One Piece 3 by Eiichiro Oda: B-

February 18, 2009 by 2 Comments

From the back cover:
Sure, lots of people say they want to be the King of the Pirates, but how many have the guts to do what it takes? When Monkey D. Luffy first set out to sea in a leaky rowboat, he had no idea what might lie over the horizon. Now he’s got a crew—sort of—in the form of swordsman Roronoa Zola and treasure-hunting thief Nami. If he wants to prove himself on the high seas, Luffy will have to defeat the weird pirate lord Buggy the Clown. He’ll have to find a map to the Grand Line, the sea route where the toughest pirates sail. And he’ll have to face the Dread Captain Usopp, who claims to be a notorious pirate captain… but, frankly, Usopp says a lot of things…

Review:
I didn’t like this volume quite as much as the last, even though I got what I wanted in one respect—the fighting with Captain Buggy wrapped up and Luffy and crew began to sail and explore. Now that they have a proper navigator with some sense, they’re out to gather supplies and such, since to enter the Grand Line unprepared and in their little tubs of boats would be foolhardy indeed. I wonder if, in this series, the shounen tradition of the powerup will be adapted to the acquisition of bigger and more seaworthy vessels.

The first three chapters of this volume comprised Luffy’s fight with Captain Buggy. In the first one of these, the dialogue consisted almost solely of lines like “Chop-Chop Quick Dodge,” “Gum-Gum Sickle,” and “Chop-Chop Harpoon.” Toss in a handful of exclamation points for each. It was, as ever with this series, pretty silly, but still entertaining. I did snicker a few times, at least.

There were a couple of other funny things in this volume, too. As the main characters return to Nami’s boat, some thugs who had been laying in wait emerge, and it seems like we’re about to have another series of battles. Until they recognize Zolo, that is, and run away. I also am enjoying the instructions in the back of each book for making little paper props for the series. Here’s an approximate quote from the one in this volume:

You’ll need: scissors, glue, etc.
You won’t need: Tea. (Please don’t go to the trouble.)

I guess mostly what I didn’t like were some boring bits. In the middle of Luffy and Buggy’s fight, Buggy lapses into a flashback about how he used to know Captain Shanks, which I thought was dull. Also, some later chapters featuring a mendacious village youth were rather yawn-inducing, as well. Not bad, no, just kind of meh. I think there was actually one chapter (24) where nothing actually happened at all.

Filed Under: Manga, Shounen Tagged With: ,

One Piece 2 by Eiichiro Oda: B

February 17, 2009 by 1 Comment

From the back cover:
As a kid, Monkey D. Luffy vowed to become King of the Pirates and find the legendary treasure called the “One Piece.” The enchanted Gum-Gum fruit has given Luffy the power to stretch like rubber—and his new crewmate, the infamous pirate hunter Roronoa Zolo, strikes fear into the hearts of other buccaneers! But what chance does one rubber guy stand against Nami, a thief so tough she specializes in robbing pirates… or Captain Buggy, a fiendish pirate lord whose weird, clownish appearance conceals even weirder powers? It’s pirate vs. pirate in the second swashbuckling volume of One Piece!

Review:
I don’t know about the rest of you, but sometimes I just get a major hankering for some shounen. One Piece satisfies this requirement admirably, offering wacky villains, inexplicably absorbing combat scenes, unsinkable optimism, and a strong sense of camaraderie.

Luffy and friends must face off against Captain Buggy who, along with his crew, is terrorizing a port town. Buggy has eaten another of the devil fruits (Luffy at the Gum-Gum fruit, which gives him the ability to stretch like rubber), which lets various bits of his body fly off and attack of their own volition. It actually reminds me of something out of Tezuka, to see a cartoony disembodied arm fly over and stab someone. Buggy also has some bizarre lieutenants, including a furry guy with the ability to control animals and a sword-swallowing acrobat who has a plethora of attacks based on circus tricks.

Yes, it’s silly, but it’s a great deal of fun. There are also heartwarming things that make me like the characters, like the way they avenge a dog whose deceased master’s shop gets destroyed. Lest one thing they’re soft, however, they also do manly things like slice their own wounds to prove their toughness or something. I’m not sure what all that was about.

Filed Under: Manga, Shounen Tagged With: ,

Ouran High School Host Club 11 by Bisco Hatori: B+

February 17, 2009 by Leave a Comment

Eleven volumes in, things are still pretty much where they started with this series. Haruhi is still concealing her gender and participating in the Host Club, Tamaki is still ignorant of his feelings for her, and characters like Mori and Hunny haven’t changed a bit. This volume finds the gang competing in a sports festival that Tamaki has orchestrated in an attempt to spur Kyoya to compete passionately over something that yields him no personal benefit.

Ouran High School Host Club walks a fine line between comedy and plot progression and, honestly, dwells on the humorous side of the divide most of the time. When it does visit the other side, however, the results can be surprisingly gratifying. While many of the characters have been stuck in the same places for a while, the same cannot be said of the Hitachin brothers. Originally a pair of practically interchangeable pranksters, they have matured significantly and are now distinct individuals. Kaoru has been aware for some time that both he and his brother have feelings for Haruhi, and when Hikaru finally catches on, it makes for some great scenes between them.

The comedy is sometimes funny and sometimes not, but the more serious elements are always a hit with me. It’s for moments like that that I continue to read this series.

Review originally published at Manga Recon.

Filed Under: Gender Hijinks, Manga, Shoujo Tagged With: , ,

Slam Dunk 2 by Takehiko Inoue: B+

February 9, 2009 by Leave a Comment

Volume two of Slam Dunk sure has been a long time coming! When we left off in volume one, hot-headed Sakuragi had grown frustrated with fundamentals training and quit the team. We pick up the story with Sakuragi regretting his decision, and he soon returns to practice after quickly polishing off a thug who’d been spoiling for a fight.

Although Sakuragi is still as clueless and boastful as before, he’s slightly less annoying than he used to be because he is starting to become interested in the sport more for its own sake than as a way to secure Haruko’s affections. Like a good shonen hero, his rate of improvement exceeds everyone’s expectations and he manages to impress the coach during an intra-team practice match despite needing to learn a special lesson about the value of teamwork.

The supporting cast gets a little more attention in this volume, most notably Assistant Captain Kogure and the team manager, Ayako, though they’re mostly relegated to reacting to the actions of others’ and/or calling out the names of moves like “Fly swatter!” The intra-team match is the highlight of the volume, giving readers an idea of how cool an actual game will be once the story advances that far. I’m personally looking forward to it!

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Manga, Shounen Tagged With: , ,

Pluto: Urasawa x Tezuka 1 by Naoki Urasawa and Osamu Tezuka: A+

February 6, 2009 by Leave a Comment

In the Astro Boy story “The Greatest Robot on Earth,” available in the third volume of Dark Horse’s edition of the Astro Boy manga, a power-hungry sultan creates a robot named Pluto and gives him instructions to destroy seven other powerful robots that could challenge Pluto’s claim to the title of King of the Robots. Pluto dutifully carries out his orders but bears no personal animosity for his opponents. The story is notable because Pluto and the other robots are highly sympathetic characters, though some are more fleshed out than others.

In this reimagining of “The Greatest Robot on Earth,” Naoki Urasawa is, in many ways, adhering closely to the original story, though he adds new layers and provides additional background for some of the robots that get less attention in Tezuka’s version. Where the original presents the story from the perspective of Astro Boy and addresses the question of what attributes really make a robot great, Urasawa’s approach is more like a sci-fi mystery novel. His protagonist is Gesicht (Gerhardt in the original), a highly-advanced robot detective with sensors that allow him to make Holmesian pronouncements about crime scene details. He’s investigating two cases with striking similarities: the killing of a much-beloved robot named Mont Blanc and the murder of a human involved with a movement to preserve the existing robot laws. The evidence seems to indicate a robot culprit is responsible for both deaths, even though robots are forbidden to harm humans, so Gesicht pays a visit to the last robot known to have violated this prohibition. It’s there that he first hears the name Pluto and learns that he himself might be a target.

The result of Urasawa’s story tweaks is nothing short of amazing. I am by no means a fast reader, but with an almost cinematic feel for scene and pace, the pages of Pluto just fly by. This isn’t a story that gets bogged down by its own weight. Even when Urasawa takes the time to flesh out a character—as in the touching tale of North No. 2, a robot formerly used in war who gradually becomes indispensable to a crotchety composer—the momentum doesn’t suffer. Urasawa extends this humanizing treatment to robots with more machine-like visages, as well. There’s one memorable sequence where, as the wife of a police bot receives news of her husband’s death, Urasawa devotes three panels to a close-up of her face, acknowledging the presence of the grief that she is facially incapable of expressing.

Urasawa’s seemingly limitless arsenal of character designs is on full display in Pluto, though the percentage of people with huge noses is still higher than normally occurs in nature. Like Monster, Pluto is set in Germany, so it’s a bit like coming home to see the Düsseldorf tag on a scene. It’s a futuristic Düsseldorf, though, with multi-tiered highway systems and seamlessly integrated bits of swanky new gadgetry.

The packaging itself is quite nice, with an innovative spine design, larger trim size, satin finish, French flaps, and color pages. And though Viz isn’t responsible for the title font and the way the “U” looks just like Pluto’s horns from the original story, it’s still really cool.

While it’s not necessary to have read “The Greatest Robot on Earth” to enjoy and understand Pluto, I still recommend doing so. It makes Urasawa’s achievement all the more impressive to see what he started from and, without it, you might miss out on some of the impact of various scenes. Seriously, I got geekbumps at least twice.

Pluto is still ongoing in Japan with six volumes released so far. In English, it’s licensed by Viz.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Manga, Sci-Fi, Seinen Tagged With: , , ,

A, A’ by Moto Hagio: B+

January 21, 2009 by 1 Comment

Back in the late ’90s, Viz dabbled in this weird thing called “shojo manga” and released a few one-shot volumes. A, A’ (A, A Prime), a collection of science fiction stories, was among these, and (lamentably) represents the largest chunk of material from Moto Hagio available in this country. Hagio, along with many other women who were pioneers of shojo manga, was born in 1949. These women came to be known as the Year 24 Group, as 1949 was the 24th year of Japan’s Showa era. Exploring themes of sexuality and gender, many of their works are considered classics. Hagio’s contributions include some of the earliest boys’ love stories, like The Heart of Thomas, and Shogakukan Manga Award-winning story “They Were Eleven,” published by Viz in floppy comic format as well as in the hard-to-find Four Shojo Stories anthology.

The three stories in A, A’ also deal with themes of gender and identity, each involving a member of a genetically engineered race of people called “Unicorns.” In the title story (my favorite), a team of people is working to develop an icy planet. Because of the dangerous nature of their mission, each person’s genetic information was saved prior to their departure so that they can be cloned if they should die. Adelade Lee has just undergone that process, and has returned to her post with no memory of the past three years she spent there or the comrades who greet her so warmly. The original Adelade’s lover has a great deal of trouble adjusting to the clone, insisting that it isn’t really her, but growing confused nonetheless. I really like the resolution to this one and would’ve been happy to read more about these characters.

Instead, the other two stories feature Mori, a young man with telekinetic powers and a “kaleidoscope eye” that allows him to see the infrared spectrum, similar to what the Unicorns can see. In “4/4,” we meet Mori as a teenager who, along with other kids with special powers, is living on Io and training to control his abilities. Things aren’t going well until he meets Trill, a Unicorn who is the subject of a scientific experiment. The pair of them “resonate,” allowing Mori temporary access to more control and also eventually providing Trill with the ability to object to the experiments being performed upon her. This story is my second favorite, and I particularly like how Trill’s lack of emotional involvement is portrayed; there’s a great scene where Mori seizes and kisses her and she just sort of blankly endures it, like a doll.

Unfortunately, I didn’t like the last story, “X + Y,” very much. There’s a conference being held on Mars to discuss plans to improve its conditions, and the team sent from Earth to take part includes a male unicorn named Tacto. On Mars, he meets Mori, four years older now, who becomes obsessed with Tacto. I understand that back when this was written, it was probably a stunning thing for one guy to confess his love to another, but in “X + Y” it all seems far too rushed to me and I never understood why Mori feels that way. He also gets on my nerves by behaving very stupidly when he and Tacto are out riding a space scooter on a ring of Saturn (really!), resulting in a life-threatening accident. The Mars theories don’t make much sense, nor does a subplot about Tacto’s chromosomes. Hagio tries to interject some humor into this tale, mostly by having Tacto (who refers to himself in the third person) say random things like, “Tacto likes pudding.” It’s cute, but not enough to improve my opinion of the story.

To modern eyes, Hagio’s artwork will surely look old-fashioned. Drawn between 1981 and 1984, it features some interesting fashions (particularly for Adelade) and a male romantic lead with a flowing mane of curly hair. There’s a lot of variety in the page layouts, and more than one image of characters superimposed over moons, stars, and other celestial bodies. I may mock it a bit, but I do genuinely like it; it’s nice to read something that doesn’t look like anything else.

For the title story alone, A, A’ is worth picking up. I can’t remember how much I paid for my copy, but I don’t think it was much. There are ten copies listed on Amazon right now so it shouldn’t be hard to find.

Review originally published at Manga Recon.

Filed Under: Manga, Sci-Fi, Short Stories, Shoujo Tagged With: ,

We Were There 2 by Yuki Obata: A-

January 16, 2009 by Leave a Comment

Nanami Takahashi has fallen in love with her classmate, Yano, and confessed her feelings, but he said he didn’t know whether he liked her or not. They continue on as friends, and have some sweet moments now and then, but Yano remains aloof. It seems like every time they momentarily get closer, he slips away again, occasionally saying mean things to her.

Yano is still struggling with the death of his ex-girlfriend, who died while cheating on him with another guy. He didn’t think he’d ever date anyone else, and has been pushing Nanami away because she’s able to get under his guard. It’s quite the surprise when, seemingly out of nowhere, he tells her he likes her.

All of this leads to the most shojo-y page I have ever seen. This image encapsulates the very essence of shojo, and must be shared.

I tend to like series where the lead couple gets together early on (Kare Kano, High School Debut), since the story can then focus on issues other than “Does he like me?!” In We Were There, though, things are a bit weird. Even though Yano and Nanami are together, and are shown goofing around and having fun, the overall feel is not a happy one. A cryptic comment by one of Yano’s friends adds to the feeling of foreboding. Yano has a lot of issues and, somehow, I suspect things are not going to end well.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Manga, Shoujo Tagged With: ,

Otomen 1 by Aya Kanno: B+

January 16, 2009 by Leave a Comment

High school student Asuka Masamune has a reputation as a cool and stoic guy. He’s ranked number one in the country for kendo, and has black belts in both judo and karate. His name alone inspires fear in the hearts of his would-be opponents. But Asuka has a secret. Beneath this carefully-crafted masculine exterior, he yearns to read shojo manga, make plushies, and fall in love. When he meets tomboyish Ryo Miyakozuka, his veneer begins to crack. He finds himself wanting to do things to help her, like finish a home ec sewing project, make tasty bento lunches, and teach her to make the perfect birthday cake for her father. After Ryo mentions that she prefers masculine guys, Asuka tries to be her ideal, but with some encouragement from frenemy Juta, eventually realizes that he wants to be his real self with the person he cares for.

It’s difficult to see exactly why Asuka falls in love with Ryo in the first place, but once they start hanging out together, her personality begins to come through. They’re joined by classmate Juta, whose playboy ways tick Asuka off, but whom he gradually accepts because Juta’s friendship is also important to Ryo. They develop a kind of xxxHOLiC dynamic, with Asuka preparing lunch for the three of them while muttering things like “why am I always making enough for this guy as well?” Unbeknownst to Asuka, Juta has another reason for hanging around. He’s actually Jewel Sachihana, the mangaka behind Asuka’s favorite shojo manga series, Love Chick, and Asuka is the model for his heroine, as no one else embodies true femininity so well.

One of best things about this subplot is that pages from Love Chick work their way into the story, and you can see how well Kanno emulates that generic shojo art style. Also, as events unfold, it becomes clear that Juta is using incidents from Asuka’s life in his manga, even nudging him into action a few times in order to get new material, and that the male love interest looks exactly like a boy version of Ryo. Asuka remains clueless so far, only mentioning that he “surprisingly identifies with it a lot.”

In addition to the glimpses of Love Chick, there are plenty of other amusing things in Otomen. My favorites include the panel where Asuka, after binging on girly items, thinks “I’ve got to control myself” then looks down to see he has unconsciously completed a teddy bear; the scenes in which Asuka and Ryo both declare their intentions to protect the other, complete with flowery background (an image later replicated in Love Chick); and the part where Asuka purposefully leaves a volume of Love Chick lying around in the path of a heartbroken guy, who proceeds to go all sparkly over it.

Lastly, I’m really enjoying the male perspective. While a male protagonist is by no means rare in shojo, you’ll usually find them in science fiction or fantasy works and not in a high school romance. Asuka’s not your average guy, of course, but neither is he simply a typical shojo heroine in male disguise.

With its quirky characters and comedic approach, Otomen promises to be a lot of fun.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Manga, Shoujo Tagged With: , ,

High School Debut 7 by Kazune Kawahara: A-

January 16, 2009 by Leave a Comment

This is a pretty episodic volume, but still manages to move things forward for the characters. In the first chapter, Yoh is sick, giving Haruna the opportunity to care for him overzealously. Next, Yoh’s sister Asa is feeling insecure in her relationship with Yoh’s friend, Fumi, since he seems to easily resist her seductive powers. She entertains the notion of cheating on him, which, of course, makes Haruna want to step in and intervene. Lastly, the new school year begins, and several new freshmen boys are introduced, each of which gets stabbed by Haruna as she attempts to pin on their “new student” ribbon at the entrance ceremony.

There are some series you read that just make you happy, and High School Debut is one of those for me. I think the main thing I love is the open communication between Haruna and Yoh. He tells her what he likes about her, for instance, and they both immediately sense problems in the Asa/Fumi relationship and discuss what they ought to do about it. I really dislike it when a prolonged misunderstanding is used as a plot, so it’s such a relief to me when characters actually talk about things with each other.

I can’t believe this series is at the halfway point already! I recommend it most highly.

Review copy provided by the publisher. Review originally published at Manga Recon.

Filed Under: Manga, Shoujo Tagged With: ,

Monster 18 by Naoki Urasawa: A

January 5, 2009 by Leave a Comment

After eighteen action-packed volumes of murders, secret organizations, suppressed memories, and the most exciting book donation ceremony known to man, Naoki Urasawa’s Monster has come to a close. With its multitudes of well-developed characters, unique setting, expressive art, and interwoven plot threads, the tale of Dr. Kenzo Tenma, a gifted surgeon who is out to stop a murderer whose life he saved in the operating room, has been a rich and rewarding reading experience. It can be hard to have faith that such an ambitious undertaking will hold together, however, and I wouldn’t blame anyone who had put off reading it until they’d heard whether all of the lingering questions had been satisfactorily answered in the end.

Well, the answer to that question is “mostly.” Throughout the course of the series, various people have played a part in the creation of the monster that is Johan. Unfortunately, anyone expecting the final volume to provide a conclusive explanation for exactly how he turned out the way he did will be disappointed. Some additional insights are revealed, though, which at least will give readers a basis upon which to come to their own conclusions.

On the positive side, several of my other questions were unambiguously addressed. On the whole, I found the conclusion of the series to be a satisfying one. In a volume full of important scenes, my favorite moments were those between Tenma and his pursuer, Inspector Lunge, who’s quite the fascinating character. The penultimate chapter also catches up with a few characters who haven’t been seen in a while; I can’t think of anyone whose fate was left to dangle.

While Monster is not without flaws, they are far outnumbered by its virtues. I wouldn’t hesitate to recommend this series to anyone.

Review originally published at Manga Recon.

Filed Under: Manga, Seinen, Suspense Tagged With: , ,
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