InuYasha 33 by Rumiko Takahashi: B

From the back cover:
A fierce battle rages in the borderland lying between the world of the living and the afterlife. A mysterious force is attacking Inuyasha and preventing him from obtaining the last Shikon shard. This force claims to be acting on behalf of the will of the shard itself! Inuyasha also faces the dreaded Naraku, who will stop at nothing to obtain the shard. When all hope seems lost, Inuyasha receives help from a surprising force—his half-brother!

Review:
This volume is good, but the confrontation over the final shard is initially kind of dull. Then Sesshoumaru gets into the game and once everyone begins to contribute, it becomes more interesting.

The pattern of Sango and Miroku with their own mission to accomplish continues, to my enjoyment, and ends on a great cliffhanger with her encountering her brother, Kohaku, formerly under Naraku’s control but now in possession of his memories again and simply biding his time while maintaining the appearance of minionhood.

I also enjoy seeing the internal power plays within Naraku’s camp. His “team” is finally shaping up to have as much interpersonal dynamics as the good guys, and it’s very welcome. I’ve really enjoyed my InuThon; it’s going to be a long wait ’til July for the next volume.

InuYasha 32 by Rumiko Takahashi: B+

From the back cover:
Kagome faces a difficult decision—only she can help Kikyo heal from Naraku’s miasma. Will the love triangle between Kagome, Inuyasha, and Kikyo stop her from doing the right thing?! Kohaku comes under Naraku’s power and is ordered to steal the infant Hakudoshi. Will Kohaku be able to resist? While Inuyasha and his comrades watch, Naraku shows up at the demon bird’s nest for a showdown. A series of disturbing events is about to unfold, and a path to the borderland will be revealed!

Review:
This “last shard” arc is quite enjoyable. Not only is there the whole fun taking a path to the otherworld part, it also seems to be providing many more opportunities for the supporting characters to do things. Miroku and Sango are feeling like more important members of the cast now, which I appreciate. There even seems to be a slight evolution in the relationship between Inuyasha and Kikyo, which is also good.

I’m annoyed by the blurb on the back of the book, though. It makes it seem as if Kagome hesitated before healing Kikyo, when she did no such thing. She even makes a remark about it being insulting that someone would even consider she’d let her die for some Inuyasha-related reason.

One thing I particularly like about Takahashi is the way she paces the flow of action across a page. There’s one brief bit, where a lady is sneaking away in the background over several panels, glancing back over her shoulder and all that, that really struck me. It seems sort of cinematic somehow, and just so perfectly done that, though simple, it’s impressive. Some people can just draw pretty pictures, but Takahashi excels in using them to tell a story and set a mood.

InuYasha 31 by Rumiko Takahashi: B

From the back cover:
The search for the final shard of the Shikon Jewel leads Inuyasha and the gang to a mountain fortress. But the gate is guarded by two giant statues and a force that will only allow the dead to enter! Meanwhile, while seeking a path to the underworld, Naraku teams up with demon Abi Hime, who hunts the blood of innocent villagers to heal her mother. Inuyasha and friends step in to stop them when they find that Kikyo may be involved!

Review:
The coolness I was anticipating from the conclusion of the previous volume didn’t really pan out, as the journey to the gate was brief and no part of the dangerous Land of Fire was actually glimpsed. Inuyasha fought some statues. Ooh.

Most of the volume was centered on demonic birds who were ravaging nearby villages. This tied in with the main plot only slightly, and was more about a mysterious holy lady with the power to penetrate Hakudoshi’s barrier with a single arrow and whether she was Kikyo. Wow. I am so surprised Kikyo didn’t die. Takahashi, you fooled me again with your totally unpredictable storytelling ways.

This volume wasn’t bad by any stretch, but it was a bit of a let down. It ended with a fairly angsty cliffhanger, though, so I’m glad to have the next one on hand.

InuYasha 30 by Rumiko Takahashi: B+

From the back cover:
Evil Kagura and demonic baby Hakudoshi are searching for the border between the afterworld and this world, where it is said that the last Shikon Jewel shard lies. Inuyasha and the others are also doing everything they can to recover the last shard. Could it be that Inuyasha and Kagome have been to this border before?!

Review:
So far, this arc with Hakudoshi is shaping up to be a lot more interesting than the Band of Seven storyline. It’s not that Hakudoshi himself is anything particularly special, but the fact that this is supposedly a race to retrieve the last of the shikon shards makes the stakes much higher. The volume ends with the team learning how to pass the border and I have good hopes for the story ahead.

Something else of great significance happens in this volume, and it surprised me a good deal. Before the Hakudoshi plot really ramps up, the gang hears a legend about a group of ogre women and goes to investigate. Sango and Miroku take the center stage for these chapters and much coolness ensues, including a battle between them (when Sango comes under a demon’s control) and some revelations that I never thought would actually be made. Granted, it doesn’t seem to’ve made much difference in the ensuing chapters, but it’s a step.

InuYasha 29 by Rumiko Takahashi: B

From the back cover:
Inuyasha and the others are trapped inside Mount Hakurei with yet another newly reassembled Naraku. Meanwhile, Naraku reveals to Kikyo that his true purpose in hiding inside Mount Hakurei is to perfect an emotionless new form that could attack and even kill Kikyo without hesitation. Having finally divorced himself from Onigumo’s heart, will Naraku succeed in killing Kikyo? Inuyasha is troubled by a premonition of doom but arrives too late, finding only Kikyo’s broken bow!

Review:
Some things actually happened in this volume that surprised me, like Naraku cutting Kikyo down in battle and the explicit statement that only a few shikon shards remain uncollected. Things that failed to surprise me include the fact that Kikyo’s body was never found—I am entirely sure she will crop up again down the line—and that the chapter entitled “Inuyasha’s True Feelings” completely failed to reveal any such thing.

I liked the chapters involving Naraku’s plan to use Kagome to find the shards for him, especially since it prompted exploration of her feelings concerning Inuyasha and his lingering connection to Kikyo. I was also happy to see a brief segment occurring in the real world; seeing Inuyasha in that environment is always fun.

In all, I enjoyed the volume and its rare statement of a concrete fact, though it’s too bad I can no longer have faith in people truly being dead or things like that; it really dampens the impact of any kind of plot twist in that vein.

InuYasha 28 by Rumiko Takahashi: B+

From the back cover:
Trapped inside the holy shield of Mount Hakurei, Inuyasha’s demonic power has been stripped away, leaving him vulnerable. Will Miroku’s wind tunnel prove strong enough to break the barrier and free Inuyasha? And will Inuyasha’s strength be enough to defeat the leader of the Band of Seven, who has absorbed the Shikon Shards from his fallen comrades and become an even more formidable foe? A fierce battle is about to erupt—and Naraku is about to make a shocking appearance!

Review:
The Band of Seven arc draws to a close in this volume with a series of battles that are fun to read, despite Inuyasha just doing Wind Scar over and over. Jakotsu continues to be amusing, taunting Inuyasha with pervy comments while fighting him, and there’s some interesting stuff between the brothers, too.

As is usual for this series, there’s a lot of gore and random body parts flying around, but one particular scene takes the award for most disturbing imagery when a cave of proto-babies is uncovered during the search for Naraku. I wonder sometimes if Inuyasha shouldn’t be classified at least a little as horror, what with all the freaky stuff Takahashi seems to delight in drawing. I’ve also contemplated keeping a severed head tally box, but that just seems tacky.

Anyway, things culminate in dramatic fashion and I actually cheer the villain’s return by the end of the volume. I’m sure Inuyasha and friends will make it through, seeing as how there’s, like, twenty more volumes of this series, but I can pretend their peril is truly reason for concern.

InuYasha 27 by Rumiko Takahashi: B

From the back cover:
Inuyasha and comrades are deeply entrenched in the battle of their lives as they fend off the vicious attacks of the undead assassins known as the Band of Seven. But Inuyasha gains some unlikely allies when his brother Sesshoumaru and feral rival Koga get entangled in the skirmish. As the Band of Seven’s numbers dwindle, their attacks become increasingly more desperate and push Inuyasha’s new comrades to their limits. All comes to a fiery climax as another of Naraku’s malevolent plots is revealed!

Review:
InuYasha is a lot of fun when one gets on a roll with it, but sometimes I find it hard to even remember what happened a volume ago. Probably because foes keep on getting partially vanquished and then returning to fight again, it becomes hard to keep things straight. It does make a difference to read a bunch of volumes at once, though, so I’m probably going to go ahead and devour the rest of my InuBacklog.

The battles begun in the last volume continue here—Sesshoumaru is a complete badass in his battle, and Koga less so, though they each succeed in taking care of one of the Band of Seven (the former with help from Kikyo.) Miroku and Sango also have a little side bit of their own which was interesting, as they’ve gone off to investigate a cave that might be Naraku’s hiding spot.

What always amazes me about InuYasha is how fast of a read it is. It might take me a couple of hours to work my way through one of the more text-heavy shoujo titles that I love (or even Maison Ikkoku, also by Takahashi) but these volumes go by so fast because you’ll get a full page where all that happens is two combatants hit their swords together and someone dodges a gout of flame. It doesn’t actually require much mental effort to process that sort of thing, but it can be surprisingly enjoyable.

InuYasha 24 by Rumiko Takahashi: B

From the back cover:
In the face of a too-tempting reward, Miroku’s eagerness to investigate the cursed castle of a giant oni or “ogre” is at odds with the reluctance of Inuyasha. Is Naraku’s absence from the scene a sign of increased demon activity to come? Next, in a more lighthearted vein, a misplaced monkey-god makes mischief. Later, the reappearance of demon-slayer Sango’s little brother, Kohaku, is just the start of new complications. Who are these enemies, and what is the source of their fascination with Inuyasha…?

Review:
I can’t believe it’s been nearly two years since I last read any InuYasha! This is a volume I didn’t review when I first read it in 2006, since I didn’t start writing them until the following month, so I’m going ahead and doing it now. The next two volumes have already been reviewed here and here.

It was a little hard to get my bearings at first, coming into the middle of a story about an ogre, but it was in this volume that the Band of Seven arc got underway, so it was a good spot from which to resume the series. The best part of the volume was the battle between Inuyasha and Jakotsu, who I liked as much for his ruthless fighting as for his propensity to comment on Inuyasha’s prettiness.

I also liked the couple of chapters dealing with the monkey sprites in search of the holy object containing their monkey god. They were pretty cute, but my favorite bit was one of their pranks (getting Inuyasha to accept a rock which became a boulder that adhered to his hand) resulting in a grumpy Inuyasha getting poked with a stick by curious village kids.

Kare Kano 5 by Masami Tsuda: B+

From the back cover:
School’s out! But since Soichiro is going to be away competing in a kendo tournament all summer, he and Yukino are forced to spend their vacation apart. Will their romance be able to survive the separation? Yukino decides to spend her free time hanging out with her gal pals, but soon her friend Tsubasa announces she’s leaving home. Tsubasa’s upset about her father’s plans to get remarried, and freaks out even more when she meets her new brother-to-be. Yukino tries to be there for her friend while still nurturing her relationship with Soichiro from across the miles.

Review:
I liked this volume a bit more than the last one, even though Arima was hardly in it.

The first couple of chapters dealt primarily with Yukino’s new friends and really felt like an entirely different series as a result. Most aren’t completely likeable, but I suppose that makes them good matches for Yukino. Tsubasa’s story about her dad bored me at first, but I was surprised to find that I actually really liked Kazuma, her stepbrother, and enjoyed the chapter where they get to know one another a good deal.

There was also a lot of focus on Yukino’s family, which was cool. We really see her family a lot more than families are seen in the other manga I read. From learning about Tsubasa and Hideaki’s situations at home, she also began to realize that perhaps she hadn’t really understood what kind of a strain Arima’s family situation has put on him. At least the tribulations of the supporting characters actually had some kind of impact on the main couple.

Kare Kano 4 by Masami Tsuda: B+

From the back cover:
A pretty little girl named Tsubasa, an old friend of Soichiro’s from junior high, comes back to school. When she sees her beloved Soichiro with Yukino, Tsubasa gets extremely jealous and goes on the warpath to try to get Soichiro for herself. Meanwhile Maho, another girl who’s jealous of Yukino, gets all the girls in class to gang up against Yukino and give her the silent treatment. Yukino decides she has to face these problems on her own, without relying on Soichiro…

Review:
I had mixed feelings about this volume. Tsubasa’s jealousy-inspired antics were pretty annoying, and I got rather tired of the time devoted to the anonymous female students as they worked out (through somewhat incomprehensible logic) that one girl had manipulated them into snubbing Yukino due to her own personal vendetta.

That said, there were more nice, quiet moments between the main couple and I was also happy to see Yukino straightforwardly face the consequences of her deception and also start to make some friends. Tsuda totally used Meg Cabot’s trick of giving each prospective friend some kind of hobby or interest, though. It was pretty silly when three girls in turn introduced themselves and their hobby in the same sentence.

This volume also included a short story written early in Tsuda’s career, about a planet of rabbit people and the human political prisoner who crash lands on their planet and then saves their village from a forest fire. No, really. It wasn’t awful, but neither was it particularly good.