Fushigi Yûgi 9 by Yuu Watase: B+

From the back cover:
Miaka Yuuki is an ordinary middle school student who is suddenly whisked away into the world of a book, The Universe of the Four Gods. In this alternate world, she must summon the god Suzaku by retrieving the Shinzahou. But, in order to get the treasure, Miaka must choose between her love for Tamahome and protecting the nation of Konan.

Review:
The B+ grade is for the story itself; the translation earns a D. For the entire first chapter, Nuriko is referred to with female pronouns. This is incredibly distracting from such a poignant, important scene! If the translators were even reading the material, they’d see that, too!

Anyway, the plot itself is pretty interesting, featuring an encounter with some nifty Genbu warriors. I quite fancy Hikitsu. I’ll have to try to remember what’s established about them and see whether continuity is maintained when I proceed to reading Genbu Kaiden.

When the Suzaku warriors learn there’s still more questing to do, we enter another little arc and meet another Seiryu warrior, Tomo, who I think is pretty durn cool. I really like the misdirection he perpetrates upon the group, even though it has the unfortunate effect of spurring another of Miaka’s too stupid to live moments. It had been a while since she’d run off idiotically and I was getting used to not finding her all that annoying.

Fushigi Yûgi 8 by Yuu Watase: A-

From the back cover:
A savage storm shipwrecks Miaka and her Celestial Warriors on a creepy island inhabited by a ruthless matriarchal society that enslaves men! Meanwhile, her former friend Yui and the Seiryu Warriors are within arm’s reach of the sacred treasures that Miaka so desperately seeks. Will she arrive too late to summon the god Suzaku and save the nation of Konan?

Review:
Ack! I didn’t realize that that happened in this volume.

While the story continues to move along nicely, the first couple of chapters in this volume were a little weak and almost felt like a flimsy excuse to draw the guys in drag. This is the first bit I’ve encountered that wasn’t in the anime, so it seems they shared my opinion.

There’s a lot of focus on Nuriko in this volume, whom I adore, and more determination on his part to no longer attempt to take his sister’s place. I still don’t wholeheartedly endorse some of the sudden realizations, but I must say it’s a lot clearer in the manga and I can kind of get a better handle on what he’s been through and what he means by what he says. It’s unfortunate that, while he’s considering what it means to be a man, Viz’s translation keeps calling him “she,” when previous volumes were free of that problem.

The Battle for the Castle by Elizabeth Winthrop: B

From the back cover:
As William turns twelve, he wonders if Jason is still his best friend. In the past year Jason has grown a foot taller while William is still a shrimp. When Jason challenges William to “jump the trains,” William is terrified. How else can he prove himself to Jason?

William has the chance when his former housekeeper sends him a magic token that once again takes him back to Sir Simon’s castle in the Middle Ages, this time with Jason. There they face a dangerous army of rats and their gigantic leader.

Once William was a hero in the castle. Now it’s up to him to destroy the rats and save the kingdom in the final battle for the castle.

Review:
As silly a plot as a dangerous army of rats is, this book was actually better than the first in the series. There’s still a Very Important Lesson to be learned (just because one has the sense not to do a clearly stupid thing does not mean that one is cowardly), but it was better handled than the last time, and the story didn’t seem to exist purely for the purpose of elucidating this message.

The character of Jason is interesting because he is so obnoxious, spurring some conflict between him and William. He’s like that clumsy friend you had who asked to hold your… I dunno, precious porcelain unicorn or something and then proceeded to dance around tossing it in the air, ignoring you while you keep telling him to give it back. The way he talks is very odd, though, and reminds me sooo much of a former piano student. He says stuff like, “Don’t worry, old buddy” or “Check out these babies!” I wonder if my student talked the way he did ‘cos he had read this book and made Jason his idol.

My main complaint is how stupid and incompetent the adults in the castle are made to appear. William and Jason end up coordinating defensive plans and giving instructions to guards and soldiers, and it was just too much for my suspension of disbelief.

The Castle in the Attic by Elizabeth Winthrop: B-

From the back cover:
William has just received the best present of his life. It’s an old, real-looking wooden model of a castle, with a drawbridge, moat, and a finger-high knight to guard the gates. It’s the mysterious castle his housekeeper has told him about, and even though William is sad she’s leaving, now the castle is his!

William can’t wait to play with it—he’s sure there’s something magical about the castle. And he’s right. Because when he picks up the tiny silver knight, it comes alive in his hand!

Sir Simon tells William a mighty story of wild sorcery, wizards, and magic. And suddenly William is off on a fantastic quest to another land and another time—where a fiery dragon and an evil wizard are waiting to do battle…

Review:
This is a very clear example of a fantasy tale that purports to be about toy nights coming alive and questy adventures but is really about something entirely different. In this case, the real point of the story is William and his family learning not to be dependent upon their housekeeper, whose presence at home with William allows his parents to justify working very late each night and who is sort of a crutch for William in his various endeavors.

I sometimes felt that The Castle in the Attic trod a little too closely to afterschool special territory, wherein William learns a very important lesson about confidence and self-reliance. Ironically, the second half of the book, which details this “fantastic quest,” was far less original or interesting than the real world portion and my interest waned quickly.

Part of the problem might’ve been the format (audiobook) and the pause-laden, settle down class it’s story time approach to narration. I’m sure everything would’ve seemed far less insipid if it were just read straight instead of, “The stairs were lit by smoking torches… that left long back marks on the stone walls… above them.” Do they think kids need a break in the middle of a sentence in order to digest its meaning?

Overall, it’s an okay story about a nice, gentle kid who needs a little push to realize he can do things on his own and succeed. I’m not sure I would’ve bothered with the sequel had I not already checked it out, but it’s short and seems to feature William’s best friend, Jason, who I found amusing in his brief appearances in this book.

Fushigi Yûgi 7 by Yuu Watase: A

From the back cover:
Now that the Seiryu Warriors have ruined their attempt to summon the god Suzaku, Miaka and her Celestial Warriors are forced to travel to a frozen northern country in hopes of gathering the sacred treasures that will grant them a second chance. Little do they know that they have made new enemies, ones who will stop at nothing to wreak their vengeance!

Review:
The plotting is excellent in this volume, with all events hanging together logically and moving forward with a sense of urgency and excitement as Miaka and friends head off on a new quest with the Seiryu Warriors in active competition. I suppose I’ve been burned too many times by manga that seems to amble around without a point, and it seems pretty clear that Watase knows where this story is going to go, so it impresses me.

Another thing I really liked was seeing more of Miaka’s interactions with others of the group. She is distressed about Tamahome, and sees Chichiri as a good person to talk to. Later, Nuriko is the one from whom she seeks comfort, and also plays a big role in the final chapter. We’re seeing the group bonding more as a whole and also learning more about their backgrounds.

Miaka also grows yet more determined to summon Suzaku. Though she doesn’t wish to fight Yui, Nakago’s tactics are just too cruel to be allowed to continue. I really like her when she is taking the job seriously, and therefore didn’t feel the urge to smack her once this time.

Fushigi Yûgi 6 by Yuu Watase: A-

From the back cover:
Now that she seems to have gathered all seven of her Celestial Warriors, Miaka is ready to summon the god Suzaku, who will grant her three wishes. But Miaka’s former best friend, Yui, has become her mortal enemy, and Yui’s nefarious general Nakago has a secret plan…

Review:
I thoroughly enjoyed this volume. Nakago’s secret plan comes to fruition and Miaka gains a bit in maturity as a result (points off for a brief too stupid to live moment in Chapter 31, however). Alas, no further glimmers of Mitsukake’s personality, and not much Chichiri and Tasuki to squee over, but there’s several important events and a big decision for Hotohori, and Nuriko has several very cute panels as well.

We’re now up to around episode 24 of the anime, which I remember because that’s exactly how many episodes a friend could cram on the tape(s) I provided. When I finally got the DVDs, I rewatched from the beginning, so as a result I believe the story’s about to head into the part I’ve only seen once and therefore remember less vividly. Woot.

Fushigi Yûgi 5 by Yuu Watase: A-

From the back cover:
To save her newly adoptive country of Konan, Miaka must venture into the heart of the enemy’s capital. Her mission: to retrieve her true love, Tamahome; outwit the unscrupulous general Nakago; and confront Yui, the girl who was once her best friend but is now her vindictive rival!

Review:
Things have really started to come together in this volume, making it my favorite of the series thus far. In some respects, I wish I hadn’t seen the anime first, because I’d be free to be surprised by things again, but my memories of watching it (my first shoujo) are so fond, I can’t really wish too strenuously. Knowing what I do, I must question this choice of spoilery cover.

Miaka is actually not too stupid or annoying this volume, and I liked her scenes with Yui, especially. I actually felt for her at the end of the volume, which is rather unprecedented. In the squee department, I totally love Chichiri and Tasuki, and even Mitsukake’s kitty. It also seems to me, just from a few cute little panels where Mitsukake talks, that he might have more personality in the manga than the anime, which would be welcome.

This volume was good enough that I am considering a marathon read on this nice, long weekend. Perhaps I shall get all the way through the series.

Tsubasa RESERVoir CHRoNiCLE 10 by CLAMP: B

From the back cover:
The battle between Yasha-o and Ashura-o is at an end. But now Ashura-o seems depressed. What this means for the country of Shura, none can tell… not even the five friends on a desperate journey through dimensions to find the memories of Princess Sakura—memories in the form of immensely powerful feathers. The five have been racing from world to world, separated and then pitted against one another as enemies. Now young Syaoran is at the center of the maelstrom—and only wits, luck, and some help from his friends will save the tiny band from destruction.

Review:
I have been toting this around for over a month, waiting to get the desire to read it. It turned out to be pretty good, and there’s actually a bit of movement plot-wise. Villainous dude continues to be pretty ho-hum, but makes a reference to his “next plan” (I don’t remember any coherent former plan) so there seems to be a possibility that we’ll start to see some sort of organized attempts to thwart our heroes in the future. I hope so, because this story really needs some strong narrative backbone. It can’t bank on cameos forever, as fun as those are.

The art is lovely, especially with Ashura and another CLAMP character who is an important personage in Piffle World, where they end up next. On a side note, while they’re there, Syaoran’s outfit is totally reminiscent of Gatchaman (as are the little dunebuggyesque cars).

Basara 19 by Yumi Tamura: B+

From the back cover:
Sarasa is engaged in a naval battle with the Royal fleet, but dolphin suicide torpedoes are being deployed against her Shikoku allies to devastating effect. Hiiragi’s assassins infiltrate Sarasa’s Suzaku flagship as she and her crew are pushed to extremes. (Spoilery sentence omitted.)

Review:
If you’re like me, you got about half a sentence through that and went, “… Dolphin… suicide torpedoes?!” Alas, it was just as dumb as it seems. It wasn’t the only slightly lame plot device, either. I think in a few spots Tamura-sensei must’ve just needed something to happen and contrived to make it so, no matter how clunky the result.

Quite a few important or significant things happened in this volume. I only hope I’m able to remember them when volume 20 comes around, as I continue to be fuzzy on details of things that happened only a volume or so ago. It doesn’t help that sometimes things happen so suddenly that one is kind of puzzling how it got to that point so quickly.

Shuri doesn’t appear much, and when he did, it made me realize how much I’ve missed seeing him. He and Sarasa need to reunite soon, durnit, but I like how Tamura handles some of the complications of that event arising.

Fushigi Yûgi 4 by Yuu Watase: B+

From the back cover:
To save her newly adopted country of Konan, Miaka must scour the nation for the remaining three of the seven Celestial Warriors who will help her in her quest. But the search takes her into the lair of bandits, and to a plague-cursed town where she has to die to survive!

Review:
A lot happens in this volume, keeping with the very fast pace mentioned this far. Sometimes it seemed like more time could’ve been spent on certain elements, especially on places where I think the anime did an episode break, but overall I’m still a fan of keeping things moving.

There are all kinds of cute bits in this volume, especially Hotohori and Nuriko in the bandit’s lair. Plus—Tasuki! He really adds something significant to the group (besides fangs). Mitsukake shows up too, but almost as an afterthought. I wonder whether he’ll be any more interesting in the manga than the anime, but somehow I doubt it.

Miaka was only mildly stupid in this volume, and at least one of her crazy actions seems to’ve actually had some thought behind it. Shokku!