Crimson Hero 3 by Mitsuba Takanashi: B+

From the back cover:
Former star setter Tomoyo joins the ranks, and now the six players are an official team at Crimson Field High School! However, Nobara is so focused on training that she fails to notice her team is falling apart under the pressure. Not only that, but Nobara must now find the money to pay for her uniform and club dues. Will Nobara be able to swallow her pride and ask her mother for help? Or will she have to give up on her dream after coming so far?

Review:
I was enjoying that Crimson Hero was all about girls striving and doing things purely for themselves to see what they could accomplish. I thought it didn’t need any romance. But then, the romance, she burgeoned, and I find that I kind of love it.

Ever since Yushin heard Nobara’s story and witnessed her passionate love of volleyball in action he, like his dormmates, has become more supportive of her. Lately, when she has had problems, he’s been the one she talked them over with, because she sort of instinctively knew he’d understand her. In this volume, he accompanies her during a very silly, melodramatic rescue of her younger sister (who’s attending an omiai with a cretin), and after Nobara returns from dealing with her parents, she has a good cry against his chest. Nobara’s so clueless about love that she doesn’t realize that she’s got any kind of feelings for Yushin beyond friendship. That is, until she sees him together with his girlfriend.

I’m not quite sure why I love this so very much, but I do. I think it’s because Nobara’s feelings are based on friendship and are directed toward a boy who is very good for her, as opposed to one who’s just princely or popular. I also like that Yushin and Haibuki, while probably classifiable into the “hothead and cool guy” stereotypes that often occupy romantic triangles in shojo manga, don’t really fit so easily into those roles. Haibuki can be a bit of an ass, but he can also be a nice guy. Yushin’s not really a hothead, though he is honest and direct.

Oh yes, and there’s a practice game, too. It was pretty short, though. I’d have preferred more of that and less sister rescuing, but at least the latter provided an opportunity for Souka to see how phenomenal Nobara really is.

Crimson Hero 2 by Mitsuba Takanashi: B+

From the back cover:
Nobara is issued a challenge from the boys’ volleyball team: if her team can score one point against them in a match, the girls will win. But, if the girls lose, Nobara will have to give up on having a girls’ volleyball team at Crimson Field forever. With everything on the line for the girls, the boys are playing to win, and even Haibuki seems determined to crush Nobara by aiming at her on the court.

Review:
This volume is a lot of fun. First, there’s the three-on-three challenge between the girls and the boys, which goes exactly as one might expect, but is nonetheless very entertaining and features Haibuki sneakily alerting the broadcast club so that a bunch of students will turn out and lend their support to the underdog girls’ team. I also like that the formerly assy boys living in the dorm begin showing much more support for Nobara’s endeavors after her showing at the game.

Next, there’s Nobara’s search for team members which reminds me a lot of Hikaru no Go in terms of the acquisition of a couple of enthusiastic newcomers who help fulfill the numbers requirement without really providing much by way of talent. These newbies bring the club’s membership up to five, leaving Nobara one person short of officially qualifying as a team.

Enter Tomoyo Osaka, who was a star player in junior high until an injury sidelined her before an important game. She was convinced that her team needed her in order to win, but it turns out they found a replacement pretty quickly. Since then, she’s stayed away from the sport and adamantly maintains she has no intention of playing, but of course we and Nobara know better, and our protagonist exerts her hero skills again as she finally breaks through to what Tomoyo’s real objections are. This whole section was perfectly paced; Tomoyo’s sour attitude and backstory angst would’ve gotten irritating if it’d continued for too long, but here it wraps up in just enough time for Nobara’s success in getting through to her at last to feel well-earned.

About the only complaint I could make is that all of this scrambling and struggling—the entire series, even—could’ve been averted if only Nobara had made sure that she was going to be attending a school with a strong girls’ volleyball team. You’d think that if she’s so passionate about it, she’d put forth that extra effort.

In any case, Crimson Hero is definitely fun and I am eager to read the next volume. Which is handy, ‘cos I have about eight of them sitting here.

10, 20, and 30 2 by Morim Kang: A-

From the back cover:
Life changes come faster than anyone expects in the second installment of Morim Kang’s unorthodox family saga. Widow Krumb’s would-be suitor suddenly departs for Hong Kong—but was he called away on business or is he a fugitive from the law? And how much longer is Krumb going to keep her job? On the home front, meanwhile, icy relations between the headstrong teenager Rok and her ditzy older cousin, Belle, start to thaw after a girls’ night out leads to unintended consequences. But then a sudden (and shocking) health scare upends everyone’s plans, and these three very different women have to face a whole new set of challenges—together!

Review:
Warning: I am writing this while suffering an opthalmic migraine, so it probably will not be my best.

This series is getting really good! All of the characters are fleshed out further, and while Rok and her mother, Krumb, are definitely my favorites, even the irritating Belle reveals she has some good qualities. There’s also more emphasis on Krumb’s workplace and the possibility that the guy who proposed to her might’ve run out on the failing company.

It seems the primary purpose of this volume is to contrast the relationship between Rok and Krumb with that of Belle and her mother. To this end, we get some truly wonderful scenes of Rok making sure Krumb gets enough to eat, slipping into her bed at night to snuggle with her, and telling her how pretty she is. Contrasting this are scenes of Belle’s troubled relationship with her own mother, all of which serve to make Belle look like a pretty crappy person. She shows a better side, though, when listening to Rok’s problems and providing support for the family when Krumb is suddenly hospitalized.

One of the things I love about this series is that it trusts in the reader’s intelligence. For example, after Rok learns that the guy who likes her went on a date with her supposed friend, she spends the entire day scarfing mass quantities of junk food. They don’t say, “I am eating junk food because…” but the cause and effect is clear. Likewise, a few panels of Krumb waiting by the phone is all it takes for us to know that she’s thinking about the guy who has proposed to her and wishing he would call.

The primary drawback to the series is how annoying Belle can be at times, but it seems like her brash attitude might actually be helpful for the family in the challenges to come, so we shall see. Also, the older generation seems to still subscribe to beliefs about feminine uselessness, because when Rok tells her mom that she wants to be an interior decorator when she grows up, Krumb says, “That’s too much work for a woman.” Seriously, between this and Click, I’m getting tired of this notion! Luckily, this isn’t something that Rok believes herself.

Lastly, one aspect that might’ve been a flaw for some—the unconventional artwork—seems to look better this volume. I’m not sure whether that means I’m just getting used to it or what, but there are several panels and expressions that I like quite a lot.

Crimson Hero 1 by Mitsuba Takanashi: B

From the back cover:
All that matters to 15-year-old Nobara Sumiyoshi is volleyball—she’s an awesome player with big-time ambitions. But sometimes it seems like a girl just can’t get a break in the competitive world of high school volleyball.

Nobara’s family wants her to inherit the role of “young mistress,” serving rich patrons at her family’s old-fashioned Japanese restaurant. No thanks! When Nobara transfers to Crimson Field High School, known for its top-notch volleyball team, it turns out that her mother will stoop to dirty tricks to keep her off the court. With assistance from her feisty Aunt Momoko, who’s got some connections at Crimson Field, Nobara decides to start playing offense.

Review:
Seriously, are there any bad Shojo Beat manga? I suppose I wasn’t very keen on Time Stranger Kyoko or I.O.N, but I think I’ve liked all the others that I’ve read.

From childhood, Nobara’s parents tried to mold her into a “young mistress” of grace and refinement who would be suitable to take over their traditional family restaurant. She continually disappointed them, and was always being unfavorably compared to her lady-like younger sister, Souka. It was only through volleyball that she found something at which she excelled and, through it, she eventually learned to like herself as she was.

Fast forward to high school. Nobara has enrolled at Crimson Field High School purely on the strength of its volleyball program, but when she arrives, she finds that her mother has exercised her PTA clout to get the girls’ team disbanded. In a fury, Nobara runs away from home and her aunt, the school nurse, sets her up with a job as the interim house mother for the school’s volleyball dorm, currently occupied by four rather assy boys. Nobara makes many mistakes, but eventually the fact that she’s trying so hard purely for the opportunity to play volleyball starts to win over a couple of the guys.

I think this may actually be my first shoujo sports manga, but so far I’m enjoying it a lot. I love Nobara’s androgynous character design, and also that she tries to be tough but sometimes experiences insecurities. Most of her vulnerability comes from having her dream continually thwarted by her family, so when someone actually speaks up for her—as dorm resident Yushin does when her mom shows up at the dorm to collect her—it’s actually a pretty emotional thing.

Towards the end of the volume, Nobara begins to make contact with the girls who used to be on the volleyball team, as she’s been told that if she can assemble enough players, the school will reinstate the team. Her passion and refusal to submit to insults from the boys’ team inspires the dispirited remnants of the team, making one realize just what the title really means. I find I’m really looking forward to the formation of the team and actually seeing the girls work hard in pursuit of success.

On the negative side, there are a couple of cheesy plot elements, like the fact that Nobara has met one of the boys before in elementary school and that, as a result of juggling all of her responsibilities, she (of course) contracts a fever and requires nursing. A more minor, yet still annoying, quibble is that Nobara seems to be the only student at her school who does not wear a uniform. How is she not getting in trouble? Too, there doesn’t appear to be any standardization in the sailor fuku the other girls are wearing, so it’s just entirely confusing

Lastly, I think Nobara and Haruna from High School Debut should meet. They would probably get along well.

Crimson Hero is still being serialized in Japan and its fifteenth volume is due out there later this month. Viz publishes the series in English; they’ve released through volume ten. I think this series is the only one of the original batch of titles featured in the Shojo Beat magazine to still be included in its line-up. This results in rather lengthy delays between volumes.

Click 2 by Youngran Lee: B-

From the back cover:
Poor Joonha has moved to the big city and is now living incognito, as a girl, at a new school. But that doesn’t mean his (her?) troubles are over. First, Taehyun, the obnoxious class playboy, coerces Joonha into a “friendship” that royally ticks off Yoomi, Taehyun’s ex. That’s before the reappearance of Heewon, the lovesick stunner who’s followed Joonha all the way from their old school—and whose feelings apparently stay the same whether Joonha is a boy or a girl!

Review:
I liked this one much more than the first volume, to the point where I’m tempted to give it a B. There’s just too much lingering sexism (albeit an incredibly diluted amount compared to volume one) for me to justify doing so. There does look to be some progress on this front, though. First, Joonha, being severely humbled, is not actively being arrogant and cruel to girls. She does still, however, have this notion that being a girl means that there’s no reason to do well in school anymore or to have ambitions of any kind, so she’s been slacking off in a major way. When her new friend, Taehyun, gets wind of this attitude his response is one of disbelief at this antiquated notion. He encourages Joonha to live life to its fullest, whatever her gender may happen to be, and she ends up turning out a bravura performance on her next round of class exams and makes plans to join Taehyun as his business partner.

There’s all sorts of other drama going on, too, including the girl Joonha spurned in junior high emerging on the scene and beating up the leader of Joonha’s new gang of admirers, Taehyun’s serious-minded lackey falling in love/obsession with her, an angsty family background for Taehyun, and the return of Joonha’s childhood friend Jinhoo (now a famous concert pianist) after a concert tour.

Despite the persistent problem of no truly likable characters, but I can’t deny that it’s getting pretty addictive at this point. The volume serves up a couple of nice cliffhangers in the final chapter, too.

Goong: The Royal Palace 3 by Park SoHee: B+

From the back cover:
Chae-Kyung and Shin return to their separate quarters at the palace, but the crown princess can’t shake the feelings aroused by her new husband. Try as she might, there’s no denying it—she’s completely fallen for him! When Chae-Kyung lets a confession slip, she braces herself for the prince’s rejection. Instead, he doesn’t even acknowledge her! Though the suspense is killing Chae-Kyung, does she really want to know what Shin has to say?

Review:
This series kind of reminds me of Newton’s third law of physics. No, really. This law states, “For every action, there is an equal and opposite reaction.” In volume two, the relationship between Shin and Chae-Kyung was on a pretty even, if antagonistic, course. In this volume, matters first swing one way, as they seem to be getting closer. In one particularly nice conversation, Shin admits that he’s jealous of the closeness of Chae-Kyung’s family and also says that he feels closer to her than anyone. The pendulum then heads back in the opposite direction, with Shin behaving rather cruelly to both Chae-Kyung and his former girlfriend. Because of Shin’s nastiness, I just couldn’t like this volume as much as its predecessor.

I was kind of disappointed with how the cliffhanger from volume two was resolved, but I guess it’s too soon for that kind of thing to go anywhere squee-inducing. It’s kind of frustrating seeing all these covers and splash pages of the main couple being affectionate, because it’s probably going to take a long time for the story to actually get to that point. As the back cover blurb points out, Chae-Kyung does (after some annoying pseudo-confessions done in jest) end up telling Shin how she feels about him. Alas, it’s this that seems to spur him into cruelty, as he threatens to answer the question of whether he still loves his ex in front of both the ex and Chae-Kyung, not to mention a bunch of witnesses at Yul’s birthday party. Chae-Kyung reacts impulsively to her strong desire not to hear the answer, and though she makes a pretty big mistake, I was sympathetic to her sudden fear to know.

This volume also introduces new levels of political intrigue, which I always appreciate. Yul’s late father was the original crown prince, and his mother is now spearheading a campaign to get him posthumously declared King. This will give her a rank called daebi, which will allow her to move into the castle and have a say in how things are done. Her main goal, however, is to restore Yul to his place as the rightful crown prince. Meanwhile, there’s also some romance drama among the older generation, as it’s hinted that Shin’s parents have never loved each other, and his mother is made miserable by knowing that his father was once, and might still be, in love with Yul’s mother. Lastly, Shin concludes the volume by announcing that he intends to relinquish his crown prince duties in a few years.

Oh, teh drama!

Goong: The Royal Palace 2 by Park SoHee: A-

From the back cover:
With the wedding ceremony complete, Chae-Kyung and Prince Shin are finally newlyweds… but now they have to spend their first night together! And, as she tries to get accustomed to life as a princess, homesick Chae-Kyung finds no comfort in her haughty husband who seems determined to antagonize her at every turn. Will the crown prince’s attitude ever change? Is the dream of marital bliss doomed to be a nightmarish marital blunder?!

Review:
As much as I enjoyed volume one, this volume is even better.

It begins by outlining the procedures of a traditional Korean wedding, including a nifty scene where Shin and Chae-Kyung are being conveyed across town via palanquins through a very modern downtown area. Cool as this is, it’s what happens next that’s truly worthy of praise. There are a few chapters that consist almost solely of conversations between Shin and Chae-Kyung and they are absolutely fascinating. They’re both very complex characters with their own way of looking at things, and even though Shin does seem to do more than his share of the antagonizing, Chae-Kyung is also pretty prickly at times. Still, even though there’s a lot of bickering going on, it’s never frustrating to read.

There’s also not as much comedy this time, which I appreciated, since the art during those segments is so unappealing. Still, the comedy in this series is pretty amusing, as it grows from the story rather than interrupts dramatic moments. A great example is the scene where Shin and Chae-Kyung, about to spend the afternoon smiling for the public as they ride along a parade route, practice mouth-stretching exercises beforehand. It’s basically a two-page spread of them contorting their faces in amusing ways and is very cute.

Lastly, I am enjoying the further development of the other prince, Yul. His late father was older brother to Shin’s father, and so was the original Crown Prince. In fact, when the old king and Chae-Kyung’s grandmother promised that their grandchildren would marry, it was actually Yul that the old king had in mind. When Yul’s dad died, however, the line of succession shifted to Shin’s dad and ultimately to Shin himself. Yul’s nicer, if more melancholy, than Shin and since volume one has remarked more than once on Chae-Kyung’s cuteness. There’s a nice scene between Yul and Chae-Kyung in this volume and one can’t help but think how much happier they both would be if the marriage had taken place as originally conceived. There’s a great part at the end when Yul watches the happy couple drive off after school, in which he says, “You’re in my seat.”

Also, the end of this volume—involving Chae-Kyung’s growing physical attraction to Shin—leaves one very eager to read the next. Luckily, I have it on hand.

Click 1 by Youngran Lee: C+

From the back cover:
Joonha is a normal, healthy boy of sixteen who has cruised through life without too many problems. Imagine his surprise when a recent trip to the bathroom suddenly reveals that he’s not normal at all! With a shriek of “Oh, my God!!!,” he finds himself missing, well, something he never thought he could live without.

As it turns out, his family is abnormal in the weirdest possible way. After puberty, their chromosomes undergo some kind of mutation, which converts their bodies into the opposite sex!

Review:
There are a few things that bothered me quite a lot about Click, even while I think it’s fundamentally fairly interesting and I plan to keep reading.

1. Before spontaneously turning into a girl, Joonha is the most thoroughly infuriating chauvinist pig imaginable. He treats girls like his playthings in an attempt to teach them the feminine virtues of obedience. When the girl he likes confesses to him, he blows her off, saying that it’s her duty to “wait gracefully until you are chosen.”

2. When Joonha begins to live as a girl, he’s more tolerable, but I can’t help but think that this is because he suffered such a tremendous blow to his pride. The remorse he shows for his past actions is more along the lines of, “I should have kissed her” rather than “I shouldn’t have treated her that way.” It’s still ultimately about what’s in it for him.

3. None of the other characters are really all that likable, either. Joonha’s friend from childhood, Jinhoo, comes closest. The fact that he merely expresses mild disapproval of Joonha’s treatment of girls, however, speaks volumes.

4. Joonha’s parents are annoyingly chipper and dim. When he asks why they didn’t tell him about the family’s tendency to change genders, they claim they forgot about it. Yes, I know, I always take stories with wacky premises too seriously, but this is just too ridiculous to be suffered quietly.

There are a few good moments scattered throughout, though. My favorite is the scene in which Jinwoo and Heewon (the girl who confessed her feelings to Joonha) share their hurt feelings about Joonha’s sudden disappearing act. The art is also quite nice. It’s interesting to note, too, that once Joonha begins living as a girl, he doesn’t embody the same ideals of feminine behavior that he once held.

At this point, it’s hard to care about the story or any of the characters, but I plan to give it a couple more volumes at least to see if it gets any better.

Goong: The Royal Palace 1 by Park SoHee: B+

I reviewed the first volume of this long-running manhwa for Comics Should Be Good. Check it out!

This volume was published by ICE Kunion in May of 2006, after which the series languished in licensing limbo. After a delay of over two years, volume two was published by Yen Press in July of 2008 and the series has been coming out every few months since then. As of January 2009, there are currently 18 volumes published in Korea.

One Piece 4 by Eiichiro Oda: B-

From the back cover:
Captain Kuro of the Black Cat Pirates was the most feared evil genius on the high seas… until he vanished. Most people believe he’s dead, but only his crew knows the truth: Captain Kuro has been lying low in a small seaside village, posing as a mild-mannered butler until the time for pillage is just right. Now that time has come, and the ruthless Black Cat Pirates are about to attack…

Unless, of course, Monkey D. Luffy can stop them! All Luffy has on his side are his sword-wielding first mate, Zolo; his thieving navigator, Nami; Usopp, a local kid with a knack for telling lies; and his own bizarre rubber-limbed powers. If these four amateur pirates want to stop the entire Black Cat crew, they’ll have to come up with a pretty slick plan…

Review:
There really isn’t a great deal to say about this volume. It consists almost entirely of a battle against the pirates and the attempts of the main cast (plus Usopp, lying villager boy) to protect the village from their attack. There are plenty of reversals to make things more interesting—like Luffy and Zolo getting delayed only to make a dramatic entrance later, characters nearly getting defeated only to become reinvigorated, et cetera—but in the end, it’s still just one really long fight scene. And it’s not over with this volume, either.

Sometimes extended fight scenes can be really cool, but this volume just didn’t do much for me. I think the wackiness of the One Piece villains is starting to get to me. I like it best when the opponent is someone you can be interested in as a character, like the Soul Society Captains in Bleach or the sympathetic Seta Soujirou of Rurouni Kenshin. Despite their gimmicky cat-related attacks, characters like the Meowban Brothers of this volume can never truly interest me.

I look forward to the end of this arc, which will hopefully happen in volume five. Perhaps whatever lies beyond that will be more to my liking.