Boys Over Flowers 10 by Yoko Kamio: A-

From the back cover:
Rich boy Tsukasa returns to Japan after he discovers the true identity of Tsukushi’s “Kinsan.” Tsukushi herself is having trouble accepting his identity. Then Kinsan invites Tsukushi to a swank party where they bump into Tsukasa, who causes a major scene when Kinsan declares his intentions toward Tsukushi! Still desperate for money, Tsukushi goes to Tsukasa who comes up with a plan that everyone can benefit from. That is, if Tsukushi can win a beauty contest…!

Review:
Even though it’s obvious that Tsukushi should not go out with Kinsan (and I hope she doesn’t, ‘cos that would annoy me), this arc with him is still really fun because it prompts all sorts of great scenes between Tsukushi and Tsukasa. I can’t help but love when Kinsan tells those gathered at a party he’ll introduce them to the girl he wants to marry and Tsukasa goes “Tell me that’s not you!” I also love that Rui seems to be helping the two of them now.

And, as silly as the beauty contest is, it’s actually shaping up to look quite fun. After Tsukushi’s dad borrows from loan sharks and loses all the money at the track, she has to go and ask Tsukasa for the loan, which is a pretty big deal. Then he broaches the topic of the contest and, having been challenged by some Kinsan-lovers previously regarding it, she gets fired up enough to enter it. Tsubaki actually comes to good use here by offering to tutor her, Princess Diaries style.

So, yeah, it’s all kind of crazy, but it’s back to the kind of crazy that I like.

Boys Over Flowers 9 by Yoko Kamio: B

From the back cover:
Tsukasa is headed for New York to break away from his Tokyo life, but just before leaving Rui whispers something to him. When this news finally sinks in Tsukasa goes into another one of his frenzies. Financial troubles weigh heavy on the Makino family as Tsukushi’s father is out of a job. It becomes clear that they are completely dependent on her marrying a rich boy from Eitoku Academy. A new boy enters the scene! He is a bit of a nut, but is determined to help Tsukushi.

Review:
This volume was better than the last, since it had no wacky basketball hijinks, and was evenly enjoyable throughout, but nothing really stood out as special. The best bits were, of course, the scenes between Tsukushi and Tsukasa, particularly when she found out he was intending to leave the country. I also liked that she realized that he was partly responsible for helping her get over Eitoku’s weird atmosphere and be herself again.

The plot where Tsukushi meets another boy who helped her find a part-time job was okay, but I was annoyed he turned out to be yet another rich kid. Thinking Tsukushi was getting duped by this guy, Tsukasa also returned. This was way too soon, in my opinion. I would’ve liked to see her miss him at least a little more. But then I guess that might prompt her to decide on her feelings, and there are 27 more volumes so you know she can’t be doing that now!

A few odd things in the text also caught my attention. I can’t compare it to the original, but one scene where Rui discussed his intentions regarding Tsukushi didn’t seem to jive with his later actions. There were also a few typos. My favorite was where some creepy dudes locked a door as a “precatution.”

Boys Over Flowers 8 by Yoko Kamio: B

From the back cover:
Tsukasa wants Tsukushi and Rui expelled from Eitoku Academy, and he challenges them to a basketball showdown. Later, thanks to Tsukasa’s sister Tsubaki, Tsukushi and Rui are forced to spend a night together. But Rui confesses to Tsukushi that he is still unable to forget about Shizuka.

Review:

A basketball showdown?! The girl you love has “sliced [your] heart into ribbons” by smooching your friend, and you challenge them to a basketball showdown?! It turns out that it’s actually Tsubaki’s idea to settle the issue with sports and it’s Rui who suggests basketball, but it’s ridiculous nonetheless. Thankfully the participants realize this, and the game itself isn’t that bad.

Tsubaki has another brilliant idea later—let’s make the new couple who haven’t boffed yet spend the night in a room together! This stupid notion does lead to something good, as Rui admits to Tsukushi that he doesn’t really know how he feels about her and can’t forget Shizuka. Tsukasa, of course, thinks they did the deed.

So, I dunno. Some good things happened in this volume, but Tsubaki and her suggestions just inject a dose of dumb that I don’t particularly care for and make the moments worth getting excited over fewer and farther between.

Boys Over Flowers 7 by Yoko Kamio: A

From the back cover:
Upon Rui Hanazawa’s return from France, Tsukushi’s feelings for him also return. Together, they share a tender moment that is witnessed by Tsukasa. Tsukasa is consumed with rage and swears vengeance upon both of them in spite of the well-meaning interference by his recently arrived infamous older sister!

Review:
Ah, the wonderful angst. One really has to be in a certain mood when reading this series, I think, and allow oneself to be swept along in the story’s momentum. It’s really more affecting that way and greater than the sum of its parts.

I absolutely love the fallout from Tsukushi’s kiss with Rui. She realizes how much her actions have hurt Tsukasa, and is stricken with remorse, realizing too late how much his good opinion meant to her, now that she’s lost it. She tells herself Rui is the one she chose, but can’t help comparing the two of them and finds, on an awkward date, that she can’t loosen up and be herself around Rui. All of this is great.

What’s somewhat less great is the entrance of Tsukasa’s sister. As a character, I suppose I like her fine, but her propensity to wallop on her brother gets annoying. I get the impression it was supposed to be funny, but it fails. The volume also ends on a cliffhanger that I’m not sure will lead to something I’ll like—Tsukasa pledges to get Rui and Tsukushi expelled, but I’d much rather read passionate discussions between he and Tsukushi than about threats to her academic career.

InuYasha 33 by Rumiko Takahashi: B

From the back cover:
A fierce battle rages in the borderland lying between the world of the living and the afterlife. A mysterious force is attacking Inuyasha and preventing him from obtaining the last Shikon shard. This force claims to be acting on behalf of the will of the shard itself! Inuyasha also faces the dreaded Naraku, who will stop at nothing to obtain the shard. When all hope seems lost, Inuyasha receives help from a surprising force—his half-brother!

Review:
This volume is good, but the confrontation over the final shard is initially kind of dull. Then Sesshoumaru gets into the game and once everyone begins to contribute, it becomes more interesting.

The pattern of Sango and Miroku with their own mission to accomplish continues, to my enjoyment, and ends on a great cliffhanger with her encountering her brother, Kohaku, formerly under Naraku’s control but now in possession of his memories again and simply biding his time while maintaining the appearance of minionhood.

I also enjoy seeing the internal power plays within Naraku’s camp. His “team” is finally shaping up to have as much interpersonal dynamics as the good guys, and it’s very welcome. I’ve really enjoyed my InuThon; it’s going to be a long wait ’til July for the next volume.

InuYasha 32 by Rumiko Takahashi: B+

From the back cover:
Kagome faces a difficult decision—only she can help Kikyo heal from Naraku’s miasma. Will the love triangle between Kagome, Inuyasha, and Kikyo stop her from doing the right thing?! Kohaku comes under Naraku’s power and is ordered to steal the infant Hakudoshi. Will Kohaku be able to resist? While Inuyasha and his comrades watch, Naraku shows up at the demon bird’s nest for a showdown. A series of disturbing events is about to unfold, and a path to the borderland will be revealed!

Review:
This “last shard” arc is quite enjoyable. Not only is there the whole fun taking a path to the otherworld part, it also seems to be providing many more opportunities for the supporting characters to do things. Miroku and Sango are feeling like more important members of the cast now, which I appreciate. There even seems to be a slight evolution in the relationship between Inuyasha and Kikyo, which is also good.

I’m annoyed by the blurb on the back of the book, though. It makes it seem as if Kagome hesitated before healing Kikyo, when she did no such thing. She even makes a remark about it being insulting that someone would even consider she’d let her die for some Inuyasha-related reason.

One thing I particularly like about Takahashi is the way she paces the flow of action across a page. There’s one brief bit, where a lady is sneaking away in the background over several panels, glancing back over her shoulder and all that, that really struck me. It seems sort of cinematic somehow, and just so perfectly done that, though simple, it’s impressive. Some people can just draw pretty pictures, but Takahashi excels in using them to tell a story and set a mood.

InuYasha 31 by Rumiko Takahashi: B

From the back cover:
The search for the final shard of the Shikon Jewel leads Inuyasha and the gang to a mountain fortress. But the gate is guarded by two giant statues and a force that will only allow the dead to enter! Meanwhile, while seeking a path to the underworld, Naraku teams up with demon Abi Hime, who hunts the blood of innocent villagers to heal her mother. Inuyasha and friends step in to stop them when they find that Kikyo may be involved!

Review:
The coolness I was anticipating from the conclusion of the previous volume didn’t really pan out, as the journey to the gate was brief and no part of the dangerous Land of Fire was actually glimpsed. Inuyasha fought some statues. Ooh.

Most of the volume was centered on demonic birds who were ravaging nearby villages. This tied in with the main plot only slightly, and was more about a mysterious holy lady with the power to penetrate Hakudoshi’s barrier with a single arrow and whether she was Kikyo. Wow. I am so surprised Kikyo didn’t die. Takahashi, you fooled me again with your totally unpredictable storytelling ways.

This volume wasn’t bad by any stretch, but it was a bit of a let down. It ended with a fairly angsty cliffhanger, though, so I’m glad to have the next one on hand.

InuYasha 30 by Rumiko Takahashi: B+

From the back cover:
Evil Kagura and demonic baby Hakudoshi are searching for the border between the afterworld and this world, where it is said that the last Shikon Jewel shard lies. Inuyasha and the others are also doing everything they can to recover the last shard. Could it be that Inuyasha and Kagome have been to this border before?!

Review:
So far, this arc with Hakudoshi is shaping up to be a lot more interesting than the Band of Seven storyline. It’s not that Hakudoshi himself is anything particularly special, but the fact that this is supposedly a race to retrieve the last of the shikon shards makes the stakes much higher. The volume ends with the team learning how to pass the border and I have good hopes for the story ahead.

Something else of great significance happens in this volume, and it surprised me a good deal. Before the Hakudoshi plot really ramps up, the gang hears a legend about a group of ogre women and goes to investigate. Sango and Miroku take the center stage for these chapters and much coolness ensues, including a battle between them (when Sango comes under a demon’s control) and some revelations that I never thought would actually be made. Granted, it doesn’t seem to’ve made much difference in the ensuing chapters, but it’s a step.

InuYasha 29 by Rumiko Takahashi: B

From the back cover:
Inuyasha and the others are trapped inside Mount Hakurei with yet another newly reassembled Naraku. Meanwhile, Naraku reveals to Kikyo that his true purpose in hiding inside Mount Hakurei is to perfect an emotionless new form that could attack and even kill Kikyo without hesitation. Having finally divorced himself from Onigumo’s heart, will Naraku succeed in killing Kikyo? Inuyasha is troubled by a premonition of doom but arrives too late, finding only Kikyo’s broken bow!

Review:
Some things actually happened in this volume that surprised me, like Naraku cutting Kikyo down in battle and the explicit statement that only a few shikon shards remain uncollected. Things that failed to surprise me include the fact that Kikyo’s body was never found—I am entirely sure she will crop up again down the line—and that the chapter entitled “Inuyasha’s True Feelings” completely failed to reveal any such thing.

I liked the chapters involving Naraku’s plan to use Kagome to find the shards for him, especially since it prompted exploration of her feelings concerning Inuyasha and his lingering connection to Kikyo. I was also happy to see a brief segment occurring in the real world; seeing Inuyasha in that environment is always fun.

In all, I enjoyed the volume and its rare statement of a concrete fact, though it’s too bad I can no longer have faith in people truly being dead or things like that; it really dampens the impact of any kind of plot twist in that vein.

InuYasha 28 by Rumiko Takahashi: B+

From the back cover:
Trapped inside the holy shield of Mount Hakurei, Inuyasha’s demonic power has been stripped away, leaving him vulnerable. Will Miroku’s wind tunnel prove strong enough to break the barrier and free Inuyasha? And will Inuyasha’s strength be enough to defeat the leader of the Band of Seven, who has absorbed the Shikon Shards from his fallen comrades and become an even more formidable foe? A fierce battle is about to erupt—and Naraku is about to make a shocking appearance!

Review:
The Band of Seven arc draws to a close in this volume with a series of battles that are fun to read, despite Inuyasha just doing Wind Scar over and over. Jakotsu continues to be amusing, taunting Inuyasha with pervy comments while fighting him, and there’s some interesting stuff between the brothers, too.

As is usual for this series, there’s a lot of gore and random body parts flying around, but one particular scene takes the award for most disturbing imagery when a cave of proto-babies is uncovered during the search for Naraku. I wonder sometimes if Inuyasha shouldn’t be classified at least a little as horror, what with all the freaky stuff Takahashi seems to delight in drawing. I’ve also contemplated keeping a severed head tally box, but that just seems tacky.

Anyway, things culminate in dramatic fashion and I actually cheer the villain’s return by the end of the volume. I’m sure Inuyasha and friends will make it through, seeing as how there’s, like, twenty more volumes of this series, but I can pretend their peril is truly reason for concern.