From the back cover:
Mitsuki has previously refused the operation that would save her life—at the expense of her voice. However, as Mitsuki gets closer to her first concert appearance, Ms. Oshige decides that she will put Mitsuki in the hospital after the event, no matter how Mitsuki feels about it. Even so, it may be too late to save Mitsuki’s life, unless Takuto and Meroko are successful in changing her fate.

Review:
Both Meroko and Mitsuki take some important steps forward in this volume, and I particularly liked chapters 25 and 26. The introduction of Hikari in chapter 25 might’ve seemed like a random obstacle gimmick in any other manga, but it works here because of the story line and really forces Mitsuki to confront some things. I especially love the bit with the pendant.

The last chapter advances the plot along nicely, though it left me a little confused on a couple of points. A side story, okay but predictable, with Madoka and Nachi completes the volume.

From the back cover:
Mitsuki’s popularity as Fullmoon has skyrocketed, but Mitsuki learns that fame carries a harsh price. Hidden among the birthday presents sent to Fullmoon is a mail bomb that explodes in Ms. Oshige’s face! Will the crazed fan be captured, or will Mitsuki have to quit music to save her friends… and herself?

Review:
I am very meh about this crazed fan story, even though I quite liked the revelation in the final pages of the volume. It’s possible this story could yield more interesting results later on, but for now, it wasn’t very exciting. Somehow, however, this ended up prompting Mitsuki to decide that she wants to live after all, and to grow determined to be stronger, so I guess it accomplished something besides providing a career obstacle.

In addition to a less than thrilling arc, character motivations or plot flow were not as clear as in previous volumes, and there were several times I had to go back and reread several pages when certain elements seemed to just pop up out of the blue.

I did like the backstory for Izumi, though not as much as Meroko’s. It reminds me strongly of Sohma Yuki from Fruits Basket, and there are parallels to be made between Mitsuki and Tohru, too.

From the back cover:
Mitsuki’s love for Eichi has helped keep her alive because she promised that one day she would become a famous singer and meet him again. But lately even thoughts of Eichi haven’t been enough to keep her spirits up. Will Takuto’s confessed love for Mitsuki be enough to convince her to live?

Review:
Mitsuki’s cheery shell finally cracks in this volume, and her resultant actions would be extremely annoying if perpetrated by, say, Miaka. However, Tanemura-Sensei has a knack for prompting her characters to dramatic choices in a way that’s IC and engenders understanding and sympathy. Good characters may do bad things, but the reader always understands why this is happening. (With the possible exception of Takuto, who irked me a few times.)

My favorite part of the volume was the last few chapters, where Meroko’s backstory is revealed. I don’t remember this being in the anime at all, and it was nice to be surprised. With the possibility for Izumi revelations on the horizon, I am eager to tackle the next volume.

From the back cover:
Mitsuki’s alter ego, Fullmoon, gets a new producer—Dr. Wakaouji, who is treating Mitsuki’s cancer! Before he got his medical degree, the doctor played keyboard in the legendary band ROUTE..L with Mitsuki’s father. Will the doctor break Mitsuki’s cover? And will Takuto’s newly exposed memories destroy his present friendships?

Review:
A lot of important stuff happened in this volume, and almost none of it related to Mitsuki’s career. Since I’m always hard-pressed to care about that what with the other plot points, this suited me just fine.

The first major occurrence is that Takuto remembers some of his past. I thought the details were just a little bit cheesy, but there were some interesting ramifications there for a couple of characters, so it managed to steer clear of lame. The second major thing, to which I shan’t even allude, is a pivotal twist and makes one entirely re-examine their concept of the story so far. It’s a testament to the writing that the story still hangs together when one looks at it through new eyes.

A pair of bonus stories round out the volume, one about Meroko and Izumi when they were partners and the other the first meeting of Eichi and Mitsuki (covered from her perspective earlier in the volume) now from his point of view.

From the back cover:
Now that Mitsuki has debuted in the pop world, she is faced with the dark side of the glitz and glamour—petty jealousy and scheming that just might be her undoing. Will her love for Eichi be enough to keep her on the road to stardom? Or will the schemes of a mysterious new Shinigami stop her dreams short?

Review:
This volume was pretty good, but not as good as the first. Thankfully, the Madoka pop rival stuff seems to be done (although how Meroko figured in was interesting), and instead we’re getting more backstory on the shinigami, both as individuals as well as the job itself. Also sprinkled in were a few moments suggesting Mitsuki’s not as happy-go-lucky as she seems. Cute moments abound, but it’s really the darker moments that I like the best.

There’s also a bonus story at the end called “Gin-yu Meika.” It’s about a boy (who looks a bit like Yuki Eiri) that encounters a fairy while practicing for a music competition. Although certain things transpired predictably, enough of the unexpected occurred that it turned out to be decent.

From the back cover:
Young Mitsuki loves singing and dreams of becoming a pop star. Unfortunately, a malignant tumor in her throat prevents her from pursuing her passion. However, her life turns around when two surprisingly fun-loving harbingers of death appear to grant Mitsuki a temporary reprieve from her illness and give her singing career a magical push start.

Review:
This is the first manga I’ve read by Tanemura, and I’m extremely impressed by both plotting and art. It’s super cute. I mean, really really cute, but it manages not to be obnoxious. The super cutest thing is Guu-chan, a pet pig, but though I tried and tried to find a screencap to link here, I couldn’t do it.

I’ve seen the anime for Full Moon, and I rather wish I hadn’t. The memory of all that dreadfully monotonous filler kept intruding as I began this volume, but gradually dissipated as the story lines began to diverge. Acts and motivations are ever so much clearer in the manga, so I will try to forget everything about the anime except for Ogata Megumi as seiyuu for one of the characters.

Like the best kind of stories, there may be some outer conventions that seem really silly, but the story is about a lot more than some twelve-year-old girl getting transformed into a pop star. Characters make tough choices, some rather dark fates may be looming on the horizon, et cetera. If pressed for a complaint, I’d say that it’s rather hard to care about plot twists regarding Mitsuki’s career when all that aforementioned looming is going on.