see Makoto and he comes away from the experience at peace with his past.

Haruna, who has been prone to spazzery up until this point, is pretty awesome in this volume, too. It’s kind of rare for me to like both members of a couple as much as I do Haruna and Yoh. Their interactions and discoveries in this volume contribute to make it the best of the series since they got together. The last three pages were especially terrific; I might even have shed a tear.

Review copy provided by the publisher. Review originally published at Manga Recon.

We Were There 1 by Yuki Obata: A-

Nanami Takahashi has just started high school and is eager to make friends. As she attempts to make conversation with some girls in her class, she finds that their favorite topic of discussion is a carefree-looking boy named Motoharu Yano. Yano is very popular, though more because of sheer presence than good looks. As Nanami puts it later, he’s the “kind of guy everyone follows out to the field to play ball, but once he leaves, everyone stops playing because it’s not fun anymore.”

Initially, Nanami’s irritated by Yano’s seemingly irresponsible ways, but he listens to her when she needs a sympathetic ear, and she soon realizes that she’s got a crush on him. The class is abuzz with rumors about Yano’s last girlfriend, who died the summer before in a car accident, and Nanami is understandably confused by Yano’s resolutely cheerful demeanor in the face of such tragedy. Little by little, friendship grows between them, and he eventually confides in her his bitterness that his girlfriend was killed while seeing another boy behind his back.

We Were There is pretty mellow in its storytelling. There are no melodramatic moments, no crazy facial expressions, no gags, and no super-deformity. Instead, it’s a quiet tale of a slightly strange and funny girl attempting to understand the contradictions presented by the boy who might be hiding feelings of grief behind a sunny smile. In addition to the mystery of what really happened in the past, the story in the present is compelling, too, even though it’s another entry in the “kind-hearted heroine is the only one who can help our hero through his angst” category.

The characters are likable, and even some of the supporting characters are pretty interesting, like grouchy, bespectacled Yamamoto. I particularly like the way Nanami’s awkward attempts to fit in with her new friends are depicted. At first, things are palpably stiff between them—exemplified in a conversation in which the other girls are blathering on about Yano while Nanami attempts to interject comments about classes—but as time wears on, they become more relaxed in each other’s company. Nothing is overtly said to chart the progress of the relationship; the visuals simply tell the story.

For the most part, the art is light and pleasant, though Obata seems to have attended the Aya Nakahara School for Overly Large Ears and Hands. Also, I’m not fond of the really shiny eyes she draws. Although emotion is competently conveyed using body language and the rest of the face, the lack of pupils is still pretty disconcerting. Yano, particularly, often looks like his eyes are blank and soulless.

Overall, We Were There is a very satisfying read. When it was over, I wanted more.

We Were There is published in Japan as Bokura ga Ita and won the Shogakukan Manga Award for shoujo in 2005. Twelve volumes have been released in Japanese so far, while the English translation debuted on November 4th. Subsequent volumes are scheduled for bimonthly release.

Review copy provided by the publisher. Review originally published at Manga Recon.

High School Debut 5 by Kazune Kawahara: B+

From the back cover:
Just when things are going well for Haruna, in walks transfer student Leona Matsuzaka. Beautiful Leona’s got only one thing in mind—to destroy Haruna’s happiness! Who is this vengeful girl and why does she want to hurt Haruna so badly?

Review:
The Leona story in this volume isn’t so great. If this were an anime, it’d be the part you’d swear was filler and then be surprised to find that it was actually from the source material, like that part in GetBackers with the thieving monkeys at the hot springs. There are a few good things, though. First, I liked that her rivalry with Haruna is sports-related rather than because of Yoh. Secondly, she traps Haruna and Yoh in a storage room, prompting Haruna to get all gallant and vow to protect Yoh from the cold. Haruna’s cool when she’s like that.

Alas, Haruna is also annoying on a few occasions. During all the Leona stuff, she tells Yoh, “Maybe you should just get together with Leona.” Later, after he’s tired of her praising his friend Asaoka (she’s trying to set him up with her friend, Mami) and tells her “Maybe you should date Asaoka, then,” she gets all pissed, completely not seeing the parallels between her own earlier actions.

One thing that I continue to love about this series is the active interest Yoh’s friends take in his relationship with Haruna. When Asaoka inadvertently prompts that argument between the couple, he devises a tricky scheme to get them to reconcile. Basically, he’s the Hanazawa Rui of the piece.

Even though Haruna occasionally bugs me, there are enough original and funny things about this series that it still ends up being a good read.

High School Debut 4 by Kazune Kawahara: B+

From the back cover:
Haruna jumps to the conclusion that Yoh is interested in her friend Mami when she sees the two of them together. Instead of confronting him about it, she runs away! Will Haruna’s insecurities end her relationship with Yoh?

Review:
Normally, I’d be peeved about the back cover clurb making the series and Haruna seem so stupid, but unfortunately, she does do a number of dumb things in this volume. She does not, however, run away after seeing Yoh and Mami, so that part’s wrong, at least.

The volume starts out well. Haruna, using a sports metaphor as relationship guidance once again, decides that she needs “one big swing” to get rid of the awkwardness she and Yoh are feeling, and goes all out planning a Christmas date. Seeing her work hard at her part-time job (which she got in order to buy Yoh a swanky present) is cool, and there are many funny parts, like when she goes around, excitedly telling everyone her plans.

The date chapter itself is the best in the volume, as things don’t quite go as planned, but still turn out okay. Yoh and Haruna share their first kiss, and after that is where the regrettable behavior starts. Haruna is so flummoxed she can’t talk to Yoh properly and avoids him. He realizes what’s going on, but doesn’t like it and is upset. After a frustrating interval, they finally work things out.

The conclusion to the last chapter is very satisfying and the final page cracked me up. I love that Yoh is the kind of a guy who can tell her straight out that something “made [him] very upset.” Too, I love that though Haruna couldn’t talk to him coherently, she showed her regard by taking on his chore of shoveling the snow in front of his house. That’s such a completely Haruna thing to do.

While this volume wasn’t my favorite, maybe Haruna has now gotten all the spazzitude out of her system. Let us hope.

High School Debut 3 by Kazune Kawahara: A

From the back cover:
What does Haruna do when she finds herself liking Yoh? She starts acting weird and avoiding him, that’s what! When he confronts her about her strange behavior and encourages her to be honest with him, will she quash her feelings or confess her love?

Review:
Man, this series is so good! This volume starts with Haruna working up the nerve to tell Yoh how she feels about him. I haven’t read pre-confession deliberation this good since the first volume of Kare Kano and that’s a pretty big compliment. In the chapters that follow, they begin going out, Haruna is bullied by some older girls who want her to break up with Yoh (Awesomely, she beats them up!), and she and Yoh begin to learn how to interact as a couple.

There are so many things I love about this series. Both Haruna and Yoh are great characters, for one. I like them a lot separately and together. I like the reasons they like each other, too, like when Yoh lists Haruna’s good points as staying strong under pressure and giving her all to her endeavors. The art is great, and the story is original, sweet, and funny (the sidebars, too). I also like that Yoh actually talks about things with his friends, which is kind of unusual in a shoujo manga.

I didn’t expect them to become a couple quite so soon, and I hope the story doesn’t devolve into a mass of shoujo clichés as story ideas dwindle. There’s one scene that gives me hope that that won’t happen, though. Yoh, himself ignorant in the ways of dating, has just asked Haruna what happens in the shoujo manga she’s so fond of when a couple finally gets together. Here’s her reply:

Haruna: Hm… Sometimes a love rival pops up! Or the couple gets separated. Or they find out they’re actually related. That kind of stuff!
Yoh: … That’s not really what I meant.

High School Debut is seriously very, very good. I recommend it to all and sundry.

Case Closed 26 by Gosho Aoyama: B

There were three complete cases in this volume: two murders and one valuable missing stamp. I’ve only read one other volume of this series so far, but each of the two murder cases had an aspect that was similar to the skating rink case from said volume. In the first case, one member of a group of friends had done away with another. In the second, sounds of celebration were used to disguise a gunshot. I don’t know enough to state whether this sort of “variation upon a theme” is standard for this series or not, but it is a little worrisome.

The cliffhanger ending from the last volume—one of Conan’s friends seemed to realize who he really is—was resolved in a way that managed to be fun but still left all of the characters right back where they started, when all was said and done. I suppose when one is writing a series of this length, one might have to recycle some criminal methods and might also try to avoid doing anything major to break up the character dynamic. But as a result, while Case Closed is good for episodic fun, it will probably never achieve greatness.

Case Closed is serialized in Japan as Meitantei Conan (Detective Conan). It’s been running for 14 years now and has 64 volumes so far. So far, Viz has released 26 volumes in English.

Review copy provided by the publisher. Review originally published at Manga Recon.

Banana Fish 1 by Akimi Yoshida: B+

From the back cover:
Nature made Ash Lynx beautiful; nurture made him a cold ruthless killer. A runaway brought up as the adopted heir and sex toy of crime lord “Papa” Dino Golzine, Ash, now at the rebellious age of seventeen, forsakes the kingdom held out by the devil who raised him. But the hideous secret that drove Ash’s older brother mad in Vietnam has suddenly fallen into Papa’s insatiably ambitious hands—and it’s exactly the wrong time for Eiji Okumura, a pure-hearted young photographer from Japan, to make Ash Lynx’s acquaintance…

Review:
After frequently hearing about how good this series is, I decided to check it out. Unfortunately, the volume gets off to a start so slow that I twice fell asleep while reading it. The backstory is important—Ash’s brother had some kind of involvement with something called “Banana Fish” while he was serving in Vietnam and ended up opening fire on some fellow soldiers—but not exactly riveting.

The second half of the volume is far more exciting. A pair of Japanese journalists researching youth gangs is introduced, as is a plan by a disgruntled gang member to lure Ash (the gang leader) out and kill him. Brawling, capture, sharpshooting, and daring escapes ensue. In addition to this, there are plot threads involving the deaths Ash’s former benefactor seems to be ordering as well as the police investigation into same. A lot is going on, but it is well-balanced and easy to follow.

The characters are okay so far. I like Eiji, because he’s naive but brave, and Ash is still quite the enigma, which I’m sure is the point. The dialogue is good, with plenty of smart-alecky remarks from Ash, and I also like how the Japanese characters’ imperfect English is rendered. I do have to snicker at some of these names, though. There’s one hulking male bodyguard named Angie and also a black teen gang member named… wait for it… Skip. How intimidating.

I’m not a big fan of the art. Looking dated is one thing, but many of these guys look similar, particularly the soldiers in the opening scene. After that, I kept thinking every blond-haired white dude I saw was the lone caucasian survivor of Ash’s brother’s shooting spree, but I was wrong each time. Black characters are shaded with lines rather than tone, which looks a little odd, and I don’t like the way their mouths are drawn; it would probably be offensive to some.

Now that the story has picked up the pace, I am interested to see how it develops. Even now, I get the sense that Yoshida knows exactly where the tale is going. I shall place myself in her capable hands.

Banana Fish is complete in 19 volumes and has been published in its entirety by Viz. The second, unflipped edition is still in print and qualifies for the 4-for-3 promotion at Amazon, which is how I gradually acquired the series for myself.

Time Stranger Kyoko 2 by Arina Tanemura: C-

This volume finds Princess Kyoko and her bodyguards on the search for more of the god stones required to awaken Princess Ui from her sixteen-year sleep. After the first two stones are found in the possession of the leaders of the dragon and flower tribes, the hunt is on for the rest of the tribe leaders in the hope that each of them will have one of the powerful jewels, too.

Each new psychic or “Stranger” that Kyoko encounters has some silly obstacle to overcome before they can join up with her, like nearly being sold at auction or being tricked into relinquishing their god stone to a member of the demon tribe. These stories are painfully boring and have absolutely zero depth, especially the one in which the leader of the fish tribe tells her sibling, “It doesn’t matter if we are brother and sister… I love you!” Arina Tanemura, you’re no Kaori Yuki. Just don’t even try.

Kyoko’s also preoccupied by the fact that someone kissed her while she slept in the last volume, so there’s much tedious speculation over who it could’ve been. This combined with everything else results in a muddle so mind-numbingly bad that I very nearly awarded this volume a D. A sudden twist in the final chapters provides the bare minimum of interest to avoid that fate, but I still can’t recommend slogging through the rest of it to get there.

Review copy provided by the publisher. Review originally published at Manga Recon.