If I Stay, Books 1-2 by Gayle Forman

If I Stay
Mia has a perfect family (hip parents, adorable younger brother) and a perfect boyfriend (Adam, a sensitive punk rocker) and is a perfect cellist (surpasses multiple teachers!) whose perfect audition landed her a spot at Juilliard after graduation. Her perfect life (well, okay, there’s a modicum of tension with Adam about her moving away to New York in the fall) is destroyed when a car accident on a snowy day claims the lives of her parents and brother and leaves Mia in a state of astral projection, able to see what’s happening to her body while she struggles to decide whether to stay and live out her life after such a devastating loss or die and potentially join her family.

I’m not sure what I expected from If I Stay, exactly. Perhaps something spookier? Instead, it mostly alternates between Mia reflecting on memories with various loved ones and observing the goings-on at the hospital, including an episode in which Adam, instead of simply asking Mia’s grandparents to help him get in to see her, stages an elaborate distraction involving a rock star singing in the corridor outside the ICU. It’s as cringey as it sounds. I also wasn’t fond of the suggestion that it’s inherently virtuous to like classical music.

Despite my complaints, though, I didn’t hate it. Mia’s “this can’t be real” terror is conveyed well and I did get unexpectedly verklempt a couple of times. The book also gets much better once Mia’s best friend, Kim, is introduced. It’s through stories about Kim that we finally start to see Mia as someone less than perfect, which is decidedly welcome. I do find, though, that I wish the whole book had been about Kim in the first place! I find her much more interesting than Mia.

In any case, I did like this enough to check out the sequel.

Where She Went
Where She Went is quite a lot better than its predecessor. Told from Adam’s perspective, it’s set three years in the future as he—now a world-famous, Grammy-winning rock star and yet totally miserable—runs into Mia in New York City. It turns out Mia dumped Adam only a few weeks after she went off to Juilliard and never told him why, which completely destroyed him for a while until he channeled his pain into a batch of songs that would catapult Shooting Star’s major-label debut into multi-platinum status. They each have one night before they’re due to head out on tour and Mia suggests they spend it checking out some of her favorite spots around the city.

I thought Adam’s mental state was conveyed well. He’s hurt, he’s angry, he’s closed off, he’s sick of being tabloid fodder, and he no longer feels any love for music. Although he once vowed to let Mia go if she would just stay, it’s clear that he hasn’t been able to do that. Throughout the course of their conversation, however, he’s finally able to see that the person who’s really been harming him all this time is him, not Mia. The payoff here felt well-earned. Also, Mia does not come off as perfect here as she did in the first installment, which I appreciated.

In a series with some supernatural touches around the edges, it’s notable that the thing that really stretched my credulity is that everyone is so ridiculously successful at such a young age. Adam is a huge celebrity. Mia was extra special even at Juilliard and their meeting occurred at a concert she was giving at Carnegie Hall. Not only that, she’s somehow famous enough that a journalist from the rock scene knows about her and wants the scoop on her and Adam’s relationship. Even Kim has become a war photographer who sells her photos to The New York Times.

Still, this was quite good and made me a bit sniffly, which I perversely enjoy.

Jackaby, Books 1-4 by William Ritter

jackaby1Jackaby
I’ve seen this series described as “Sherlock meets Doctor Who,” and that is pretty apt. It’s January 1892 and our plucky British narrator, Abigail Rook, has just arrived in New England and needs employment. No one is hiring except for the eccentric investigator, R. F. Jackaby, who is looking for a new assistant since his previous one is “currently waterfowl.” Jackaby’s physical description is evocative of Benedict Cumberbatch in character as Sherlock, and he’s occasionally tactless, but aside from one early demonstration, he doesn’t do much in the way of deduction. Instead, he’s more like The Doctor—a kooky, scarf-wearing fellow who dashes about warning townspeople of supernatural threats while they regard him as “a crackpot imbecile.” Abigail is, of course, the companion—a clever girl who has always longed for adventure but who has until now been denied it. Happily, there is no hint of romance between them.

In this first installment, Abigail and Jackaby work together to solve a series of murders afflicting a particular apartment building. Jackaby, of course, can tell the culprit is a creature of some sort while the policeman in charge scoffs at this assertion and, at one point, locks Abigail and Jackaby up for impeding his investigation. Although I liked the characters—especially Jenny Cavanaugh, the ghostly resident of Jackaby’s headquarters—the mystery portion of the book was sadly predictable. “Obvious culprit is obvious,” I wrote in my notes, and though I didn’t work out what sort of creature was to blame, another character’s bestial secret was no surprise.

Still, I did enjoy Jackaby and like the characters and tone well enough to continue. I do hope the next mystery is a little less transparent, though.

the-map“The Map”
This short story takes place on Abigail’s birthday. She’s been quite clear about not wanting a fuss, but Jackaby is determined that they will have an adventure. Their first stop is a magical market, which she doesn’t enjoy much, to Jackaby’s disappointment. While there, however, they pick up a treasure map and proceed to complete a series of challenges in search of the treasure buried by the notorious rogue, the Bold Deceiver.

“The Map” may not be an essential piece of reading, but it was enjoyable nonetheless. I especially liked the challenge in which they must get past the enormous hare guarding a castle—that one was sad and funny simultaneously. I also like that they’re not 100% successful with all the tasks, since centuries have passed since they were set up. On the whole, it’s worth checking out.

jackaby2Beastly Bones
It’s now the spring of 1892 and Jackaby and Abigail have been sent to the nearby town of Gad’s Valley to investigate thefts from a paleontological dig site. Abigail is mad for fossils, so is very excited about this prospect, while Jackaby must be convinced it’s worth their time. Another benefit is that Abigail gets to spend more time with Charlie the handsome policeman, for whom she has feelings, though she’s unsure what to do about him. Jenny the ghost has advised her to go for it and make the first move while Nelly Fuller, intrepid lady reporter, chastises her for thinking about love. “Do you want to be safe and happy or do you want to be great?”

As I had hoped, the mystery in Beastly Bones is a definite improvement over the first book; despite being a fine example of Chekhov’s Gun, its multiple layers made for a more complex case. Mostly, however, I liked that one aspect of it remains unsolved. Even though this series has Sherlockian elements, it hadn’t occurred to me that there’d be a Moriarty equivalent, but it looks like there is!

Still, the characters remain the main draw. Jackaby can be brash and insulting, but he doesn’t talk down to Abigail or treat her like a kid. I enjoyed his aversion to hearing about her romantic problems, and his awkward attempts to be sweet. “Buck up; you’re dreadful company when you’re melancholy.” Abigail continues to be resourceful and likable. And though there wasn’t much of Jenny, the ending finds her enlisting Jackaby to delve into her own murder. I’m very much looking forward to it!

jackaby3Ghostly Echoes
I’d really been looking forward to Ghostly Echoes and the truth behind Jenny’s murder, but it wasn’t exactly what I’d been hoping for.

True, Jenny’s murder is solved, but there is practically zero exploration of the person she was when she was alive. The plot is more about the evil council responsible (turns out that Moriarty-seeming character from previous books was only stirring things up to keep Jackaby busy so this group of dark fae could keep an eye on him) and the looming threat to mankind. Jenny did grow tremendously in both confidence and ability, and had a few genuinely badass moments in which she got to save her friends. I also appreciated her realization that she is more than a mere echo of the girl who died, but has her own thoughts and feelings. “I’m my own somebody.” I liked all of that, but I still wish she’d been the focus throughout instead of only in places.

Too, there’s not really much Jackaby, either. Yes, we learn about his childhood friend who was the Seer before him and how the council was after her too, but he just seems so… deflated. I guess it’s reasonable for him to be subdued given the case and its implications—he was worried that closure for Jenny might mean she’d move on—but I missed the humor he used to bring to situations. I reckon there shan’t be much of that in the next volume, either, in which our heroes face off against the bad guys and attempt to save the world.

The Dire King
The final entry in the Jackaby series wasn’t bad but, like the previous installment, certain character moments that I really wanted to see play out were completely glossed over.

Jackaby and company are trying to prevent the Dire King from destroying the veil that separates the Annwn and our world. This involves locating a particular magical artifact, attempting to destroy a diabolical machine, clashing armies, and lots and lots of fairies and magical creatures. I cannot possibly express how little interest I have in lots and lots of fairies and magical creatures.

There was at least more Jackaby here, and a somewhat warmer one, which I appreciated. I just wish there was much more about him and Jenny. She’s finally able to overcome her inability to touch him when his life is on the line, and there’s the suggestion that they’re going to live happily ever after once the crisis has been averted, but man, I really wish we’d gotten a scene where he pours his heart out and she scolds him for taking so long while also crying happily. Similarly, while I like where Abigail ultimately ends up, the very end is briefly pretty great but then it’s just… over.

I know cheesy epilogues get maligned pretty often, but in this case I would’ve appreciated one!

A Barrage of Buffy

Because I am a great big geek, one of my personal goals is to read all of the novels inspired by Buffy the Vampire Slayer. This is the second in a series of posts collecting relatively short reviews of these books. All of the following are set during the show’s third season.

Obsidian Fate by Diana G. Gallagher
obsidian_fateIn 1520, a Spaniard conveying stolen Aztec treasure to a secret hiding place was killed by a mudslide while holding a particular obsidian mirror. Now, his remains have been found in an archaeological dig in Sunnydale. It turns out that the mirror contains the essence of the Aztec god of night, Tezcatlipoca, who quickly makes a graduate student working on the dig his High Priestess and adopts a jaguar form to prowl around and do some chomps. The gang must prevent his brainwashed followers from offering enough human sacrifices to empower Tezcatlipoca to banish the sun forever.

There were definitely things I liked about Obsidian Fate. I liked that Buffy is worrying about her friends leaving for distant universities and colleges and trying to figure out what she herself is going to do. I liked that Angel has begun to think about moving away to let Buffy live her life. I liked that Giles is still grieving Jenny. A lot of the characterization and dialogue was good—especially Oz, which is pretty difficult to do. Surprisingly, Kendra and Faith both get a mention, though the latter is nowhere to be seen (and this is all set before she goes bad). No Wesley at all. It’s also really neat that the Mayor and Mr. Trick are facilitating Tezcatlipoca’s rise!

But oh man, so many descriptions of temples and stones and boulders and pillars. It’s very tedious. Also, one of their fellow students has become temporary host to part of Tezcatlipoca’s essence and plans to sexually assault Willow prior to sacrificing her. Nobody, besides Oz, seems to be quite as pissed off about this as they should be. Lastly, a subplot about how one of Buffy’s prophetic dreams showed Angel’s demise offers zero suspense. Still, their reunion on the final page does produce a genuinely cute moment.

Is this one worth a read? Eh, it could be worse.

Power of Persuasion by Elizabeth Massie
power_persuasionThis was a bit of a clunker, I’m afraid. The awkward teen daughter of a culinarily disinclined restaurant owner grows fed up with catering to her incompetent father’s whims and, by chanting supplications whilst surrounded by random items from the restaurant’s pantry, somehow successfully summons a Greek goddess and her two muse daughters to help her change things. They proceed to compel a lot of female students (including Willow) to join their “womyn power” crusade, which mostly involves campaigning for girls to have the right to try out for the vacancies on boys’ teams that arise when male athletes keep turning up dead.

Many of these Buffy media tie-in novels have similarly mediocre plots, but are usually made more tolerable by the author having the ability to capture how characters speak and interact. Not so much here, unfortunately. I appreciated that with Willow, Giles, and Xander falling under the sway of the villains and Angel out of town, Buffy had to rely on Cordelia and Oz to help her. But, while Cordelia’s scenes were fine, much of Oz’s dialogue and demeanor seemed wrong to me. Also, some weird abilities are ascribed to vampires, like one scene where a struggling vamp leaves scorch marks where her heels have dug into the earth.

I suppose the best praise I can muster is, “It’s pretty lame, but at least it’s short.”

Prime Evil by Diana G. Gallagher
prime_evilSeldom have I read a book so starkly divided between enjoyable parts and excruciating parts!

Set after “Doppelgangland,” the plot of Prime Evil involves a witch attuned to “primal magick” who was first born 19,000 years ago and who keeps being reincarnated and gathering sacrificial followers in an attempt to access “the source.” Her current identity is Crystal Gordon, a new history teacher at Sunnydale High, and her latest crop of doomed devotees is composed entirely of students. Obviously, it’s the Scooby Gang’s job to stop her.

First, the good. Most of the scenes with the main characters are fun, with dialogue that I could easily hear in the actors’ voices. Anya and Joyce have significant roles, and there was notable awkwardness between the latter and Giles. Although this was presumably the result of their dalliance in “Band Candy,” I liked that the explanation wasn’t explicitly stated. I thought it was interesting that Crystal tempts Willow to join her disciples by promising a cure for Oz, and I did have to snicker at a scene in which Angel, for the sake of expedience in getting to safety, has to sling Xander over his shoulder.

The bad, however, cannot be denied. There are many tedious flashbacks to Crystal’s past incarnations and these quickly became literally groan-inducing. In addition, the theoretically climactic magical battle at the end is full of prose like “The great source-river of wild magick coursed in violent abandon through the orbits of comets so ancient and distant they had never been warmed by the sun” and succeeded only in making me profoundly sleepy.

In summation… zzz.

Resurrecting Ravana by Ray Garton
resurrecting_ravanaA rash of cattle mutilations has the Scooby Gang suspecting hellhound activity, but when several people turn up eaten, after each has spontaneously killed their dearest friend, it’s clear something else is up. There’s more of a mystery here than these books generally offer, with a plot that features Hindu gods, an elderly collector of magical artifacts, his lonely granddaughter, and a certain statue that can resurrect a deity who will reward one richly for this service (and whose minions will kill everyone else).

Along the way, a new guidance counselor of Indian descent is introduced (replacing the guy who got killed in “Beauty and the Beasts”). At first, I thought this was going to be another one of those “Willow falls under the sway of a new female staff/faculty member who is secretly evil” storylines, but, refreshingly, that did not turn out to be the case. Willow just talks to her about problems with her relationship with Buffy, which come to a head in a couple of full-on brawls in the library. It takes a really long time for anyone to put together that their situation parallels the murders/devourings happening elsewhere in town, but it does lead to a nice final moment for the book.

Characterization is spotty. Pretty much each character has a moment that feels especially right as well as one that feels especially wrong. Xander and Cordelia’s bickering is even nastier than usual, and it’s never outright said that they’re being affected by the same creatures who manipulated Buffy and Willow. That said, I did enjoy all of Buffy’s interactions with her mother, particularly a late-night trip to Denny’s. All in all, Resurrecting Ravana wasn’t bad!

Return to Chaos by Craig Shaw Gardner
return_chaosReturn to Chaos is a bit different from most of the other Buffy tie-in books I’ve read. Instead of a new big villain coming to town, the plot is mostly about some new allies coming to town. A quartet of Druids, specifically, consisting of an older guy named George and his three nephews, one of whom develops feelings for Buffy. George wants to enlists the Slayer’s help in performing a spell on the Hellmouth that will supposedly prevent bad things from crossing over, but he’s really vague about his plans, and it soon becomes evident that he isn’t in his right mind. The nephews genuinely are allies, though, which is kind of refreshing.

This book was written in 1998, and it seems that the author was not privy to much that was going to happen in season three. A couple of vague references are made to Angel coming back, and about Buffy trying to move on romantically, but Xander and Cordelia are still very much together as a couple. That would put this somewhere between “Beauty and the Beasts” (episode four) and “Lover’s Walk” (episode eight), except that it is very clearly spring and we know that “Amends” (episode ten) is Christmas. Oopsies. There are a couple of other small errors, too, concerning Buffy’s eye color and Giles’ glasses.

This is another book in which there’s more of Oz than I’d been expecting. Some of his scenes and thoughts are okay, and I appreciated that the author wrote a teensy bit about Oz’s family, but at other times he just seems far too verbose. (This, combined with the errors mentioned above, makes me wonder just how familiar the author was with these characters.) Cordelia has a subplot of her own, as well, in which she falls under the thrall of a former rival turned vampire. The Druids recognize that the vampire is using a “mastery” spell, which is likened to the power Drusilla exhibited when she was able to kill Kendra so easily. I thought that was kind of neat.

In the end, despite some flaws, it turned out to be pretty decent.

Revenant by Mel Odom
revenantIn 1853, 35 Chinese laborers were killed in a mine cave-in on a site owned by some of Sunnydale’s forefathers. The incident was covered up and families were unable to provide their loved ones with a proper burial. Now, the unquiet spirits of those men want vengeance on the owners’ descendants and have managed to communicate with the troubled brother of one of Willow’s friends, who enlists her help. Honestly, this plot doesn’t make a whole lot of sense, but there’s a rich importer involved (who’s receiving help from the mayor) and chanting and statues and dragons and warehouses what go boom and demons that turn into goop.

Sometimes, Odom has a bit of trouble with characterization—Oz’s dialogue often doesn’t feel quite right, and sometimes Buffy comes off as vapid, like an early scene where she’s worried about her hair while Willow is running for her life—but other scenes are spot-on. I particularly liked a moment where Giles is forced to hotwire a truck (“I was not always a good boy”) and the final scene wherein Xander attempts to parlay his latest romantic disappointment into Buffy’s half of a Twinkie they’re sharing. Odom also incorporates and elaborates on some of the issues characters are worrying about at this point in the show: Buffy ponders her future with Angel, Xander dreads being left behind after graduation, and Cordelia seeks to avoid trouble at home by helping with research. The action scenes are easy to envision, as well.

Unlike most other books set during this season, the brief Xander/Willow fling and its fallout are acknowledged. Like the others, neither Faith nor Wesley is mentioned, and the former’s absence is particularly glaring, given the evident difficulty of the big battle. Still, Revenant ended up being a pleasant surprise.

The Ancient Magus’ Bride, Vols. 1-8

By Kore Yamazaki | Published by Seven Seas

I’d heard good things about The Ancient Magus’ Bride from my Manga Bookshelf compatriots, but I had also heard about a sad fate befalling some cats, so I steered clear. After reading and really enjoying Kore Yamazaki’s Frau Faust, however, I decided to give AMB a try. I’m glad I did, because it turns out the cat stuff wasn’t a deal breaker (it all happened long ago and present-day kitties emerge unscathed) and the series is excellent.

In the opening chapter, fifteen-year-old Japanese teenager Chise Hatori is on sale at a British auction house. She is apparently “the most wondrous tool an alchemist can hope for—a sleigh beggy,” though she knows not what a sleigh beggy is. She only knows that she’s been attracting weird creatures all her life, that her father left with her younger brother, that her mother committed suicide, that her other relatives wouldn’t take her, and that she just wants a place to call home. She doesn’t care whether she lives or dies, but thought that if she could be useful to someone, that would be okay.

She’s purchased by a mage named Elias Ainsworth, who takes her as his apprentice. Elias is not entirely human and not entirely fae, either. Most of the time he assumes the form of a tall human with a head somewhat like a cow’s skull, but his real form is something far stranger. Despite his scary looks, he’s kind to Chise, insisting that she be neither passive nor servile, and she’s soon comfortable in his home in the countryside west of London. Eventually, he tells her that because of her ability to absorb and generate mass quantities of magic, her lifespan is destined to be brief. Part of the reason he bought her was to try to help overcome this while also learning more about humans. And to be his bride, of course.

Here’s a particularly revealing passage from volume two:

”I bought you because you met my requirements. With nothing of your own, you’d have little reason to leave me. I gave you food and shelter, and said things I expected you wished to hear. I thought that raising you myself might enable me to better understand your kind. I’d planned to tell you these things after I was confident you’d never leave.”

For Chise, someone not wanting her to leave is a novel experience, so she stays. Most of the time, anything romantic happening between them is downplayed. Instead, they take on a variety of tasks like investigating the black dog haunting a churchyard (who ultimately becomes Chise’s very, very lovable familiar), or helping a muse-like fae communicate with the man she’s loved for decades, or helping a girl find the brother her parents have inexplicably forgotten. Meanwhile, Chise learns more about magic (and how it differs from alchemy) and becomes passionate about helping others, often to her detriment. While she’s become more attached to the idea of living, she’s also reckless, culminating in an incident at the end of volume seven where, in an attempt to calm a rampaging dragon, she ends up absorbing so much of its magic that she curses herself. A despairing and desperate Elias attempts something awful to cure her, driving her away in the process (and potentially into an alliance with evil alchemist Josef, though I fail to see how Chise could rationalize doing such a thing).

What I’m getting at here is that this is a series rich in story. The plot is interesting, but the real story is Chise and Elias, what they mean to each other and how they might be incompatible despite all that binds them together. Besides the fact that her life was already going to be brief, now Chise has this dragon’s curse to contend with, and it’s really not looking good for her. Sometimes, too, Chise gets warned about Elias’ interest in her, like when his master Lindel says, “It looks as if he’s trying to tame you… and you are allowing him to do it. But you mustn’t.” Even if she were to return to him after what he did, would that be the healthy choice? I’m not sure this is going to have a happy ending, but it’s certain to have a fascinating one. I can’t wait for volume nine!

The Ancient Magus’ Bride is ongoing in Japan, where the ninth volume has just been released. It’ll come out in English in September.

The Promised Neverland, Vol. 1

Story by Kaiu Shirai, Art by Posuka Demizu | Published by VIZ Media

First off: The Promised Neverland is amazing and you should go buy it. I’d heard good things about it, but hadn’t expected this degree of exhilarating awesomeness. Secondly: I will do my best to avoid major spoilers, but a few are unavoidably required to describe (and compliment) the plot. Take heed!

Emma is an eleven-year-old with a sunny disposition and boundless energy. She lives at Grace Field House, an orphanage, and is one of the oldest of 38 kids. She loves them all. Everything seems normal to them, including the numbers tattooed on their necks as well as the daily test, which is dramatically revealed in a two-page spread. Emma and her fellow eleven-year-olds Norman and Ray always get perfect scores on the test, and I particularly enjoyed that the ensuing story actually shows their intelligence instead of merely telling readers that they’re smart.

Every now and then one of the kids finds a home, but oddly, none of the children who’ve left have ever sent any letters. The place is comfortable, with plenty of food and a forest to play in, but they’re forbidden from going near the main gate or a fence in the forest. One day, when one of the younger girls who wasn’t doing well on the tests is headed off for her new home, she leaves behind a beloved stuffed rabbit. Emma and Norman decide to break the rules and head toward the gate to return it to her, whereupon they learn something shocking (via another very effective two-page spread) and realize they must escape.

It’s riveting watching the kids try to figure out what’s going on, how much their caretaker (whom they call “Mom,” though we learn she’s named Isabella) knows about what they know, how to defeat the trackers Mom makes sure they know exist, etc. Basically, laying out the rules of their confinement that they’re going to have to overcome. Too, although analytical Ray points out that their chances in the outside world would be far better with just the three of them—and also that it’s 2045 and they don’t have any books published after 2015, so who knows what the outside world is like now—idealistic Emma is insistent that they’re not going to leave any of the kids behind, even including the dozen or so who are three and under.

It’s clear that this story has been carefully thought through, and I love how little things are foreshadowed that later prove significant. For example, in the early scenes, the kids are playing outside and Emma is thinking about how they know the forest around Grace Field House inside and out, including which tree has a hole in its trunk. Later, there’s a nonverbal moment where she and Norman choose that as a hiding place for some table cloths they hope to use to get over the wall surrounding the property. It’s subtle, but ultimately reassuring.

Happily, volume two comes out in five days. After that, I’ll be studiously avoiding spoilers, even though I’m sure the wait for new volumes will be agonizing.

The Promised Neverland is ongoing in Japan, where it is up to seven volumes. The second will be released in English on Tuesday.

Frau Faust, Vols. 1-2

By Kore Yamazaki | Published by Kodansha Comics

I had heard good things about Frau Faust and figured I would probably like it too, but I wasn’t prepared for the “OMG, I love this!” feeling that overtook me after the first dozen pages or so. I loved it so much, in fact, that the first seven volumes of Yamazaki’s other published-in-English series, The Ancient Magus’ Bride, are currently on their way to my branch of our awesome local library. If Frau Faust is going to be this original and entertaining, clearly I need to read more of Yamazaki’s work!

But let’s back up a little to the premise. Johanna Faust was always an extremely curious child, her quest for knowledge so intense that it led her to dissect animals and do other things that caused her to be ostracized for being creepy. Even her own mother was afraid of her. Because of this greed, the demon Mephistopheles paid Johanna a visit, promising to bestow all of the knowledge she could ever want upon her. Johanna flatly rejected this deal, however, because she’s only interested in knowledge she attains for herself. Mephisto (for short) proceeds to hang around for a few years, in case she changes her mind. Eventually, to help save her only friend from a slavering wolf creature, Johanna agrees to the contract. When she dies, Mephisto gets her soul, but what she wants while she’s alive is actually him. He’ll be her protector, assistant, et cetera.

Of course, we don’t learn all of that right off the bat. Instead, we encounter Johanna as she’s trying to get into a church to retrieve one of Mephisto’s body parts. A curse prevents her from opening the door, so when she protects a young book thief named Marion from the authorities, he seems to be the perfect candidate to solve her problem. While they wait for the new moon to complete the errand, Johanna offers to tutor Marion, whom it turns out was merely stealing his own books back after they were taken by debt collectors. Poverty has also caused him to give up school, which was the only thing he’s good at.

After the errand is complete, Marion refuses to let his memories of the encounter be wiped, and tags along with Johanna on her journey to gather the rest of Mephisto, whom she refers to as “my adorable, detestable, unfathomable idiot of a dog.” As the trail leads Johanna to a town where the church is protecting Mephisto’s leg, we learn more about why the demon has been quartered and his parts kept under guard—his only charge is performing an immortality curse upon the dead—and what this means for Johanna. Whenever she sustains an injury, she is able to heal herself, but has a finite supply of physical material to work with, thus she ends up looking younger each time.

As cool as it was to have an older protagonist, I really don’t mind that she ends up looking younger, since she is demonstrably still the same person. I appreciate that Johanna is decidedly not evil. She never threatens Marion or anything of the sort. And though she might have made some past decisions Marion has a hard time accepting, she only did so after a lot of thought and because it was the best and only option at the time. I also really like how Marion becomes a stronger character in the second volume, as we learn that his motivations for tagging along with Johanna are more than mere curiosity: she’s his ticket out of a town where he has very few prospects.

I haven’t yet touched on the church characters, primarily an inquisitor named Lorenzo (who’s trying to stop Johanna but yet agrees to work with her to expose a corrupt priest) and his friend and assistant Vito, who gets himself captured along with Marion whilst trying to figure out why vagrants keep going missing around the church. They believe humankind will suffer if Mephisto is allowed to return to normal. (Nico, Johanna’s homunculus “daughter,” doesn’t seem fond of him, either.) The players on each side are sympathetic and the story is complex, just how I like ’em. We still don’t know what sort of “game” Johanna and Mephisto are playing and why she doesn’t just take her immortality and run, rather than risk injury trying to put the demon with dibs on her soul back together. Maybe she’s simply fond of him?

Alas, this series is only five volumes long, but I will look on the bright side—we will hopefully get a really satisfying conclusion that much sooner!

Frau Faust is complete in five volumes. The first two volumes are currently available in English and the third will be released on Tuesday.

Review copies provided by the publisher.

Wake Up, Sleeping Beauty, Vol. 1

By Megumi Morino | Published by Kodansha Comics

Tetsu Misato makes up for what he lacks in height with his energy and determination. Due to a mysterious promise he made to his hospitalized mother, Tetsu is driven to earn money. So much so that he plains to join the work force after graduation and already is working several part-time jobs while in high school, abandoning the soccer team as a result. To prove to his father that he is ready to hold down a job, he begins working through his father’s housekeeping agency at the Karasawa mansion. There have long been rumors that the place is haunted, but Tetsu soon learns that the “frail, sickly daughter” who allegedly lives in a separate building is a real and friendly girl, no apparition at all.

In fact, Shizu doesn’t seem ill at all, but some of the things she says are strange, like “I’d like you to come see me… to see Shizu Karasawa again.” And when Tetsu confesses his love (thankfully without prolonged angst) Shizu is troubled and invites him to visit again on his next work day before she gives him a straight answer. When he complies, he finds a completely different Shizu, who refers to the personality Tetsu interacted with as “Haru” and only vaguely remembers Tetsu. She doesn’t seem to know who she herself really is.

Most of this first volume is Tetsu figuring out the mystery of what exactly Shizu’s deal is, which I don’t want to spoil, but I will say I definitely enjoyed the read. Early on, there are some gag reaction panels that aren’t particularly amusing, but which make the darker, creepier moments later on land with more impact. Tetsu is quite the scaredy cat, and while he initially visits Shizu because he cares about her (well, the Haru version, at least) and doesn’t want her to be lonely, by the end of the volume, Shizu’s mother has made him an offer he can’t refuse, and though he’s now scared of Shizu because of what he’s learned, he’s compelled to stay near her to protect someone he cares about—and this time, I think that’s referring to his mother or his family and ties in to the unknown reason that he needs to earn all that money. It’s a nice shift in his motivations, especially as it occurs after the real Shizu has shown that she cares about Tetsu, a first for her.

The tables have turned in their relationship, and I very much look forward to see how the story progresses from here.

Wake Up, Sleeping Beauty is complete in six volumes. Volume two will be out in English next week.

Review copy provided by the publisher.

Several from Seven Seas

In the past couple of months, Seven Seas has published several new releases of interest to me!

Bloom Into You, Vol. 1 by Nakatani Nio
Koito Yuu has just begun her first year of high school. Pressured by her friends to participate in club activities, she ends up assisting the student council, where she meets elegant second-year student Nanami Touko. Yuu has been trying to figure out how to reply to the male friend who confessed his love for her at their middle school graduation, and when she overhears Touko rejecting a confession with the words “I don’t intend to go out with anyone, no matter who asks me,” she thinks she’s found someone who’ll understand how she feels.

Or, rather, doesn’t feel. Yuu wants to experience a soaring, sparkly love like she reads about in manga. She tried, but she couldn’t, and with Touko’s support, she’s finally able to let the guy down. What she isn’t prepared for is for Touko to reveal that they’re not alike after all because “I think I might be falling in love with you.”

At first, I was annoyed by Touko’s declaration. It was too soon; it felt unearned. However, the more we get to know her, as Yuu spends more time with her while working as her campaign manager for student elections, it becomes clear that Touko has devoted a lot of time and effort into projecting an image that isn’t really her. She wanted to be special, and now she must maintain that perfect facade. Around everyone, that is, except Yuu, who is seemingly incapable of finding anyone special. For you see, Yuu doesn’t feel anything when Touko confesses either, nor when the other girl steals her first kiss. She’s not excited, and she’s not upset. She feels nothing. I actually began to wonder… has she suffered some kind of deep, psychological trauma?

I like both Yuu and Touko, I like the Maria-sama ga Miteru sort of atmosphere, I like Yuu’s continued detachment, and I have high hopes for how this story might unfold going forward.

Bloom Into You is ongoing in Japan, where three volumes have been released so far. Volume two comes out in English on May 16th.

The Girl from the Other Side: Siúil, a Rún, Vol. 1 by Nagabe
It doesn’t happen all that often that I read something and conclude, “This is a five-star manga that everyone should read.” So, please keep that in mind when I say… This is a five-star manga that everyone should read.

The back cover blurb sets up the tone of the series marvelously, so I’m going to quote it. “In a land far away, there were two kingdoms: the Outside, where twisted beasts roamed that could curse with a touch, and the Inside, where humans lived in safety and peace. The girl and the beast should never have met, but when they do, a quiet fairytale begins.”

I knew I’d adore this series the moment a black-as-pitch creature approaches a little girl who’s snoozing unaware and instead of menacing her, he scolds her for wandering off. Indeed, the creature—whom Shiva, the little girl, refers to as “Teacher”—is gentle, gentlemanly, and valiant, protecting Shiva both physically (when paranoid human soldiers think she must be cursed and try to kill her) and mentally (by shielding her from the truth that she has been abandoned). He also possesses medical knowledge but forgot that he told Shiva he’d been a doctor. Was he once human himself? His concern for Shiva radiates from him—I was particularly struck by a panel depicting his fists clenched in worry—and I love him deeply.

While humans and their fear are one threat, we’re introduced to another at the end of the volume, making for a chilling cliffhanger. I can’t wait for volume two of this lovely and captivating series!

The Girl from the Other Side is ongoing in Japan, where three volumes have been released so far. Volume two comes out in English on May 16th.

Kase-san and Morning Glories by Hiromi Takashima
Kase-san and… is a series that is technically comprised of a succession of one-shot stories. This first volume, entitled Kase-san and Morning Glories, includes the title story as well as interludes like “Kase-san and the Bicycle,” “Kase-san and Sneakers,” and “Kase-san and the Spring Breeze.”

Yamada doesn’t fit in with her classmates well. Though she has noticed popular Kase-san, the boyish star of the track team, she never thought she was on the other girl’s radar. But it turns out that Kase-san admired Yamada’s dedication to the thankless task of weeding the school grounds. The girls eventually start hanging out together and it isn’t long before Yamada is having Feelings with a capital “F.” There ensues the typical angst about “but she’s a girl.”

There are a couple of other moments that I’ve seen elsewhere, too—an indirect kiss via a shared thermos, the first real kiss in the nurse’s office—and it’s certainly fluffy and insubstantial, but it’s still really cute. The art style is pleasant, and I wonder whether Yamada’s friend—who warns her about Kase dating girls—might provide some drama down the road. In any case, I’m on board for the next volume.

Kase-san and… is ongoing in Japan, where three volumes have been released so far. The second, Kase-san and Bento, comes out in English on May 23rd.

Kindred Spirits on the Roof: The Complete Collection by Hachi Ito, Aya Fumio, Toitentsu, and Liar-Soft
I was initially under the mistaken impression that the manga version of Kindred Spirits on the Roof was a retelling of the storyline from the yuri visual novel. Instead, it focuses on new girls attending Kokono-Tsuboshi Girls’ Academy of Commerce with some of the original couples returning as side characters or cameos.

In side A, written and illustrated by Hachi Ito, we are introduced to shy Shiina Shiori, who is in the art club. She comes out of her shell a bit while helping to create scenery for the play her class is putting on for the school festival, and by the end of the volume—after much dithering and conversations about “what does it feel like to love someone?”—has decided to stop running away from the feelings of her childhood friend, Kanda Mako. The moment where they become a couple is the only time the original kindred spirits are glimpsed, buy they don’t do or say anything.

Side B, written by Toitensu and illustrated by Aya Fumio, has a little more meat on its bones, but only just. Hase Chiharu and Ichiyama Tokino are fans of “friendly girls,” and decide to join the quiz club so that they can squee over the relationship between their sempai, Tomoe Natsuki and Sasaki Rika. They endeavor to help cool Sasaki admit to her feelings, and there is, of course, the implication that they themselves will form a couple someday. There were very brief glimpses of the girls at their quiz tournaments, but it was very far from being the focus of the story.

Ultimately, I didn’t hate Kindred Spirits on the Roof. It’s sweet and not lecherous. But it’s also a very frothy concoction without much depth. I can’t see myself ever desiring to reread it.

Kindred Spirits on the Roof is complete in two volumes.

Review copies for Kase-san and Morning Glories and Kindred Spirits on the Roof provided by the publisher.

The Night Beyond the Tricornered Window, Vols. 1-3

By Tomoko Yamashita | Published digitally by SuBLime

tricornered1Until Olivia mentioned it over in the comments on Manga Bookshelf, I had no idea this series existed, let alone that it was being released in English! Having loved Yamashita’s Dining Bar Akira and Black-Winged Love, I immediately purchased all extant volumes.

Kosuke Mikado has been able to see spirits since he was a child, but any time he tried to talk to his friends about it, they thought he was weird, so he has been keeping his distance from other people and has begun to doubt his own sanity. When the manager of the bookshop where Mikado works hires Rihito Hiyakawa to deal with a pesky spirit—and after Hikayawa recognizes Mikado’s powers and uses them to boost his own—Mikado finally finds someone who lives in the same world he does. Although he begins the series frightened and clinging to skepticism, through Hiyakawa’s assurances, Mikado gradually accepts the things he sees as reality and begins to combat them independently.

tricornered2I love series like this, where the leads have episodic disturbances that they investigate (via the partnership they strike up as a sort of supernatural cleaning crew and frequently assisting a non-believing cop named Hanzawa) plus an ongoing mystery (involving curses cast by someone named Erika Hiura) and yet the most important and fascinating aspect is the relationship between the leads themselves. There are the fun, suggestive moments where the guys are combining their powers for one reason or another and end up using dialogue like, “Do you want me to touch it?” or “Take me all the way in.” But where Yamashita-sensei really excels is at teasing out threads of darkness.

We first get an inkling that something is amiss when the guys visit a potentially fraudulent fortune-teller. Mikado is the one who physically sits for the session while Hiyakawa, bodily still in the waiting room, casually inhabits Mikado’s body to see for himself. The fortune-teller warns Mikado that the way Hiyakawa reaches into him so easily is dangerous, a warning neither Mikado nor I take seriously. And yet, after an encounter with Erika Hiura shows Mikado’s vulnerability to being accessed in this way, Hiyakawa makes Mikado enter into a contract he doesn’t remember, and we get this awesomely creepy full-page panel.

After this point, more and more potentially disturbing things about Hiyakawa are revealed. “I don’t have parents or friends,” he says at one point. Later, he seems baffled by the concepts of beauty and evil. As troubling indications mount, Mikado knows that he should be thinking seriously about what is happening between them. Other characters certainly question it, but Mikado is strangely reluctant. Is it because Hiyakawa is somehow keeping him quiescent, or is Mikado willfully maintaining his ignorance because he does not want to go back to being alone?

tricornered3It’s only at the end of volume three, wherein Hiyakawa nonchalantly suggests that it’d be good if they could work the other side of the business, too, that Mikado realizes he has no idea what kind of person he’s working with. As a reader, I too was lulled into believing that of course the protagonist of a series about fighting the supernatural is a good guy. Turns out, he’s more of an empty-inside opportunist. At this point, even I just want to say, “Run away, Mikado! Run away and don’t look back!” Is there any hope that he can help heal and humanize Hiyakawa, or will he only end up destroyed? How soon until volume four comes out?!

Lest my focus on the relationship suggest otherwise, the plot of The Night Beyond the Tricornered Window is also excellent. In fact, I sincerely owe Olivia a debt of gratitude. And SuBLime, too, in fact. I hope print editions are available at some point in the future, because this is a series I need to have on my shelves.

The Night Beyond the Tricornered Window is available on Kindle and at sublimemanga.com. The series is ongoing in Japan, where the fourth volume has just been released.

That Wolf-boy Is Mine!, Vols. 1-2

By Yoko Nogiri | Published by Kodansha Comics

wolfboy1After making a social blunder at school that results in being shunned by her female classmates, Komugi Kusunoki is glad of the chance to start over in Hokkaido when the demands of her mother’s job mean Komugi will need to live with her father instead. At Maruyama High School, she quickly befriends a couple of nice girls (Kana and Keiko) and learns about the small clique of hotties over whom many girls swoon but who keep to themselves. One day, she surprises one of the boys (Yu Ogami) while he is napping and he turns into a wolf who promptly boops her on the nose.

Adorable as that was, he was actually trying to erase her memory of the incident. When repeated attempts to hypnotize her fail, she promises to keep their secret and thus becomes the first person to surmount the wall the boys have erected around themselves. It turns out they’re animal ayakashi who have learned to transform and who live in the human world for its entertainment. In addition to Ogami, the next most prominent character is Rin Fushimi the fox, though there’s also a troublemaking tanuki boy and an aloof cat boy.

wolfboy2As Komugi gets to know them better, she learns that Ogami is half human and was abandoned in the woods by his human mother. Although he doesn’t hate humans as Fushimi claims to do, and is in fact kind and sweet, he’s still determined that he is going to be the last of his line and that he won’t fall in love with anyone, which is a problem because it doesn’t take long for Komugi to fall for him. Meanwhile, Fushimi witnesses this happening and tries to spare her hurt, and when she’s later trying to acclimate to just being friends with Ogami, he’s the one who’s there for her to talk to, sparking some jealous feelings on Ogami’s part.

Whenever something claims to be “perfect for fans of _______,” I am dubious. Just because a book features a petite blonde who fights demons doesn’t mean that it resembles Buffy the Vampire Slayer in any truly meaningful way. So, when a back cover blurb claimed that That Wolf-boy Is Mine! is perfect for fans of Fruits Basket, I uncharitably thought that they must mean it’s because hot guys transform into animals.

Now, it’s certainly true that hot guys do transform into animals, but the real emphasis here is on someone finding out a secret, proving themselves trustworthy, and helping damaged boys presumably learn to accept themselves. Nogiri-sensei has also done a great job in developing the three lead characters—I especially like level-headed Komugi and wary Fushimi—and it’s been a very long time since I’ve found a love triangle as compelling as this one. Any doubts I had about this series have been firmly dispelled, and I’m not only eagerly looking forward to volume three, I’m also bummed that the series is only four volumes long.

That Wolf-Boy Is Mine! is complete in four volumes. Two volumes have been released in English so far.