Raiders 2 by JinJun Park: C+

From the back cover:
Now that the terror of their first meeting has subsided, Irel begins to wonder if his fear of Lamia is unfounded. Despite her troubling diet, she doesn’t seem to relish the experience of gnawing Irel’s flesh any more than he does. Both share a common goal: to uncover the mysteries surrounding the blood of Christ. If they work together, they might be able to find the answers they seek. But traveling as a pair might only serve to make them a bigger target for even greater terrors…

Review:
Oh, Raiders. What am I going to do with you?

Volume two picks up where volume one left off, namely with the gathering of a bunch of people whose names, thanks to the regrettable lack of a Story So Far, I had completely forgotten. Part of what follows is cool, since it takes place on London streets and involves a double decker bus chase, but part is extremely confusing, since Park’s action scenes border on the incomprehensible. I had to stare at one particular two-page spread for several minutes before I could even hazard a guess as to what was taking place.

The end result of all this action is that Irel, our hero, decides to stay with Lamia, a zombie who’s looking for a cure (Christ’s blood is the prevailing theory). They’re joined by Clarion, a young zombie girl and former enemy, whose master doesn’t take kindly to this betrayal. A new direction for the story seems to be shaping up here, as the trio sets off together in search of more of the precious blood; meanwhile, a couple of other characters seem to be teaming up, too, as British security agents begin nosing around.

What’s frustrating about Raiders is its execution. Glimpses of a fun action story are definitely there to be discovered, but the artwork and occasionally slapdash narrative reduce the amount of enjoyment one should be able to experience. It’s intriguing enough that I’ll continue reading, but probably never without the sense that it could’ve been so much better.

Lastly, I leave you with this quote from Irel, citing his reasons for joining up with Lamia:

I want to understand what is truly inside a cannibal demon.

Other demons, one presumes.

Review copy provided by the publisher.

Nightschool: The Weirn Books 3 by Svetlana Chmakova: B+

Nightschool’s first two volumes introduced us to two groups of characters, the first being teen witch Alex Treveney and the denizens of the night school in which she enrolled to search for her missing sister, Sarah, and the second being a team of young “hunters” who are looking for Alex after she unwittingly injured several of their number. In volume three, the way in which these two groups will combine starts to take shape.

With the help of one of the few people at school who still remembers Sarah—and a nifty, nicely depicted scrying spell—Alex catches a glimpse of her sister’s fate. More significant, however, is a partial explanation for Alex’s occasional bursts of magical violence. The origin of this power ties in with a member of the hunter crew, and suddenly things start to make a lot more sense. I’ll always be happy to get answers to mysteries, but even better is just enough of an answer to feel like satisfying progress has been made while opening up even more potential directions for the story to travel. Chmakova handles this adeptly, and I find I’m even more excited to find out what happens now that I actually have a grip on what’s currently happening.

The one drawback to this series is that, for those following the story in the collected volumes, as opposed to its monthly serialization in Yen Plus, there’s a six-month wait until the next installment. Ideally, one would stockpile all of the volumes until the finale then gobble them up all at once, but when something is this good it’s hard to summon that kind of patience.

Review copy provided by the publisher. Review originally published at Manga Recon.

Oh! My Brother 2 by Ken Saito: B-

It’s been one month since Masago Kamoguchi’s brilliant older brother, Shiro, died and began possessing her. With all of this going on, Masago hasn’t been studying, so when exam time comes around, she allows Shiro to take the tests for her and ends up with a perfect score. Her impressive performance prompts a teacher to encourage her to run for student council, a decision she waffles about for a little while until gaining some confidence. Meanwhile, Shiro debates the wisdom of lingering in his sister’s body while his friend, Kurouma, deals with the knowledge that Masago likes him but views him as utterly unattainable.

I really want to like Oh! My Brother, and sometimes I manage to do so. I like Kurouma a lot, for example—it’s so refreshing that he actually notices Masago’s feelings!—and also the way Shiro’s possession is portrayed as a double-edged sword. True, his presence lends Masago strength in crucial moments, particularly in dealing with a bullying older girl, but her reliance on him is also holding her back in certain areas; although Shiro is willing to let go, it’s Masago who desperately makes him promise to stay with her forever.

On the other hand, there is a lot of extranneous material here that detracts from what’s good about this series. Some of the comedy feels out of place, and there are a few too many Shiro-obsessed characters floating around, from the aforementioned bully, to a former soccer rival, to a cool and competent member of the student council. If the focus had been more on the drama of Masago’s situation, coupled with the need to let go of Shiro in order to become open to other kinds of love, I’d like it so much more. As it is, I must be content with the occasional glimmer of what could have been.

Review copy provided by the publisher. Review originally published at Manga Recon.

Vanish with the Rose by Barbara Michaels: B+

From the back cover:
Diana Reed has much to hide when she arrives at the Nicholsons’ 18th-century estate. Masquerading as a landscape architect specializing in “ancient” roses, she’s hired by the eccentric couple to restore the gardens, but her real interest lies in the manor’s more recent history.

Sinister scenarios ensue at the Nicholsons’ estate. Ghostly music echoes in the halls. The smell of roses haunts empty rooms. Diana must hurry if she is to solve her highly personal mystery before she becomes another of the garden’s well-kept secrets.

Review:
While I definitely enjoyed reading Vanish with the Rose, it was quite a slow read for me. At first, all we know about Diana Reed is that she’s pretending to be an expert on roses in order to gain access to property newly acquired by a pair of lottery winners, Emily and Charles Nicholson. Her true agenda is not mentioned for some time, but it eventually comes out after she befriends the Nicholsons’ housekeeper, Mary Jo, and all of a sudden things change quite a bit.

As it turns out, Diana is there investigating the disappearance of her brother, Brad, who had worked for the previous owner, an old woman notorious for her ornery disposition. The handling of this revelation is interesting in that several members of the cast, whom we’ve already met without suspicion, are suddenly revealed as potential suspects. Meanwhile, ghostly music disturbs Diana’s sleep and she experiences several visions from what seems to be someone else’s perspective. After the Nicholsons head off on vacation while landscaping work proceeds, Diana, Mary Jo, Walt (the head landscaper), and Andy (Emily’s son) remain at the centuries-old home where they look for leads on Brad and try to avoid Mary Jo’s abusive ex-husband, Larry.

So, essentially what we have here is a supernatural cozy mystery, with a dash of romance thrown in for good measure. As I said, I enjoyed reading the book, but the narrative would meander something awful. Things do come together tidily enough at the end, with some fun misleads and twists along the way, but I can’t help but feel some liberal editing would’ve produced a tighter story.

I have no complaints at all about the characters, though, since I liked them all quite a lot. Diana has a lot of baggage from her parents, and takes some time coming out of her shell, but her new friendships help her to achieve this. Walt is gruff and sensible, Mary Jo is “determinedly rational,” and Andy is one of those fellows who appears glib and irresponsible, but is actually dependable in a pinch. The interplay between them is amusing, and while Diana has chemistry with both the guys, I’m quite happy about how things ultimately turn out in this regard.

Even though the story drags in places, Vanish with the Rose is a solidly entertaining tale, and definitely one worth reading.

ZE 4 by Yuki Shimizu: C+

It’s maintenance time for the kami who serve the kotodama users of the Mitou family, which provides an opportunity to introduce some members of the extended family.

Volume three dealt primarily with the couple of Genma and Himi, an arc that carries over into the first few chapters of this volume. Himi, who had once been the kami of Genma’s father, protects his new master from an attack and “dies” as a result of his injuries. Genma is frantic to have him resurrected, but has trouble adjusting to the new Himi, who has the appearance of the original but none of his memories. I’d have more sympathy for Genma if he hadn’t been such a creep to Himi in the previous volume, but at least this is better than what follows.

After Himi’s maintenance is complete we meet a pair of extremely obnoxious twins and the kami they share. This whole episode—intended to be comedy, one assumes—is jarring because it doesn’t mesh at all with what’s just come before.

I seriously think the twins appear only because Shimizu wanted to draw a threesome, which is an example of ZE’s main problem. I’ve lost count of the characters who’ve appeared in this series so far, and it seems like mangaka Yuki Shimizu is focusing on variety rather than fleshing out any of the characters who’ve been present from the start. The guy who goes crazy for ice cream is still just the guy who goes crazy for ice cream, and nobody else seems poised to grow, either.

There were hints in earlier volumes of a larger story, and maybe those threads will be picked up again in the future, but I’m certainly not holding my breath.

Review copy provided by the publisher. Review originally published at Manga Recon.

ZE 3 by Yuki Shimizu: C+

From the back cover:
When a kotodama-sama dies, his or her kami-sama—a healer made of living paper—typically chooses to die as well, returning to a blank state as “hakushi.” But when Himi’s master passes away, a deep sense of obligation forces him to choose another path. Instead, Himi becomes kami-sama for his master’s estranged son, Genma.

Genma is everything Himi’s former kotodama-sama was not—rough, arrogant, brutish—and furthermore, Genma enjoys using Himi for his own selfish pleasure. Is this more torment than Himi can endure? Or will he come to realize that different people show their true feelings in different ways?

Yuki Shimizu delves deeper into the Mitou family in this latest volume of her hit series!

Review:
ZE‘s focus on the members of a family full of magic users and their same-sex attendants allows mangaka Yuki Shimizu to change gears and feature other couples as she sees fit. While the opening volumes were more about the residents of a particular house, volume three branches out to the extended family with the tale of Himi, a kami, and Genma, the new master he receives after his old one dies. I can see the appeal of such a setup, as it allows Shimizu to present a variety of relationship types, but must admit that Himi and Genma’s tale does not thrill me.

There are certain moments between them that are quite nice. The revelation that Genma, the son of Himi’s original master, felt a combination of desire for and envy of Himi since his adolescence provides depth for a character who otherwise comes across as sadistic, and the cliffhanger on the final pages is both well paced and very well drawn. The majority of the time, though, their relationship consists of Genma demanding that his every sexual need be met and refusing to heed Himi’s protests. At least one scene could be construed as rape. This isn’t necessarily portrayed as being a romantic thing—Himi’s reactions are sometimes quite awful—but I get the feeling we’re supposed to feel like Genma has redeemed himself by the end, after a coworker vouches for his kindliness and he begins to actually confirm that Himi consents to what’s going on.

It’s really quite disturbing and I feel kind of bad that I’m not giving the volume a lower score as a result, but I continue to enjoy Shimizu’s intriguing world building and her expressive art. Volume four is more of Himi and Genma’s story, and I hope I’ll like it better now that they seem to have established a little more equality in their relationship. We shall see.

Review copy provided by the publisher.

Sarasah 2-3 by Ryu Ryang: B-

Sarasah, which starts off as the story of Ji-Hae and the romantic obsession for an aloof and decidedly disinterested classmate that compels her to travel back in time to put right a misstep from their past lives (while disguised as a boy, naturally), widens its scope in these two volumes to include hidden motivations and political agendas.

The incorporation of these elements into the story is a vast improvement, as it gives Ja-Yun (the past life equivalent of Ji-Hae’s modern love) more of a personality, fleshes out the character of Bub-Min (a nobleman who knows Ji-Hae’s true gender), and gives Ji-Hae something to think about besides boys. Both Ja-Yun and Bub-Min are using her for their own purposes, and therefore take some of the focus away from Ji-Hae, whom I still can’t like, despite some improvement in her behavior.

Ryu Ryang’s art continues to be attractive, and the introduction of Misa-Heul, leader of the hwa-rang group to which Ja-Yun belongs, adds another bishounen to the cast. And even though spindly boys with bee-stung lips are not my personal preference, I can’t deny that the cover of this volume, which features Ja-Yun in all his aqua-haired glory, beguiles me with its prettiness.

After reading the first volume, I didn’t have much interest in continuing with this series. Now, though, I am at least marginally intrigued about where this story could be headed.

Review copy for volume three provided by the publisher. Review originally published at Manga Recon.

Phantom Dream 5 by Natsuki Takaya: B

In this, the final volume of Phantom Dream, the millennium-long battle between the Gekka and Otoya families comes to a close. Before this can happen, we learn all about the villain’s painful background and what really happened 1000 years ago. Unfortunately, the authorial sidebars spoil one major plot twist (it would’ve been nice if there had been a spoiler warning), but luckily fail to ruin the best revelation of all, one which was actually set up three volumes ago. Overall, the conclusion is a satisfying one and I surprised myself by sniffling a few times.

That said, a few things did bother me. As a child, Hira (the villain) was forced to endure many years of imprisonment because of his powers and demonic appearance (that’s him on the cover). At various points, the length of his incarceration is stated as ten years, fifteen years, and nearly ten years. I’m not sure whether this is the fault of the original material or the translation, but it’s a distracting inconsistency. Also, the motivations of an antagonist are unclear; I found it hard to reconcile their past actions with their present ones.

Phantom Dream certainly improved as it progressed; while it was initially hard to see how the same hand could have produced this and the lovely Fruits Basket, by the end the connection is clear. While I didn’t like Takaya’s other early series, Tsubasa: Those with Wings, enough to hang onto it after I’d finished, this one is a keeper.

Review copy provided by the publisher. Review originally published at Manga Recon.

Phantom Dream 4 by Natsuki Takaya: B-

From the back cover:
Eiji’s life hangs in the balance as factions once again shift and realign. Asahi struggles with her new powers and guilt over what happened in the past, while Tamaki strives to control the continuing outbreak of chaos in the present. And a mysterious new figure emerges to join the battle, but is he an ally or an enemy?!

Fruits Basket creator Natsuki Takaya delivers a story of love, loss and the redemptive power of forgiveness in this heartbreaking story of star-crossed lovers bound by a responsibility that may destroy them.

Review:
Say what you will about shounen manga, the fact remains that they know how to stage a battle. Even conflicts with minor foes tend to last a couple of chapters, allowing one to fully appreciate the scope of the event. Contrast this with Natsuki Takaya’s treatment of the showdown between our hero, Tamaki Otoya, and King Hira, the villain with a grudge against humanity for murdering his true love a thousand years ago. Here’s how the fight goes down:

1. Someone holds a glowing finger aloft.
2. King Hira falls down.
3. The end.

Despite the fact that this is entirely underwhelming, the series still could and should have ended here, as we get some nice scenes of Hira-induced chaos and decent resolution regarding Asahi’s motives for defecting to the other side. While not technically dead, Hira is left with only two attendants, one of whom is more devoted to her fellow servant than to the king himself.

Unfortunately, the story will continue for one more volume. It’ll probably be padded out with more of Takaya’s attempts to get us to care about the one-sided loves of the supporting characters, but events just move too swiftly in this series for any of these people to make much of an impression.

In the end, Phantom Dream is a decent story with occasionally compelling moments, but is overall more notable for what it could have been than for what it really is.

Review copy provided by the publisher.

InuYasha 45 by Rumiko Takahashi: B

A running plot in InuYasha involves the fact that the villain, Naraku, can never be wholly vanquished because he has secreted his heart away and as long as it exists elsewhere, he can’t die. It’s been dozens of volumes, so my memories of his methods are hazy, but his heart has resided for some time in the body of an infant, which has constructed itself a living fortress in the form of an armored demon called Moryomaru.

The evil baby has been plotting a takeover (what fun that phrase is to write!) for a while, and volume 45 features the climactic confrontation between Moryomaru and Naraku. It’s pretty riveting, I admit, although I am unclear on exactly why Naraku does a certain thing other than that it will be convenient for our heroes down the line.

The worst part about their battle is that it reduces the main cast to spectator status for a time, watching a ball of commingled demon flesh going “sqwch sqwch” and “slthr slthr.” They do get in on the action eventually, though, and the volume ends with a portent of future doom for one of them.

In the end, a bunch of stuff happens but true resolution continues to be evasive. Par for the course for InuYasha.

Review copy provided by the publisher. Review originally published at Manga Recon.